Every morning on CNBC's top-rated show "Squawk Box," Joe Kernen asks tough questions. And at home he does the same with his ten-year- old daughter, Blake. What are you learning in school? What TV shows do you like? What message did you get from that movie? Your teacher said what?! Blake's unsettling responses-including that no matter how bad things get, "the government will take care of us"-aren't surprising in an era when Washington takes over car companies, nationalizes banks, and spends a trillion dollars "stimulating" the economy. Something had to be done to teach Blake the value of capitalism. Kernen shows that American culture is now so hostile to free markets that even animated movies are hard to tell from propaganda; grocery stores are billboards for the virtues of preindustrial food; and classrooms do a better job teaching economic misinformation that arithmetic. To Kernen, this isn't just wrong, it's practically criminal. An unapologetic cheerleader for the free enterprise system, he teaches Blake that it's not only the world's greatest engine for prosperity, but also essential for human freedom. As he tries to raise his children properly, even if he has to teach the basics himself, Kernen will have every conservative parent in America cheering him on.

    Toland’s story is both deeply personal and epic in scope, as his search for identity plays out against the brutal fight over segregation, an unplanned pregnancy and small-town bigotry, aided by an unforgettable supporting cast.

    The narrative—sometimes shocking, other times hilarious in its absurdity—gives the listener a real-life understanding of how gun-control laws only make it more difficult for honest, law-abiding people to get guns, while violent crime continues to rise. Using facts and newly uncovered research, Miller exposes the schemes politicians on Capitol Hill, in the White House, and around the country are using to deny people their Second Amendment rights. She exposes the myths that gun grabbers and liberal media use to get new laws passed that infringe on our right to keep and bear arms.

    A passionate and urgently needed call to arms, Fight Like A Girl insists on our right to be angry, to be heard and to fight. It'll change lives.' Emily Maguire, author of An Isolated IncidentA friend recently told me that the things I write are powerful for her because they have the effect of making her feel angry instead of just empty. I want to do this for all women and young girls - to take the emptiness and numbness they feel about being a girl in this world and turn it into rage and power. I want to teach all of them how to FIGHT LIKE A GIRL. Clementine FordOnline sensation, fearless feminist heroine and scourge of trolls and misogynists everywhere, Clementine Ford is a beacon of hope and inspiration to thousands of Australian women and girls. Her incendiary debut Fight Like A Girl is an essential manifesto for feminists new, old and soon-to-be, and exposes just how unequal the world continues to be for women. Crucially, it is a call to arms for all women to rediscover the fury that has been suppressed by a society that still considers feminism a threat.Fight Like A Girl will make you laugh, cry and scream. But above all it will make you demand and fight for a world in which women have real equality and not merely the illusion of it.

    Leslie, who was present at the Rosemary and Leno LaBianca stabbings, serenely accepted her sentence, wishing only that she had better served Manson in carrying out his apocalyptic vision of Helter Skelter. When the United States temporarily suspended its death penalty, her sentence for murder conspiracy was converted to life in prison. Today, at the age of 51, after three trials and with no parole in sight, Leslie has become a remarkable survivor of a living nightmare. This work presents the first in-depth look at how this girl-next-door became one of Manson's girls. It also tells about Karlene Faith's thirty-year friendship with Leslie, whom she met while teaching in prison. To everyone who encountered Leslie - including prison staff and television journalists - she was not the demon typically portrayed by the media, but rather a gentle, generous spirit who mourned her victims. But why didn't this intelligent young woman see the evil in the messiah who had sexually exploited her, preached

    A decade later it s claimed over one hundred young lives from knives and guns. Hackney boys had no respect for Islington boys. It wasn t like they were going to argue about whose endz it was. They weren t on our level. The only surrounding area we had respect for was Tottenham. We didn t have much ratings for Leyton, Walthamstow or Stratford. We were full of ourselves. We had to keep up this bad boy image. Maintain the hype.(from PRISONER TO THE STREETS) Written by the boy who was there when it started, Robyn Travis, this is the real story of the postcode wars. Robyn grew up right on the borders when it kicked off in Hackney, E8. For the first time ever he tells his story and his part in it - the fights, the stabbings, the shootings. The story that has never been told. I aint no gangsta. YOU might think so. That's not WHO I WAS on road. I more saw myself as a 'BAD BWOY'. A teenager who AIN T HAVING IT FROM NO ONE, going on like a RUDE BWOY to stop YOU f***ing with me. This kid spent nuff TIME ON ROAD. Raised on the border of HACKNEY and TOTTY. Caught in the crossfire. I ain t trying to be NO HERO, I just want to stop YOU from making as many BAD CHOICES as I did when I was a YUTE MAN. So be not offended. WHATEVER S SAID IN THIS BOOK STAYS IN THIS BOOK. This was me back in the day. I'm a couple years older now. I don't feel that way no more. NOW DAYS I RESPECT LIFE AND DEATH. I got love for all you brothers and sisters affected by this POSTCODE STRUGGLE. So journey with me into my past. NO FRONTING. Just honesty. See HOW THE POSTCODE WAR STARTED in Hackney, Holly Street and Fields. LIVICATED TO ALL MY BROTHERS AND SISTERS WHO WANT TO BE FREE FROM OUR STREETS.

