It follows an interesting life of a princess, Rotshidzwa, who doesn’t believe in love but is given an ultimatum to get married to a prince in order to access her father’s estate. The princess was wild and needed a tame, hence her father left a condition on his will – a condition which she did not want fulfil. Forced by her kind of lifestyle, she agreed to fake a marriage in the hope of receiving her portion of the estate and getting divorced afterwards. The prince agreed to enter into a fake marriage, provided that he gets a share of the money. Things did not go to plan as she was expected to prove the legitimacy of her marriage. In the process of proving the legitimacy of the marriage, she ends up falling in love with the prince and complicating his relationship with his partner named Adelaide. Their relationship ended up into a complicate love triangle.

    Shan Hai Gaaru". This 2011 U.S. edition features an excerpt of the author’s WNYC Leonard Lopate Essay Contest-winning new novel "Memoirs of a Eurasian". In the post-Cultural Revolution Shanghai of 1984, university senior Sha-fei Hong longs to study in the U.S. for graduate school, ostensibly to pursue the American Dream, but partly to escape her sexually-harassing Communist cadre stepfather. She meets the visiting Chinese-American businessman Gordon Lou, who has political ambitions and ties to the Chinatown underworld in the U.S. He takes Sha-fei to the American Consulate in Shanghai to look into studying in America. There, Sha-fei meets the intern Edward Cook, a young, Caucasian American lawyer who has a strong preference for all things Asian. Within a year, these three people of entirely different cultural and socio-economic backgrounds cross paths in New York. Value systems and self-interests clash. The curtain falls on a dramatic stage of ambition, sex, intrigue, and murder.

    The story in Someday, though told through fictional characters and full of Taylor's distinctive wit and humour, is based on the real-life tragedies suffered by many Native Canadian families.Anne Wabung's daughter was taken away by children's aid workers when the girl was only a toddler. It is Christmastime 35 years later, and Anne's yearning to see her now-grown daughter is stronger than ever.When the family is finally reunited, however, the dreams of neither women are fulfilled.The setting for the play is a fictional Ojibway community, but could be any reserve in Canada, where thousands of Native children were removed from their families in what is known among Native people as the "scoop-up" of the 1950s and 1960s. Somedayis an entertaining, humourous, and spirited play that packs an intense emotional wallop.Reviews: "One of the 50 Essential Canadian Plays"-- Toronto Star

    

    But while rumors run wild and everyone forms an opinion, Scarlett just stays silent.With roles for up to twenty-four young female actors (though it can also be performed by a smaller cast), the play is perfect for any schools, youth theatres or drama groups looking to tackle a contemporary subject in a theatrically exciting way.Specially commissioned by Birmingham Repertory Theatre, Theatre Royal Plymouth and West Yorkshire Playhouse, Girls Like That was developed through work with young people from the three theatres and first performed by their youth theatre companies in 2013."[Tackles] strong, relevant issues... a well-written, immaculately crafted and brave piece of energetic theatre." - A Younger Theatre"An urgent, powerful and haunting examination... I can see this play becoming a very popular resource for 16+ groups and that will be no bad thing." National Drama MagazineEvan Placey is a Canadian-British playwright. His other work includes Mother of Him, Holloway Jones, which won the Brian Way Award for Best Play for Young People, and Pronoun, commissioned as part of the 2014 National Theatre Connections Festival.

    David Charles and Alex Kupinsky are worried because, as the admirals of these fleets, they may be responsible for all-out nuclear war. They are also concerned because once, a long time ago, they were the best of friends…As Admirals Charles and Kupinsky face imminent disaster, forced to make their moves on the chessboard of modern warfare, we look back over their pasts as men of peace and men of war. David Charles learned the hard way in the tragic Bay of Pigs, on the treacherous rivers of Vietnam, and in the backrooms of embassies around the world. Alex Kupinsky was raised by the man who watched his father die in World War II–the same man who has since become Admiral of the Fleet of the Soviet Union.Moving from the real past to the possible future, from romantic memories of the women left behind to hard action on the high seas, SHOW OF FORCE is the story of men turned warriors, of a world turned battlefield. And as communications break down between Washington, Moscow, and the fleets themselves, it becomes the story of two men with the power to stop that ultimate folly of the mighty, World War III.

    

    Jody is in his forties and runs a map store. Not one for the outside world, he stays in his store all the time. His friend, Carl is in his late thirties and has been bringing chairs of dead friends into Jody's store and leaving them there. When Jody needs to take an AIDS test, Carl tries to convince him it is not only okay to leave the store, but also that he must take responsibility for his life. If he doesn't, he will join the set of chairs that Carl has taken great pains to place in the right spots around the store. Jody finally leaves the map store to take his HIV test and return to find Carl sitting in a chair of his own. With this gesture, we know that Carl has joined the many of their friends who have died, but now Jody must take Carl's place as the caretaker.

    This sidesplitting play, a testimony to David’s great writing talent, is also his first time on Broadway—in fact, his first time acting on stage since eighth grade. In Fish in the Dark Larry David stars as Norman Drexel, a man in his fifties who is average in most respects except for his hyperactive libido. As Norman and his family try to navigate the death of a loved one, old acquaintances and unsettled arguments resurface with hilarious consequences.Fish in the Dark has its world premiere at the Cort Theatre on Broadway on March 5, 2015, starring Larry David.

    Moliere proves he is more than just the "master of the laugh," for behind the comic gestures of these matchless rogues, tight-fisted masters, possessive lovers and elegant ladies lurk fears, insecurities and their consequences.

    They live alone with their dog Taliban, playing Playstation, watching porn; surviving. Occasionally their chaotic mum Maggie visits, sometimes she passes out on the front lawn. But when Jenny knocks on the door, the boys discover a world far beyond what they know, a world full of love, possibility and danger.

    But Kevin learns that he has a flair for fashion—and he learns that he is a girl in heart, that he is transgender. With the support of his mother and friends, he starts a journey to a career in fashion—as Katie.

    

    He has a violent history that haunts him, and a father he wants answers from - if he ever finds him.When they set up in business together with the Orphic Guild, they’re expecting adventure, intrigue and money.But their first job is more complicated than they expected.When they break fey magic that seals an old tomb, they find it contains more than they bargained for. Now they’re hunting for a rogue spirit, but he always seems one step ahead.The fight leads them in a direction they never expected.Gabe could leave his past behind, or he could delve into the darkest secrets of mankind. Shadow has no intention of being left out.If you enjoy action, intrigue, humour, and dark secrets that won’t stay buried, you’ll love this first in series spin-off from the White Haven Witches.

    Startling discontinuities and surprises erupt throughout these avant-garde landscapes by Poland's outstanding modern dramatist where duchesses and policemen, gangsters and surrealist painters, psychiatrists and locomotive engineers wander in and out, kill one another, and carry on philosophical conversations at the same time.