Charles Dickens was born in an age of great social change. He survived childhood poverty to become the most adored and influential man of his time. Throughout his life, he campaigned tirelessly for better social conditions, including by his most famous work, A Christmas Carol. He wrote this novella specifically to “strike a sledgehammer blow on behalf of the poor man’s child”, and it began the Victorians’ obsession with Christmas.This new book, written by one of his direct descendants, explores not only Dickens’s most famous work, but also his all-too-often overlooked other Christmas novellas. It takes the readers through the seasonal short stories he wrote, for both adults and children, includes much-loved festive excerpts from his novels, uses contemporary newspaper clippings, and looks at Christmas writings by Dickens’ contemporaries. To give an even more personal insight, readers can discover how the Dickens family itself celebrated Christmas, through the eyes of Dickens’s unfinished autobiography, family letters, and his children’s memoirs.In Victorian Britain, the celebration of Christmas lasted for 12 days, ending on 6 January, or _Twelfth Night_. Through Dickens and Christmas, readers will come to know what it would have been like to celebrate Christmas in 1812, the year in which Dickens was born. They will journey through the Christmases Dickens enjoyed as a child and a young adult, through to the ways in which he and his family celebrated the festive season at the height of his fame. It also explores the ways in which his works have gone on to influence how the festive season is celebrated around the globe.

    Presents two classic tales of terror, in which the protagonists put their souls in peril by their criminal activities and hope their evil deeds do not catch up to them.

    Or read this book and find out how you have all the tools you need, but must make the one change to become the writer you have always wanted to be.

    An analysis of Victorian women writers, this pathbreaking book of feminist literary criticism is now reissued with a substantial new introduction by Sandra Gilbert and Susan Gubar that reveals the origins of their revolutionary realization in the 1970s that "the personal was the political, the sexual was the textual."Contents:The Queen's looking glass: female creativity, male images of women, and the metaphor of literary paternity --Infection in the sentence: the women writer and the anxiety of authorship --The parables of the cave --Shut up in prose: gender and genre in Austen's Juvenilia --Jane Austen's cover story (and its secret agents) --Milton's bogey: patriarchal poetry and women readers --Horror's twin: Mary Shelley's monstrous Eve --Looking oppositely: Emily Brontë's bible of hell --A secret, inward wound: The professor's pupil --A dialogue of self and soul: plain Jane's progress --The genesis of hunger, according to Shirley --The buried life of Lucy Snowe --Made keen by loss: George Eliot's veiled vision --George Eliot as the angel of destruction --The aesthetics of renunciation --A woman, white: Emily Dickinson's yarn of pearl.