Among his expansive and impressive body of work, Gitanjali is regarded as one of his greatest achievements, and has been a perennial bestseller since it was first published in 1910.

    This book will appeal not only to admirers of Khushwant Singhs writing but also to anyone Interested in the history, politics and socio economic scenario of twentieth century India.People profiled in this book include Jawaharlal Nehru, Krishna Menon, Indira Gandhi, Sanjay Gandhi, Amrita Sher Gil, Begum Para, Muhammad Ali Jinnah, M. S. Golwalkar, Mother Teresa, Faiz Ahmad Faiz, Dhirendra Brahmachari, Jarnail Singh Bhindranwale, General Tikka Khan, Phoolan Devi, Giani Zail Singh and Bhagat Puran Singh.About the AuthorKhushwant singh is one of Indias best known and most widely read authors and columnists. He was founder-editor of Yojana and editor of the Illustrated Weekly of India, National Heraldand the Hindustan Times. His first book, The Mark of Vishnu and Other Stories, was published in 1950 and he has published several acclaimed and bestselling books of fiction and non-fiction in the six decades since. He has also translated the work of major Punjabi and Urdu poets and writers, as well as the Japji and the Rehras: The Morning and Evening Prayers of the Sikhs.

    The professional meeting explodes into an intense, passionate relationship. Prague in winter is a beautiful and moody setting to the feverish love affair. The complicated and inevitably short-lived romance is poignant and deeply moving in its telling by the master of the modern Hindi novel, Nirmal Verma.This book is translation of original novel in Hindi, called Ve Din.

    More immediate if less polished than his later work, these poems enchant and impress with their classical learning, wit, perceptiveness and lyricism—all facets of Vikram Seth's now celebrated poetic achievement.

    The novel starts with the news of theft of an ancient idol of Goddess Saraswati from a Hoysala temple. The journalist visits the place, which incidentally happens to be his ancestral town. The canvas of the novel encompasses almost the whole of India and most of the spheres like education, communal politics, business, political corruption and destruction of traditional moral values. The novel ends with the clamping of the so-called Emergency by Indira Gandhi in 1975.

    Chronicling the Indian struggle for freedom and independence from Great Britain, Tharoor directs his hilarious satire as much against Indian foibles as the bumbling of the British rulers.

    The empire he inherited was weak from two messy dynastic succession, and ambitious enemy kings loomed large on all sides – a haughty king of Orissa in the east, five upstart Deccan Sultans to the North, revolting Tamil rajas in the South and enterprising Portuguese soldiers from the West. But Krishnadevaraya quickly rose to the challenge, and in the course of his remarkable twenty-year reign, he changed history forever. He won every single battle he fought and unified the whole of South India under his banner. Krishnadevaraya is remembered today as one of India’s greatest kings, not only because of his successes on the battlefield or the dazzling splendour of his empire, but because he was India’s first truly global leader. He had to confront very modern problems, such as building international alliances and negotiating overseas trade deals, while grappling with the challenges of globalism and multiculturalism. The Deccan of his time was a cosmopolitan place where Hindus and Muslims, North Indians and South Indians, Persians and Portuguese, all intermingled as they made their lives and fortunes. This cultural dynamism also inspired Krishnadevaraya to look back at India’s past and reflect on her histories and traditions. As a philosopher-king who was also a celebrated poet in his own right, he presided over an Indian Renaissance, when ancient texts and traditions were reinvigorated and infused with a fresh and modern vitality. Five hundred years after krishnadevaraya’s death, he is still remembered and loved as a compassionate and wise king, one who is immortalised in films and folk tales, poems and Ballads. This fascinating and riveting book is meticulously researched and beautifully written. Based on Portuguese and Persian chronicles, as well as many overlooked Telugu literary sources, Raya is the definitive biography of one of the world’s greatest leaders.

    Bitter Fruit presents the best collection of Manto's writings, from his short stories, plays and sketches, to portraits of cinema artists, a few pieces on himself, and his letters to Uncle Sam which have references to communism, Russia, politics after the Partition and his own financial condition. The concluding section of the book has acknowledgements and reminiscences from Saadat's friends and relatives. Bitter Fruit includes stories like A Wet Afternoon, The Return, A Believer's Version, Toba Tek Singh, Colder Than Ice, The Assignment, Odour, By The Roadside, Bribing the Almighty, The Kingdom's End, The Woman in the Red Raincoat, The Room with the Bright Light, The Great Divide, The Angel, Siraj, An Old Fashioned Man, The Price of Freedom, It Happened in 1919, The Girl from Delhi, A Man of God, Free for All, and A Tale of 1947. There is a collection of sketches too. Manto used to write radio plays and this book has one of the dramas he penned, called In This Vortex. His short stories bring out the most delicate nuances of human nature.

