Big trouble. And she was going to clean it off if it was the last thing she'd do... which it was looking like it very well might be. Daisy had a simple rule for space travel. Don't blow up. So far she'd been managing to abide by that, but something was very much not right. With the powerful AI supercomputer guiding the craft beginning to show some disconcerting quirks of its own, and its unsettling cyborg assistant nosing into her affairs, Daisy’s unease was rapidly growing, as was her bigotry toward artificially intelligent beings. Add to the mix a crew of mechanically-enhanced humans, any one of whom she suspected might not be what they seemed, and Daisy found herself with a sense of pending dread tickling the periphery of her mind. Something was very much not right––she could feel it in her bones. The tricky part now was going to be overcoming her biases and figuring out what the threat was, before it could manifest from a mere sinking feeling in her gut into a potentially deadly reality. Only things were far different and far worse than she could ever have imagined, forcing her to repeatedly adjust and overcome a reality that turned out to be far from what it had originally seemed. The complete series set of all five of the Clockwork Chimera books: 1. Daisy's Run 2. Pushing Daisy 3. Daisy's Gambit 4. Chasing Daisy 5. Daisy's War A space opera adventure featuring damaged spaceships, rogue artificial intelligence, homicidal cyborgs, mechanically-enhanced humans, genetic engineering, nanotech, and, of course, bloodthirsty aliens.

     A collection of SEVEN full-length romances with HEAs and no cliffhangers, plus exclusive bonus chapters, featuring the couples from all seven stories that are included in the box set. BABY FOR MY BROTHER'S FRIEND It was supposed to be a one-night stand. Until I missed a period, and then two... Yeah. I’m pregnant. With a stranger’s baby. KNOCKED UP My prim-and-proper assistant has a dirty, dirty mind. I found her steamy writing on my computer. Now all I can think about is re-enacting the “good parts” of her story. But I don't sh*t where I eat. She's off-limits. Until I realize I need a baby — and she’d be the perfect surrogate. AGAIN My dad said the boy was trouble, and I didn't listen. Now, years after Aiden broke my heart, he suddenly reappears — everywhere. He shows up in the strangest places. I can't seem to escape him. Worse still, I don't want to. Even if I still hate what the boy did. I’m afraid I’m falling all over again for the man he's become. ROYAL BEAST Life’s not a fairy tale, and princes don't fall for bookish virgins like me. MY BROTHER'S FRIEND, THE DOM I started out with good intentions, I swear. I promised my best friend I’d protect his sister from a dark secret. Then I see her — all grown up, gorgeous, and completely off-limits. I try to stay away... until I find out just how bad she's been. Screw protection. What she really needs is punishment. MOUNTAIN MAN'S BABY PLAN Seven years ago, the mountain man broke my heart. I've managed to stay away from him... until now. MY BROTHER'S BEST FRIEND I’ve loved him my whole life. He’s only ever seen me as a crybaby. His friend's little sister. Now he’s back after 8 years away, and he doesn’t recognize me. The look in his eyes says I'm finally old enough for the ride of my life. I can't tell him who I am now… can I?

    However, Her Dirty Little Secrets 2 will be released on May 1st! *** Pierce is young, beautiful, intelligent and seemingly perfect. A promising young medical student with a passion for helping others, she's trying desperately to forget the abuse of her past by selflessly serving others. Her life is going as planned until she meets Gabe, a handsome street-smart businessman who sweeps her off her feet. In the midst of their love affair, the pair soon learn that blood is thicker than water, lust is a weapon more deadly than any bullet, jealousy is a potent poison and money is truly the root of all evil. They each hold secrets of their own that could ruin their relationship and change their lives forever. As friends become foes, the past comes back for a second chance and secrets are revealed, can their love pass the test when skeletons start to come out of the closet?

