Never before published, it features her ex-Special Forces soldier turned self-defence expert and bodyguard, Charlotte ‘Charlie’ Fox.In Across The Broken Line, we follow Charlie through a fragmented timescale of cross and double-cross as she fights to keep her principal alive – whoever that might be.

    It is essentially a racy crime thriller full of gritty suspense. Act one builds up slowly to result in a crescendo of conflicts between personalities and ideas finally to end with an unnatural death before the interval. Is it a suicide or a murder? Act two evolves through a series of incisive interrogations to unravel the truth, which is deeply disturbing and affecting. As the play unfolds into a very well crafted situational thriller, underneath is the debate about using land for agriculture or for industry, the ethics of a working author and the nexus of a modern state all wonderfully enmeshed into its storyline and the personal lives of its subtly etched out characters. The highpoints of the play are its central conflict between a mother and her daughter and its female sleuth – Renuka.

    Dr. Newman is at the leading edge of creating the perfect educational environment for children, and all he requires is a hefty tuition—and your child at the age of six months.Christopher Carson is one of the “Newman Residents” who live at the Newman Home year-round. His parents, Richard and Carol, both Manhattan attorneys, may disagree about the specifics, but each wants what’s best for their son. For Richard, this means bringing Christopher, now six years old, home for one last summer vacation before the visits become brief and infrequent.Carol agrees with the staff: Christopher should stay at the school. And Christopher is confused, not sure where his real home is anymore. But Richard would like for their house to be Christopher’s home, at least for one summer.As Richard and Christopher spend more time together they become closer. Not long into Christopher’s visit, Richard begins to suspect that the Newman Home’s methods for developing their children into future leaders are too experimental, if not outright dangerous. His suspicions are confirmed when a secretive support group of Newman parents reaches out to him about their frightening experiences with the school.Richard’s investigations into the Newman Home quickly spiral out of control; he has underestimated the extent of the school’s power and connections—and Dr. Newman’s incessant drive to achieve a new level of success for the students. But what Dr. Newman underestimates may be even more powerful: one father’s determination to fight for his son against the odds.What follows in The Newman Resident is a whirlwind battle between a devoted father and an education system more terrifyingly powerful than he ever could have imagined. It’s a battle that forces him to confront how some will cross any line in order to create the “perfect” child.

    Moscow has taken the USA without a shot.Student protesters are being slaughtered in the Midwest.The Jewish pogroms have begun.You are now living in Soviet–occupied America!One nuclear submarine and a handful of determined patriots against the combined might of Russia and Soviet–occupied America… The Most Explosive and Gripping “What If” Novel of Our Time!

    They find a safe haven in the isolated Norfolk village where Seb was born. Yet this idyllic rural setting has its own murderous secrets and a terrible crime requires our hero to play the sleuth once more.Even away from London, Seb and Emily are not as safe as they believe - their enemies are closer than they know and danger lurks at every twist and turn. The sixth Sebastian Foxley medieval murder mystery from bestselling author Toni Mount brings the medieval era to life once again.

    Reviewers have called his fiction “ingenious” (USA Today) and “compulsively readable” (Memphis Commercial Appeal). His narrative power and flair for characterization have been compared to the likes of Harper Lee, Flannery O'Connor, Elmore Leonard, and Cormac McCarthy. Now the Edgar Award-winning author returns with his most accomplished and resonant novel so far—an atmospheric drama set in rural Mississippi. In the late 1970s, Larry Ott and Silas "32" Jones were boyhood pals. Their worlds were as different as night and day: Larry, the child of lower-middle-class white parents, and Silas, the son of a poor, single black mother. Yet for a few months the boys stepped outside of their circumstances and shared a special bond. But then tragedy struck: Larry took a girl on a date to a drive-in movie, and she was never heard from again. She was never found and Larry never confessed, but all eyes rested on him as the culprit. The incident shook the county and perhaps Silas most of all. His friendship with Larry was broken, and then Silas left town.More than twenty years have passed. Larry, a mechanic, lives a solitary existence, never able to rise above the whispers of suspicion. Silas has returned as a constable. He and Larry have no reason to cross paths until another girl disappears and Larry is blamed again. And now the two men who once called each other friend are forced to confront the past they've buried and ignored for decades.

