He identifies the corpse as a woman he recognized at the May Day dancing in Glasgow Cross, the runaway wife of the cruel and unpleasant nobleman John Semphill. With Maistre Pierre, a French master mason involved in a new building at the Cathedral, Gil begins his search for the murder weapon in the lanes and yards of the city and to ask some difficult questions. His investigation leads him to Semphill and his household—his mistress and men-at-arms—dealing with the burgh constable, householders and musicians, as well as his feelings for the mason's lively daughter, Alys, whom he has come to find increasingly attractive. The complications of a second murder lead Gil and Pierre to the Isle of Bute. There Gil faces rumors of missing silver, a controversial elopement and the significance of a girl with a toothache, as well as a personal crisis around his family's expectations that he should join the priesthood. When the killer is finally exposed, justice strikes from an unexpected direction. A medieval murder mystery, The Harper's Quine picks up where Brother Cadfael left off.

    Inspector Wilkins is called in to investigate, but it's going to take some intricate sleuthing to uncover who killed whom and why.

    But his plans are derailed when, passing through a country village, he discovers a helpless woman being auctioned off to the highest bidder--by her husband.In order to save her from being violated by another potential buyer, Atlas purchases the lady, Lilliana, on the spot to set her free. But Lilliana, desperate to be with her young sons and knowing the laws of England give a father all parental rights, refuses to be rescued--until weeks later when her husband is murdered and Atlas is the only one who can help clear her name of the crime.Fortunately, Atlas is a master at solving complicated puzzles, both with games and the intricacies of human motivation, and finds himself uniquely suited to the task, despite the personal peril it may put him in. But soon Altas learns the dead man had many secrets--and more than a few enemies willing to kill to keep them quiet--in Murder in Mayfair, the first in a new historical mystery series by D. M. Quincy.

    When a student bearing a striking resemblance to artists' renderings of Jesus Christ is found murdered -- by crucifixion -- in London's Jewish ghetto, 19th-century private detective Barker must hire an assistant to help him solve the sinister case. Out of all who answer an ad for a position with "some danger involved," the eccentric and enigmatic Barker chooses downtrodden Llewelyn, a gutsy young man whose murky past includes recent stints at both an Oxford college and an Oxford prison. As Llewelyn learns the ropes of his position, he is drawn deeper and deeper into Barker's peculiar world of vigilante detective work, as well as the dark heart of London's teeming underworld. Together they pass through chophouses, stables, and clandestine tea rooms, tangling with the early Italian mafia, a mad professor of eugenics, and other shadowy figures, inching ever closer to the shocking truth behind the murder.

    In the aftermath of the Great War and a devastating family tragedy, Laurence Bartram has turned his back on the world. But with a well-timed letter, an old flame manages to draw him back in. Mary Emmett’s brother John—like Laurence, an officer during the war—has apparently killed himself while in the care of a remote veterans’ hospital, and Mary needs to know why. Aided by his friend Charles—a dauntless gentleman with detective skills cadged from mystery novels—Laurence begins asking difficult questions. What connects a group of war poets, a bitter feud within Emmett’s regiment, and a hidden love affair? Was Emmett’s death really a suicide, or the missing piece in a puzzling series of murders? As veterans tied to Emmett continue to turn up dead, and Laurence is forced to face the darkest corners of his own war experiences, his own survival may depend on uncovering the truth. At once a compelling mystery and an elegant literary debut, The Return of Captain John Emmett blends the psychological depth of Pat Barker’s Regeneration trilogy with lively storytelling from the golden age of British crime fiction.

    At the monastery of Scarnsea, events have spiralled out of control with the murder of Commissioner Robin Singleton. Matthew Shardlake, a lawyer, and his assistant are sent to investigate.

    Masterful forgeries. Art crime at its worst.A straightforward murder investigation quickly turns into a quagmire of stolen Eurocorps weapons, a money-laundering charity, forged art and high-ranking EU officials abusing their power.As an insurance investigator and world renowned expert in nonverbal communication, Dr Genevieve Lenard faces the daily challenge of living a successful, independent life. Particularly because she has to deal with her high functioning Autism. Nothing - not her studies, her high IQ or her astounding analytical skills - prepared her for the changes about to take place in her life.It started as a favour to help her boss' acerbic friend look into the murder of a young artist, but soon it proves to be far more complex. Forced out of her predictable routines, safe environment and limited social interaction, Genevieve is thrown into exploring the meaning of friendship, expanding her social definitions, and for the first time in her life be part of a team in a race to stop more artists from being murdered.

    Now one is profiling her.Rush hour, London. A packed commuter train is torn apart in a collision. Picking through the carnage, ex-special forces profiler Ziba MacKenzie helps a dying woman who passes on a cryptic message: He did it. You have to tell someone.When a corpse is found bearing the gruesome signature of a serial killer dormant for twenty-five years, Ziba is pulled into the hunt for the perpetrator. As the body count rises it becomes clear he’s on a new spree. But what’s brought the London Lacerator back after such a long hiatus? And does his sudden return have anything to do with the woman on the train?Ziba scrambles to profile the killer in the hope of predicting his next move. But time is running out. And the closer she gets to uncovering his identity, the closer he gets to destroying hers.

