He is the villain of five marriages and the father of a daughter so obsessed that she has been writing a book about him for years. Hamilton Stark is a boor, a misanthrope, a handsome man: funny, passionately honest, and a good dancer. The narrator, a middle-aged writer, decides to write about Stark as a hero whose anger and solitude represent passion and wisdom. At the same time that he tells Hamilton Stark's story, he describes the process of writing the novel and the complicated connections between truth and fiction. As Stark slips in and out of focus, maddeningly elusive and fascinatingly complex, this beguiling novel becomes at once a compelling meditation on identity and a thoroughly engaging story of life on the cold edge of New England.

    Dix is kind, dependable, and good with an ax—the right man to help the sheltered Miranda heal—but ultimately, her sadness creates a void even Dix can’t fill.When a man from her distant past turns up, the handsome idealist now known as Darius, he offers Miranda a chance to do meaningful work at The Source, a secluded property filled with his nature worshipers. Miranda feels this charismatic guru is the key to remaking her life, but her grief and desire for love also create an opportunity for his deception. And in her desperate quest to find herself after losing almost everything, Miranda and Dix could pay a higher price than they ever imagined.

    Eight years ago he dropped out of a seminal Seattle grunge band to try his hand at a more grown-up calling. Now he's thirty-six ("almost forty!"), a deputy prosecutor (a suit), still hanging out at the same clubs he played ten years ago (the ones that haven't shut down), and still dating the same kind of girls (except now they tell him how much their older sisters loved his band).Pete decides it's time to get married—he just doesn't know to whom. Possibilities include Beth, his first love, who has disappeared; Winter, his on-and-off stripper girl-friend, who has been living the grunge life too long; and Esme´, a Sub Pop A&R executive who has some life decisions of her own to make. When a date-rape case lands on his desk—the accused is a local rocker Pete's age, the accuser an eighteen-year-old from the scene—Pete finds his past and present facing him from both sides of the aisle, and he finally has to decide where he stands.Pete Tyler is a cooler version of Everyguy, and Never Mind Nirvana is a hilarious and unexpectedly moving story of a man with one foot stuck in adolescence and the other planted in adulthood. Richly textured with references to classic rock and the music of Seattle's legendary alternative rock scene, it is also a fascinating, bittersweet riff on a particularly American zeitgeist.

    Brendan spends his days happily labouring on building sites and his evenings drinking alone in bars and hooking up with a constant stream of one-night stands. Following a second DUI, Brendan’s peaceful and predictable life ends abruptly and he is forced to go to live in the town of Dover, New Jersey, with his overbearing uncle. There he forms an unlikely friendship with his meek, downtrodden cousin Eileen. Forced into completing his community service, he meets Jonathan Doe, an intriguing man living in a local homeless shelter whose amazing stories of a happy childhood in the Appalachian Mountains captivate him. Within weeks of his arrival in Dover, Brendan loses himself in the strange man’s incredible stories. Fascinated by the fact that Jonathan Doe can no longer remember exactly where he is from, Brendan becomes obsessed with helping his new friend find his way back to the kind of home he himself has always dreamed of. But is Jonathan’s past real or are his memories the product of a deeply troubled mind? The closer Brendan gets to the truth, the more he realises that all is not what it seems with Jonathan Doe.

    But who is he and why is he so keen to spend time in a psychiatric hospital?When Mark is admitted, silent and naked, the staff are suspicious about his motives.Dealing with this, as well as the patients on the ward, Mark’s troubles really begin once he is Sectioned under the Mental Health Act. When decisions about his future are handed to Consultant Psychiatrist, Dr Giles Sharman, Mark’s life goes from bad to worse.  Drugged, abused and in danger, Mark looks for a way out of this nightmare. But he’s about to learn, proving that you are sane might not be easy as it sounds…

    Once Tilly--whose condition is deemed undiagnosable--is kicked out of the last school in the area, her mother Alexandra is out of ideas. The family turns to Camp Harmony and the wisdom of child behavior guru Scott Bean for a solution. But what they discover in the woods of New Hampshire will push them to the very limit. Told from the alternating perspectives of both Alexandra and her younger daughter Iris (the book's Nick Carraway), this is a unputdownable story about the strength of love, the bonds of family, and how you survive the unthinkable.

    Left alone with her children, she’s going to need a hand taking care of her young son if she’s ever going to finish her memoir. In response to a Craigslist ad, S arrives, a magnetic young artist who will live in the secluded guest house out back, care for Lady’s toddler, Devin, and keep a watchful eye on her older, teenage son, Seth. S performs her day job beautifully, quickly drawing the entire family into her orbit, and becoming a confidante for Lady. But in the heat of the summer, S’s connection to Lady’s older son takes a disturbing, and possibly destructive, turn. And as Lady and S move closer to one another, the glossy veneer of Lady’s privileged life begins to crack, threatening to expose old secrets that she has been keeping from her family. Meanwhile, S is protecting secrets of her own, about her real motivation for taking the job. S and Lady are both playing a careful game, and every move they make endangers the things they hold most dear. Darkly comic, twisty and tense, this mesmerizing new novel defies expectation and proves Edan Lepucki to be one of the most talented and exciting voices of her generation.

