something I have to do because of Joy and Matilde. They are my grandmothers and I love them both and they totally love me but they can't stand each other. Eleven-year-old Allegra shuttles between her grandmothers who live next door to one another but couldn't be more different. Matilde works all hours and instils discipline, duty and restraint. She insists that Allegra focus on her studies to become a doctor. Meanwhile free-spirited Joy is full of colour, possibility and emotion, storing all her tears in little glass bottles. She is riding the second wave of the women's movement in the company of her penny tortoise, Simone de Beauvoir, encouraging Ally to explore broad horizons and live her 'true essence'. And then there's Rick who lives in a flat out the back and finds distraction in gambling and solace in surfing. He's trying to be a good father to Al Pal, while grieving the woman who links them all but whose absence tears them apart. Allegra is left to orbit these three worlds wishing they loved her a little less and liked each other a lot more. Until one day the unspoken tragedy that's created this division explodes within the person they all cherish most.

    She leaves behind the graves of her husband Joe and her baby daughter. With no money and limited options, Stella accepts her brother-in-law Harry’s offer to live at the O’Riain cane farm in the Richmond Valley. There she hopes to get answers to the questions that plague her about her marriage. However Harry refuses to discuss Joe or the family’s secrets, even forbidding her to speak to the owner of the neighbouring property.Nearly a century earlier in County Tipperary, Irish cousins Brandon and Sean O’Riain also fled their homes – as wanted criminals. By 1867, they are working as cedar-cutters in New South Wales’s lush green Richmond Valley. But while Brandon embraces the opportunities this new country offers, Sean refuses to let go of the past. And one cousin is about to make a dangerous choice that will have devastating consequences down the generations . . .

    Haunted by his memories and the disappearance of a fellow survivor, George’s fractured life is intertwined with that of a woman from another dimension, seeking refuge on Earth. This is a novel imbued with beauty and feeling, filled both with existential loneliness and a deep awareness that all life is interdependent.

    Gorgeous and charismatic, Edward is enough to make any girl give up her flat and job in Adelaide and move to the country.So it’s something of a shock that when she gets there, Edward is nowhere to be seen. Not wanting to admit she may have made a mistake and return home in disgrace, Taylor accepts the job that Edward’s younger brother Pete offers her and throws herself into her work, keen to learn as much as she can about the wine trade.Taylor is thrilled when Ed returns, but she quickly discovers he may not be the man she thought he was.  Her growing friendship with Pete causes tension between the brothers who have fallen out over a woman in the past.  That’s not the only source of conflict: Pete has a dream to save the family vines, Edward’s dreams lie elsewhere.As the lies and deceit grow, matters come to a head in the vibrant and demanding vintage season. Will Taylor’s dream of a new life and love between the vines come true? Or is there only heartbreak ahead? Set in the beautiful Coonawarra vineyards, a wonderful feel-good rural romance from best-selling Australian author, Tricia Stringer

    There she meets the Aquino family, whose fishing business was founded by their ancestor, Giuseppe, an Italian immigrant, some ninety years before. Life for Cassie on the south west coast is sweet as she sets up a successful restaurant and falls in love with Giuseppe's great grandson Michael. But when the family patriarch dies, a devastating family secret is revealed which threatens to destroy her dreams. Cassie's future happiness now rests with her quest for the truth, in Di Morrissey's The Winter Sea.

    The people she writes abut are young, old, rich, poor, married, widowed, Chinese, Lebanese, Christian, Muslim. What they have in common—no matter where they come from—is the desire we all share to feel that we belong. The stories explore universal themes of love, loss, family and identity, while at the same time asking crucial questions about the possibility of human connection in a globalised world.Melanie Cheng is an important new voice, offering a fresh perspective on contemporary Australia. Her effortless, unpretentious realism balances an insider’s sensitivity and understanding with an outsider’s clear-eyed objectivity, showing us a version of ourselves richer and more multifaceted than anything we’ve seen before.

    He lives a quiet life with his two dogs in the tumbledown wreck his family home has become. It's a peaceful existence - ideal for the rehabilitating man. But his recovery is rudely interrupted by a brutal attack on Charles Bourgoyne, a prominent member of the local community. Suspicion falls on three young men from the local Aboriginal community. But Cashin's not so sure and as the case unfolds amid simmering corruption and prejudice, he finds himself holding on to something that it might be better to let go.

