Kit is an eclipse chaser; Laura has never seen one before. Young and in love, they are certain this will be the first of many they’ll share. But in the hushed moments after the shadow passes, Laura interrupts a man and a woman. She knows that she saw something terrible. The man denies it. It is her word against his. The victim seems grateful. Months later, she turns up on their doorstep like a lonely stray. But as her gratitude takes a twisted turn, Laura begins to wonder—did she trust the wrong person? 15 years later, Kit and Laura are living under assumed names and completely off the digital grid: no Facebook, only rudimentary cell phones, not in any directories. But as the truth catches up to them, they realize they can no longer keep the past in the past.

    After committing a terrible crime, Evalyn Ibarra receives a ticket out of her prison sentence by participating in a top-secret experiment. Even with the risk of death, all she cares about is reclaiming the life she had before—her career, her art, and her love.Her cell bed is the last thing she remembers before waking to wilderness.There are others in these woods, criminals like her who volunteered for the experiment. Clues left behind at abandoned camps spell out their task: survive for thirty days.Evalyn’s best bet is to band with the others, but she’s not about to trust any of them, not when illusions of their gruesome crimes start manifesting in the forest like waking dreams.But when the illusions turn violent and begin to kill, she may not have a choice.

    . . wasn’t? Clara Lawson is torn from her life in an instant. Without warning, her home is invaded by armed men, and she finds herself separated from her beloved husband and daughters. The last thing her husband yells to her is to say nothing. In chapters that alternate between past and present, the novel slowly unpeels the layers of Clara’s fractured life. We see her growing up, raised with her sisters by the stern Mama and Papa G, becoming a poised and educated young woman, falling desperately in love with the forbidden son of her adoptive parents. We see her now, sequestered in an institution, questioned by men and women who call her a different name—Diana—and who accuse her husband of unspeakable crimes. As recollections of her past collide with new revelations, Clara must question everything she thought she knew, to come to terms with the truth of her history and to summon the strength to navigate her future.

    When her sister and brother-in-law open their home to her, Mallory is certain that moving across the country will allow her to focus on a hopeful future. That future looks even more promising when her enrollment at a local university connects her with the charming Darien Thomas.However, when illegal drugs turn up at her sister's house, the first person accused is Mallory, and suddenly, she doesn't know who to trust. Mounting evidence of Mallory's guilt is straining the tenuous bond she has just begun to develop with her sister after years of living separately. Desperate to prove her innocence and keep the harmful patterns of the past from hijacking her future, Mallory reaches for Darien's help to discover the truth.But the truth may be more dangerous than any of them imagine.

    As children, they survived a religious group's horrific last days at the isolated mountain Red Peak. Years later, the trauma of what they experienced never feels far behind.When a fellow survivor commits suicide, they finally reunite and share their stories. Long-repressed memories surface, defying understanding and belief. Why did their families go down such a dark road? What really happened on that final night?The answers lie buried at Red Peak. But truth has a price, and escaping a second time may demand the ultimate sacrifice.

    Prison visitor and prisoner. Powerful and powerless. Dorothea Truelove is young, wealthy and beautiful. Ruth Butterham is young, poor and awaiting trial for murder.When Dorothea's charitable work leads her to Oakgate Prison, she is delighted with the chance to explore her fascination with phrenology and test her hypothesis that the shape of a person's skull can cast a light on their darkest crimes. But when she meets teenage seamstress Ruth, she is faced with another theory: that it is possible to kill with a needle and thread. For Ruth attributes her crimes to a supernatural power inherent in her stitches.The story Ruth has to tell of her deadly creations – of bitterness and betrayal, of death and dresses – will shake Dorothea's belief in rationality and the power of redemption.Can Ruth be trusted? Is she mad, or a murderer?

    So when he’s promised exclusive access to notorious cult leader and death row inmate Jeffrey Halcomb, the opportunity is too good to pass up. Lucas leaves New York for the scene of the crime—a split-level farmhouse on the gray-sanded beach of Washington State—a house whose foundation is steeped in the blood of Halcomb’s diviners; runaways who, thirty years prior, were drawn to his message of family, unity, and unconditional love. Lucas wants to tell the real story of Halcomb’s faithful departed, but when Halcomb goes back on his promise of granting Lucas exclusive information on the case, he’s left to put the story together on his own. Except he is not alone. For Jeffrey Halcomb promised his devout eternal life…and within these walls, they’re far from dead.

    A bereaved father. Alone with his loss, Ian Colmes has driven away everyone he loves. But when he begins to see his dead son again, is it because the boy is reaching out from beyond? Or has Ian's anguish finally given way to dementia?With a masterful hand, suspense newcomer Adam J Nicolai paints a picture of grief, madness, and the furious strength of a father's love for his son.