    In the winter of 1859, Anna Palmer becomes its newest patient. To Anna’s dismay, her new husband has declared her in need of treatment and brought her to this shabby asylum. Confused and angry, Anna is determined to prove her sanity, but with her husband and doctors unwilling to listen, her freedom will notbe easily won. As the weeks pass, she finds other allies: a visiting physician who believes the new medium of photography may reveal the state of a patient’s mind; a longtime patient named Talitha Batt, who seems, to Anna’s surprise, to be as sane as she is; and the proprietor’s bookish daughter, who also yearns to escape. Yet the longer Anna remains at Lake House, the more she realizes that—like the ethereal bridge over the asylum’s lake—nothing and no one is quite as it appears. Not her fellow patients, her husband, her family—not even herself. Locked alone in her room, driven by the treatments of the time into the recesses of her own mind, she may discover the answers and the freedom she seeks . . . or how thin the line between madness and sanity truly is. Wendy Wallace’s taut, elegantly crafted first novel, The Painted Bridge is a story of family betrayals and illicit power; it is also a compelling portrait of the startling history of the psychiatric field and the treatment of women— in society and in these institutions. Wallace sets these ideas and her characters on the page beautifully, telling a riveting story that is surprising and deeply moving.

    The art history professor crafts jewelry as unique and weathered as the surf-tumbled sea glass she collects, while raising her daughter in a safe and loving environment—something Molly never had. But when Cassie is plagued by horrific visions and debilitating nightmares, Molly is forced to return to the one place she swore she’d never move back to—home to Pacific Grove.A riveting exploration of love, secrets, and motherhood, All the Breaking Waves is the poignant story of a woman who discovers she must confront her past, let go of her guilt, and summon everything in her power to save her daughter.

    But when she arrives in Etherton, Ohio, she discovers that her grandmother, who she hasn't talked to in years, has passed away and "home" is an empty mansion 150 years old. Not exactly the comfort Camden was looking for. What happened to the house she played in as a child, the bedtime stories that told of secret passageways and runaway slaves, and all those family memories? When antiques start disappearing and footsteps are heard, some of those memories start to creep back and Camden wonders if her grandmother's bedtime stories might actually be true. What really happened here . . . at Crescent Hill? How was her grandmother involved? Who still has access to the house? And for what purpose? As she works to uncover the past and present mysteries harbored in her home, Camden also uncovers secrets about her family that could change the town--and her life--forever.

    When renowned painter Robert Oliver attacks a canvas in the National Gallery of Art and becomes his patient, Marlow finds that order destroyed. Desperate to understand the secret that torments the genius, he embarks on a journey that leads him into the lives of the women closest to Oliver and a tragedy at the heart of French Impressionism. Kostova's masterful new novel travels from American cities to the coast of Normandy, from the late 19th century to the late 20th, from young love to last love. The Swan Thieves is a story of obsession, history's losses, and the power of art to preserve human hope.

    Until he's accused of murder.Attorney Danielle Parkman knows her teenage son Max's behavior has been getting worse—using drugs and lashing out. But she can't accept the diagnosis she receives at a top-notch adolescent psychiatric facility that her son is deeply disturbed. Dangerous.Until she finds Max, unconscious and bloodied, beside a patient who has been brutally stabbed to death.Trapped in a world of doubt and fear, barred from contacting Max, Danielle clings to the belief that her son is innocent. But has she, too, lost touch with reality? Is her son really a killer?With the justice system bearing down on them, Danielle steels herself to discover the truth, no matter what it is. She'll do whatever it takes to find the killer and to save her son from being destroyed by a system that's all too eager to convict him.

    The thing she did is so bad she doesn't deserve to ever feel good again.But her counsellor, Erika, won't give up on her. She asks Beth to make a list of all the good things in her life. So Beth starts to write down her story, from sharing silences with Foster Dad No. 1, to flirting in the Odeon on Orange Wednesdays, to the very first time she sniffed her baby's head.But at the end of her story, Beth must confront the bad thing.What is the truth hiding behind her crime? And does anyone-even a 100% bad person-deserve a chance to be good?

    Logic says there was no more she could have done to save the mercurial and unhappy Alice, but Lara can’t escape the feeling that she is somehow to blame for the tragedy.She spends a weekend at the rebuilt house with Alice’s charismatic widower, Crow, and his three young children. Rummaging through the remains of their shared past, Lara reveals a friendship with Alice that was as troubled as it was intense. But beneath the surface is a darker, more unsettling secret waiting to be exposed.Through exquisite prose and searing insight, Into the Fire explores the many ways, small and large, we betray one another and our ideals. It’s a compelling story about power, guilt and womanhood from an outstanding voice in Australian fiction.

    Surviving... can be murder. Twenty-three year old Cassandra Draper is the latest victim of the serial killer police have dubbed ‘The Magician’, due to his ability to make women disappear.Abducted and drugged, he takes her out into the middle of nowhere, where he chains her to a tree trunk.She thinks things can’t get any worse, but a freak accident renders her completely alone.And no one knows where she is.She thought being abducted by a serial killer was as bad as things could get.... But she’s about to learn there are worse things than being dead.