Blood and death are Fiona Mahoney’s trade, and business, as they say, is booming. Dying is the only thing people do with any regularity, and Fiona makes her indecorous living cleaning up after the corpses are carted away. Her childhood best friend, Mary, was the last known victim of Jack the Ripper. It’s been two years since Fiona scrubbed Mary’s blood from the floorboards, and London is no longer buzzing about the Ripper, but Fiona hasn’t forgotten. And she hasn’t stopped searching for Jack. When she’s called to a murder in the middle of the night, Fiona finds a victim mutilated in an eerily similar fashion to those of the Ripper, and only a few doors down from Mary’s old home. The relentless, overbearing, and irritatingly handsome Inspector Grayson Croft warns her away from the case. She might have listened, if she hadn’t found a clue in the blood. A clue that will lead her down a path from which there is no return.As a killer cuts a devastating swath through London, a letter written in blood arrives at her door, and it is only then that Fiona realizes just how perilous her endeavor is. For she has drawn the attention of an obsessive evil, and is no longer the hunter, but the prey. Fiona Mahoney is in the business of blood. But she’s not the only one. With intriguing twists, blood-chilling discoveries, and dazzling prose, USAToday Bestselling author Kerrigan Byrne shows that a woman’s work is never done, even when she is sleuthing out a serial killer.

    But as sleuths in an England recovering from the Great War, they're the perfect match . . .1920: Flying in the face of convention, legendary American adventuress Beryl Helliwell never fails to surprise and shock. The last thing her adoring public would expect is that she craves some peace and quiet. The humdrum hamlet of Walmsley Parva in the English countryside seems just the ticket. And, honestly, until America comes to its senses and repeals Prohibition, Beryl has no intention of returning stateside and subjecting herself to bathtub gin.For over three decades, Edwina Davenport has lived comfortably in Walmsley Parva, but the post-World War I bust has left her in dire financial straits and forced her to advertise for a lodger. When her long-lost school chum Beryl arrives on her doorstep--actually crashes into it in her red motorcar--Edwina welcomes her old friend as her new roommate.But her idyllic hometown has a hidden sinister side, and when the two friends are drawn in, they decide to set up shop as private inquiry agents, helping Edwina to make ends meet and satisfying Beryl's thirst for adventure. Now this odd couple will need to put their heads together to catch a killer--before this sleepy English village becomes their final resting place . . .

    Accepting a job at a debt collection agency seems a step toward a more tranquil life. But as she follows up on a routine loan to Romana Laszlo, a pregnant Hungarian refugee who's recently come off the train from London, Mirabelle's instincts for spotting deception are stirred when the woman is reported dead, along with her unborn child. After encountering a social-climbing doctor with a sudden influx of wealth and Romana's sister, who seems far from bereaved and doesn't sound Hungarian, Mirabelle decides to dig deeper into the suspicious circumstances surrounding the death. Aided by her feisty sidekick—a fellow office worker named Vesta Churchill ("no relation to Winston," as she explains)—Mirabelle unravels a web of evil that stretches from the Brighton beachfront to the darkest corners of Europe. Putting her own life at risk, she must navigate a lethal labyrinth of lies and danger to expose the truth.

    Lady Adelaide Compton has recently (and satisfactorily) interred her husband, Major Rupert Charles Cressleigh Compton, hero of the Somme, in the family vault in the village churchyard.Rupert died by smashing his Hispano-Suiza on a Cotswold country road while carrying a French mademoiselle in the passenger seat. With the house now Addie's, needed improvements in hand, and a weekend house party underway, how inconvenient of Rupert to turn up! Not in the flesh, but in—actually, as a—spirit. Rupert has to perform a few good deeds before becoming welcomed to heaven—or, more likely, thinks Addie, to hell.Before Addie can convince herself she's not completely lost her mind, a murder disrupts her careful seating arrangement. Which of her twelve houseguests is a killer? Her mother, the formidable Dowager Marchioness of Broughton? Her sister Cecilia, the born-again vegetarian? Her childhood friend and potential lover, Lord Lucas Waring? Rupert has a solid alibi as a ghost and an urge to detect. A debaucher in life and an annoyance in death, Addie knows she can't leave Rupert to solve the murders of her sweet old gardener and a naked neighbor by himself.Enter Inspector Devenand Hunter from the Yard, an Anglo-Indian who is not going to let some barmy society beauty witnessed talking to herself derail his investigation. Something very peculiar is afoot at Compton Court and he's going to get to the bottom of it—or go as mad as its mistress trying.The Lady Adelaide Mysteries:Nobody's Sweetheart Now (Book 1)Who's Sorry Now? (Book 2)Just Make Believe (Book 3)

