There would never be another chance for men form the world of 2070 A.D. to examine in person the world of 12,000 B.C. What they learned and taped would be the only record ever made of this dim, enigmatic period of prehistory. But absolutely no one in the world of 2070 or in the borrowed time of 12,000 B.C. could have imagined what the tapes would reveal...A superb novel of adventure and intrigue in a vanished eraCover illustration: Geoff Cummings

    If the anthropologists can't help resolve the conflict between the feuding alien factions, no one will survive.This edition features sixteen full-page illustrations by Doug Beekman.

    For Arthur Dent, who has only just had his house demolished that morning, this seems already to be more than he can cope with. Sadly, however, the weekend has only just begun, and the Galaxy is a very very very large and startling place.THE RESTAURANT AT THE END OF THE UNIVERSE.When all questions of space, time, matter and the nature of being have been resolved, only one question remains --- "Where shall we have dinner?" The Restaurant at the End of the Universe provides the ultimate gastronomic experience, and for once there is no morning after to worry about.LIFE, THE UNIVERSE AND EVERYTHING.In consequence of a number of stunning catastrophes, Arthur Dent is surprised to find himself living in a hideously miserable cave on prehistoric Earth. However, just as he thinks that things cannot possibly get any worse, they suddenly do. He discovers that the Galaxy is not only mind-boggling big and bewildering but also that most of the things that happen in it are staggeringly unfair.SO LONG, AND THANKS FOR ALL THE FISH.Just as Arthur Dent's sense of reality is in its dickiest state he suddenly finds the girl of his dreams. He finds her in the last place in the Universe in which he would expect to find anything at all, but which 3,976,000 people will find oddly familiar. They go in search of God's Final Message to His Creation and, in a dramatic break with tradition, actually find it.

    He knows about chemical sludge the way he knows about evil -- all too intimately. And the toxic trail he follows leads to some high and foul places. Before long Taylor's house is bombed, his every move followed, he's adopted by reservation Indians, moves onto the FBI's most wanted list, makes up with his girlfriend, and plays a starring role in the near-assassination of a presidential candidate. Closing the case with the aid of his burnout roomate, his tofu-eating comrades, three major networks, and a range of unconventional weaponry, Sangamon Taylor pulls off the most startling caper in Boston Harbor since the Tea Party. As he navigates this ecological thriller with hardboiled wit and the biggest outboard motor he can get his hands on, Taylor reveals himself as one of the last of the white-hatted good guys in a very toxic world.

    For an exorbitant fee, the Scheffing Institute will make a copy of your mind's persona, hold it in storage until death, then transplant it into sublayers of the brain of a willing--& paying--host. The result for the host is immediate access to the persona's memories, knowledge, experiences & judgment. For the persona, it means full consciousness & thought-communication with the host, but without physical control of the host's body. When this futuristic tale unfolds, the brilliant, powerful multi-billionaire Paul Kaufmann has been dead for months. Institute administrator Francesco Santoliquido must make the decision of assigning Kaufmann's persona to a compatible host. With a personality as strong as Kaufmann, Santoliquido must be wary of the chance that the persona could take over the host's body--known as "going dybbuk." The only two men strong enough to control Kaufmann's persona are the ones who could benefit from it the most: Paul's nephew & current executor of the Kaufmann empire, Mark Kaufmann--& Mark's primary business rival, John Roditis of Roditis Securities. A secret struggle for possession of Kaufmann's persona takes an unexpected turn when Mark's 16-year-old daughter Risa gets involved.

    Here are fantasy stunners as THE SHIPS OF DARKNESS, here are the unclassifiable "specials" such as THE ULTRA MAN, THE REPLICATORS, and THE CATAAAAA. And more!THE FAR-OUT WORLDS OF A.E. VAN VOGT is a far-out event in science-fiction writing.Contents7 • The Replicators • (1965) • novelette by A. E. van Vogt28 • The First Martian • (1951) • shortstory by A. E. van Vogt42 • The Purpose • (1945) • novelette by A. E. van Vogt82 • The Earth Killers • (1949) • novelette by A. E. van Vogt110 • The Cataaaaa • (1947) • shortstory by A. E. van Vogt124 • Automaton • (1950) • shortstory by A. E. van Vogt135 • Itself! • (1963) • shortstory by A. E. van Vogt138 • Process • (1950) • shortstory by A. E. van Vogt143 • Not the First • (1941) • shortstory by A. E. van Vogt157 • Fulfilment • (1964) • novelette by A. E. van Vogt (variant of Fulfillment 1951)182 • Ship of Darkness • (1948) • shortstory by A. E. van Vogt198 • The Ultra Man • (1966) • novelette by A. E. van Vogt