    That is, until he learns the town hides an ugly secret. A thirty-year-old murder in the high school. And a frightening ghost stalking his new office. Burned by an earlier encounter with the spirit world, Darrell doesn't want to get involved, but when the desperate ghost hounds him, he concedes. Assisted by his new love, he follows a trail that leads to the civil rights movement, Dr. Martin Luther King, Jr. and even the Klu Klux Klan. Then, when two locals who try to help are murdered, Darrell is forced to decide if he's willing to risk his life--and the life of the woman he loves--to expose the killers of a young man he never knew.

    It’s now 1875, however, and there has been peace in this part of Wyoming for several years, and Ethan has settled down in the small town of Lockwood. No longer working in stealth, he is the town’s lone lawyer. When two young Sioux are lynched by a makeshift posse for a crime they may or may not have committed, Ethan knows he must act quickly to prevent a bloody retaliation from their Sioux tribe. Can he gain the trust of both his former enemy and the townspeople of Lockwood so that there is enough time to unravel the mystery of the crime and ensure justice is fairly served? In Night of the Coyote, the worlds of the old and new collide, and the clock is ticking for Ethan to prevent a further descent into violence.

    Only two little girls know where he is but they’re too scared to tell. Time is running out for the policeman. Will the girls get help before it’s too late? Piggy Monk Square is a dark yet frequently very funny novel set in 1970's Liverpool. The action takes place in the volatile period before the Toxteth riots burned much of the inner city down. A BRITISH THRILLER This unusual yet very readable British thriller describes a world tainted with deep mistrust and hostility between the local people and the police force. This harsh world is viewed through the eyes of a nine-year-old girl, Rebecca. Rebecca’s world is changing. Her parents are fighting. Her teachers are cruel. She doesn’t know what to do and turns to her best friend Debbie more and more. But Debbie’s life is just as tough. With a father who is always dodging the police, and a mother who works her to the bone, Debbie is no Cinderella. The world these girls inhabit is no fairy tale, it is confusing and can be brutally violent. A TERRIFYING SECRET No wonder the girls mix reality with fantasy - it’s how they survive, especially when it comes to coping with what will soon become their terrifying secret. A secret that will infuse their childhood with fear and change their lives forever. The nightmare begins when Rebecca and Debbie are playing in the cellar of a derelict house. A policeman catches them there and warns them not to return to this dangerous old building. But they are both determined little girls with nowhere else to play, so they come back, again and again. Unfortunately for them so does the policeman. The policeman tries to chase the girls away, but he falls down a ladder and goes ‘asleep.’ The girls try to wake him but can’t. They want to get help but at the same time they know they shouldn’t have been playing in that cellar. They have learned not to trust the police and are so afraid of getting into trouble that they leave the injured policeman alone. NOWHERE TO TURN Wishful thinking makes the girls hope that he will get up and go of his own accord and that everything will be okay again. But when they return and find him still there, conscious but unable to move they find another way to help him. A way that doesn’t involve adults. But, their interpretation of ‘helping’ the dying policeman has terrible consequences for them all.

    And you're now being framed for it. Only the person framing you is a cop... Davy Johnson is a young man from the wrong side of the tracks with a target on his back. After a spell in prison he is trying to make a life for himself but one cop won’t leave him alone, following him around and carting him off to the station just for the fun of it. The harassment turns sinister when Davy witnesses his nemesis overstep the mark with a local junkie – and makes the mistake of telling him he’s been seen. What happens next sees Davy framed for a string of murders with no one to help him but the gang leader he turned his back on when he got out of jail – but what will he want in return? With the help of an ex con and a local cabbie Davy goes on the run to prove his innocence but as the body count rises he discovers a connection between what’s happening now and a tragedy involving his father many years before. Will he be able to work out the truth from the lie in time to save the killer’s next victim? Scottish crime fiction with a sting in the tail...

