Alexis, son of Leon, was full of anticipation as he dreamed of having his own plays performed there one day. But he was to be involved in more than playwriting before the day was over, for among the spectators at the horse race, by the light of the flaming torches, he heard Hippias, the arrogant dandy, and a stranger with a beaked nose and over-high cheekbones, plotting to overthrow the democracy of Athens. For the rest of the year, two things possessed Alexis: his comedy The Gadfly, and the plans he laid with his friend Corinna to trap the conspirators and save his beloved city. His exultation and anxiety grew together as the fateful Theatre Festival arrived once more. Geoffrey Trease has combined a fast-moving dramatic story with a vivid and accurate picture of a great historical period.An adventure story of Ancient Athens

    The 1960–70s image, bolstered by Tom Wolfe and Big Wednesday, was one of mild outlaws―tanned boys refusing to grow up, spending their days drinking beer and smoking joints on the beach in between mindless hours in the water.But in the 1980s, as surf brands morphed into multibillion-dollar companies, the derelict portrait began to harm business. The external surf image became Kelly Slater and Laird Hamilton, beacons of health, vitality, bravery, and clean-living.Internally, though, surfing had moved on from booze and weed to its heart’s true home, its soul’s twin flame: cocaine. The rise of cocaine in American popular culture as the choice of rich, white elites was matched, then quadrupled, within surf culture. The parties got wilder, the nights stretched longer, the stories became more ridiculously unbelievable. And there has been no stopping, no dip in passion.It is a forbidden love, and few, if any, outside the surf world know about this particular rhapsody. Drug use is kept very well-hidden, even from insiders, but evidence of its psychosis rears its head from time to time in the form of overdoses, bar fights, surf contests, murders, and cover-ups.Cocaine + Surfing draws back the curtain on a hopped-up, sometimes-sexy, sometimes-deadly relationship and uses cocaine as the vehicle to expose and explain the utterly absurd surf industry to outsiders.

    On September 5, 1856, a submerged walnut tree pierced her hull, sinking the Arabia one-half mile below Parkville, Missouri. In time the river changed course, leaving the Arabia and her priceless freight deep beneath a Kansas farm field...The Arabia and her treasure seemed lost forever. Then, in 1988, four men and their families dedicated themselves to achieve what others could not; to recover the treasure from the Great White Arabia. Treasure hunter Greg Hawley chronicles his amazing story of perseverance and discovery. Lavishly illustrated and carefully documented, this book is a page turning adventure that immerses the reader into the thrilling discovery of buried treasure.

    The documents in this collection show that although in some ways universal, the idea of freedom has never been a fixed, timeless concept with a single, unchanging definition. In fact, the history of the United States is in part a story of debates and struggles over freedom. Crises like the American Revolution, the Civil War, and the Cold War have permanently transformed the meaning of freedom. So too have demands by various groups of Americans for greater freedom. The primary-source selections in this book include presidential proclamations and letters by runaway slaves, famous court cases and obscure manifestos, prevailing ideas and dissenting ones. The voices range from Las Casas and Pontiac through Jefferson, Thoreau, Douglass, and Lincoln to Stanton, Sanger, Garvey, Luce, Byrd, and Obama. The Fourth Edition of Voices of Freedom includes new documents that better reflect the religious aspects of American history. It remains a comprehensive collection that offers a diverse gathering of authors and a wide breadth of opinion. Fully compiled and edited by Eric Foner, the collection includes headnotes and critical questions for each document. The book is organized as a companion to the textbook Give Me Liberty! An American History, Fourth Edition, by Eric Foner, and it can also be used with other texts in the American history survey and other courses.

    Their objective was to reach beyond the traditional focus of military studies--the flow of guns, combat, and tactics that influenced the immediate outcome of battles and martial conflicts, often with little reference to broader historical contexts.Believing that one cannot fully appreciate the Revolution without reckoning with the War for Independence and its effects in helping to shape the new American republic, Martin and Lender move beyond the deeply ingrained national mythology about the essence of the war effort, so neatly personified by the imagery of the embattled freehold farmer as the quintessential warrior of the Revolution. Then they integrate, not persist in keeping separate, the fascinating history of the real Continental army into the mainstream of writing about the nation-making experience of the United States.In the process of revising their now-classic text, Martin and Lender drew on their own work as well as the invaluable outpouring of new scholarship over the last two decades. Wherever necessary, they questioned previous arguments and conclusions to render a meaningful new edition that is certain to receive the same kind of positive reception--and widespread acceptance--that its predecessor enjoyed.Also new to the second edition is a bank of illustrations, a Note on Revolutionary War History and Historiography, and a fully revamped Bibliographical Essay, making A Respectable Armyessential reading for anyone enrolled in the U.S. survey or specialized courses in colonial or military history or the American Revolution.

    Share the experiences of fighting men under punishing conditions, extreme temperatures, and intense monsoon rains as they search for the enemy in the rugged mountains and teeming lowlands. Relive all the terror, humor, and sadness of one man’s tour of duty with real-life action in spectacular stunning detail.

