V. Larson! This 60,000 word book is an Anthology of short stories. Most are Science Fiction mixed with Horror. Others might be called Dark Fantasy... Many have been published previously in various magazines.The Barrier – What does it take to go faster than light?Symptoms of Godhood – How far can you modify a body and still call the results human?Discharged – A long war and an even longer stay in an automated hospital.Teeth at Bedtime – Technology follows us everywhere.The Insect Requirement – Great sacrifices are required for Earth’s early colonists.Blind Eyes – If we can design our own children, how far will we go?TA96 – Do our genes belong to us?Zundra’s Movies – A future where video is created with the mind, and insanity is fun to watch.Pinball – A young man builds his own watchdog.Love Aboard the Kamadeva – A love triangle between two desperate souls and a digital mirage.Starplay – A window into the universe becomes a door.The One-Way Gang – Leaving Earth is easy, but you can never come back.Rusted Metal – What has spent the last century in the basement?Lunar Lotto – Death comes instantly to outlaws in vacuum.The Rollers – Crime has been mostly eliminated by removing all forms of cash... Mostly.

    Whether he is writing about the players in a rickety bisexual love triangle or a woman visiting her husband in a nursing home, probing the psychic mainspring of a grimly obsessive weight lifter or sifting through the layers of resentment, need, and pity in a friendship that has gone on a few decades too long, Baxter enchants us with the elegant balance of his prose and the unexpectedness of his insights. Long admired and now once more available in paperback, Harmony of the World is a masterpiece of lucidity and compassion.

    The exploration of starvation and consumption is at the core of each character; what does our hunger reveal about the state of our soft hearts? Ellen jumps rope on rooftops in the searing Korean sun. She has sworn off carbohydrates until she can find pants that fit. Damon resents his two dollar chow mein bought on a Montreal curb. There are half-eaten poutines on living room floors and greasy corn kernels stuck to chins. There are weak cocktails, cheap coffees, white plastic forks, and cigarettes. Everywhere.These interwoven stories are propulsive. They pull back the blast shield to reveal blinding interior voices; unrepentant and raw. Coles' irreverent characters scorch, and strangely comfort us, as they struggle to process the permeable nature of their thoughts. Such are the sardonically complex and humourous Eating Habits Of The Chronically Lonesome.

    Despite the relative lack of venues in which they can be published, the challenge the medium represents has attracted many remarkable writers.Philip Hensher, following the great success of his definitive two-volume Penguin Book of British Short Stories, has been reading a vast trove of material and has chosen thirty great stories, written between the death of Princess Diana and the present day.

    The freedom to tell each other the stories of ourselves, to retell the stories of our culture and beliefs, is profoundly connected to the larger subject of freedom itself.”—Salman Rushdie, editorIntroduction / by Salman Rushdie --Admiral / T.C. Boyle --The year of silence / Kevin Brockmeier --Galatea / Karen Brown --Man and wife / Katie Chase --Virgins / Danielle Evans --Closely held / Allegra Goodman --May we be forgiven / A.M. Homes --From the desk of Daniel Varsky / Nicole Krauss --The king of sentences / Jonathan Lethem --The worst you ever feel / Rebecca Makkai --The wizard of West Orange / Steven Millhauser --Nawabdin Electrician / Daniyal Mueenuddin --Child's play / Alice Munro --Buying Lenin / Miroslav Penkov --Vampires in the lemon grove / Karen Russell --Puppy / George Saunders --Quality of life / Christine Sneed --Missionaries / Bradford Tice --Straightaway / Mark Wisniewski --Bible / Tobias Wolff

    Evidence points to a rebel group trying to stab fear into the very heart of the empire. Inspector Khlid begins a harrowing hunt for those responsible, but when a larger conspiracy comes to light, she struggles to trust even the officers around her.

    In this ebullient collection, virgins escape from being sacrificed, witches refuse to be burned, whores aren't ashamed, and every woman gets a chance to be a radioactive cockroach warrior who snaps back at catcallers. Gwen E. Kirby experiments with found structures--a Yelp review, a WikiHow article--which her fierce, irreverent narrators push against, showing how creativity within an enclosed space undermines and deconstructs the constraints themselves. When these women tell the stories of their triumphs as well as their pain, they emerge as funny, angry, loud, horny, lonely, strong protagonists who refuse be secondary characters a moment longer. From "The Best and Only Whore of Cym Hyfryd, 1886" to the "Midwestern Girl [who] is Tired of Appearing in Your Short Stories," Kirby is playing and laughing with the women who have come before her and they are telling her, we have always been this way. You just had to know where to look.

