Ever. Especially using my blindness. Especially in public. Don't help me unless I ask. Otherwise you're just getting in my way or bothering me. Don't be weird. Seriously, other than having my eyes closed all the time, I'm just like you only smarter.Parker Grant doesn't need 20/20 vision to see right through you. That's why she created the Rules: Don't treat her any differently just because she's blind, and never take advantage. There will be no second chances. Just ask Scott Kilpatrick, the boy who broke her heart. When Scott suddenly reappears in her life after being gone for years, Parker knows there's only one way to react - shun him so hard it hurts. She has enough on her mind already, like trying out for the track team (that's right, her eyes don't work but her legs still do), doling out tough-love advice to her painfully naive classmates, and giving herself gold stars for every day she hasn't cried since her dad's death three months ago. But avoiding her past quickly proves impossible, and the more Parker learns about what really happened - both with Scott, and her dad - the more she starts to question if things are always as they seem. Maybe, just maybe, some Rules are meant to be broken. Combining a fiercely engaging voice with true heart, debut author Eric Lindstrom's Not If I See You First illuminates those blind spots that we all have in life, whether visually impaired or not.

    He thought I'd never fall in love. He thought he could keep me forever.Charles: obsessed with keeping her safe, keeping her his, he hires the one person he knows she could never fall in love with: Colin.Daddy was wrong.

    He fancies himself a hopeless romantic, but the slo-mo, heart palpitating, can't-eat-can't-sleep kind of love that he's been hoping for just hasn't been in the cards for him-at least not yet. Instead, he's been happy to focus on his grades, on getting into a semi-decent college and finally becoming editor of his school newspaper. Then Grace Town walks into his first period class on the third Tuesday of senior year and he knows everything's about to change.Grace isn't who Henry pictured as his dream girl-she walks with a cane, wears oversized boys' clothes, and rarely seems to shower. But when Grace and Henry are both chosen to edit the school paper, he quickly finds himself falling for her. It's obvious there's something broken about Grace, but it seems to make her even more beautiful to Henry, and he wants nothing more than to help her put the pieces back together again. And yet, this isn't your average story of boy meets girl. Krystal Sutherland's brilliant debut is equal parts wit and heartbreak, a potent reminder of the bittersweet bliss that is first love.

    One boy, one girl. One gay, one straight. One black, one white. And SUMMER DRAMA CAMP. It's a season of hormones, gold lame, hissy fits, jazz hands, song and dance, true love, and unitards that will determine their future--and test their friendship.

    Max is totally swoon-worthy, and even gets her quirky sense of humor. So when he asks out her so-called best friend Addison, Gemma's heartbroken.Then Addison pressures Gemma to join the date with one of Max's friends. But the more time they all spend together, the harder Gemma falls for Max. She can't help thinking that Max likes her back; it's just too bad he's already dating Addison. How can Gemma get the guy she wants without going after her best friend's?

    Someone who wouldn’t rather date her gorgeous best friend, Megan. Someone who won’t freak out when he learns about the tragedy her family still hasn’t recovered from. Someone whose kisses can carry her away from her backwoods town for one fleeting moment.Until Claire meets Luke.But Megan is falling for Luke, too, and if there’s one thing Claire knows for sure, it’s that Megan’s pretty much irresistible.With true love and best friendship on the line, Claire suddenly has everything to lose. And what she learns—about her crush, her friends, and most of all herself—makes the choices even harder.In her moving debut, Rachael Allen brilliantly captures the complexities of friendship, the struggles of self-discovery, and the difficulties of trying to find love in high school. Fans of Sarah Ockler, Susane Colasanti, and Stephanie Perkins will fall head over heels for this addictive, heartfelt, and often hilarious modern love story.

    What she does know is that she’d give anything to escape the mass of misery that is her life. Now meet Sloane Devon Jacobs, a spunky ice hockey player from Philly who’s been suspended from her team for too many aggressive hip checks. Her punishment? Hockey camp, now, when she’s playing the worst she’s ever played. If she messes up? Her life will be over.When the two Sloanes meet by chance in Montreal and decide to trade places for the summer, each girl thinks she’s the lucky one: no strangers to judge or laugh at Sloane Emily, no scouts expecting Sloane Devon to be a hero. But it didn’t occur to Sloane E. that while avoiding sequins and axels she might meet a hockey hottie—and Sloane D. never expected to run into a familiar (and very good-looking) face from home. It’s not long before the Sloanes discover that convincing people you’re someone else might be more difficult than being yourself.

