I'm writing it in this letter, the whole truth of why it happened.Min Green and Ed Slaterton are breaking up, so Min is writing Ed a letter and giving him a box. Inside the box is why they broke up. Two bottle caps, a movie ticket, a folded note, a box of matches, a protractor, books, a toy truck, a pair of ugly earrings, a comb from a motel room, and every other item collected over the course of a giddy, intimate, heartbreaking relationship. Item after item is illustrated and accounted for, and then the box, like a girlfriend, will be dumped.

    Most of them die of the quivers, or from wounds suffered when their turn-knife slips. Working, sleeping and eating in the cellar with magical stones, their skin acquires an eerie silvery sparkle. It's practically impossible to escape from their underground prison, and if they do, the phosphorescent glow of their skin shines like a beacon for all to see. That's why Tommo is running, running as fast as he can to the coast. He has been granted sanctuary for eight days and must leave the shores by then, or face the hangman's noose.

    On his fifteenth birthday, precocious Eugene Dingman begins the amazing and death-defying diary of his summer spent as a waiter at a ritzy Adirondack resort.

    Madison is a junior bridesmaid at her dad and Stephanie's wedding, which means a walk down the aisle for her too. Plus, she has to do a reading at the ceremony in front of a zillion strangers. Madison is feeling way overloaded! It's shaping up to be a trip full of surprises and new experiences!

    Morgan had been bullied. Maybe she kissed the wrong boy. Or said the wrong thing. What about that selfie that made the rounds? Morgan was this, and Morgan was that. But who really knows what happened?As Sam explores the events leading up to the tragedy, he must face a difficult and life-changing question: Why did he keep his friendship with Morgan a secret? And could he have done something—anything—to prevent her final actions?As he did in Bystander, James Preller takes an issue that faces every student and school in the country, and makes it personal, accessible, and real.

    Most people say the town is cursed. Right in the middle of their big baseball game against rival town Sinister Bend, black clouds crept across the sky and it started to rain. That was 22 years ago . . . and it's still pouring.Baseball camp is over, and Roy knows he's in for a dreary, soggy summer. But when he returns home, he finds a foster kid named Sturgis sprawled out on his couch. As if this isn't weird enough, just a few days after Sturgis's arrival, the sun comes out. No one can explain why the rain has finally stopped, but as far as Roy's concerned, it's time to play some baseball. It's time to get a Moundville team together and finish what was started 22 years ago. It's time for a rematch.

    Here are teens who could easily trade barbs and double entendres with the characters that fill John Green's novels."Funny, smart, and including everything from flash mobs to blanket forts to a poodle who just might be the reincarnation of Jay Gatsby, The Beginning of Everything is a refreshing contemporary twist on the classic coming-of-age novel—a heart-wrenching story about how difficult it is to play the part that people expect, and how new beginnings can stem from abrupt and tragic endings.

    But when a superstorm defies all predictions and devastates the island, when it strands Mira’s mother and brother on the mainland and upends all logic, nothing will ever be as it was. A stranger appears in the wreck of Mira’s home. A friend obsessed with vanishing is gone. As the mysteries deepen, Mira must find the strength to carry on—to somehow hold her memories in place while learning to trust a radically reinvented future.Gripping and poetic, This Is the Story of You is about the beauty of nature and the power of family, about finding hope in the wake of tragedy and recovery in the face of overwhelming loss.

    War has always been a game to him, and he’s eager to glimpse it firsthand–until the freighter he and his mother are traveling to the United States on is torpedoed.   When Phillip comes to, he is on a small raft in the middle of the sea. Besides Stew Cat, his only companion is an old West Indian, Timothy. Phillip remembers his mother’s warning about black people: “They are different, and they live differently.”    But by the time the castaways arrive on a small island, Phillip’s head injury has made him blind and dependent on Timothy.

    But what's really on her mind is her mother. Why is she dressing in Dad's baggy khaki pants with a silk scarf around her neck? What is she planning when she pores over maps in the middle of the night? When did she stop being Mom and start being Amelia Earhart? Alex tries to keep her budding love life apart from the growing disaster at home as her mother sinks further into her delusions. But there are those nights, when everyone else is asleep, when it's easier to confide in Amelia than it ever was to Mom. Now, as Amelia's flight plans become more intense, Alex is increasingly worried that Amelia is planning her final flight - the flight from which she never returns. What could possibly be driving Mom's delusions, and how far will they take her?

    He fancies himself a hopeless romantic, but the slo-mo, heart palpitating, can't-eat-can't-sleep kind of love that he's been hoping for just hasn't been in the cards for him-at least not yet. Instead, he's been happy to focus on his grades, on getting into a semi-decent college and finally becoming editor of his school newspaper. Then Grace Town walks into his first period class on the third Tuesday of senior year and he knows everything's about to change.Grace isn't who Henry pictured as his dream girl-she walks with a cane, wears oversized boys' clothes, and rarely seems to shower. But when Grace and Henry are both chosen to edit the school paper, he quickly finds himself falling for her. It's obvious there's something broken about Grace, but it seems to make her even more beautiful to Henry, and he wants nothing more than to help her put the pieces back together again. And yet, this isn't your average story of boy meets girl. Krystal Sutherland's brilliant debut is equal parts wit and heartbreak, a potent reminder of the bittersweet bliss that is first love.

    Webb wakes up in the hospital, his leg shattered and his future as a runner in doubt. He can't remember anything about that day, but he learns: Grandpa was driving. The car hit a little girl. She's in a coma, and she might never walk again.Weeks later, Webber remembers: He was driving."You're fifteen," Grandpa says. "You have your whole life ahead of you. Let me take care of everything. I'm to blame. I'm the one to go to jail. Webber," he begs, "forget it." But how can Webber forget? He was driving.

    She worries about whether her family understands her, whether her friends like her, and whether she'll get her first kiss before she turns sixteen. And she worries about whether she can handle having a real boyfriend if he does come along.But it takes a dying old man -- her grandfather -- who has never been easy for anyone to handle, to show Rachel she has very special abilities. With love and compassion, she reaches the heart of an old tyrant who has always been unreachable. And in so doing, she comes to a better understanding of her family, her friends, and herself.

    Samantha McAllister looks just like the rest of the popular girls in her junior class. But hidden beneath the straightened hair and expertly applied makeup is a secret that her friends would never understand: Sam has Purely-Obsessional OCD and is consumed by a stream of dark thoughts and worries that she can't turn off. Second-guessing every move, thought, and word makes daily life a struggle, and it doesn't help that her lifelong friends will turn toxic at the first sign of a wrong outfit, wrong lunch, or wrong crush. Yet Sam knows she'd be truly crazy to leave the protection of the most popular girls in school. So when Sam meets Caroline, she has to keep her new friend with a refreshing sense of humor and no style a secret, right up there with Sam's weekly visits to her psychiatrist.Caroline introduces Sam to Poet's Corner, a hidden room and a tight-knit group of misfits who have been ignored by the school at large. Sam is drawn to them immediately, especially a guitar-playing guy with a talent for verse, and starts to discover a whole new side of herself. Slowly, she begins to feel more "normal" than she ever has as part of the popular crowd . . . until she finds a new reason to question her sanity and all she holds dear.

    Aaron is a gay misfit struggling with depression and loneliness. Tillie isn't sure what her problem is -- only that she will never be good enough.On the bridge, there are four things that could happen:Aaron jumps and Tillie doesn't.Tillie jumps and Aaron doesn't.They both jump.Neither of them jumps.