    Rachel was no different. She juggled her many roles and responsibilities well and rewarded herself with wine at the end of each day; after all, she deserved it. But, gradually her wine intake began to increase each night and soon it had gone from being a little treat to an absolute necessity. As wine invaded more and more areas of her life, it became harder to cope. In turn it meant she drank more wine, firmly believing it was the cure, never considering for a moment that it could be the problem. Eventually, when wine was dictating everything she did and did not do, Rachel realised that something had to change. However, as soon as she attempted to restrict or moderate her drinking, she seemed to want it even more. Her best intentions fell quickly by the way side after the first bottle was opened and the first drink took control, compelling her to have more. Drinking would continue until there was none left or Rachel 'fell asleep'. The following day consisted of a hangover, depression, overeating, remorse, worry, despair and self-hatred, until the time came around when the next bottle could be opened and these awful feelings could be blotted out. This pattern of trying and failing to control her wine drinking brought Rachel to acknowledge that it was not possible to do so, and she decided that she had to remove alcohol from her life forever. Despite being sick and tired of the drinking-hangover-drinking cycle of failure, giving up was not easy and it was only after a few more failed attempts that Rachel managed to do so. This book details her life in that first year of going alcohol-free. It describes in detail how her everyday pursuits became challenging and changing. Her outlook on the whole point of life turned on its axis when alcohol was removed, leaving her with a whole different sense of self and being. The changes that occurred were astounding and beyond anything she believed could be possible. She thought that removing alcohol from her life was all about giving up; she had never considered what she might gain.

    Proposing models of hybridity, each of the book's major sequences develops a unique subject, rhythm, and form. Bringing to light the molten potential at the core of personality, the poems illuminate ways that language, as history read by anthropologists, discourse between lovers, gestures between parent and child, graffiti in temples, or even language as an event in itself (the very experience of words at play), incarnates presence. Addressing father and son relationships, and venerating erotic love, Gander's poems surge with vitality: the energy of active discovery.

    Angelic, devilish, immoral, charming, self-destructive, given to alcoholic binges, he was not what the sober world of American academe had expected. Students loved him—although after his first few encounters with them, the girls had to be protected. And he made quick friends with countless American writers, journalists, and barflies, instantly creating a pop-culture mythology of the doomed artist for the late 20th century. The man who was Thomas’ patron and guide was the young poet John Malcolm Brinnin, who watched horrified—though utterly beguiled by the poet’s charm and genius—at Thomas’ slow descent into hell. This is his harrowing account of the poet’s tragic last years.

    A journey of two strangers, the writer and the reader, filled with words of love, pain, anger and passion.

    He is considered by Octavio Paz to be instrumental to the genesis of modern Latin American poetry and “one of the best poets” of the Spanish language. Toward the end of his life, he had published for over fifty years and brought in crowds of more than 3,000 to a readings in his native country. Coined the “Sniper of Literature” by Cuban poet Roberto Fernández Retamar, Sabines brought poetry to the streets. His vernacular, authentic poems are accessible: meant not for other poets, or the established or elite, but for himself and for the people.In this translation of his fourth book, Tarumba, we find ourselves stepping into Sabines’ streets, brothels, hospitals, and cantinas; the most bittersweet details are told in a way that reaffirms: “Life bursts from you, like scarlet fever, without warning.” Eloquently co-translated by Philip Levine and the late Ernesto Trejo, this bilingual edition is a classic for Spanish- and English-speaking readers alike. Secretive, wild, and searching, these poems are rife with such intensity you’ll feel “heaven is sucking you up through the roof.” Jaime Sabines was born on March 25, 1926 in Chiapas, Mexico. In 1945, he relocated to Mexico City where he studied Medicine for three years before turning his attention to Philosophy and Literature at the University of Mexico. He wrote eight books of poetry, including Horal (1950), Tarumba (1956), and Maltiempo (1972), for which he received the Xavier Villaurrutia Award. In 1959, Sabines was granted the Chiapas Prize and, in 1983, the National Literature Award. In addition to his literary career, Sabines served as a congressman for Chiapas. Jaime Sabines died in 1999; he remains one of Mexico’s most respected poets.  Philip Levine (translator) was born in Detroit, Michigan, in 1928. He is the author of sixteen books of poetry, most recently Breath (Alfred A. Knopf, 2004). His other poetry collections include The Mercy (1999); The Simple Truth (1994), which won the Pulitzer Prize; What Work Is (1991), which won the National Book Award; New Selected Poems (1991); Ashes: Poems New and Old (1979), which received the National Book Critics Circle Award and the first American Book Award for Poetry; 7 Years From Somewhere (1979), which won the National Book Critics Circle Award; and The Names of the Lost (1975), which won the Lenore Marshall Poetry Prize. He has received the Ruth Lilly Poetry Prize, the Harriet Monroe Memorial Prize from Poetry, the Frank O'Hara Prize, and two Guggenheim Foundation fellowships. Philip Levine lives in New York City and Fresno, California, and teaches at New York University.