    Clinging to its skin are the zones, a series of semi-autonomous city-states, each of which enjoys a different—and rigidly enforced—level of technology. Horsetown is pre-industrial; in Neon Heights they have television and electric trains . . .Following an infiltration mission that went tragically wrong, Quillon has been living incognito, working as a pathologist in the district morgue. But when a near-dead angel drops onto his dissecting table, Quillon's world is wrenched apart one more time, for the angel is a winged posthuman from Spearpoint's Celestial Levels—and with the dying body comes bad news.If Quillon is to save his life, he must leave his home and journey into the cold and hostile lands beyond Spearpoint's base, starting an exile that will take him further than he could ever imagine. But there is far more at stake than just Quillon's own survival, for the limiting technologies of the zones are determined not by governments or police, but by the very nature of reality—and reality itself is showing worrying signs of instability . . .Terminal World is a snarling, drooling, crazy-eyed mongrel of a book: equal parts steampunk, western, planetary romance, and far-future SF.

    Here the gods contend for power - the Dark forces against the Light - and here an entire city and its land is plunged into the shadow of an evil beyond anything conceivable. It is the story of Shaina the slave girl and of Volk the outcast who enslaved himself to cosmic forces to gain total power - and of how they were finally to meet and clash - with an entire world as their prize.VOLKHAVAAR is high fantasy comparable only to the best of Andre Norton and Michael Moorcock.

    One thing is clear: the five inhabited worlds of the sector are on the brink of civil war and the once peaceful coexistence of the three leading races -- human, Selonian, and Drallan --  has come to an end.

    Lewis's classic science fiction trilogy, Dr Ransom, a Cambridge academic, is abducted and taken on a spaceship to the red planet of Malacandra, which he knows as Mars. His captors are plotting to plunder the planet's treasures and plan to offer Ransom as a sacrifice to the creatures who live there. Ransom discovers he has come from the 'silent planet' – Earth – whose tragic story is known throughout the universe...

    Jack Vance is one of the most remarkable talents ever to grace the world of science fiction. His unique, stylish voice has been beloved by generations of readers. Some of his enduring classics are the 1950 novel The Dying Earth and its sequels, The Eyes of the Overworld, Cugel's Saga, and Rialto the Marvelous.

    The planet attracted unwary travelers, hardened space-sailors, and merchant buccaneers -- a teeming, constantly shifting horde that provided a comfortable income for certain quick-witted fellows like Flinx and his pet flying snake Pip. With his odd talents, the pickings were easy enough so that Flinx did not have to be dishonest ... most of the time.In fact, it hardly seemed dishonest at all to steal a starmap from a dead body that didn't really need it anymore. But Flinx wasn't quite smart enough. He should have wondered why the body was dead in the first place...

    Some people, anyway. The rich, the powerful--they lived their lives at the rate of one year every ten. Somec created two societies: that of people who lived out their normal span and died, and those who slept away the decades, skipping over the intervening years and events. It allowed great plans to be put in motion. It allowed interstellar Empires to be built.It came near to destroying humanity.After a long, long time of decadence and stagnation, a few seed ships were sent out to save our species. They carried human embryos and supplies, and teaching robots, and one man. The Worthing Saga is the story of one of these men, Jason Worthing, and the world he found for the seed he carried.Orson Scott Card is "a master of the art of storytelling" (Booklist), and The Worthing Saga is a story that only he could have written.

    Named after the migrant workers of America's Dust Bowl, these novels convey Blish's "history of the future," a brilliant and bleak look at a world where cities roam the Galaxy looking for work and a sustainable way of life.In the first novel, They Shall Have Stars, man has thoroughly explored the Solar System, yet the dream of going even further seems to have died in all but one man. His battle to realize his dream results in two momentous discoveries anti-gravity and the secret of immortality. In A Life for the Stars, it is centuries later and anti-gravity generations have enabled whole cities to lift off the surface of the earth to become galactic wanderers. In Earthman, Come Home, the nomadic cities revert to barbarism and marauding rogue cities begin to pose a threat to all civilized worlds. In the final novel, The Triumph of Time, history repeats itself as the cities once again journey back in to space making a terrifying discovery which could destroy the entire Universe. A serious and haunting vision of our world and its limits, Cities in Flight marks the return to print of one of science fiction's most inimitable writers.A Selection of the Science Fiction Book Club

    The only problem is that the Confederacion needs him as one of its twelve Prime Operators for its secret service, the TBII. The TBII wants him as a spy, thief & assassin. It's not, of course, a problem for the Confederacion, which simply uses immersion therapy & hypnotic personality overlay for Otto's training, then sends him out in deep cover, encased in plastiflesh, on a variety of dangerous missions on a number of bizarre worlds. But for him, it's a different matter: what he has to witness & what he's forced to do take a terrible toll. Always he returns to his original self--his conscience stabbed by the memory of all those he'd killed in the service of interstellar harmony.