Although these stories are not all mysteries, they all are suspenseful and very enjoyable. They already show the creative mind that devised later so many complex plots as well as Stout’s gift for creating characters with a few quick strokes. The stories, which are presented here in order of publication, are: “Excess Baggage,” “The Infernal Feminine,” “A Professional Recall,” “Pamfret and Peace,” “A Companion of Fortune,” “A White Precipitate,” “The Mother of Invention,” “Méthode Américaine,” “A Tyrant Abdicates,” “The Pay-Yeoman,” “Secrets,” “Rose Orchid,” “An Agacella Or,” “The Inevitable Third,” “The Lie,” “Target Practice,” “If He Be Married,” “Baba,” “Jonathan Stannard's Secret Vice,” “Sanétomo,” “The Strong Man,” “It's Science That Counts,” “The Rope Dance,” “An Officer and a Lady,” “Heels of Fate,” and “Annuncio's Violin.”

    Two stories from this collection have been adapted into the films Viscosity and A F*ckload of Scotch Tape.

    McCauleySPILL SITE by Matthew C. FunkA CLEAN WHITE SUN by Mike WilkersonLUCK by Johnny ShawPLUS: an exclusive first look at Tyrus Books upcoming novel from Todd Robinson, THE HARD BOUNCE

    This collection features new stories from all the Zelmer Pulp regulars as well as stunning noir photography from Mark Krajnak and an introduction by Brit Grit Godfather Paul D. Brazill.Zelmer Pulp arrives with both guns out in this Volume 1 noir collection.

    John is sleeping with Mary. Mary is married to Daniel. Both men work for her father, the Top Man. Daniel is his son-in-law, next in line to take over his little empire. John is muscle. The Top Man orchestrates robberies—banks, pay rolls, anything that will bring in some easy money. When Daniel discovers his wife’s illicit liaison, he wants John dead. The Top Man signs off on it.But John’s a man you only get one shot at. When Daniel happens to botch that one shot, then everyone involved needs to watch their back. Because John will be coming for them, and he won’t stop until he’s taken revenge on every last one involved in leaving him for dead.

    Dustin loves to drink. Dustin loves his women. Dustin loves loyalty. He might even love his adopted nephew Jeremy. And, he sometimes gets a little too enthusiastic in his job doing collections for local bookies--so, sometimes, he loves to hurt people. Told in the first person, Uncle Dust is a fascinating noir look inside the mind of a hard, yet very complicated criminal.Rob Pierce has been nominated for a Derringer Award for short crime fiction, and has had his stories published in Flash Fiction Offensive, Pulp Modern, Plots With Guns, Revolt Daily, Near To The Knuckle, and Shotgun Honey. The editor of Swill Magazine, he lives in Oakland, California, with his wife and two children. He is equally comfortable taking romantic walks on the beach or dumping the body elsewhere. "I was imprisoned for bank robbery, where I read plenty of novels with a bank robber as the protagonist. Only a few writers entertained me with killer dialogue. I even contacted Elmore Leonard when I was paroled, told him crime writer to crime writer that he understood criminal dialogue real swell. Here's the thing: Had I read "Uncle Dust" while I was incarcerated I would've got out and contacted Rob Pierce before Elmore. The story and dialogue in "Uncle Dust" captured so much of that world and circumstance in all its squalid glory. Made me wish I'd done time with tough guy Dustin. I thoroughly enjoyed our criminal hero's mind as he observed the world, and himself, through a cynical thief's lens. And I think you will too."– Joe Loya, author of the critically-acclaimed memoir, The Man Who Outgrew His Prison Cell: Confessions of A Bank Robber.

    This collection includes thirteen lean and mean stories from the fingertips of Garnett Elliott, Glenn Gray, John Hornor Jacobs, Patricia Abbott, Thomas Pluck, Brad Green, Ron Earl Phillips, Kent Gowran, Amy Grech, Benoit Lelievre, Kieran Shea, David Cranmer, and Wayne D. Dundee and a boiled down look at hardboiled fiction in an introduction by Ron Scheer. Edited by David Cranmer and Scott D. Parker.

    She’s only been out for a day when she accepts a strange job offer from the head of a Christian political advocacy group. He wants her to track down a missing ex-con named Alexis. Although no one knows where Alexis has gone, it seems like everyone in Arkansas is looking for her—from a rich televangelist running for Congress to the governor’s dirty tricks man. When Bennett finds the troubled young woman, she has to decide whether to hand her over to the highest bidder or help her escape from the most powerful men in the state.

    We're talking over a hundred print pages of pure pulp perfection that'll cost you less than the paper it ain't printed on.Includes the Spinetingler-Award-winning "Seven Days of Rain," Derringer-Award finalist "The Big Score," and "The World Behind," which originally appeared in Ellery Queen's Mystery Magazine.Also included are "A Better Life," "The Well," "A Simple Kindness," "Eight Pounds," and "The Toll Collectors."