    .Woodward’s warm, wry account of learning to fly will lift hearts everywhere. BBC2 documentary based on the book - 30 January 2012. Antony Woodward wasn’t interested in flying, he was interested in his image. So in his world of socialising and serial womanising, a microlight plane sounded like the ideal sex aid. So why – once he discovers that he has no ability as a pilot, it costs a fortune and its maddening unreliability loses him the one girl he really wants – does he get more and more hooked?As he monitors the changes to the others in the syndicate; as he learns that there is a literal down-side to cheating in flying exams, shunning responsibility and pretending to know stuff you don’t, the question keeps on surfacing. Why? As the misadventures mount – accidents, tussles with Tornadoes, arrest by the RAF – he keeps thinking he’s worked it out. But it isn’t until The Crash, in which he nearly kills himself and Dan (taking a short-cut in the Round Britain race) that the penny finally drops….Flying is the antidote to modern life he didn’t even know he needed. It’s the supreme way to feel real.

    As someone who beat the odds of growing up in poverty under a fear-based mentality that limits what people can achieve, Caldwell believes there's another way.Throughout the book, Caldwell weaves his personal journey into a cultural exploration about how the status quo came to be in America and casts a hopeful vision for a nation that is no longer beholden to identity politics. Trapped within the expectations and traditions of our community, family, political party, faith, race, and gender, we fail to challenge our politicians and ourselves to create real change. Now more than ever, we need to challenge preconceived notions about the two parties, public policy, and American history.From the obstacles facing urban communities today on issues such as crime, education, and social mobility, Caldwell digs beneath the statistics, showing the moments that defined his rise to success and the steps that can help more people overcome the odds--whether through policy reform or the heroic efforts of men and women who are already working to make a difference in their communities.

    When a cleaning sweep of a New York City apartment building brings this lost treasure to light, both the diary and its owner are given a second life.Recovered by Lily Koppel, a young writer working at the New York Times, the journal paints a vivid picture of 1930s New York—horseback riding in Central Park, summer excursions to the Catskills, and an obsession with a famous avant-garde actress. From 1929 to 1934, not a single day's entry is skipped.Opening the tarnished brass lock, Koppel embarks on a journey into the past, traveling to a New York in which women of privilege meet for tea at Schrafft's, dance at the Hotel Pennsylvania, and toast the night at El Morocco. As she turns the diary's brittle pages, Koppel is captivated by the headstrong young woman whose intimate thoughts and emotions fill the pale blue lines. Who was this lovely ingénue who adored the works of Baudelaire and Jane Austen, who was sexually curious beyond her years, who traveled to Rome, Paris, and London?Compelled by the hopes and heartaches captured in the pages, Koppel sets out to find the diary's owner, her only clue the inscription on the frontispiece—"This book belongs to . . . Florence Wolfson." A chance phone call from a private investigator leads Koppel to Florence, a ninety-year-old woman living with her husband of sixty-seven years. Reunited with her diary, Florence ventures back to the girl she once was, rediscovering a lost self that burned with artistic fervor.Joining intimate interviews with original diary entries, Koppel reveals the world of a New York teenager obsessed with the state of her soul and her appearance, and muses on the serendipitous chain of events that returned the lost journal to its owner. Evocative and entrancing, The Red Leather Diary re-creates the romance and glitter, sophistication and promise, of 1930s New York, bringing to life the true story of a precocious young woman who dared to follow her dreams.

    He and his associates have famously infiltrated some of America’s most protected organizations and institutions. Now, in Breakthrough, O’Keefe chronicles the harrowing undercover investigation that opened America’s eyes to the chicanery of its state houses and the duplicity of the White House during one of the most compromised election campaigns in our nation’s history: the 2012 presidential race. Of all his controversial sting operations, this was the one that his late mentor, Andrew Breitbart, called “his most consequential.” While still on federal probation, O’Keefe organized an army of citizen journalists, planned a series of video stings to reveal the American system’s vulnerability to voter fraud, and went nose to nose with the most powerful political machine in the world. Along the way, O’Keefe found disheartening evidence that Americans are not nearly as free as we may believe, but also showed just how much real change ordinary citizens can bring about when they are willing to risk the wrath of the powerful. Free of ideology, Breakthrough is at its core a clarion call for a more ethical society. Despite being vilified and libeled by an establishment media dedicated to suppressing the truth, James O’Keefe has dared to break through the firewall and reshape public opinion by showing things as they really are.