    Featuring a rare story by Anne Rice, a classic chiller by Edith Wharton, and song lyrics by Sting, this eclectic and original collection of vampire stories covers the gamut of genres, from the dark pleasures of Shakespeare to the twilight terrors of Rod Serling.

    Presents two classic tales of terror, in which the protagonists put their souls in peril by their criminal activities and hope their evil deeds do not catch up to them.

    "Mr. Tate is an elegant and anarchic clown. A lord of poetic misrule with a serious, subversive purpose."-John Ash, New York Times Book Review "Tate brings to his work an extravagantly surrealistic imagination and a willingness to let his words take him where they will. Nonchalant in the midst of radical uncertainty, he handles bizarre details as though they were commonplace facts. [Tate's poetry draws upon] so rich a fund of comic energy that is may well prove an antidote to the anxiety some readers feel with poems that refuse to lend themselves to instant analysis."-David Lehman, Washington Post Book World

    In this collection, you will find images and poems that relate to life, love, loss, gain, realisation and the final thing called Moksha. The poems may sound philosophical, intellectual and emotional from time to time. You will also find a surprise at the end of this wonderful poetry collection if you read everything carefully. And, like the previous poetry collection by Alok Mishra, this book will also not take more than 15 minutes from your daily routine. However, you may want to read the book at least twice or maybe thrice to understand what do the poems mean. Alok has devised a style of his own to communicate his thoughts to the readers of Indian English poetry. A 4-3-6 style has perfectly settled with this collection having 14 wonderful poems. Here are some reviews for Moving for Moksha:The collection of poems takes us on a journey to ponder the truth and fallacies of life that come our way. The poems are mostly mystic in nature, having more than what it seems to be... you will certainly love it if you have a taste for English poetry.by: Amit Mishra (founder of The Indian Authors & Indian Book Lovers)...beauty, truth, eternity.... a very close observation of life, these poems sneak into nothing but the philosophy of life that people confront during life-span.by: Ravi Kumar, Research Scholar with expertise in Indian English Literature, a writer for many online literary platformsThe poems reflect disillusion, rejection, realisation and answer to the final call – Moksha, as called in Indian philosophy. The innovative form with a 4-3-6 pattern looks very apt for the emotional and intellectual and also cryptic nature of the poems in this collection.The Last Critic

    Everytime, he looked at me, it broke my heart a little bit more.Everytime he went away, I wrote.When he came back, I lived again.And in the end it fell apart.

    

    Among the cast is Clemency, an old acquaintance of Libby Sarjeant and Fran Wolfe. She is making her return to the professional stage, encouraged by her mother Dame Amanda Knight, whom Libby and Fran met on a previous adventure.But when one objectionable member of the cast is found dead, Dame Amanda and heavyweight of the English Stage, Sir Andrew McColl, call in Libby, Fran and their friends to prevent the wrong person being charged with murder and the Nethergate pantomime from turning into a disastrous melodrama.