Years later, Faith is a successful literary agent. Her twin, addled by drugs and prostitution, struggles through life on the Harlem streets. When Hope seems to have set her sights on Faith's man, the tender bonds of sisterhood are cruelly tested. Will the truth about their darkest hour finally be revealed? I'm Telling "deftly shares the pain and desperation of a family shaken to the core" (Booklist). For anyone who has ever chosen between speaking up and backing down, this impassioned novel lights the way toward love and redemption.

    Here, too, are superb, action-packed entries from today's outstanding Western storytellers -- distinguished award winners as well as daring newcomers, including Peter Brandvold · Randy Lee Eickhoff · Marcus Galloway · Ed Gorman · Elmer Kelton · Rod Miller · Robert J. Randisi · James Reasoner · Dusty Richards · Troy D. Smith · L. J. Washburn Edited by renowned author and anthologist Robert J. Randisi, Lone Star Law spans the existence of this elite investigative law enforcement agency. From fending off hostile Comanche to tracking serial killers, from aiming Winchesters and Colt revolvers to firing up laptops and state-of-the-art forensics technology, from targeting rustlers and outlaw gangs to leading harrowing hostage negotiations, the men and women who don the badge and white hat of the Texas Ranger stand as steadfast deliverers of American justice -- the Lone Star way.

    A lonely teenage girl falls in love with an older, married neighbor. A woman attends a party at the home of her boyfriend’s ex-wife. A schoolteacher gets fired for teaching time incorrectly to grade-school students. And a young woman recovering from a breakup receives guidance from a drunk therapist. Poignant and sharply rendered, Otis’s stories seek answers to the questions of whom we love and why, how we search for love, lose it, or find it—sometimes at the last moment and in the most unlikely places. Quirky and hilarious, these stories display a knowing affection for human strangeness.

    The compilation is anchored by more of Collins’s short stories, which, striking and powerful in their brevity, reveal the ways in which relationships are both formed and come undone. Also collected here is the work Collins wrote for the screen and stage: the screenplay of her film Losing Ground, in which a professor discovers that the student film she’s agreed to act in has uncomfortable parallels to her own life; and the script for The Brothers, a play about the potent effects of sexism and racism on a midcentury middle-class black family. And finally, it is in Collins’s raw and prescient diaries that her nascent ideas about race, gender, marriage, and motherhood first play out on the page.Kathleen Collins’s writing brings to life vibrant characters whose quotidian concerns powerfully illuminate the particular joys, challenges, and heartbreaks rendered by the African-American experience. By turns empowering, exuberant, sexy, and poignant, Notes from a Black Woman’s Diary is a brilliant compendium of an inimitable talent, and a rich portrait of a writer hard at work.

    He values trust, integrity, and he lives by the code of honor. As a child, he witnessed the horrific murders of both of his parents and it scarred him for life. From that day forward, he vowed that no matter what obstacles came his way, he would find the mysterious killer and seek the ultimate revenge. When he meets the lovely, street savvy Priscilla Davis, a powerful bond is instantly formed, and life as he knew it, took a drastic change.With the help of his cousin Cleo, the two men form The Union. Money is power and power is control, and by any means necessary Mox and his crew were out to get it. Family isn't always family and all money isn't always good money... problems occur when secrets surface and the truth eventually unfolds. When deceit spreads like a plague will Mox maintain his position... or will he fall victim?Show More Show Less

    The weather had been extreme that month: days of drenching rain, sudden showers of hail, temperatures passing record highs. Local children whispered that an angel had fallen to earth in a thunderstorm. There were roving groups who swore they had found signs. Footprints in the grass, black feathers, a campfire in the woods behind the high school where there were sparks of shimmering ash. One neighborhood boy vowed that he had seen a man in a black cloak rise above the earth and walk on air, and although no one believed his account, mothers began to keep their children home. They locked the doors, called in the dogs, kept the lights on after dusk..."Alice Hoffman is the New York Times bestselling author of Practical Magic, The Dovekeepers, and The Marriage of Opposites. Hoffman’s work has been published in more than twenty translations and more than one hundred foreign editions. Her novels have received mention as notable books of the year by The New York Times, Entertainment Weekly, The Los Angeles Times, Library Journal, and People Magazine. She has also worked as a screenwriter and is the author of the original screenplay “Independence Day,” a film starring Kathleen Quinlan and Diane Wiest. Her teen novel Aquamarine was made into a film starring Emma Roberts. Her short fiction and non-fiction have appeared in The New York Times, The Boston Globe Magazine, Kenyon Review, The Los Angeles Times, Architectural Digest, Harvard Review, Ploughshares and other magazines.Flyleaf Journal Issue #15December 2014Illustrated by Timothy TangHand Lettering by Heidi Unkefer

    Call Us What We Carry is Gorman at her finest. Including “The Hill We Climb,” the stirring poem read at the inauguration of the 46th President of the United States, Joe Biden, and bursting with musical language and exploring themes of identity, grief, and memory, this lyric of hope and healing captures an important moment in our country’s consciousness while being utterly timeless.The breakout poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman.