    Desperate to earn money he accepts the job of being the government's Investigator; an official who discovers whether petitions for mercy sent by condemned criminals should be granted. His first case concerns a portrait painter who is due to hang for murder in a week's time and the government makes it clear that they want the verdict confirmed.But Rider Sandman, whose qualifications for the post are nonexistent, discovers that the painter is almost certainly innocent and, as he peels back the layers of a corrupt penal system, he finds himself pitted against some of the wealthiest and most ruthless men in Regency England who want to keep the truth hidden.

    The year is 1018 and the war is finally over, but the unified kingdom is far from peaceful.Halfdan’s mixed lineage—half Danish, half Saxon—has made him a pauper in the new kingdom. His father, his brother, and the land he should have inherited were all taken by the new king’s men. He lost everything to the war but his sense of humor. Once a proud nobleman, Halfdan now wanders the country aimlessly, powered only by his considerable charm and some petty theft. When he finds an unlikely ally in Winston, a former monk, he sees no reason not to accept his strange invitation to travel together to Oxford. Winston has been commissioned to paint a portrait of the king at the invitation of his new wife, and the protection of a clever man like Halfdan is well worth its price in wine and bread.But when the pair’s arrival in court coincides with news of a murder, the king has a brilliant idea: Why not enlist the newly arrived womanizing half-Dane and the Saxon intellectual to defuse a politically explosive situation? The pair represents both sides of the conflict and seem to have crime-solving skills to boot. In their search for the killer, Halfdan and Winston find seduction, adventure, and scandal in the wild early days of Cnut’s rule.

    Ernst, a cross-dressing lounge singer at a seedy nightclub, had many secrets, a never-ending list of lovers, and plenty of opportunities to get into trouble.Hannah delves into the city's dark underbelly to flush out his murderer, but the late night arrival of a five-year-old orphan on her doorstep complicates matters. The endearing Anton claims that Hannah is his mother. and that her dead brother Ernst is his father.As her investigations into Ernst's murder and Anton's parentage uncover political intrigue and sex scandals in the top ranks of the rising Nazi party, Hannah fears not only for her own life, but for that of a small boy who has come to call her 'mother.'

    It would not be too difficult to imagine someone stood there and watched. I thought of Madeleine Hexham.... I glanced around me. It was likely that I'd been given my predecessor's room and that it was here she had planned her flight into the arms of her mysterious lover." When Lizzie Martin arrives in London in 1864 to become a lady's companion, her first impressions are disturbing. She's barely out of the station when her cab encounters a wagon carrying the remains of a young woman recently dead. At her new home, Lizzie learns that her predecessor, Madeleine Hexham, disappeared without a word of warning. Despite rumors of immoral behavior surrounding the girl's departure, Lizzie is soon persuaded that there's a deeper mystery here. Her suspicions are tragically confirmed when Inspector Benjamin Ross delivers shocking tidings. Lizzie is determined to unravel the truth about the lost Miss Hexham. As, too, is Ben Ross: a man who cares about justice, whatever the class of victim. But they must tread carefully, as a cornered killer is the most dangerous of all...

    . . In the winter of 1835, young Charles Dickens is a journalist on the rise at the Evening Chronicle. Invited to dinner at the estate of the newspaper's co-editor, Charles is smitten with his boss's daughter, vivacious nineteen-year-old Kate Hogarth. They are having the best of times when a scream shatters the pleasant evening. Charles, Kate, and her father rush to the neighbors' home, where Miss Christiana Lugoson lies unconscious on the floor. By morning, the poor young woman will be dead.When Charles hears from a colleague of a very similar mysterious death a year ago to the date, also a young woman, he begins to suspect poisoning and feels compelled to investigate. The lovely Kate offers to help--using her social position to gain access to the members of the upper crust, now suspects in a murder. If Charles can find justice for the victims, it will be a far, far better thing than he has ever done. But with a twist or two in this most peculiar case, he and Kate may be in for the worst of times . . .

    Fearing dismissal, Maisie is shocked when she discovers that her thirst for education is to be supported by Lady Rowan and a family friend, Dr. Maurice Blanche. But The Great War intervenes in Maisie’s plans, and soon after commencement of her studies at Girton College, Cambridge, Maisie enlists for nursing service overseas.Years later, in 1929, having apprenticed to the renowned Maurice Blanche, a man revered for his work with Scotland Yard, Maisie sets up her own business. Her first assignment, a seemingly tedious inquiry involving a case of suspected infidelity, takes her not only on the trail of a killer, but back to the war she had tried so hard to forget.

    When workmen make the shocking discovery of a mutilated corpse in a ditch outside the ancient walls, Giles Vernon and Felix Carswell are charged with solving the case. Intelligent and practical, Chief Constable Major Vernon has transformed the old city watch into a modern police force, and he throws himself into the investigation with the same energy. But as he probes a murky world of professional gamblers and jilted lovers, he is drawn into a dangerous emotional game that threatens to undermine his authority. Newly-qualified police surgeon Felix Carswell is determined to make his way in the world on his own terms despite being the bastard son of prominent local grandee Lord Rothborough. Called to treat a girl in an asylum for reformed prostitutes, what he uncovers there brings him into conflict with his new employer, Vernon, and throws the case into disarray. Together they must overcome their differences and find the brutal truth behind the mystery of The Butchered Man. The Butchered Man is the first Northminster Mystery featuring intrepid early-Victorian detectives Vernon and Carswell.