    Black rocks roll beneath the surface, drowning ghosts. And out of the swell like a finger of light, the salt-scratched tower stands lonely and magnificent.It's New Year's Eve, 1972, when a boat pulls up to the Maiden Rock lighthouse with relief for the keepers. But no one greets them. When the entrance door, locked from the inside, is battered down, rescuers find an empty tower. A table is laid for a meal not eaten. The Principal Keeper's weather log describes a storm raging round the tower, but the skies have been clear all week. And the clocks have all stopped at 8:45. Two decades later, the wives who were left behind are visited by a writer who is determined to find the truth about the men's disappearance. Moving between the women's stories and the men's last weeks together in the lighthouse, long-held secrets surface and truths twist into lies as we piece together what happened, why, and who to believe.In her riveting and suspenseful novel, Emma Stonex writes a story of isolation and obsession, of reality and illusion, and of what it takes to keep the light burning when all else is swallowed by dark.

    But it is the newly arrived knight, Sir Baldwin Furnshill, who discerns the deceased was no victim of a tragic mishap; he was, in fact, murdered prior to the blaze. Simon would be well-served by accepting further assistance from this astute, though haunted and secretive stranger. For a second fatal burning indicates that some harsh evil has invaded this once-peaceful place, and its hunger has yet to be sated.

    Sophia Thompson wants nothing more than to be one of the famed Bow Street Runners, London's most elite corps of detectives. Never mind that a woman has never before joined their ranks--and certainly never mind that her reclusive family has forbidden her from pursuing such an unladylike goal.She gets the chance to prove her capabilities when an urgent letter arrives from her frantic cousin Daphne, begging Sophia to come look into the suspicious death of Daphne's brother.As Sophia begins to unravel the tangled threads of the case--with the help of a charming young policeman--she soon realizes that the murderer may be even closer to her family than she ever suspected.

    Now, years later, her uncle Oliver Beckett thinks he's found her: a young actress in a vaudeville playhouse is a dead ringer for his missing niece. But when Oliver confronts the girl, he learns he's wrong. Orphaned young, Leah's been acting since she was a toddler.Oliver, never one to miss an opportunity, makes a proposition—with his coaching, Leah can impersonate Jessie, claim the fortune, and split it with him. The role of a lifetime, he says. A one-way ticket to Sing Sing, she hears. But when she's let go from her job, Oliver's offer looks a lot more appealing. Leah agrees to the con, but secretly promises herself to try and find out what happened to the real Jessie. There's only one problem: Leah's act won't fool the one person who knows the truth about Jessie's disappearance.Set against a Prohibition-era backdrop of speakeasies and vaudeville houses, Mary Miley's Minotaur Books/Mystery Writers of America First Crime Novel Competition winner The Impersonator will delight readers with its elaborate mystery and lively prose.

    Sealed with a distinctive family crest, it contains just five words: SHE KNOWS THAT YOU LIVE. But before Minou can decipher the mysterious message, a chance encounter with a young Huguenot convert, Piet Reydon, changes her destiny forever. For Piet has a dangerous mission of his own, and he will need Minou’s help if he is to get out of La Cité alive. Toulouse: As the religious divide deepens in the Midi, and old friends become enemies, Minou and Piet both find themselves trapped in Toulouse, facing new dangers as sectarian tensions ignite across the city, the battle-lines are drawn in blood and the conspiracy darkens further. Meanwhile, as a long-hidden document threatens to resurface, the mistress of Puivert is obsessed with uncovering its secret and strengthening her power.

    But even she never thought that she would become a social pariah, an outcast fending for herself on the mean streets of London. When the city is struck by a trio of unexpected deaths and suspicion falls on her sister and her father, Charlotte is desperate to find the true culprits and clear the family name. She’ll have help from friends new and old—a kind-hearted widow, a police inspector, and a man who has long loved her.But in the end, it will be up to Charlotte, under the assumed name Sherlock Holmes, to challenge society’s expectations and match wits against an unseen mastermind.

