Helping her decipher the cryptic clues are her magician best friend, a devastatingly handsome art historian with something to hide, and a charming archaeologist running for his life.When a member of the dig's crew is murdered, Jaya must figure out which of the scholars vying for her affections might be the love of her life--and which one is a killer.

     Banking heiress Trish and her husband, James, seem to have it all, from a lavish lifestyle to a historic mansion in the nation’s capital. All that’s missing from their privileged life is a baby.So when Trish sees Anne Elise for the first time, it’s no surprise that she falls deeply in love. There’s just one problem: Trish isn’t the mother. The baby belongs to Laurel, James’s young mistress. And James and Laurel want the wife out of the picture.When Trish becomes perversely obsessed with making Laurel’s baby her own, the lovers come up with a wicked plan to end James’s marriage that quickly goes awry. As the love triangle becomes more and more dangerous, how far is each of them willing to go to get what they want?

    So when vandals romp through the local cemetery, she takes advantage of her newfound anonymity and its unforeseen advantages as she launches her own unofficial investigation.Despite her oddball humor and unconventional snooping, Ivy soon becomes discouraged by her failure to turn up any solid clues. And after Ivy witnesses something ominous and unexplained, she can't resist putting her investigative powers to work again. Even the authorities' attempts to keep Ivy out of danger and her nosy neighbor's match-making schemes can't slow her down. But will the determination that fuels this persistent, quirky sleuth threaten her very safety?

    Instead, I forced myself to smile and swallow and remind myself the elbow length yellow rubber gloves grasping the handle of the standard issue plunger were all that stood between me and Pooageddon.Suck it up, Fee. Big girl panties and adulting and all that."At what point," I waved the dripping plunger, wincing as droplets of yuck flew, "did I think owning a bed and breakfast was going to be glamorous and romantic?"Fiona Fleming hasn't lived in Reading, Vermont in over a decade, her escape from small town living leading her to New York City and a life of adventure. An adventure that has left her with no career, an ex who cheated on her and zero plans for the future. Her grandmother's death grants her a new chance--inheriting Petunia's, Iris Fleming's bed and breakfast, seems like the ideal fresh start. But when Fee finds out ownership of the property Iris willed her might be in question, she's drawn into the seedy underbelly of the cutest town in America after being singled out as the main suspect in a murder.

    So when mutilated bodies found deep in the Montana woods leave the cops searching blindly for clues, Theo sees something they missed. Something unnatural. Something only he can stop.As a computational biologist, Theo is more familiar with digital code and microbes than the dark arts of forensic sleuthing. But a field trip to Montana suddenly lands him in the middle of an investigation into the bloody killing of one of his former students. As more details, and bodies, come to light, the local cops determine that the killer is either a grizzly gone rogue… or Theo himself. Racing to stay one step ahead of the police, Theo must use his scientific acumen to uncover the killer. Will he be able to become as cunning as the predator he hunts—before he becomes its prey?

    A loving wife. And in-laws to die for.Gemma Robinson comes into Elliot’s life like a whirlwind, and they marry and settle into his home. When she asks him if her parents can come to stay for a couple of weeks, he is keen to oblige – he just doesn’t quite know what he’s signing up for.The Robinsons arrive with Gemma’s sister, Chloe, a mysterious young woman who refuses to speak or leave her room. Elliot starts to suspect that the Robinsons are hiding a dark secret. And then there are the scars on his wife’s body that she won’t talk about . . .As Elliot’s in-laws become more comfortable in his home, encroaching on all aspects of his life, it becomes clear that they have no intention of moving out. To protect Gemma, and their marriage, Elliot delves into the Robinsons’ past. But is he prepared for the truth?

    Holly saw it all. In one violent moment, a hit-and-run accident turns Holly’s life upside down. Then a fixer for the high-powered guilty party approaches Holly with an offer she is in no position to refuse. Holly and her daughter, Savannah, will want for nothing, beginning with a luxury dream house—all for the price of their silence. But when their sudden appearance in privileged Calabasas, California, piques the curiosity of neighbors, the price becomes greater than they imagined. Because Holly and Savannah aren’t the only ones in the neighborhood with something to hide.Told from alternating points of view, Good as Dead draws together an unlikely group of people bound to one another by a crime, a cover-up, and compounding deceptions. As carefully constructed lives begin to crumble, how far will everyone be willing to go to bury the truth and protect the people they love?