    His wife Mariamma stretches their money, raises their two boys, and, in her spare time, gleefully fantasizes about Ousep dying. One day, their seemingly happy seventeen-year-old son Unni—an obsessed comic-book artist—falls from the balcony, leaving them to wonder whether it was an accident. Three years later, Ousep receives a package that sends him searching for the answer, hounding his son’s former friends, attending a cartoonists’ meeting, and even accosting a famous neurosurgeon. Meanwhile, younger son Thoma, missing his brother, falls head over heels for the much older girl who befriended them both. Haughty and beautiful, she has her own secrets. The Illicit Happiness of Other People—a smart, wry, and poignant novel—teases you with its mystery, philosophy, and unlikely love story.

    A widower of firm Gandhian principles, Jagan nonetheless harbours a warm and embarrassed affection for his wastrel son Mali. Yet even Jagan's patience begins to fray when Mali descends on the sleepy city of Malgudi full of modern notions, with a new half-American wife and a grand plan for selling novel-writing machines. From different generations and different cultures, father and son are forced to confront each other, and are taken by surprise . . .

    The popularity of the book is so great that it has run into forty two impressions ever since it was originally published in the year 1951

    Undeterred, she went back, telling herself she must talk to the devadasis about the dangers of AIDS. This time, they threw tomatoes.But she refused to give up. The Infosys Foundation worked hard to make the devadasis self-reliant, to help educate their children, and to rid the label of the social stigma that had become attached to it. Today, there are no temple prostitutes left in the state of Karnataka.This is the powerful, inspirational story of that change initiative that has transformed thousands of lives.

    The Chinese have nuked large parts of the country; Bombay has been obliterated; Delhi is in the throes of rigorous reconstruction; Bengal has seceded and is now a protectorate of China; the Maoists have taken over much of what remains. The southern states are a distant and tranquil place that nobody has visited in years.The most powerful person in the country is a deranged bureaucrat called the Competent Authority, who has used his official position as the head of the Bureau of Reconstruction, to subvert all forces of governmental authority. Cloaked in anonymity, his identity known only to his terrified minions, the CA rules the remnants of India with an iron fist.Although, in theory, the government and the armed forces still exist, the Prime Minister, who looks very familiar, and the General, who commands the Army, are mere puppets in the hands of the Competent Authority. All they can do is watch in horror as he tries to put in motion a fiendish plan to annihilate everyone in the country, for reasons that are completely logical.The only person who can stop him is Pintoo, a mutant twelve year old from Shanti Nagar, where all the poor people live. Determined to thwart the CAs plan and save the country from disaster, Pintoo employs three reluctant henchmen to help him: Pande, a corrupt and vicious policeman, Chatterjee, a pessimistic but determined CBI officer and Ali, the last surviving member of Al Qaeda. And then there's also the matter of the hand that has a mind of its own.

    "Joothan" refers to scraps of food left on a plate, destined for the garbage or animals. India's untouchables have been forced to accept and eat joothan for centuries, and the word encapsulates the pain, humiliation, and poverty of a community forced to live at the bottom of India's social pyramid.Although untouchability was abolished in 1949, Dalits continued to face discrimination, economic deprivation, violence, and ridicule. Valmiki shares his heroic struggle to survive a preordained life of perpetual physical and mental persecution and his transformation into a speaking subject under the influence of the great Dalit political leader, B. R. Ambedkar. A document of the long-silenced and long-denied sufferings of the Dalits, Joothan is a major contribution to the archives of Dalit history and a manifesto for the revolutionary transformation of society and human consciousness.

    The story reflects the social, political and religious scene in Bengal at the turn of the century. The forces that were operating in Bengal at that time were one of the intense nationalism and revival of ancient spiritual values and also that of liberal western thought. What makes Gora a great prose epic is not only its social content but also its brilliant story of self-searching, of resolution, of conflicts and of self discovery.