The play is a political satire, written as historical drama. Based on the life of Nana Phadnavis (1741–1800), one of the prominent ministers in the court of the Peshwa of Pune. Its theme is how men in power give rise to ideologies to serve their purposes, and later destroy them when they become useless.

    Men of peace are spreading the message of the Buddha even as monks are being tortured in the dungeons of Pataliputra. In Magadha, all talk is about the impending war against Kalinga. While King Ashoka plots the movements of his ships and cavalry, Queen Asandhimitra broods over the growing unrest in the kingdom. There is only one man they can both trust to take them through this period of uncertainty and looming danger: the enigmatically named Brahmin, skilful spymaster and custodian of Magadha’s best-kept secrets. Lush with historical detail and unforgettable characters, The Brahmin is an intricately plotted novel that seeks to recreate a near-mythical period in India’s past.

    She is a perplexed botch, who never thinks before she talks. Megha realises that she fancies the creative course of action involved in making ad films, rather than her current job of creating marketing strategies for products. Her ornery boss is not electrified with the idea of brand managers turning into ad conceptualizing officers, though.Megha then meets the creative head of the company, Yudhistir Joshi. Yudi seems to bring out Megha’s atrocious side. Although he’s an exceptionally good looking man, Megha and Yudi publicly fight and argue. He hates her guts and she vice-versa. Yudi apprises her to quit from the creative team every single time, however, Megha, who’s finally in a blissful atmosphere, refuses to abandon her ecstatic ship. Little does she know that their friction will give way to sparks!Concurrently, ‘Vile’ Varun, Megha’s boss, puts her down in front of his bosses at every opportunity. He claims that she is inadequate for her profile.On the other hand, there is a crowd of eligible NRI bachelors on her list of problems, as Megha’s mother decides to put her up on the marriage market.No Deadline For Love is a first person narrative by the protagonist, Megha. The book reads almost like a journal entry, and is full of icy observations. The occasional hilarious quotes lighten up the reader’s mood, and the elementary pinch in the storyline, apart from her spontaneous description of the events, are the comical nicknames given to characters.

    At fourteen she is pressed into the service of the temperamental sage Durvasa who grants her a boon. Its first use, however, only brings her adversity and a shameful secret. With marriage to Pandu, Kunti dreams of a better future, but a curse makes him leave the throne of Hastinapur to his sibling, the blind Dhritarashtra, and retreat to the forest. The births of the five Pandavas rekindle Kunti’s hopes of returning to Hastinapur, but these are destroyed once again when Pandu dies suddenly. Kunti journeys to the kingdom, no longer its queen but a widow, a dependant as are her sons. She must now take up the task of guiding them through the long struggle to get their inheritance, a struggle made harder by the discovery that the illegitimate child she had abandoned long ago is alive and a sworn enemy of the Pandavas. Recasting the Mahabharata from the viewpoint of Kunti, The Kaunteyas replaces the idealized mother figure with a fully three-dimensional woman, providing new insights into the epic.

    Born in Kerala, Maya spent the first four years of her life there, cared for mainly by her grandmother, Ammamma, until she was sent to live with her parents in New York. At 15, with her parents' marriage undergoing a rough patch, she is sent back to India to stay with her Aunt Reema and Uncle Sanjay, their 10-year-old daughter, Brindha, and Ammamma at their house in the tea hills above Coimbatore. It's been years since Maya came to visit, and this time she is keenly aware of cultural differences: the different spheres of men and women and the persistence of the caste system. She feels stifled by the attentions of Ammamma and resentful of the time she must spend with the old woman. When Maya suffers an accident while most of the family is away, she and Ammamma grow closer, and Maya learns a hidden family fact. But only when Ammamma falls ill and the entire family gathers, including Maya's parents from New York, does Maya begin to comprehend more deeply the complexities of relationships.

    The Solar tribes are without a ruler, and the return to Aryavarta has resulted in a confederation where hitherto there was a united clan-hood. Rakshasas, Gandharvas and Yakshas threaten the nascent cities of Aryavarta, and if their rise is not checked the Solar tribes may lose all they have gained.And thus rises Ikshvaku, the son of Manu and descendant of Surya. He forms Aryavarta’s first Kingdom and unites the Solar strength against the Anaryas- Rakshasas, Gandharvas and Yakshas.But the Seal of Surya is still missing, and Ikshvaku will need to find it to put his claim and authority beyond all doubt. This is the tale of Aryavarta’s first dynasty, the Suryavansha, and its first King- Ikshvaku Manava.

