But one of them, Lisa, keeps an eye on the boy. So does the head of the Switchboard, Madame Alexander . . . a rather sharp eye.Enter Hannah, the spunky daughter of the building’s owner. She thinks Ever needs a friend, even if he doesn’t know it yet.Good thing she does!Lisa and Madame Alexander are each clearly up to something.Ever is beset by a menacing band of rogues looking to unlock the secret he holds–at any cost.And whatever is hidden deep in the Switchboard building will determine all of their futures.On a journey that twists and turns as much as the mechanical building Ever Barnes calls home, he and his new friend Hannah have to ­ and out what’s really going on in this mysterious city of secrets . . . or else!

    Whether it's school woes, health issues, boy troubles, or simply feeling lost, the March sisters all need the same thing: support from each other. Only by coming together--and sharing lots of laughs and tears--will these four young women find the courage to discover who they truly are as individuals...and as a family.Meg is the eldest March, and she has a taste for the finer things in life. She dreams of marrying rich, enjoying fabulous clothes and parties, and leaving her five-floor walk-up apartment behind.Jo pushes her siblings to be true to themselves, yet feels like no one will accept her for who she truly is. Her passion for writing gives her an outlet to feel worthy in the eyes of her friends and family.Beth is the shy sister with a voice begging to be heard. But with a guitar in hand, she finds a courage that inspires her siblings to seize the day and not take life for granted.Amy may be the baby of the family, but she has the biggest personality. Though she loves to fight with her sisters, her tough exterior protects a vulnerable heart that worries about her family's future.

    This princess of the underworld has plenty of her own work to do but always seems to find herself doing her layabout father's job, as well. The king doesn't feel quite well, you see. Ever. So the princess is left scurrying through the halls, dodging her mummy, werewolf, and ghost subjects, always running behind and always buried under a ton of paperwork. Oh, and her father just fired the chef, so now she has to hire a new cook as well. Luckily for Princess Decomposia, she makes a good hire in Count Spatula, the vampire chef with a sweet tooth. He's a charming go-getter of a blood-sucker, and pretty soon the two young ghouls become friends. And then...more than friends? Maybe eventually, but first Princess Decomposia has to sort out her life. And with Count Spatula at her side, you can be sure she'll succeed. Andi Watson (Glister, Gum Girl) brings his signature gothy-cute sensibility to this very sweet and mildly spooky tale of friendship, family, and management training for the undead.

    Growing up in the 1990s as the only child of a single mother in Seoul, Korea, wasn’t always easy, but it has bonded them fiercely together.So when a vacation to visit friends in Huntsville, Alabama, unexpectedly becomes a permanent relocation—following her mother’s announcement that she’s getting married—Robin is devastated. Overnight, her life changes. She is dropped into a new school where she doesn’t understand the language and struggles to keep up. She is completely cut off from her friends at home and has no access to her beloved comics. At home, she doesn’t fit in with her new stepfamily. And worst of all, she is furious with the one person she is closest to—her mother.Then one day Robin’s mother enrolls her in a local comic drawing class, which opens the window to a future Robin could never have imagined.

    Most strange things do.'Five mysterious, spine-tingling stories follow journeys into (and out of?) the eerie abyss.These chilling tales spring from the macabre imagination of acclaimed and award-winning comic creator Emily Carroll.Come take a walk in the woods and see what awaits you there...

    Given half a choice, he would pick admin work over patrolling in a heartbeat, to say nothing of his distaste for engaging in combat. Nonetheless, at the behest of the king, he finds himself issuing a twice-daily challenge to the Israelites: “Choose a man. Let him come to me that we may fight. If he be able to kill me then we shall be your servants. But if I kill him, then you shall be our servants.” Day after day he reluctantly repeats his speech, and the isolation of this duty gives him the chance to banter with his shield-bearer and reflect on the beauty of his surroundings. This is the story of David and Goliath as seen from Goliath’s side of the Valley of Elah. Quiet moments in Goliath’s life as a soldier are accentuated by Tom Gauld’s drawing style, which contrasts minimalist scenery and near-geometric humans with densely crosshatched detail reminiscent of Edward Gorey. Goliath’s battle is simultaneously tragic and bleakly funny, as bureaucracy pervades even this most mythic of figures. Goliath displays a sensitive wit, a bold line, and a traditional narrative reworked, remade, and revolutionized.

    When Flor--also known as the notorious Ghost Hawk--robs the stagecoach that Grace has used to escape her Georgia home, the first thing on her mind is ransom. But when the two get to talking about Flor's plan to crash a Confederate gala and steal some crucial documents, Grace convinces Flor to let her join the heist.

    Once there, they've stayed to hear about the young brave with the magic moccasins, who talks with animals and uses his supernatural gifts to bring peace and enlightenment to his people. This 1855 masterpiece combines romance and idealism in an idyllic natural setting.