    She is taken in by her estranged grandmother, June, a flower farmer who raises Alice on the language of Australian native flowers, a way to say the things that are too hard to speak. But Alice also learns that there are secrets within secrets about her past. Under the watchful eye of June and The Flowers, women who run the farm, Alice grows up. But an unexpected betrayal sends her reeling, and she flees to the dramatically beautiful central Australian desert. Alice thinks she has found solace, until she falls in love with Dylan, a charismatic and ultimately dangerous man.The Lost Flowers of Alice Hart is a story about stories: those we inherit, those we select to define us, and those we decide to hide. It is a novel about the secrets we keep and how they haunt us, and the stories we tell ourselves in order to survive. Spanning twenty years, set between the lush sugar cane fields by the sea, a native Australian flower farm, and a celestial crater in the central desert, Alice must go on a journey to discover that the most powerful story she will ever possess is her own.

    In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam--and what seems at first a satire of turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise," an aging New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees, where a young woman's bond with a mother and her small son forces both women to a shattering decision. Brilliant, daring, and demonstrating a jaw-dropping versatility of voice and point of view, "The Boat" is an extraordinary work of fiction that takes us to the heart of what it means to be human, and announces a writer of astonishing gifts.

    But this is probably not going to be the book I imagined. Nothing has quite worked out the way I planned.'With the small inheritance he received upon his father’s death, Miles has come to Europe on the trail of the Romanian surrealist, who disappeared into a forest in 1967. But in trying to unravel the mystery of Bafdescu’s secret life, Miles must also reckon with his own.Faced with a language and a landscape that remain stubbornly out of reach, and condemned to wait for someone who may never arrive, Miles is haunted by thoughts of his ex-girlfriend, Alice, and the trip they took to Venice that ended their relationship.Uncanny, occasionally absurd, and utterly original, Fever of Animals is a beautifully written meditation on art and grief.

    It also marked the starting point of Kathy Lette's writing career, which sees her now as an author at the forefront of her field.Puberty Blues is about top chicks and surfie spunks and the kids who don't quite make the cut: it recreates with fascinating honesty a world where only the gang and the surf count. It's a hilarious and horrifying account of the way many teenagers live and some of them die. Kathy Lette and Gabrielle Carey's insightful novel is as painfully true today as it ever was.

    Turner, armed with a microscope, a butterfly net and his lovelorn yet devout colleague, Dr Linford Row, is met with incredulity, not least by local councillors who insist it′s only typhoid. Fifty-two possible plague-carriers - including two prominent MPs - are isolated in a dilapidated quarantine station on Magnetic Island. Meanwhile, in town, the sewers overflow, the streets choke with rubbish; and still no-one wants to listen. When Dr Row delivers a letter from one of the quarantined men to his hauntingly beautiful wife, he ensnares both himself and the eccentric Dr Turner in a hotbed of small-town scandal and fear.Written with wit and wonder, Affection uncovers a unique period in Australian history. A novel based on a true story of shonky politics, courageous medicos, and humidity, it′s also a mystery of heart and mind.

    Here, four young housemates struggle to untangle their complicated relationships while a poignant story of loss, grieving, and recovery unfolds.The nameless narrator of this story has recently lost her father and now her existence is split in two: she conjures the past in which he was alive and yet lives in the present, where he is not. To others, she appears to have it all together, but the grief she still feels creates an insurmountable barrier between herself and others, between the life she had and the one she leads. Wry, relatable, lyrical, and beautifully told, a book about politics, desire, youth, relationships and friends, Friends and Dark Shapes introduces a bold new Australian voice to American readers.

    Two years later, Rosie returns to the house and living there is Martha, whom Seb Gennaro married less than a year after the death of Rosie’s mother. Martha is struggling to fulfil Seb’s dream, while Rosie is coming to terms with new responsibilities. And so begins a stand-off between two women who refuse to move out of the home they both lay claim to.As the battle lines are drawn, Jimmy Hailler re-enters Rosie’s life. Having always watched other families from the perimeters, he’s now grappling, heartbreakingly, with forming one of his own . . .An unforgettable story about losing love and finding love; about the interconnectedness of lives and the true nature of belonging, from one of our most acclaimed writers.

    A year later, troubled journalist Martin Scarsden arrives in Riversend to write a feature on the anniversary of the tragedy. But the stories he hears from the locals about the priest and incidents leading up to the shooting don't fit with the accepted version of events his own newspaper reported in an award-winning investigation. Martin can't ignore his doubts, nor the urgings of some locals to unearth the real reason behind the priest's deadly rampage.Just as Martin believes he is making headway, a shocking new development rocks the town, which becomes the biggest story in Australia. The media descends on Riversend and Martin is now the one in the spotlight. His reasons for investigating the shooting have suddenly become very personal. Wrestling with his own demons, Martin finds himself risking everything to discover a truth that becomes darker and more complex with every twist. But there are powerful forces determined to stop him, and he has no idea how far they will go to make sure the town's secrets stay buried.A compulsive thriller that will haunt you long after you have turned the final page.