    But Jay Singh is a closet alcoholic; he has a dark and ominous past. His mother has been accused and convicted of killing his father..something he doesn't accept even after twenty years.Flamboyant, wicket, lethal, Jay Singh never loses a case, though his methods might not always be within the law. If the law is after you - guilty or not - there is only one man who can save you. If Jay Singh takes your case, witnesses for the prosecution disappear or turn hostile, evidence evaporates, technology and science fail to provide any cogent support. What's more - Jay Singh can even provide you with an ironclad alibi.And then he gets a case that can completely destroy him.If he loses the high-profile he can kiss his career goodbye ; if he wins the case he better keep his obituary ready.

    Someone is demanding a lot of money from her husband and she wants to know why.What do the dying words of one man - he made me - actually mean?As the mystery unfolds people will come undone and reputations will be ruined before the answer becomes clear.At the end of the day Mrs Swaine might end up wishing she’d let sleeping dogs lie… Also available in the Booker & Cash series: Bad Sons

    But unlike her famous detective Hercule Poirot, she can’t neatly unravel the mysteries she encounters on this fateful journey.Agatha isn’t the only passenger on board with secrets. Her cabinmate Katharine Keeling’s first marriage ended in tragedy, propelling her toward a second relationship mired in deceit. Nancy Nelson—newly married but carrying another man’s child—is desperate to conceal the pregnancy and teeters on the brink of utter despair. Each woman hides her past from the others, ferociously guarding her secrets. But as the train bound for the Middle East speeds down the track, the parallel courses of their lives shift to intersect—with lasting repercussions.Filled with evocative imagery, suspense, and emotional complexity, The Woman on the Orient Express explores the bonds of sisterhood forged by shared pain and the power of secrets.

    Her disappearance destroys her mother, who spends the rest of her life at the lake house, hoping in vain that her favorite daughter will walk out of the woods. Emily’s two older sisters stay, too, each keeping her own private, decades-long vigil for the lost child. Sixty years later Lucy, the quiet and watchful middle sister, lives in the lake house alone. Before she dies, she writes the story of that devastating summer in a notebook that she leaves, along with the house, to the only person to whom it might matter: her grandniece, Justine. For Justine, the lake house offers a chance to escape her manipulative boyfriend and give her daughters the stable home she never had. But it’s not the sanctuary she hoped for. The long Minnesota winter has begun. The house is cold and dilapidated, the frozen lake is silent and forbidding, and her only neighbor is a strange old man who seems to know more than he’s telling about the summer of 1935.Soon Justine’s troubled oldest daughter becomes obsessed with Emily’s disappearance, her mother arrives with designs on her inheritance, and the man she left behind launches a dangerous plan to get her back. In a house steeped in the sorrows of the women who came before her, Justine must overcome their tragic legacy if she hopes to save herself and her children.

    He meets a fan, an attractive woman, in a coffee shop and she plies him with compliments and a Mickey. The next morning he wakes up at a seedy motel naked, reeking of alcohol, alone, and confused. A blackmail ensues and he becomes entangled in a shadowy underworld involving strippers, prostitutes, gangsters, corrupt politicians, and cops. His wife and son leave him and he plunges into the mean streets of San Francisco seeking answers to the riddles at the heart of those seeking to destroy him.My main character in Between a Smile and a Tear, Jack Waters, a successful novelist, is a recovering alcoholic coming to terms with the damage his drinking has caused to his family and friends. He's trying his best to make amends, but is it too late? Is it impossible to right some wrongs?I've read a number of James Hall's antic thrillers set in Florida (primarily the Thorn books) with their wild and crazy bad guys and they inspired me to create my villain here: Wallace Unger. I tried to make him both humorous and scary, a counterpoint to the serious and darker action and themes of the novel.Wallace is wild and crazy, funny and dumb, but also unpredictable and a dangerous antagonist made even more fearsome by his employer, the amoral gangster boss, NIck Ravelli.This is a "bigger" novel than others that I have written, featuring multiple point-of-view characters, more subplots, a wider range including political and social forces impacting the characters, as well as a deeper attention to location and geography.I've tried to make San Francisco a major character in its own right here. I grew up in the city and know it well, but supplemented that knowledge with research and maps and a couple of trips back to the Bay Area. I think San Francisco, in all of its beauty and mystery, comes alive in the novel and I hope you agree.I put my heart and soul into this book and hope you feel that while you read.Thanks for taking the time.