    Throw in a gig as a phone sex operator, an unexpected hunk of a boyfriend, and a client's murder, and you have all the ingredients for the perfect chick lit romp. Even bloggers at Trashionista just had to read it: "A fabulous book.” Shy, funny, loveable Emily’s a pretty unlikely candidate for a phone sex operator. She’d die if she had to talk dirty face-to-face—especially to her hot cop boyfriend. She sure didn’t set out to do phone sex—she wanted to be a writer. But when her BFF framed her for plagiarism, she got in a tiny financial hole and saw this ad for “phone actresses”… Hey, it’s not nearly as bad as it sounds. No pantyhose or pantsuits, no regular hours, you’re your own boss, and lots of people to talk to. Guys, that is. But here’s the odd thing—lots of them want to talk about more than Emily’s imagined attributes; they start to think of her as the best friend they’ll never have to meet. Next thing you know, one of her customers gets killed. What’s a phone kitten to do? Solve the murder herself, of course! “Phone Kitten was a fun debut read with an interesting premise and some great characters – excellent chick lit.” -The Brazen Bookworm “Marika Christian's debut novel was one of the most fun reads I have had this year. Sweet Emily taking a job as a 'phone actress' has to be one of the funniest things ever.” -Just Jump A fun, refreshing treat for fans of Jennifer Crusie, Janet Evanovich, and Stephanie Bond, Phone Kitten is your ticket to hours of giggles—so long as you’re not looking for raunch. Because this is so not it! “When I first heard of this book I was intrigued; a phone-sex worker turned sleuth? Sounds like the perfect mix...a fabulous book. --Trashionista Excerpt: The girl who answered the phone sounded a lot like me. She was perky, upbeat, and wanted me to come in that night for an interview. The thought terrified me, but my only other option was Walmart. I heard Walmart locks employees in the store. I've often wondered what would happen if one of the employees were pregnant and went into labor while locked up. Would they let her out? Would her supervisor deliver the baby in housewares and slap a little smiley face sticker on the baby's bottom? Phone sex had to be better than twenty-four hour retail. The company name was Dimensions. Located in the back of an industrial park, it was a little scary. There was a gravel parking lot with a dozen cars and only one door with a camera to capture anyone who pressed the call button. I was buzzed in immediately. I wondered, Why does a phone sex place need this much security? I was met by Taylor, the bubbly girl I talked to on the phone. “Come on, I'll take you in the back and we can talk.” She wasn't what I pictured. Taylor was a tattooed Goth chick, with every piercing imaginable. Taylor isn't what most people envisioned when it came to “bubbly.” Once we were in her office, she quickly closed the door. “Look, we talk dirty here. The language is sexually explicit. You have to say it all. Tits, cock, and fuck. Can you do that?” “Yes.” There, I said it. I said I could do it. I hoped I really could. She whipped out a headset, plugged it in, and said, “I want you to listen to a call.

    But then, plans have a way of going out the window when a girl learns her parents have skipped town, leaving behind a half-million-dollar debt. Rosemary makes the best of her situation, putting up with her boss's diva antics and halfheartedly fending off the advances of the impossibly sexy stepson who comes with the high-paying gig. Then someone decides to kill the miserable movie star. It's bad news for any chef when a client dies from an allergic reaction after eating your cooking. It's even worse news for Rosemary because the police are determined to charge her with murder. To restore her reputation (and stay out of prison), Rosemary has to find the real murderer--and fast. Her short list of suspects includes a womanizing race car driver, a powerful music producer, Hollywood's hottest leading man, and, oh yeah, Felix, the dead woman's stepson--which gets a little awkward when Rosemary starts dating him. Unfortunately, everything Rosemary thought she knew is wrong--dead wrong. After a romantic dinner with Felix ends in food poisoning, she finds herself unattached, unemployed, and once again on the wrong side of the LAPD. She knows how to salvage an oversalted sauce, but can she salvage the disaster that is her life? And will the hunky homicide detective help her--or book her? ROSEMARY'S GRAVY is the first book in the We Sisters Three series, the new romantic comedic mystery series from Melissa F. Miller, the USA TODAY Bestselling Author of the Sasha McCandless legal thriller series and the Aroostine Higgins legal thriller series.

