a supernatural mystery.Edrington, Oregon - a town with a horrifying past. A town with dark secrets. A town where a woman has summoned something terrifying.Three hundred and fifty miles south, Ryan wakes up in a motel room with a bag of stolen money, bullet hole scars on his chest, and no memory of his past - his only clue is a scrap of paper in his wallet with an Edrington address scrawled on it.Plagued by nightmares of a tortured man who seems to be forcing his way from the dream world into our world, Ryan journeys north to the small Oregon town where the answers are waiting for him.

    . . and all of its contents. Despite her suspicions that her aunt was murdered, Molly wants nothing more than to sell everything and get back to the life she loves. Especially once her homecoming reignites the decades-old family conflict that drove her away in the first place. But when Molly uncovers caches of cash, journals revealing secrets-and a body-amongst the stockpiles, she finds herself locked in a cat-and-mouse dance with a deadly endgame. Molly teams with local sheriff, Greg Olson, to find the truth. But will her determination and his skills be enough, or will the killer-or killers-put an end to their efforts once and for all?

    Welcome Margaret Leroy to the clan.What’s the matter with Sylvie? Such a pretty girl. Four years old; well loved by her young mother, Grace. But there’s something . . . “off ” about the child. Her deathly fear of water; her night terrors; most of all, her fixation with a photo of an Irish seaside town called Coldharbour.“Sylvie, tell me about your picture. Why’s it so special, sweetheart?” My heart is racing, but I try to make my voice quite calm.“That’s my seaside, Grace.” Very matter-of-fact, as though this should be obvious. “I lived there, Grace. Before.”Grace doesn’t know what to do with this revelation—she’s barely scraping by as it is. A single mother with no family, Grace works full-time at a London flower shop to support herself and Sylvie. Overwhelmed by her inability to help her daughter, she turns to Adam Winters, a dashing psychology professor with some unusual theories about what might be troubling the child. Together, they travel to seemingly idyllic Coldharbour, hoping to understand Sylvie’s mysterious connection to the place. Impossible as it may seem, Grace has to accept that her daughter may be remembering a past life. And not only that: the danger bedeviling Sylvie from her past life is still very much a threat to her in this one.Margaret Leroy has been celebrated for writing “like a dream,” and her previous novels have been praised for their “hypnotic prose” and “sensuously ethereal, subtly electric drama.” Now, in Yes, My Darling Daughter, Leroy offers a novel both haunted and haunting—a wonderfully original, deliciously suspenseful story that enthralls from the first page to the very last.

    Journalist Joe Oakes makes a living exposing supernatural hoaxes, but when he visits a secretive religious community on a remote Scottish island, everything he thought he knew is overturned. On the trail of a strange creature caught briefly on film, so deformed it can hardly be human, Oakes crosses a border of electrical fencing, toxin-filled oil drums, and pigs’ skulls to infiltrate the territory of the groups’ isolated founder, Malachi Dove. Their confrontation, and its violent aftermath, is so catastrophic that it forces Oakes to question the nature of evil—and whether he might be responsible for the heinous crime about to unfold. Startling and uncompromising, Pig Island confirms Mo Hayder as one of the most talented, compelling thriller writers now working.

    There must be a victim. A suspect. A detective. The rest is just shuffling the sequence. Expanding the permutations. Grant McAllister, a professor of mathematics, once sat down and worked them all out – calculating the different orders and possibilities of a mystery into seven perfect detective stories he quietly published. But that was thirty years ago. Now Grant lives in seclusion on a remote Mediterranean island, counting the rest of his days.Until Julia Hart, a sharp, ambitious editor knocks on his door. Julia wishes to republish his book, and together they must revisit those old stories: an author hiding from his past, and an editor, keen to understand it.But there are things in the stories that don’t add up. Inconsistencies left by Grant that a sharp-eyed editor begins to suspect are more than mistakes. They may be clues, and Julia finds herself with a mystery of her own to solve.

