The son of a high-ranking former Soviet diplomat, Erofeyev rebelled against Soviet values, and his works were banned until the Gorbachev era. His first translated novel, Russian Beauty, was published to great critical acclaim, and his writings in the New Yorker have won many American fans. Here, for the first time in English, is a collection of short stories written between 1978 and 1990, some of which have already acquired classic status in Russia. Written during the death-throes of the Soviet Union, though still relevant today, they have implications that are not restricted to Russia alone. In a nimble translation that preserves the dazzle and nuance of Erofeyev's rich language, Life with an Idiot will introduce Victor Erofeyev to a new generation of readers.

    He does this by treating the computer as a textual medium that is based on a technological language, code. Code, he argues, can be subject to the same kind of cultural and literary analysis as any natural language; computer languages have their own syntax, grammar, communities, and cultures. Instead of relying on established theoretical approaches, Galloway finds a new way to write about digital media, drawing on his backgrounds in computer programming and critical theory. Discipline-hopping is a necessity when it comes to complicated socio-technical topics like protocol, he writes in the preface.Galloway begins by examining the types of protocols that exist, including TCP/IP, DNS, and HTML. He then looks at examples of resistance and subversion--hackers, viruses, cyberfeminism, Internet art--which he views as emblematic of the larger transformations now taking place within digital culture. Written for a nontechnical audience, Protocol serves as a necessary counterpoint to the wildly utopian visions of the Net that were so widespread in earlier days.

    As in all Delphi Classics, the work is presented in a scholarly fashion, with all of the novels placed in chronological order, allowing readers to explore the author's gradual development in writing. The majority of texts are from Constance Garnett's celebrated translations, bringing the true spirit of Dostoyevsky's work to the English reader. Please note: we aim to provide the most comprehensive author collections available to Kindle readers. Sadly, it’s not always possible to guarantee an absolutely ‘complete’ works, due to copyright restrictions or the scarcity of minor works that have been translated into English. However, we do ensure our customers that every possible major text and a wealth of other material are included. We are dedicated to developing and enhancing our eBooks, which are available as free updates for customers who have already purchased them.CONTENTS:The NovelsPOOR FOLKTHE DOUBLENETOCHKA NEZVANOVAUNCLE’S DREAMTHE VILLAGE OF STEPANCHIKOVOTHE INSULTED AND HUMILIATEDTHE HOUSE OF THE DEADNOTES FROM UNDERGROUNDCRIME AND PUNISHMENTTHE GAMBLERTHE ETERNAL HUSBANDTHE IDIOTTHE POSSESSEDTHE RAW YOUTHTHE BROTHERS KARAMAZOVThe Short StoriesMR. PROHARTCHINTHE CHRISTMAS TREE AND THE WEDDINGTHE HEAVENLY CHRISTMAS TREETHE CROCODILEBOBOKA GENTLE SPIRITTHE DREAM OF A RIDICULOUS MANTHE PEASANT MAREYTHE LITTLE ORPHANA WEAK HEARTWHITE NIGHTSTHE MEEK GIRLPOLZUNKOVA LITTLE HEROTHE HONEST THIEFA NOVEL IN NINE LETTERSTHE LANDLADYAN UNPLEASANT PREDICAMENTANOTHER MAN'S WIFETHE GRAND INQUISITORThe Non-FictionDOSTOYEVSKY’S JOURNALTHE COMPLETE LETTERSThe CriticismON RUSSIAN NOVELISTS BY WILLIAM LYON PHELPSRUSSIAN ROMANCE BY EARL OF EVELYN BARING CROMERA SURVEY OF RUSSIAN LITERATURE BY ISABEL FLORENCE HAPGOODAN OUTLINE OF RUSSIAN LITERATURE BY MAURICE BARING

    In this much-needed book, science journalist Amir Aczel profoundly disagrees and conclusively demonstrates that science has not, as yet, provided any definitive proof refuting the existence of God.Why Science Does Not Disprove God is his brilliant and incisive analyses of the theories and findings of such titans as Albert Einstein, Roger Penrose, Alan Guth, and Charles Darwin, all of whose major breakthroughs leave open the possibility— and even the strong likelihood—of a Creator. Bolstering his argument, Aczel lucidly discourses on arcane aspects of physics to reveal how quantum theory, the anthropic principle, the fine-tuned dance of protons and quarks, the existence of anti-matter and the theory of parallel universes, also fail to disprove God.

    

    Content of the novel is based upon background of sea travel, heroes have portraits for the characters. Action is running in the "invented" places, whose names resemble names of the real cities in Crimea. Novel was written in 1928.

    Stephen Evans provides a clear, readable introduction to Soren Kierkegaard (1813-55) as a philosopher and thinker. His book is organised around Kierkegaard's concept of the three 'stages' or 'spheres' of human existence, which provide both a developmental account of the human self and an understanding of three rival views of human life and its meaning. Evans also discusses such important Kierkegaardian concepts as 'indirect communication', 'truth as subjectivity', and the Incarnation understood as 'the Absolute Paradox'. Although his discussion emphasises the importance of Christianity for understanding Kierkgaard, it shows him to be a writer of great interest to a secular as well as a religious audience. Evans' book brings Kierkegaard into conversation with western philosophers past and present, presenting him as one who gives powerful answers to the questions which philosophers ask.