    shoe designer, Maddie Springer, lives her life by three rules: Fashion. Fashion. Fashion. But when she stumbles upon the work of a brutal killer, her life takes an unexpected turn from Manolos to murder. And things only get worse when her boyfriend disappears - along with $20 million in embezzled funds - and her every move is suddenly under scrutiny by the LAPD's sexiest cop. With the help of her post-menopausal bridezilla of a mother, a 300 pound psychic and one seriously oversexed best friend, Maddie finds herself stepping out of her stilettos and onto the trail of a murderer. But can she catch a killer before the killer catches up to her...

    In the confusion that followed, the keys to the vault’s safe-deposit boxes were lost.In the years since, Cleveland’s wealthy businessmen kept the truth buried in the abandoned high-rise. The ransacked offices and forgotten safe-deposit boxes remain locked in time, until young engineer Iris Latch stumbles upon them during a renovation survey. What begins as a welcome break from her cubicle becomes an obsession as Iris unravels the bank’s sordid past. With each haunting revelation, Iris follows the looming shadow of the past deeper into the vault—and soon realizes that the key to the mystery comes at an astonishing price.

    The one side of the job that lives up to expectations is the money. Which is just as well for Izzy, since she needs an awful lot of it. Who knew when she made a lifelong commitment to a man that it would be one year living with him and the rest of her life paying for it?But even her scoundrel ex-husband doesn’t look so bad compared to her new client. He’s competent, condescending, and annoyingly attractive, and Izzy doesn’t know whether to sleep with him or poison him herself. Throw in a loan-shark, a nosy neighbor, and a murder attempt, and Izzy will have her work cut out for her.

    “With its tale of provincial life, gimlet-eyed spinsters, and thwarted love…it feels almost like a Miss Marple mystery written by Colm Tóibín” (New York Times).The remote Irish village of Duneen has known little drama, and yet its inhabitants are troubled: Sergeant P.J. Collins hasn’t always been this overweight; Brid Riordan, a mother of two, hasn’t always been an alcoholic; and elegant Evelyn Ross hasn’t always felt that her life was a total waste.So when human remains—suspected to be those of Tommy Burke, a former lover of both Brid and Evelyn—are discovered on an old farm, the village’s dark past begins to unravel. As a frustrated P.J. struggles to solve a genuine case for the first time in his professional life, he unearths a community’s worth of anger and resentments, secrets and regrets.Darkly comic, at times profoundly sad, and “especially inviting because of its tongue-in-cheek wit” (Kirkus Reviews), Holding is a masterful debut. Graham Norton employs his acerbic humor to breathe life into a host of lovable characters, and explore—with searing honesty—the complexities and contradictions that make us human.

    Fearing her daughter might be next, single mom, Violet Parker, is desperate to find the monster behind the abductions. With her savings dwindling and just three weeks left to sell her first house or lose her Realtor job, Violet is ecstatic when a handsome jeweler hires her to sell his century-old, Victorian masterpiece until she sees the dilapidated dwelling. Now, if she could just convince her only buyer to stop rejecting vintage homes as if they're haunted. Short on time and long on worry, she refuses to give up her dream of a fresh start in Deadwood. But with a malicious coworker trying to get her fired, a secret admirer sending her creepy messages, and a sexy stranger hiding skeletons in his closet, will Violet end up as one of Deadwood's dearly departed?

    It’s 1974 and Ellison Russell’s life revolves around her daughter and her art. She’s long since stopped caring about her cheating husband, Henry, and the women with whom he entertains himself. That is, until she becomes a suspect in Madeline Harper’s death. The murder forces Ellison to confront her husband’s proclivities and his crimes—kinky sex, petty cruelties and blackmail. As the body count approaches par on the seventh hole, Ellison knows she has to catch a killer. But with an interfering mother, an adoring father, a teenage daughter, and a cadre of well-meaning friends demanding her attention, can Ellison find the killer before he finds her?