    99 words. 100% horror!

    But she’s not ready for the sparks that fly when she meets local nonprofit owner Eric Hampton . . . or for the sudden reappearance of an unwelcome face from her past. In Courtney Walsh's A Sweethaven Romance: Eleanor Waverly is practically Sweethaven royalty, but her comfortable, cushy world is turned upside-down when she discovers an old map hidden in the bottom of a 125-year-old time capsule. Her only hope of uncovering the truth lies with local firefighter (and Waverly rival) Jason Holloway, and with his piercing eyes and troubled past, it's clear from the start it's not only her way of life that's on the line, it's her heart.

    Elegantly structured, these stories span the globe and beyond, from small-town America and sunny Caribbean islands to the Arctic Ocean and the very gates of Heaven itself. And though some of the stories are steeped in mythology, they remain grounded in universal experiences: loss of identity, leaving home, parenthood, joy, and longing.Crisscrossing the pages of Awayland are travelers and expats, shadows and ghosts. A girl watches as her homesick mother slowly dissolves into literal mist. The mayor of a small Midwestern town offers a strange prize, for stranger reasons, to the parents of any baby born on Lenin's birthday. A chef bound for Mars begins an even more treacherous journey much closer to home. And a lonely heart searches for love online--never mind that he's a Cyclops. With her signature tenderness, Ramona Ausubel applies a mapmaker's eye to landscapes both real and imagined, all the while providing a keen guide to the wild, uncharted terrain of the human heart.

    Robots vs. Fairies is an anthology that pitches genre against genre, science fiction against fantasy, through an epic battle of two icons. On one side, robots continue to be the classic sci-fi phenomenon in literature and media, from Asimov to WALL-E, from Philip K. Dick to Terminator. On the other, fairies are the beloved icons and unquestionable rulers of fantastic fiction, from Tinkerbell to Tam Lin, from True Blood to Once Upon a Time. Both have proven to be infinitely fun, flexible, and challenging. But when you pit them against each other, which side will triumph as the greatest genre symbol of all time?There can only be one…or can there?

    C. Boyle is known as one of our greatest American novelists, he is also an acknowledged master of the short story. In The Relive Box, his first collection following two hugely influential collected volumes, Boyle’s crackling wit and thematic range combine with a penetrating social consciousness to produce his trademark “inventive and often crushingly comic” (NPR) short fiction.From the title story, featuring a so-called relive box that allows users to experience anew almost any moment from their past, to “The Five-Pound Burrito,” the tale of a man aiming to build the biggest burrito in town, the twelve stories in this collection represent a whole new way of looking at the world from one of the best storytellers at work today. The Relive Box is an exuberant, linguistically dazzling book from someone the Boston Globe has said is “such a good storyteller it will probably take, as in Alice Munro’s case, the Nobel Prize or retirement for us to realize what tremendous talent has lain right in front of our noses.”

    Angela Carter takes real people and literary legends - most often women - who have been mythologized or marginalized and recasts them in a new light. In a style that is sensual, cerebral, almost hypnotic, "The Fall River Axe-Murders" portrays the last hours before Lizzie Borden's infamous act: the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house "full of locked doors that open only into other rooms with other locked doors." In "Our Lady of the Massacre" the no-nonsense voice of an eighteenth-century prostitute/runaway slave questions who is civilized - the Indians or the white men? "Black Venus" gives voice to Charles Baudelaire's Creole mistress, Jeanne Duval: "you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover's poetry but, that it was a perpetual affront to her. He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language." "The Kiss" takes the traditional story of Tamburlaine's wife and gives it a new and refreshing ending. Sometimes disquieting, sometimes funny, always thought-provoking, Angela Carter's stories offer a feminist revision of images that lie deep in the public psyche.

    Harsh winds scour the rocky coastline. The villagers' lives are inseparable from nature and its enchantments.Verlyn Webbe, born with a wing for an arm, unfurls his feathers in defiance of past shame; Plum is snatched by a water bull and dragged to his lair; little Crab Skerry takes his first run through the gorse-maze; Madden sleepwalks through violent storms, haunted by horses and her father's wishes.As the tales of this island community interweave over the course of a generation, their earthy desires, resentments, idle gossip and painful losses create a staggeringly original world. Crackling with echoes of ancient folklore, but entirely, wonderfully, her own, Zoe Gilbert's Folk is a dark, beautiful and intoxicating debut.

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