    But Eliza swears she was pushed, and her rescuer is the only witness.Desperate to find out who attacked her, Eliza takes it upon herself to investigate. But as the publication date for her novel draws closer, Eliza finds more questions than answers. Like why are her editor, agent, and family mixing up events from her novel with events from her life? Her novel is completely fictional, isn’t it?The deeper Eliza goes into her investigation while struggling with memory loss, the closer her life starts to resemble her novel until the line between reality and fiction starts to blur and she can no longer tell where her protagonist’s life ends and hers begins.

    Thirteen years apart.Olivia Shaw has been missing since last Tuesday. She was last seen outside the entrance of her elementary school in Hunts Point wearing a white spring jacket, blue jeans, and pink boots. I force myself to look at the face in the photo, into her slightly smudged features, and I can't bring myself to move. Olivia Shaw could be my mirror image, rewound to thirteen years ago. If you have any knowledge of Olivia Shaw's whereabouts or any relevant information, please contact... I've spent a long time peering into the faces of girls on missing posters, wondering which one replaced me in that basement. But they were never quite the right age, the right look, the right circumstances. Until Olivia Shaw, missing for one week tomorrow. Whoever stole me was never found. But since I was taken, there hasn't been another girl. And now there is.

    I feel bad about how we left it. Love you. But as he’s waiting in the lobby of the L’Hotel Sixieme in Switzerland after an academic conference, still mulling over how to respond to his wife, he receives a string of horrifying push notifications. Washington, DC has been hit with a nuclear bomb, then New York, then London, and finally Berlin. That’s all he knows before news outlets and social media goes black—and before the clouds on the horizon turn orange.Now, two months later, there are twenty survivors holed up at the hotel, a place already tainted by its strange history of suicides and murders. Those who can’t bear to stay commit suicide or wander off into the woods. Jon and the others try to maintain some semblance of civilization. But when the water pressure disappears, and Jon and a crew of survivors investigate the hotel’s water tanks, they are shocked to discover the body of a young girl.As supplies dwindle and tensions rise, Jon becomes obsessed with investigating the death of the little girl as a way to cling to his own humanity. Yet the real question remains: can he afford to lose his mind in this hotel, or should he take his chances in the outside world?

    Liv has long accepted that he's dead, though that doesn't mean she has given up their traditions. Every Sunday, she and her lifelong friend Doug Monk trudge through the woods to check the traps Lee left behind, traps he set to catch the aliens he so desperately believed were after him.But Liv is done with childhood fantasies. Done pretending she believes her father's absurd theories. Done going through the motions for Doug's sake. However, on the very day she chooses to destroy the traps, she discovers in one of them a creature so inhuman it can only be one thing. In that moment, she's faced with a painful realization: her dad was telling the truth. And no one believed him.Now, she and Doug have a choice to make. They can turn the alien over to the authorities...or they can take matters into their own hands.

    A pale, thin boy is haunting his every step but every time he tries to confront the boy he disappears. And what of the chilling scream and desperate sobbing only he can hear?His quest leads him eventually to the old lady of Kittiscar Hall, where he discovers something far more terrible at work than he could ever have imagined.

    She intends to renovate the ruinous house into a hotel, but the shocking discovery of human remains brings her ambitious restoration plans to an abrupt halt before they even begin. Few physical clues are left to identify the body, but one thing is certain: this person did not die a natural death.Hungry for answers, Hetty discovers that Muirlan was once the refuge of her distant relative Theo Blake, the acclaimed painter and naturalist who brought his new bride, Beatrice, there in 1910. Yet ancient gossip and a handful of leads reveal that their marriage was far from perfect; Beatrice eventually vanished from the island, never to return, and Theo withdrew from society, his paintings becoming increasingly dark and disturbing.What happened between them has remained a mystery, but as Hetty listens to the locals and studies the masterful paintings produced by Theo during his short-lived marriage, she uncovers secrets that still reverberate through the small island community—and will lead her to the identity of the long-hidden body.

    Among the missing is Emile Haddock, Lia’s uncle. What happened to the people of Limetown? It’s all anyone can talk about. Except Lia’s parents, who refuse to discuss what might have happened there. They refuse, even, to discuss anything to do with Emile.As a student journalist, Lia begins an investigation that will take her far from her home, discovering clues about Emile’s past that lead to a shocking secret—one with unimaginable implications not only for the people of Limetown, but for Lia and her family. The only problem is…she’s not the only one looking for answers. Zack Akers and Skip Bronkie are first-rate storytellers, in every medium. Critics called their podcast Limetown “creepy and otherworldly” (The New York Times) and “endlessly fun” (Vox), and their novel goes back to where it all began. Working with Cote Smith, a PEN/Robert W. Bingham Prize Finalist, they’ve crafted an exhilarating mystery that asks big questions about what we owe to our families and what we owe to ourselves, about loss, discovery, and growth. Threaded throughout is Emile’s story—told in these pages for the first time ever.