This is about real witches. Real witches don't ride around on broomsticks. They don't even wear black cloaks and hats. They are vile, cunning, detestable creatures who disguise themselves as nice, ordinary ladies. So how can you tell when you're face to face with one? Well, if you don't know yet you'd better find out quickly-because there's nothing a witch loathes quite as much as children and she'll wield all kinds of terrifying powers to get rid of them.

     Reviews "A wonderful collection of tales that range from creepy to silly to haunting. ...Gammell's drawings add just the right touch..." -- John Scieszka, Entertinment Weekly"Guaranteed to make your teeth chatter and your spine tingle." -- School Library Journal"Read these if you dare." -- The New York Times

    The place is New York City. Horace Carpetine has been raised to believe in science and rationality. So as apprentice to Enoch Middleditch, a society photographer, he thinks of his trade as a scientific art. But when wealthy society matron Mrs. Frederick Von Macht orders a photographic portrait, strange things begin to happen.Horace's first real photographs reveal a frightful likeness: it's the image of the Von Machts' dead daughter, Eleanora.Pegg, the Von Machts' black servant girl, then leads him to the truth about who Eleanora really was and how she actually died. Joined in friendship, Pegg and Horace soon realize that his photographs are evoking both Eleanora's image and her ghost. Eleanora returns, a vengeful wraith intent on punishing those who abused her.Rich in detail, full of the magic of early photography, here is a story about the shadows, visible and invisible, that are always lurking near.

    Or is it a haunting? Minty believes she is a witch - not the type you would notice ordinarily - - she appears to be like anyone else but is quite used to seeing phantoms floating about the place, and thinks it is perfectly normal. Minty is very determined as well, which is just as important because when she goes to stay with her aunt in the village of Belton she soon realizes that she has a task to do. . .

    Where have her parents gone? Who is this spooky old man who's taken her to live with him, claiming to be her great-uncle? Why does he never eat, and why does he lock her in her room at night? What are her dreams of the Skeleton Man trying to tell her? There's one thing Molly does know. She needs to find some answers before it's too late.

    For the house is positively overflowing with sparkling magic—she can feel it. And it’s not long before Rose realises that maybe, just maybe, she has a little bit of magic in her, too. . . .The first book in an exciting, get-lost-in-the-world series about orphans, alchemy, magical powers and sinister child-catchers.

    And now waking up is even worse!Charlie Laird has several problems:1. His dad married a woman he is sure moonlights as a witch.2. He had to move into her purple mansion, which is not a place you want to find yourself after dark.3. He can’t remember the last time sleeping wasn’t a nightmarish prospect. Like even a nap.What Charlie doesn’t know is that his problems are about to get a whole lot more real. Nightmares can ruin a good night’s sleep, but when they start slipping out of your dreams and into the waking world—that’s a line that should never be crossed. And when your worst nightmares start to come true . . . well, that’s something only Charlie can face. And he’s going to need all the help he can get, or it might just be lights-out for Charlie Laird. For good.[This is the first book in a trilogy.]

    Moundshroud. As Pipkin scrambles to join them, he is swept away by a dark Something, and Moundshroud leads the boys on the tail of a kite through time and space to search the past for their friend and the meaning of Halloween.

    McMartin is definitely dead. Now her crumbling Victorian mansion lies vacant. When eleven-year-old Olive and her dippy mathematician parents move in, she knows there's something odd about the place--not least the walls covered in strange antique paintings. But when Olive finds a pair of old spectacles in a dusty drawer, she discovers the most peculiar thing yet: She can travel inside these paintings to a world that's strangely quiet . . . and eerily like her own. Yet Elsewhere harbors dark secrets--and Morton, an undersized boy with an outsize temper. As she and Morton form an uneasy alliance, Olive finds herself ensnared in a plan darker and more dangerous than she could have imagined, confronting a power that wants to be rid of her by any means necessary. It's up to Olive to save the house from the dark shadows, before the lights go out for good.

    But when the clock’s gears cease to turn, an evil presence lurking among the trees begins to come out of the shadows.When Lucy and Oliver Tinker arrive in Watch Hollow, they have no idea that anything is wrong. A mysterious stranger has made their father an offer that’s too good for him to refuse. All Mr. Tinker needs to do is fix the clock at Blackford House and fistfuls of gold coins are his to keep.It doesn’t take long, however, for the children to realize that there is more to Blackford House than meets the eye. And before they can entirely understand the strange world they’ve stumbled into, Lucy and Oliver must join forces with a host of magical clock animals to defeat the Garr—a vicious monster that not only wants Blackford House for itself, but also seeks to destroy everything the Tinkers hold dear.

    But as the stories unfold, a newer and more surprising narrative emerges, one that is perhaps the most frightening of all.

    But this time things are different. Her aunt's once bright and lively home is now dead with silence. Evil lurks in every corner and the dark, shadowed walls watch and whisper late at night. Emily is desperate to uncover the truth about what is happening at Sugar Hill Hall. But time is running out, and she must find a way to save the people and home she cares so much about.

    Where do dreams come from? What stealthy nighttime messengers are the guardians of our most deeply hidden hopes and our half-forgotten fears? Drawing on her rich imagination, two-time Newbery winner Lois Lowry confronts these questions and explores the conflicts between the gentle bits and pieces of the past that come to life in dream, and the darker horrors that find their form in nightmare. In a haunting story that tiptoes between reality and imagination, two people—a lonely, sensitive woman and a damaged, angry boy—face their own histories and discover what they can be to one another, renewed by the strength that comes from a tiny, caring creature they will never see. Gossamer is perfect for readers not quite ready for Lois Lowry's Newbery-Award winner The Giver and also for readers interested in dreams, nightmares, spirits and the dream world.

    But the house and its family are not quite what they seem. Soon the children are confronted by a mysterious spectre and an ancient curse that threatens their very lives. With Auxier’s exquisite command of language, The Night Gardener is a mesmerizing read and a classic in the making.

    Clara has never known another home. In fact, she's confined to the grand estate due to a mysterious heart condition. But it's a comfortable life, and if it weren't for the creepy squawking birds in the aviary out back, a completely peaceful one too. But once old Mrs. Glendoveer passes away, Clara comes to learn many dark secrets about the family. The Glendoveers suffered a horrific tragedy: their children were kidnapped, then drowned. And their father George Glendoveer, a famous magician and illusionist, stood accused until his death. As Clara digs deeper and deeper into the terrifying events, the five birds in the aviary seem to be trying to tell her something. And Clara comes to wonder: what is their true identity? Clara sets out to solve a decades-old murder mystery—and in doing so, unlocks a secret in her own life, too. Kathleen O'Dell deftly weaves magic, secret identities, evil villians, unlikely heroes, and the wonder of friendship into a mystery adventure with all the charm of an old fashioned classic.