    An apocalyptic storm. Whispering voices in the air. She was right to fear the worst-case scenario. Amy Burnett has been buried in her work as a security expert. She likes it that way—her dark past can’t invade her thoughts as long as she stays holed up in her office. So why the heck has she ended up at a gothic mansion’s doorstep in the middle of the night? It’s because Craig Foster summoned her there. Amy’s company built the sealed chamber in his basement, for any worrisome worst-case scenario, but now the safe room has presented a scenario of its own: Craig’s daughter is trapped inside. It should be a quick fix. After all, what’s the worst thing that can happen when a stranger arrives at a remote mansion on a stormy night? An impossible mystery? A haunting? A visit from the lurking strangers in the woods? Surely not all three—that would require extraordinarily bad luck. Unfortunately, Amy’s been short on luck lately. Three Incidents at Foster Manor will keep you guessing until the end with a twist-filled, fast-paced, genre-blending mix of mystery, ghost story, thriller, and cosmic horror that will chill you to the core. This is a standalone story, but also acts as a sequel to P.T. Phronk's previous mystery, The Arborist. "Full of interesting characters, twists and scares, it will keep you off-balance all the way to the end!" —Franny "I'm always down some ghostly fun but then the fun dial twisted and wow." —Amazon Reviewer "If you like reading stories somewhat reminiscent of The Twilight Zone this is for you." —Alanna Patterson

    But now, after running away to Baton Rouge and briefly knowing a different kind of life, she finds herself with nowhere to go but back home. And she knows there will be a price to pay with her father.Matilda, daughter of a sharecropper, is from the other side of the Trace. Doing what she can to protect her family from the whims and demands of some particularly callous locals is an ongoing struggle. She forms a plan to go north, to pack up the secrets she's holding about her life in the South and hang them on the line for all to see in Ohio.As the two girls are drawn deeper into a dangerous world of bootleggers and moral corruption, they must come to terms with the complexities of their tenuous bond and a hidden past that links them in ways that could cost them their lives.

    Nick Martin has just started graduate school when he’s dragooned into serving as the driver, guide and confidant of a blind poet by the name of Jorge Luis Borges. Together they must address an extraordinary series of crimes and the equally baffling conundrums of literature and philosophy, including Zeno’s paradoxes, the mind/body problem, and the mysteries of destiny, personal identity and artistic creation. Nick plays the parts of Watson, Sancho Panza, Dante and Stephen Daedalus, and before the story ends he hears the last tale of Scheherazade and finds the love of his life. Forty-five years later, struggling with pain and grief, he looks back with wonder at the magical year when he wandered into the labyrinth and took his first steps to self-understanding.Lighthearted but deeply serious, The Philosophical Detective is a unique journey into the visionary world of a genius.Kirkus Reviews called The Philosophical Detective “...a suspenseful, pitch-perfect novel with an unlikely lead detective: a fictionalized version of iconic Argentine writer Jorge Luis Borges (1899-1986)..... An intelligent, original detective novel.”Note: With my apologies, at this time the book is available only in the United States.

    In the ensuing weeks, then months, the police investigation turns up nothing. Echoes of the disappearance reverberate across a tightly woven community, with the fear and loss felt most deeply among its women.Set on the remote Siberian peninsula of Kamchatka, Disappearing Earth draws us into the world of an astonishing cast of characters, all connected by an unfathomable crime. We are transported to vistas of rugged beauty – densely wooded forests, open expanses of tundra, soaring volcanoes and the glassy seas that border Japan and Alaska – and into a region as complex as it is alluring, where social and ethnic tensions have long simmered, and where outsiders are often the first to be accused.In a story as propulsive as it is emotionally engaging, and through a young writer's virtuosic feat of empathy and imagination, this powerful novel provides a new understanding of the intricate bonds of family and community, in a Russia unlike any we have seen before.Beautifully written, thought-provoking, intense and cleverly wrought, this is the most extraordinary first novel from a mesmerising new talent.