    Unsettled explores racism, ableism, abuse and resistance as well as the bonds of community, family and friendship. As an Irish Traveller writing from a feminist perspective, McDonagh’s essays are rich and complex, raw and honest, and, above all else, uncompromising.Praise for UnsettledDon’t read this memoir in sorrow and outrage, read it because Rosaleen McDonagh is so proud, smart and ingenious, she will make you feel more properly alive. Beautifully written, this book beats back the darkness. It brings us all further on. — Anne EnrightMoving and eloquent, this collection is both the story of one woman’s life and a work of profound literary activism. — Emilie PineRosaleen’s story is her story. It’s a very important story and she has a right to tell it. Rosaleen demonstrates, contrary to some settled people’s opinion, that our community is matriarchal, our mothers are so resourceful, and we are not victims. The book is a testimony to the importance of identity and belonging. — Anne BurkeLike James Baldwin before her, this work is a ferociously honest exploration of the intricacies of racism, identity, sexuality, disability, grief, sensuality and marginalisation. It is also a beautiful piece of prose; honest and difficult and deeply moving. This book sees Rosaleen McDonagh masterfully taking all the parts of her life and fitting them together brilliantly for us. A must read. — Mark O’HalloranEmotive, honest and raw. Rosaleen McDonagh takes us on a journey of self acceptance, a journey that sees her face challenging obstacles and setbacks; as well as meeting friends and allies who help her to carve out a place in which she belongs. Unsettled is not only the recount of personal experiences but an authentic glimpse of Traveller life and culture as well as Rosaleen’s very sense of identity. — Michael Power

    Judith Halberstam proposes “low theory” as a mode of thinking and writing that operates at many different levels at once. Low theory is derived from eccentric archives. It runs the risk of not being taken seriously. It entails a willingness to fail and to lose one’s way, to pursue difficult questions about complicity, and to find counterintuitive forms of resistance. Tacking back and forth between high theory and low theory, high culture and low culture, Halberstam looks for the unexpected and subversive in popular culture, avant-garde performance, and queer art. She pays particular attention to animated children’s films, revealing narratives filled with unexpected encounters between the childish, the transformative, and the queer. Failure sometimes offers more creative, cooperative, and surprising ways of being in the world, even as it forces us to face the dark side of life, love, and libido.

    At the heart of her story and abiding beliefs--her Jewish background. Tikkun olam, the Hebrew injunction to "repair the world," with its profound meaning for a young girl who grew up during the Holocaust and World War II. We see the influence of her mother, Celia Amster Bader, whose intellect inspired her daughter's feminism, insisting that Ruth become independent, as she witnessed her mother coping with terminal cervical cancer (Celia died the day before Ruth, at seventeen, graduated from high school). From Ruth's days as a baton twirler at Brooklyn's James Madison High School, to Cornell University, Harvard and Columbia Law Schools (first in her class), to being a law professor at Rutgers University (one of the few women in the field and fighting pay discrimination), hiding her second pregnancy so as not to risk losing her job; founding the Women's Rights Law Reporter, writing the brief for the first case that persuaded the Supreme Court to strike down a sex-discriminatory state law, then at Columbia (the law school's first tenured female professor); becoming the director of the women's rights project of the ACLU, persuading the Supreme Court in a series of decisions to ban laws that denied women full citizenship status with men. Her years on the U.S. Court of Appeals for the District of Columbia Circuit, deciding cases the way she played golf, as she, left-handed, played with right-handed clubs--aiming left, swinging right, hitting down the middle. Her years on the Supreme Court . . . A pioneering life and legal career whose profound mark on American jurisprudence, on American society, on our American character and spirit, will reverberate deep into the twenty-first century and beyond.

    As one of five children of divorced parents, he was bright enough to get a scholarship to a direct-grant school, but spent his holidays as a plumbers' mate for his uncles to bring in some much-needed extra income. Yet he spent 13 years and 11 days in government, including long and influential spells as Home Secretary and Foreign Secretary. This is the story of how he got there.His memoirs offer a unique insight into the complex, sometimes self-serving but always fascinating world of British politics and reveals the toll that high office takes but also, more importantly, the enormous satisfaction and extraordinary privilege of serving both your constituents and your country.Straw’s has been a very public life, but he reveals the private face, too, and offers readers a vivid and authoritative insight into the Blair/Brown era and, indeed, the last forty years of British politics.

    While some areas of the Unites States have made tremendous progress in securing rights for gay people, Bible Belt states lag behind. Not only do most Bible Belt gays lack domestic partner benefits, lesbians and gay men can still be fired from some places of employment in many regions of the Bible Belt for being a homosexual. In Pray the Gay Away, Bernadette Barton argues that conventions of small town life, rules which govern Southern manners, and the power wielded by Christian institutions serve as a foundation for both passive and active homophobia in the Bible Belt. She explores how conservative Christian ideology reproduces homophobic attitudes and shares how Bible Belt gays negotiate these attitudes in their daily lives. Drawing on the remarkable stories of Bible Belt gays, Barton brings to the fore their thoughts, experiences and hard-won insights to explore the front lines of our national culture war over marriage, family, hate crimes, and equal rights. Pray the Gay Away illuminates their lives as both foot soldiers and casualties in the battle for gay rights.