    * The correlation of 666 (the mark of the beast) and computers. * More about the third world war and what countries will be affected. * Dangerous new technologies to control the weather and earthquakes. * Maps showing the portions of the continents that remain after the axis shift and the melting of the polar icecaps. * The role of Space Visitors during the time of tribulations.

    reveals that what most people think of as "the news" is, in fact, a twisted wing of the entertainment businessIn this characteristically turbocharged new book, celebrated Rolling Stone journalist Matt Taibbi provides an insider's guide to the variety of ways today's mainstream media tells us lies. Part tirade, part confessional, it reveals that what most people think of as "the news" is, in fact, a twisted wing of the entertainment business.In the Internet age, the press have mastered the art of monetizing anger, paranoia, and distrust. Taibbi, who has spent much of his career covering elections in which this kind of manipulative activity is most egregious, provides a rich taxonomic survey of American political journalism's dirty tricks.Heading into a 2020 election season that promises to be a Great Giza Pyramid Complex of invective and digital ugliness, Hate Inc. will be an invaluable antidote to the hidden poisons dished up by those we rely on to tell us what is happening in the world.

    The subsequent “Companion Species Manifesto,” which further questions the human–nonhuman disjunction, is no less urgently needed in our time of environmental crisis and profound polarization.Manifestly Haraway brings together these momentous manifestos to expose the continuity and ramifying force of Haraway’s thought, whose significance emerges with engaging immediacy in a sustained conversation between the author and her long-term friend and colleague Cary Wolfe. Reading cyborgs and companion species through and with each other, Haraway and Wolfe join in a wide-ranging exchange on the history and meaning of the manifestos in the context of biopolitics, feminism, Marxism, human–nonhuman relationships, making kin, literary tropes, material semiotics, the negative way of knowing, secular Catholicism, and more.The conversation ends by revealing the early stages of Haraway’s “Chthulucene Manifesto,” in tension with the teleologies of the doleful Anthropocene and the exterminationist Capitalocene. Deeply dedicated to a diverse and robust earthly flourishing, Manifestly Haraway promises to reignite needed discussion in and out of the academy about biologies, technologies, histories, and still possible futures.

    She delves into the always uneasy, sometimes tragic relationship that exists between journalist and subject.

    All he can produce is notes about the happiness of others. But something draws him into the Moscow lives around him, bringing together lonely neighbours, restoring lost love, and helping out with building renovations. And happiness seems determined to catch up with him as well…

    Though they were men of very different backgrounds and experiences, Herman reveals how Wilson and Lenin were very much alike. Both rose to supreme power, one through a democratic election; the other through violent revolution. Both transformed their countries by the policies they implemented, and the crucial decisions they made. Woodrow Wilson, a champion of democracy, capitalism, and the international order, steered America's involvement in World War I. Lenin, a communist revolutionary and advocate for the proletariat, lead the Bolsheviks' overthrow of Russia's earlier democratic revolution that toppled the Czar, and the establishment of a totalitarian Soviet Union.Men of opposing ideals and actions, each was idolized by millions-and vilified and feared by millions more. Though they would never meet, these two world leaders came to see in the other the evils of the world each sought to eradicate. In so doing, both would unleash the forces that still dominate our world, and that continue to shape its future from nationalism and Communism to today's maps of the Middle East, Asia, and Eastern Europe. In this incisive, fast-paced history, Herman brilliantly explores the birth of a potent rivalry between two men who rewrote the rules of geopolitics-and the moment, one hundred years ago, when our contemporary world began.

    The German army retreats and sweeps back over Eastern Europe, leaving its inhabitants in turmoil. A terrified and bloodstained young woman, Eliska, takes refuge in Libohrad, a deserted castle. She is joined by the idealistic Jiri, the unnerving Slavomir and his partisans. Then the castle's owner, Count Michael Blansky reappears to disturb the precarious equilibrium. With political change comes an ideological change. The aristocratic heritage of ten generations is brushed aside by the arrival of Communist troops, and Count Michael has to leave behind not only his heritage but a legacy which will entangle those involved for forty years and beyond.

    Governments have sought to control, censor, or bend art to their own purposes; artists have resisted and subverted such efforts. But what happens when artists work on behalf of a political program? When does art become propaganda? Is art tainted, diminished, or elevated by its political content?Toby Clark argues that propaganda art appears in many guises, and that the desire to persuade is not always at odds with aesthetic aims. He examines these many forms: the state propaganda of Nazi Germany, Fascist Italy, and Stalin's Soviet Union; democratic governments' representation of enemies in wartime; and anti-government protest art around the world, uncovering the complex rhetoric, high beauty, and ambiguous role of art that dwells in the political realm.