    For Havens, it’s always been about the numbers. He sees things others can’t, from the collapse of the American real estate market to the multibillion-dollar rise of his ruthless and charismatic boss. Havens is now rich beyond his dreams, but his work at the Rising Fund has cost him his marriage. And now it may cost him his life. It starts with the brutal murder of his young protégé and, over the course of six explosive days, six other brokers around the world, each killed after executing a trade linked to the Rising Fund. As the violence escalates from South Africa to São Paulo, Hong Kong to Berlin, Havens frantically tries to construct a model that will reveal the catastrophic event that only he can see coming—and confirm that his boss and the Rising Fund are at the center of it. The Last Trade is a relentlessly entertaining, adrenaline-fueled thriller about the forces that shape our culture–and a lone man desperate to achieve redemption— while averting a global economic catastrophe.

    It’s a secret she manages to keep for over two decades—from her daughter, the babysitter who helped raise her, family, coworkers, and friends. When Lucy’s now-grown daughter Mia discovers the devastating truth of her origins, she is overwhelmed by confusion and anger and determines not to speak again to the mother who raised her. She reaches out to her birth mother for a tearful reunion, and Lucy is forced to flee to China to avoid prosecution. What follows is a ripple effect that alters the lives of many and challenges our understanding of the very meaning of motherhood. Author Helen Klein Ross, whose work has appeared in The New Yorker, weaves a powerful story of upheaval and resilience told from the alternating perspectives of Lucy, Mia, Mia’s birth mother, and others intimately involved in the kidnapping. What Was Mine is a compelling tale of motherhood and loss, of grief and hope, and the life-shattering effects of a single, irrevocable moment.

    So do cats, bunnies and every other creature that must temporarily call it home. Running an animal shelter is hell, but Lucy knew that coming in. Dealing with the constant stream of homeless animals, tight budget and tighter Board of Directors, while maintaining a 20 year marriage, is exhausting. But it's all worth it each and every time an animal gets adopted. What Lucy could not foresee is that an unknown enemy would declare war on Mercy. Disturbing notes, nasty pranks and the horrible murder of a beloved co-worker threatens Mercy's very existence. Ferocious in the defense of her employees and the animals they care for, Lucy must identify and stop this enemy, or die trying.

    ACP Rathore is investigating the homicide. As the events begin to unleash Rathore digs upon secrets too dark and dangerous. As he proceeds, the question becomes more and more haunting - Who Killed Roger? Michael Rodriques, the Deputy Chief Minister of Goa? Shirley Fernandes, Roger's wife? One or more of the other artists? Or, an individual for whom Roger refused to perform? The Search is the most astonishingly impudent, ingenious and altogether a fast-paced murder mystery ever written by an Indian author.Note: This is an expanded version of the short story Who Killed Roger.

    Yet the sudden impulse to write a story about her mother, Katherine Morrissey, leads to a shot at literary success. The piece recounts an eerie Irish fairy tale her mother used to tell her at bedtime—and nestled inside it is the sad story of her death. It captures the attention of her mother’s former literary agent, who is convinced that Katherine wrote one final manuscript before her strange, untimely end in a fire thirty years ago. So Iris goes back to the remote Hotel Equinox in the Catskills, the place where she grew up, to write her mother’s biography and search for the missing manuscript—and there she unravels a haunting mystery, one that holds more secrets than she ever expected. . . .

    Her family was shattered, but managed to stick together, hoping against hope that Julie is still alive. And then one night: the doorbell rings. A young woman who appears to be Julie is finally, miraculously, home safe. The family is ecstatic—but Anna, Julie’s mother, has whispers of doubts.  She hates to face them. She cannot avoid them. When she is contacted by a former detective turned private eye, she begins a torturous search for the truth about the woman she desperately hopes is her daughter.