    Yet in this mystery anthology, renowned editor and author Otto Penzler weaves together to heart-stopping effect more than ninety tales of brutality, terror, and unexpected demise, with each story told in a swift one thousand words or less.These crimes may be fast in both form and fallout, but none lack the dark impulses that too often guide human hands to ill ends. Prepare to be transported into the diabolical schemes of criminal masterminds…into robberies and pranks gone horribly awry…into closets crammed with skeletons…into families bound not by love but wickedness.Authors include Peter Blauner, Ken Bruen, Rob W. Hart, K. A. Laity, Tasha Alexander, Patricia Abbott, Bruce DeSilva, Chuck Caruso, Gregory Gibson, Joe R. Lansdale, and many more.

    His inertia is broken when he becomes the chief suspect in the murders of his soon-to-be ex-wife and her new lover. Set in the town of Modesto, deep in California’s Central Valley, Tussinland is about sex, drugs, addiction, smart phones, Facebook and the internet, digital cable, anti-government militias, reality TV, fundamentalist homophobic Christians, families, 12-step groups, pornography, marriage, death, disease, and love.

    Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city.Brand-new stories by: Tom Abrahams, Robert Boswell, Sarah Cortez, Anton DiSclafani, Stephanie Jaye Evans, Wanjiku Wa Ngugi, Adrienne Perry, Pia Pico, Reyes Ramirez, Icess Fernandez Rojas, Sehba Sarwar, Leslie Contreras Schwartz, Larry Watts, and Deborah D.E.E.P. Mouton.From the introduction by Gwendolyn Zepeda:In a 2004 essay, Hunter S. Thompson described Houston as a “cruel, crazy town on a filthy river in East Texas with no zoning laws and a culture of sex, money and violence. It’s a shabby, sprawling metropolis ruled by brazen women, crooked cops and super-rich pansexual cowboys who live by the code of the West—which can mean just about anything you need it to mean, in a pinch.” For what it’s worth, that quote is now posted on a banner somewhere downtown and regularly, gleefully repeated by our local feature writers.Houston is a port city on top of a swamp and, yes, it has no zoning laws. And that means it’s culturally diverse, internally incongruous, and ever-changing. At any intersection here, I might look out my car window and see a horse idly munching St. Augustine grass. And, within spitting distance of that horse, I might see a “spa” that’s an obvious brothel, a house turned drug den, or a swiftly rising bayou that might overtake a car if the rain doesn’t let up . . . Overall, this collection represents the very worst our city has to offer, for residents and visitors alike. But it also presents some of our best voices, veteran and emerging, to any reader lucky enough to pick up this book.

    When two young girls disappear with a trunk-load of pot, unaware that their payload has been packed with an extra five kilos of cocaine, a lovable loser persuades a sociopathic killer to pursue them across Northern California in a violent, twisted goose-chase that ends in a horrific place none of them could have forseen.

    Each book comprises all new stories, each one set in a distinct location within the geographic area of the book.Brand-new stories by: Michael Connelly, Lori Roy, Ace Atkins, Karen Brown, Tim Dorsey, Lisa Unger, Sterling Watson, Luis Castillo, Sarah Gerard, Danny López, Ladee Hubbard, Gale Massey, Yuly Restrepo Garcés, Eliot Schrefer, and Colette Bancroft.From the introduction by Colette Bancroft:Ask most people what the Tampa Bay area is famous for, and they might mention sparkling beaches and sleek urban centers and contented retirees strolling the golf courses year-round. But it’s always had a dark side. Just look at its signature event: a giant pirate parade.Not only does Gasparilla honor the buccaneer traditions of theft, debauchery, and violence; its namesake pirate captain, José Gaspar, is a fake who probably never existed. And if there’s any variety of crime baked into Florida’s history, it’s fraud. From the indigenous residents who supposedly conned Spanish explorers seeking the Fountain of Youth through the rolling cycles of real estate scams that have shaped the Sunshine State for the last century or so, the place is a grifter’s native habitat.

    Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city.Brand-new stories by: Jane Hamilton, Reed Farrel Coleman, Valerie Laken, Matthew J. Prigge, Shauna Singh Baldwin, Vida Cross, Larry Watson, Frank Wheeler Jr., Derrick Harriell, Christi Clancy, James E. Causey, Mary Thorson, Nick Petrie, and Jennifer Morales.From the introduction by Tim Hennessy:Presently, Milwaukee is going through a renaissance—abandoned factories being converted to condos, craft breweries and distilleries pushing out corner taverns—yet at the same time it is among the most segregated and impoverished big cities in the country. The gentrification of neighborhoods outside of downtown bear the impact of twentieth-century redlining efforts, forcing residents out due to housing demand, adding fuel to the affordable-housing crisis. Such an environment and atmosphere make excellent fodder for noir fiction . . .The book you’re holding is the first of its kind—a short fiction collection about Milwaukee, by writers who’ve experienced life here. The crime/noir genre at its best can be one of the purest forms of social commentary. I’ve gathered contributors who can tell not just a fine story, but who can write about the struggles and resilience of the people who live here . . . I’m honored to compile a body of work that represents what I love, and fear, about Milwaukee. I love my city’s lack of pretension; its stubbornness and pride in the unpolished corners. I fear that my city faces an uncertain future—that as it becomes more divided it may push our best and brightest to find somewhere else to shine.