    Leave me alone or I will shoot you dead!" 1924. After six months in Hollywood, young British widow Emma Blackstone has come to love her new employer, glamourous movie-star Kitty Flint - even if her late husband's sister is one of the worst actresses she's ever seen. Looking after Kitty and her three adorable Pekinese dogs isn't work Emma dreamed of, but Kitty rescued her when she was all alone in the world. Now, the worst thing academically-minded Emma has to worry about is the shocking historical inaccuracies of the films Kitty stars in.Until, that is, Rex Festraw - Kitty's first husband, to whom she may or may not still be married - turns up dead in her dressing room, a threatening letter seemingly from Kitty in his pocket.Emma's certain her flighty but kind-hearted sister-in-law has been framed. But who by? And why? From spiteful rivals to jealous boyfriends, the suspects are numerous. But as Emma investigates, she begins to untangle a deadly plot - and there's something Kitty's not telling her . . .This gripping first in a brand-new series from NYT-bestselling author Barbara Hambly brings the sights and sounds of Hollywood to life and is a perfect pick for fans of female-fronted historical mysteries set in the roaring twenties.

    Others are unspeakable . . .August 1939.Thirty-year-old Hetty Cartwright is tasked with the evacuation and safekeeping of the natural history museum’s collection of mammals. Once she and her exhibits arrive at Lockwood Manor, however, where they are to stay for the duration of the war, Hetty soon realizes that she’s taken on more than she’d bargained for.Protecting her charges from the irascible Lord Lockwood and resentful servants is work enough, but when some of the animals go missing, and worse, Hetty begins to suspect someone – or something – is stalking her through the darkened corridors of the house.As the disasters mount, Hetty finds herself falling under the spell of Lucy, Lord Lockwood’s beautiful but clearly haunted daughter. But why is Lucy so traumatized? Does she know something she’s not telling? And is there any truth to local rumours of ghosts and curses?Part love story, part mystery, The Animals at Lockwood Manor by Jane Healey is a gripping and atmospheric tale of family madness, long-buried secrets and hidden desires.

    When Rutledge is assigned to investigate a murder involving the military, his emotional war wounds flare. It is a case that strikes dangerously close to home--one that will test Rutledge's precarious grip on his own sanity. A "Publishers Weekly" Best Book selection. Martin's Press.

    . . .Bianca Goddard employs her knowledge of herbs and medicinal plants to concoct remedies for the disease-riddled poor in London’s squalid Southwark slum. But when her friend Jolyn comes to her complaining of severe stomach pains, Bianca’s prescription seems to kill her on the spot. Recovering from her shock, Bianca suspects Jolyn may have been poisoned before coming to her—but the local constable is not so easily convinced.To clear her name and keep her neck free of the gallows, Bianca must apply her knowledge of the healing arts to deduce exactly how her friend was murdered and by whom—before she herself falls victim to a similar fate.

    Desperate to get as far away as possible from New York City and those who want her dead, she has her sights set on Oregon: a distant frontier that seems the end of the line.She befriends Max, a black Pullman porter who reminds her achingly of Harlem, who leads Alice to the Paragon Hotel upon arrival in Portland. Her unlikely sanctuary turns out to be the only all-black hotel in the city, and its lodgers seem unduly terrified of a white woman on the premises. But as she meets the churlish Dr. Pendleton, the stately Mavereen, and the unforgettable club chanteuse Blossom Fontaine, she begins to understand the reason for their dread. The Ku Klux Klan has arrived in Portland in fearful numbers–burning crosses, inciting violence, electing officials, and brutalizing blacks. And only Alice, along with her new “family” of Paragon residents, are willing to search for a missing mulatto child who has mysteriously vanished into the Oregon woods.Why was “Nobody” Alice James forced to escape Harlem? Why do the Paragon’s denizens live in fear–and what other sins are they hiding? Where did the orphaned child who went missing from the hotel, Davy Lee, come from in the first place? And, perhaps most important, why does Blossom DuBois seem to be at the very center of this tangled web?