    All the works here are avaiable for free at The White Review (At the Clinic), The Dublin Review (Concord 34 and Even if you beat me), New Statesman (Robbie Brady's astonishing late goal takes its place in our personal histories), The Irish Times (Mr. Salary) and The New Yorker (Color and Light).We just wanted to put those stories together to read them better and more confortable. Sally Rooney has all the rights of this work reserved. Even the cover of this e-book is an adaptation of the cover of Two Stories's audiobook, by Sally Rooney and published by Faber & Faber.Thank you for everything, Sally Rooney! Your stories make the world happier <3

    Williams (The Wire) and James Purefoy (Altered Carbon).Hap Collins looks like a good ’ol boy, but his lefty politics don’t match. His buddy, Vietnam veteran Leonard Pine, is even more complicated: black, conservative, gay . . . and an occasional arsonist. With Hap and Leonard on the job, small-time crooks all on the way on up to the Dixie Mafia are extremely nervous.Everyone's favorite ass-kicking Texan duo are further immortalized in this expanded collection of tall tales, slick nonfiction, and four full-length novellas.Foreword for The Big Book of Hap and LeonardJoe R. Lansdale can be a pain in the ass. That’s why this book exists.Hap and Leonard collected all of the not-so-dynamic duo’s previously published shorter adventures (circa 2016) plus the original story “Not Our Kind,” basically everything that’s not a novel, in one handsome volume. This being the 21st century and all, an ebook edition was required. And therein lies the problem.Seems Joe had promised the digital rights to the novellas “Hyenas,” “Dead Aim,” and the short story “The Boy Who Became Invisible” to another publisher than Tachyon. So we could wait until 2018 for the ebook, when the rights reverted, or figure out something else. We opted for the latter.The ebook Hap and Leonard Ride Again contained all of the material present in Hap and Leonard except for the trio of stories mentioned above. Since the remaining material scarcely made for a book, we added the original short story “The Oak and the Pond,” the Marvin Hanson novella “A Bone Dead Sadness,” Joe’s comic script adaptation of “The Boy Who Became Invisible,” my interview with Joe, and an original remembrance about the creation of Hap and Leonard by Bill Crider, who sadly died while we were putting together The Big Book of Hap and Leonard.When Joe offered us the rights to “Hyenas,” “Dead Aim,” and “The Boy Who Became Invisible,” we decided it was best to combine the two editions into this one super—dare I say big—book you hold in your virtual hands.Sometimes a pain in the ass leads to gold. Not sure if this qualifies as such but if not, it’s damn close.Rick Klaw, editorAustin, TexasFebruary 23, 2018Table of ContentsForeword for The Big Book of Hap and Leonard by Rick KlawAn Appreciation of Joe R. Lansdale by Michael KorytaJoe R. Lansdale, Hap and Leonard, and Me by Bill CriderHyenasVeil’s Visit (co-written by Andrew Vachss)Death by ChiliDead AimA Bone Dead SadnessThe Boy Who Became Invisible (story)The Boy Who Became Invisible (comic book script)Not Our Kind (original e-book publication)The Oak and the Pond (original e-book publication)Bent TwigJoe R. Lansdale Interviews Hap Collins and Leonard PineInterview with Joe R. LansdaleThe Care and Feeding and Raising Up of Hap and Leonard

    

    They're shocked to find it's been so long that they don't recognise her at all. While they're there, they try to help her with her computer. They try first to fix her iTunes account, and then her internet banking - after all it's the least they can do! However everything they touch turns to dust. They end up getting her cut off from the internet, the gas and the electricity, and reduced to a World War II-style privations - that is until the toddler from next door comes in and fixes everything. They return home somewhat with their tails between their legs, only to discover that with their help Gran has learned to make videos, and has become an internet sensation.

    What twisted, funny tales would it unleash upon the world?Each episode of Crackanory contains two 15-minute tales and is a master class in storytelling, combining some of the UK's best comedy writers and performers.Full author list: Nico Tatarowicz, Toby Davies, Kevin Eldon, Ali Crockatt, David Scott, Laurence Rickard, Jeremy Dyson, Simon Judd, Alex Carter and Holly WalshFull narrator list: Jack Dee, Sally Phillips, Rebecca Front, Kevin Eldon, Harry Enfield, Sarah Solemani, Sharon Horgan, Charlie Higson, Richard Hammond and Jessica Hynes.

    Missing her mother, she clings to Mamma Habblesham, a woman with enviable reserves of love and hope. Their affection for each other seems boundless –– until Abeba's mother returns to take her to Brooklyn.As Abeba grows up, her exceptional musical talent promises to be an avenue of escape. But a handsome singer distracts her, and opportunities that once seemed so close begin to fall away. Now married with children of her own, she fights to maintain the dignity of her family. Let the Lion Eat Straw is a revelation of the glory in apparently ordinary lives.

    Right is leading her down a dark path and bringing her nothing but pain.