Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    . . Yet too few of these tales are known and read today. Alternative Alamat gathers stories, by contemporary authors of Philippine fantasy, which make innovative use of elements of Philippine mythology. None of these stories are straight re-tellings of the old tales: they build on those stories, or question underlying assumptions; use ancient names as catalysts, or play within the spaces where the myths are silent. What you will find in common in these eleven stories is a love for the myths, epics, and legends which reflect us, contain us, call to us-and it is our hope that, in reading our stories, you may catch a glimpse of, and develop a hunger for, those venerable tales.Alternative Alamat also features a cover and interior illustrations by Mervin Malonzo, a short list of notable Philippine deities, tips for online and offline research, and in-depth interviews with two people who have devoted much of their careers to the study of Philippine folklore and anthropology, Professors Herminia Meñez Coben ("Explorations in Philippine Folklore" and "Verbal Arts in Philippine Indigenous Communities: Poetics, Society, and History") and Fernando N. Zialcita ("The Soul Book" and "Authentic but Not Exotic").

    His name was Alejandro Pardo, and this book is a strange door that contains words and pages from his writings, a strange door that leads to the truths behind the layers of rumor and misconception.Are you ready to open it?

    Edited by literary critic Isagani R. Cruz, this collection spans from 1925 to 1998. In this book readers will meet both famous and unfamiliar writers in both conventional and unexpected renditions of the genre. Although many of the stories are acknowledged masterpieces, the editor also chose stories on the basis of their ability to represent a particular author or decade. The stories of the 25 men and women writers represented here depict a vast gamut of human experience and emotions that, collectively, produce a stunning portrait of Philippine life and society. Dr. Cruz is a professor of literature at De Lasalle University, where he is also publisher of DLSU Press. He is himself a multi-awarded author and columnist, and the founding chair of the Manila Critics Circle. In a country where English has been the medium of instruction since the turn of the century, it is but fitting for the Philippines to share with the rest of the world its own vibrant treasury of short fiction. This richly satisfying collection represents the very best to emerge out of the Philippines in our century.

    "A wonderful inner journey in the outer light and color of a remote coast, uncommonly well written."--Peter Matthiessen

    She works all day: cooks their meals, does the laundry, cleans each nook and cranny. All this work must make her hands as rough as sandpaper! This distresses the little girl in our story who overhears her aunt say that sandpaper hands will make her father leave her mother!

    Set in future Manila, a gleaming metropolis where one's paranoia may not be exactly unfounded and whose lashing sings tribute to Philip K. Dick. "Stations" takes on the ethical trappings of high technology adoption. "August Moon" relies on a succession of flashbacks to uncover, as well as obscure, the eventual doom of a woman who deems herself a "good wife," while "Eyes as Wide as the Sky" depicts a post-war world—scorched yet not wholly devoid of hope. These stories insist on the unreal becoming the real, the rational melding with the irrational, familiarity breeding strangeness.

    Account of the Philippine Revolution against Spain, and the Philippine-American War from the Filipino general and independence leader.

    Chiara is working on a film about an incident in Balangiga, Samar, in 1901, when Filipino revolutionaries attacked an American garrison, and in retaliation American soldiers created “a howling wilderness” of the surrounding countryside. Magsalin reads Chiara’s film script and writes her own version. Insurrecto contains within its dramatic action two rival scripts from the filmmaker and the translator—one about a white photographer, the other about a Filipino schoolteacher.Within the spiraling voices and narrative layers of Insurrecto are stories of women—artists, lovers, revolutionaries, daughters—finding their way to their own truths and histories. Using interlocking voices and a kaleidoscopic structure, the novel is startlingly innovative, meditative, and playful. Insurrecto masterfully questions and twists narrative in the manner of Italo Calvino’s If on a Winter’s Night a Traveler, Julio Cortázar’s Hopscotch, and Nabokov’s Pale Fire. Apostol pushes up against the limits of fiction in order to recover the atrocity in Balangiga, and in so doing, she shows us the dark heart of an untold and forgotten war that would shape the next century of Philippine and American history.

    Lawrence (Lawrence of Arabia). Based on his experiences as a British Army officer working with the Bedu in the Hejaz during Word War I. These observations are one of the most valuable sets of principles for western soldiers working with indigenous forces.

    

    Presented with drama and poetry, Gonzalez' work counters the myth of of the Philippines' lost native past and cultural weakness in the face of foreign dominance

    Features poems, essays, plays, and works of fiction written in both Filipino and English.

    

    Aquino III, during which the Philippines metamorphosed from a free-wheeling republic into a brutal dictatorship that eventually gave way to a turbulent return to democratic rule. Sheer longevity, proximity to power and a forceful personality have made Enrile difficult to trivialize, much less ignore. Neither his friends nor his enemies have the power to exaggerate or misrepresent his gifts as well as his faults; they would have to reckon with the man’s personal point of view, here most eloquently told from where he stood and contributed his share to the nation’s narrative.