People are puzzled how she can spontaneously make them laugh in the midst of national policy crises, and of real danger to her life as a corruption fighter.This book is a collection of jokes, one-liners, pick-up lines, conebacks and speeches delivered and/or curated by the beloved Senator. Also, inside are illustrations by Cj de Silva-Ong, Manix Abrera, Elbert Or, Rob Cham and more of the Philippines' best young illustrators.

    Set against the turbulent history of East Asia in the twentieth century and by turns erotic and tragic, Magdalena vividly depicts three generations of strong Filipino women. Aimee Liu, author of Cloud Moutain Cecilia Manguerra Brainard s novel Magdalena takes its title from a protagonist descended from several generations of equally compelling female characters. . . Brainard uses a nonlinear narrative and multiple points of view to describe the history of the Philippines that roughly corresponds to its contact with the United States from the Spanish American War to the war in Vietnam. The novel brings into focus not only the romantic and social conflicts of different generations of women but also economic and racial divisions in the Philippines . . . Interspersed throughout the novel are archival photographs of places and people, photographs that remind the reader that while the characters are fictional, the backdrop is historical reality. Kathleen Flanagan, Longwood University, World Literature Today With her second novel, Magdalena, Cecilia Brainard adds new portraits to the gallery in Philippine literature. She has always had a strong sense of place. Here, she provides an inner landscape as well. Together, these provide the coordinates for the family secrets that bind the characters as securely as bloodlines. Linda Ty-Casper, author of The Stranded Whale In this novel, Brainard blends a series of multiple perspectives to create a polyphony of voices that enacts Philippine society before and during the Second World War. The narrative is a nuanced vision of the workings of culture, social class, obligation and the Filipino personality. Rocio G. Davis, author of Transcultural Reinventions: Asian American and Asian Canadian Short Story Cycles I have been looking for a good story about the war. N.V.M. Gonzalez, author of The Bread of Salt and Other Stories (upon reading Winning Hearts and Minds, one chapter of Magdalena.) About Brainard s first novel When the Rainbow Goddess Wept The strengthening of the national spirit; the loss of innocence in two generations these themes are explored by the author, who was born in the Philippines, with persuasive conviction and stark realism. (Publishers Weekly) A fast-paced, sensitively written first novel about the psychological damage war wreaks, seen through the eyes of an intelligent, resilient young girl ... Brainard s appealing characters are larger-than-life people who change before our eyes, yet remain utterly convincing. (Kirkus Review) "

    So the kind and character of his works: very rare, exceptional, unique, maverick, exceedingly original fiction: rara avis that's a quantum leap away and departure... At least three or four in this collection already strike one as veritable classics." - GREGORIO C. BRILLANTES

    He'd heard that the locals constructed jerry-rigged hoops out of any material they could get their hands on-car hoods, driftwood, twisted rebar-and built courts everywhere, from cluttered street corners to the slopes of volcanoes and in the thick of jungles.Allured by the idea of an island nation full of people who love the game as irrationally as he does, American journalist Rafe Bartholomew arrived in Manila to unlock the riddle of basketball's grip on the Philippines. On his unforgettable journey, Bartholomew spends a season inside the locker room of a Philippine professional team, dines with politicians who exploit hoops for electoral success, travels with a troupe of midgets and transsexuals who play exhibition games at rural fiestas, and even acts in a local soap opera. Sweating his way through hard-fought games of 3-on-3, played with homemade hoops for 50-cent wagers, Bartholomew uses a mix of journalistic knowhow and the hard- court ethics he learned from his dad to get in the paint and behind the scenes of Filipinos' against-all-odds devotion to the sport.

    But as it is often said nothing ever really happened unless it is written down. There are so many stories to tell of the agonies and triumphs of both doctors and patients, who have peopled this venerable institution through the ages. I wrote the stories because I firmly believe that healing is a mutual process; that the healer is very often himself healed as he goes about caring for the ailing person. So the stories bite both ways.”

    This work brings the Philippine Islands to life through the stories behind the dishes and their traditional cooking techniques.

    A girl meets a young man with the legs of a chicken. A boy is employed by a goddess running a pawnshop. A group of teenagers are trapped in an enchanted forest for 900 days. A man finds himself in an MRT station beyond Taft, a station that was not supposed to exist. A student claims to have seen the last few digits of pi. Someone’s sister gets abducted by mermaids.Includes stories that have appeared in the critically acclaimed anthologies Philippine Speculative Fiction and Alternative Alamat, and stories that have won prizes in the Philippines Free Press Literary Awards and the Amelia Lapeña-Bonifacio Literary Contest.

    More than the individual story of a mother watching her sons grow and plunge into real life, Dekada '70 is an indictment of martial law, and here, Lualhati minces no worlds." - Female Forum, November 21, 1983

    Written with extraordinary insight, honesty, and a master writer's creative sensibility.

    The narrative moves from a pre-Hispanic Philippines in the 16th century through the Spanish American War, the nation's tumultuous relationship with the United States, and General MacArthur's controlling presence during WWII, up to its independence in 1946 and subsequent years of Islamic insurgency.Luis H. Francia creates an illuminating portrait that provides the reader valuable insights into the heart and soul of the modern Filipino, laying bare the multicultural, multiracial society of modern times.

    Her critiques have the kind of bite that engages the readers with the sneer and snarl of an avid movie fan. Her readers and subjects, young and old, will be outraged and amused at her vicious takes on award-winning, top-grossing films.

    Drawing from anthropology, history, contemporary events, popular culture, and the author’s field experiences and travels, the essays draw connections between nature and culture, self and society, the local and the global, as well as the past and the present in order to arrive at a deeper, fuller, critical, yet hopeful view of a country that is larger than many imagine it to be.Published in 2020.

    This Set Includes the following:1. Volume 2: Formation of the National Community (1565-1896)2. Volume 2 Part 1: Encounter (1565-1663)3. Volume 2 Part 2: Reaction (1663-1765)4. Volume 2 Part 3: Transition (1765-1815)Contains lots of colorful illustrations and plates.

    The end of his journey turns out to be the beginning of an odyssey in his beloved city where he finds "an insidious lawlessness creeping upon the land."Set in Manila in the last beleaguered months before the politico-military takeover in 1972, Bamboo in the Wind tells of the last desperate efforts of a people fighting to stave off disaster. Amid the escalating madness of a regime gone berserk, an odd assortment of people—a senator, a young nationalist, a dispossessed farmer, a radical activist, a convent school girl, a Jesuit scholastic—make their way along the labyrinthine corridors of greed and power. Each is forced to examine his own commitment in the face of brutality and evil, as the book conjures up scene after scene of devastation: the massacre of the demonstrators, the demolition of Sapang Bato, the murder of the sugar plantation workers, the burning of the Laguardia rice fields. And, as a climax to the mounting violence, that final September day—the arrests, the torture, and finally, the darkness that overtakes the land.

    The tussle between the father and the son was the most poignant and pathetic stories of their lives. Gandhi,who was busy attending meetings and conferences where the fate of forty crore Indians was to be decided, would often find headlines in a newspaper screaming 'Police arrested drunk Harilal for creating a scene on the road'. And sometimes, Harilal himself from the dias of the fundamentalist Muslim organization's meeting - 'I shall continue fighting till Ba and Bapu embrace Islam.'In this book the author tries to make an ardent effort to understand yet another enigmatic facet of human life.