    Carr, and published on the 60th anniversary of that book, this is a groundbreaking new collection addressing the burning issue of how we interpret history today. What stories are told, and by whom, who should be celebrated, and what rewritten, are questions that have been asked recently not just within the history world, but by all of us. Featuring a diverse mix of writers, both bestselling names and emerging voices, this is the history book we need NOW.WHAT IS HISTORY, NOW? covers topics such as the history of racism and anti-racism, queer history, the history of faith, the history of disability, environmental history, escaping imperial nostalgia, hearing women’s voices and ‘rewriting’ the past. The list of contributors includes:Justin Bengry, Leila K Blackbird, Emily Brand, Gus Casely-Hayford, Sarah Churchwell, Caroline Dodds Pennock, Peter Frankopan, Bettany Hughes, Dan Hicks, Onyeka Nubia, Islam Issa, Maya Jasanoff, Rana Mitter, Charlotte Riley, Miri Rubin, Simon Schama, Alex von Tunzelmann and Jaipreet Virdi.

    

    Hence, modern management minds have been looking for solutions beyond the reservoir of Western management thoughts and practices. They have examined and experimented with Japanese and Chinese systems of management. Of late, their focus has shifted to Indian philosophy to find solutions to re-occurring irritants in efficient management practices. As a step in this direction, Western management executives are being encouraged to put purpose before self during retraining sessions at institutions of management learning. Through Ved Vyasa's Bhagavad Gita, they are attempting to inspire themselves with the supremacy of action, learning to enrich matter with forces of spirit, realizing that the principle of karma has invaluable merits. The present work is a systematic presentation of the vital management contents as enshrined in Bhagavad Gita, the eternal Song of Wisdom. The book is a running treatise comprising principles, precepts, and practices employed by Lord Krishna to achieve his mission incarnate objectives, examining such qualities as: the dignity of work, commitment appreciations, strategic intervention, internal conflict --- management, and the management of uncertainties --- the skills of verbal and non-verbal communication, logic, and intellect --- the humility and ethicality of approach, respect for virtue and merit, skillful ego management, and total impartiality --- using energy as a management tool, the principle of causality, and the unified concept of management performance --- and much more

    Dyer brings you this extraordinary true story about two ordinary people whose lives were touched by miracles–and he shows us what these miracles can teach all of us.

    Certainly the focus is not General Musharraf or even the Army. It is a book about human experience of life; the story of a weak man stumbling through his life; pushed by his fears and dragged by his desires; torn apart by love, transcending with time. It is a book for the youth of this nation, to learn from the mistakes I have made, to see how life twists and moulds each one of us. In this endeavour I have laid my life bare, and exposed myself to all forms of criticism. I did not expect any less. And this is the least price I must pay for the suffering that some of my mistakes have caused to this nation."Autobiography of Lt. Gen. (retd) Shahid Aziz, a central character of the 1999 coup by Pakistan Army against the democratically elected government.

    

    Following in the method of previous murders of rationalists M.M. Kalburgi, Govind Pansare and Narendra Dabholkar, Lankesh’s murder chilled the nation, sparking off protests across India. Even as the police unravels the plot behind her murder and connects it to the others, the larger forces that killed these four activists continue to grow. A fierce critic of the burgeoning Hindutva faction in Karnataka and elsewhere in India, and a strident supporter of separate-religion status for Lingayats, Lankesh’s activism had made her many foes. Fluent in Kannada and English, she was a particular threat to her ideological enemies – able to reach the influencers through a language of power and a wider audience at the grassroots through her mother tongue. In this personal-is-political narrative, senior journalist and analyst Chidanand Rajghatta examines the lives of two people against the volatile backdrop of an increasingly fractious and intolerant India. The two strands come together in the gutting death of a courageous woman who took on these forces and fought for a more equitable society, a better India.

    Perfect for parents who wish to teach their children and for those who would like to learn or relearn the facts themselves, A Classical Education is informative and educational, but in a completely accessible way, including:• Latin and Greek• Logic and philosophy• Natural sciences• Art and architecture• Poetry and drama• History and Classical literatureAlso including suggestions for further reading and entertaining tit-bits of information on the classics, A Classical Education is a must for anyone feeling let down by modern schooling.

    Naruto Uzumaki gives Kakashi an advance copy, which he describes as "totally boring"; Jiraiya feels that Naruto is simply too young to appreciate it.[7] Prior to his death, Jiraiya uses Tactics as the key for a secret message about Pain's identity. In order to decode the message, Kakashi is forced to read passages aloud; Kakashi is embarrassed to do so, and Shikamaru Nara is embarrassed to listen.[8] In Naruto Shinden: Family Day, Kakashi encourages Sasuke Uchiha to imitate scenes from Tactics to help him become closer with his daughter, Sarada. Sasuke calls Sarada his "cute peanut", a pet name used by one of the book's characters, but she takes this as a sign that he's forgotten her name. Sasuke then tries putting his cloak on her, which, in Tactics, instantly causes girls to fall in love, but Sasuke's cloak is too big for Sarada and she becomes so embarrassed that she storms off. Afterwards, Kakashi observes that the book's depictions may no longer be current due to its age, and so they wouldn't work on somebody Sarada's age.