    The voices speak of a plot to murder a wife who has failed to produce a child and whose family has failed to produce the promised dowry...Megha is sick with horror when she realizes she is the intended victim. Her husband -- the very man who tied the sacred necklace of marriage around her neck -- and his mother are plotting to kill her! In the moment of panic, she runs for her life. Frantically racing through Palgaum's deserted streets, her way lit only by the lights strung up for the Diwali festival, her single goal is to escape death by fire. But fleeing from her would-be-killers seems impossible -- unless she can find someone to help her...To approach her best friend would bring scandal to an innocent woman's doorstep, and turning to her own strict, conservative family is out of the question. Instead, with nothing but the sari she wears and a memory of kindness, Megha finds her way to Kiran, the one man who has shown her friendship and respect. Hiding her in his apartment, Kiran becomes her protector. But the forbidden attraction that grows between them can only bring more danger...Caught between tradition and the truths buried in her heart, a dowry bride will discover the real cost of the only things worth having in life...

    From the mass of Indian short fiction by women writing in India,Britain and America,here is a constellation of some of the most dazzling stories.A Spectrum of voices and an abundance of forms - from the ghost story to the animal fable - are all anchored in experiences of a multicultural and multilingual sub-continent.The overlapping worlds of tradition and skepticism,of collective responsibilities and individual choice strike a tenuous balance giving us stories that are violent,funny,tragic as they explore old themes-caste and hierarchy,colonialism and its aftermath.relationships,sexuality and the search for identity- with new vigour.This anthology boasts a distinguished range of writers from Anita Desai to Sunita Namjoshi,Kamala Das to Mashasveta Devi;it includes stories,some written in English,most translated from the regional languages - Urdu,Hindi,Bengali,Tamil,Kannada,Malayalam - that reflect a marvellous diversity, and provides a sampler of same of the finest writing from India.

    * New Edition. * Includes a new translation of 'Fotikchand'.

    And now you're turning away from me. You are saying something but I can't hear you. It's too windy. You're crying now. Now you're smiling. I'm done. I love you...' It's been two years since Raghu left his first love Brahmi on the edge of the roof one fateful night--he couldn't save her. Having lost everything, Raghu now wants to stay hidden from the world. However, the annoyingly persistent Advaita finds his elusiveness very attractive. And thee more he ignores her, the more she's drawn to him till she bulldozes her way into an unlikely friendship.What attracts at first, begins to grate. Advaita can't help but want to knwo what Raghu's left behind, what he's hiding, and who broke his heart. She wants to love him back to life, but for that she needs to discover what wrecked him in the first place .After all, the antidote to heartache is love.

    It is an urgent, brave call for justice.' Maaza Mengiste, author of The Shadow King'Page after page, Farah Bashir juxtaposes moments of heart-stopping terror and beauty in a stunning memoir of life and love under a bloody military occupation.' Mirza Waheed, author of Tell Her Everything'I couldn't put it down, and even after it had ended, the people and their stories - wonderful, horrific, familiar and unfathomable - stayed textured and formidable in my mind.' Jennifer Croft, author of Homesick'A beautifully tender and often heart-stopping memoir of growing up in a world that is spinning out of control.' Mahesh Rao, author of Polite Society Rumours of Spring is the unforgettable account of Farah Bashir's adolescence spent in Srinagar in the 1990s. As Indian troops and militants battle across the cityscape and violence becomes the new normal, a young schoolgirl finds that ordinary tasks - studying for exams, walking to the bus stop, combing her hair, falling asleep - are riddled with anxiety and fear. With haunting simplicity, Farah Bashir captures moments of vitality and resilience from her girlhood amidst the increasing trauma and turmoil of passing years - secretly dancing to pop songs on banned radio stations; writing her first love letter; going to the cinema for the first time - with haunting simplicity. This deeply affecting coming-of-age memoir portrays how territorial conflict surreptitiously affects everyday lives in Kashmir.

    

    Magazine, The Snake Charmer tells the story of Sonalal, a middle-age snake charmer making a living with his been pipe and his beloved cobra, Raju. Despite his great skills, Sonalal's drinking and womanizing seem to have marked him for a life of insignificance. But that all changes one remarkable afternoon when he produces music so beautiful he is certain the gods must be listening. In a moment that will change his life forever, Raju bites Sonalal, and Sonalal bites back, destroying the one creature who loves him. The Snake Charmer traces Sonalal's bumpy journey through brief celebrity, profound remorse, and a quest for answers to unanswerable questions of love, life, and art. Sparely and beautifully written, this "novel of enchantments" (Oscar Hijuelos) is an unforgettable debut, confirming the Washington Post's comparison of Nigam to Arundhati Roy and Vikram Chandra.