    She’d be watching old comedy sketches with him. She’d be kissing him in the library stacks.She certainly wouldn’t be at The Wooden Barn, a therapeutic boarding school in rural Vermont, living with a weird roommate, and signed up for an exclusive, mysterious class called Special Topics in English.But life isn’t fair, and Reeve Maxfield is dead.Until a journal-writing assignment leads Jam to Belzhar, where the untainted past is restored, and Jam can feel Reeve’s arms around her once again. But there are hidden truths on Jam’s path to reclaim her loss.From New York Times bestselling author Meg Wolitzer comes a breathtaking and surprising story about first love, deep sorrow, and the power of acceptance.

    Her grandmother is sick, maybe dying. Like the rest of her family, Caroline's been at Gram's bedside since her stroke. With the pressure building, all Caroline wants to do is escape--both her family and the reality of Gram's failing health. So when Caroline's best friend offers to take her to a party one fateful Friday night, she must choose: stay by Gram's side, or go to the party and live her life.The consequence of this one decision will split Caroline's fate into two separate paths--and she's about to live them both.Friendships are tested and family drama hits an all-new high as Caroline attempts to rebuild old relationships, and even make a few new ones. If she stays, her longtime crush, Joel, might finally notice her, but if she goes, Chris, the charming college boy, might prove to be everything she's ever wanted.Though there are two distinct ways for her fate to unfold, there is only one happy ending...

    So when a girl at her new high school nearly succumbs to the wiles of a notorious cad, Mary starts compiling the Scoundrel Survival Guide, a rundown of literary types to be avoided at all costs.Unfortunately, Mary is better at dishing out advice than taking it—and the number one bad boy on her list is terribly debonair. As her best intentions go up in flames, Mary discovers life doesn’t follow the same rules as fiction. If she wants a happy ending IRL, she’ll have to write it herself.

    Suddenly, she’s a farm girl, albeit a reluctant one, selling figs at the farmers’ market and developing her photographs in a ramshackle shed. Caught between a troublemaking sidekick named Storm, a brooding, easy-on-the-eyes L.A. boy, and a father on a human rights crusade that challenges the fabric of the farm community, Roar is going to have to tackle it all—even with dirt under her fingernails and her hair pulled back with a rubber band meant for asparagus.

    When she and her mom were a family, just the two of them against the world. But now her mom is gone most of the time, chasing the next marriage, bringing home the next stepfather. Anna is left on her own - until she discovers that she can make boys her family. From Desmond to Joey, Todd to Sam, Anna learns that if you give boys what they want, you can get what you need. But the price is high - the other kids make fun of her; the girls call her a slut. Anna's new friend, Toy, seems to have found a way around the loneliness, but Toy has her own secrets that even Anna can't know. Then comes Sam. When Anna actually meets a boy who is more than just useful, whose family eats dinner together, laughs, and tells stories, the truth about love becomes clear. And she finally learns how it feels to have something to lose - and something to offer. Real, shocking, uplifting, and stunningly lyrical, Uses for Boys by Erica Lorraine Scheidt is a story of breaking down and growing up.

    But what she can recall, in frank and sardonic detail, is the year leading up to the crash.As Gabby describes her transformation from Invisible Girl to Trendy Girl Who Dates Billy Nash (aka Most Desirable Boy Ever), she is left wondering: Why is Billy suddenly distancing himself from her? What do her classmates know that Gabby does not? Who exactly was in the car that night? And why has Gabby been left to take the fall?As she peels back the layers of her life, Gabby begins to realize that her climb up the status ladder has been as intoxicating as it has been morally complex...and that nothing about her life is what she has imagined it to be.

    He has no friends, gets beaten up at school, and his parents are always criticizing him. Tired of feeling miserable, Victor takes a bottle of his mother's sleeping pills—only to wake up in the hospital.Bull is angry, and takes all of his rage out on Victor. That makes him feel better, at least a little. But it doesn't stop Bull's grandfather from getting drunk and hitting him. So Bull tries to defend himself with a loaded gun.When Victor and Bull end up as roommates in the same psych ward, there's no way to escape each other or their problems. Which means things are going to get worse—much worse—before they get better….

    She's got her friends - the fabulous Frankie and their sweet cohort Sadie. She's got her art - and her idol, the unappreciated 19th-century painter Edward Willing. Still, it's hard being a nobody and having a crush on the biggest somebody in the school: Alex Bainbridge. Especially when he is your French tutor, and lessons have started becoming, well, certainly more interesting than French ever has been before. But can the invisible girl actually end up with a happily ever after with the golden boy, when no one even knows they're dating? And is Ella going to dare to be that girl?