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    But Betty's luck turns to delicious lunacy when this sensible Everywoman gets drawn into the chaotic world of some very unsavory housemates - her friend Trudy, who talks too much; the lewd, seminaked Buck, who tries to have sex with everyone; and Keith, a serial killer who hides in his room with a mysterious hatbox. With sand between her toes, walking a thin line between sanity and survival, poor Betty will leave her summer vacation more terrorized than tan.

    Padma Nadir Majhi ( Bengali:,English title: Boatman of the River Padma or The Padma Boatman ) (1993) is an award-winning Indian Bengali feature film directed by Goutom Ghosh from novel,the same name Manik Banerjees Padma Nadir Majhi.Hossian Miya (Utpal Dutta),Bengali Muslim, a trader who offers to take this community to with an idealistic vision: he wants to establish a little utopia on an island (Moynadeep) in the Padma delta . and offer them a better life there. It is apparent that Hossian Miya has a flourishing business there, because he has recently purchased a huge boat because of expanding business.

    But he doesn’t see much to look forward to. Leo doesn’t fit in. But nothing ever happens to Leo; he never has a story. Then he meets David. Moody, resentful and tough, David is everything Leo is not and an unlikely friendship soon grows between them.Events that summer take a dangerous and disturbing turn, and the results are devastating for both boys and their friendship. In the aftermath, traumatized, they pledge to keep their shared secret, never to meet again, and above all — to forget. But when the terrible truth re-emerges ten years later and forces David and Leo back together, everything and nothing has changed.

    Enjoying her life as a stay at home wifey, the couple is expecting a set of twins. Their life could not have been any more picture perfect, until the day that Yazmin was involved in a hit and run accident. Scared for the life of her babies, Yazmin damn near goes into shock after she attempts to call Trey only to be greeted by his wife of the past ten years……Monae and Malik have had a drama free long distance relationship for the last two years. Malik is a Marine, and is stationed in San Diego. They both have an understanding that once Monae graduates from UCLA, they will have their dream wedding. Planning an intimate surprise party just for two in his apartment, Monae discovers that she is not the only woman waiting for “her” man to come home……Knowing that Devaugn is in a relationship, Nia simply don’t care. He is the ideal man, and Nia is convinced that if she works hard enough, she can show him that she is all the woman that he needs. Stephanie will be a thing of the past and Devaugn can start taking care of Nia and her three children full time. Or will he…….These three friends all have one thing in common; they are really their man’s chick on the side. What happens when a woman find’s out that she is not her man’s main course, she is only the appetizer…..

    But they lost touch after Hattie's family suddenly moved away in mysterious circumstances.Janey's instincts tell her that she must finally find out what happened to Hattie, but life is already complicated enough: she’s struggling with motherhood, a custody battle over her toddler son Pip is looming, and she finds herself falling for intense art tutor Steve. And when writing appears on the walls of her flat and Pip starts playing with an invisible friend, Janey fears she's losing her mind. Is it really a good idea to go digging up the past? As dark secrets come to light, she can't be sure what's real any more - or who to trust…Moving and suspenseful, The Last Day I Saw Her is a richly emotive story of friendship lost and found, and how facing up to the past can help you find a better future.

    With the notes in his soul, he feels the rhythm in his rhymes and the beat of the instruments even when he closes his eyes. When he meets Saatvika Lakhiani, her voice and her form inspire that music and shine through every interaction they have. There is something about her that pulls him and calls to him… an underlying feeling that maybe she is the one who will complete him and be the partner he need. However, sorority princess Abhilasha walks and talks as if Arjun is already hers, a fact that seems surer by the day. While Saatvika is not exactly looking for a relationship, there is something about Arjun that makes her catch her breath – and ensures that a confrontation with Abhilasha is inevitable.

    Severely injured, he does not know if he will survive the night. Reflecting on the evening's dreadful events, wondering if he could have done anything to alter them, his thoughts begin to drift. He begins to contemplate his remarkable life, his dysfunctional family, and the unfortunate prospect that he may have to soon answer for his life to God. While vividly recalling the most amusing, distressing, bizarre, and disturbing events of his life, he soon comes to realize "the monster you know is far easier to deal with than the monster you don't!" Will he get the miracle he needs to make it through the night? If so, will he finally find peace? Author's Note: This book deals with sensitive topics, and is intended for mature audiences only.

    Baker practices astonishing verbal magic over and over again." - Clancy Martin, Paris Review"Strikingly intimate... Free of the stilted or formal locutions that clutter up some of the more antique-sounding translations... Ms. Baker has given the play a natural but distinctly contemporary American sound." - Charles Isherwood, New York Times"Devastatingly beautiful... People are going to be talking about this one for years." - Jacob Gallagher-Ross, Village Voice"More than a modern-dress treatment of a classic work, it's a fresh rethinking of the material from the perspective of a modern mind." - Marilyn Stasio, VarietyAnnie Baker, one of the most celebrated playwrights in the United States, lends her truthful observation and elegant command of the colloquial to Anton Chekhov's despairing masterpiece Uncle Vanya. A critical hit in its sold-out Off-Broadway premiere, Baker's telling is a refreshingly intimate and modern treatment of a Chekhovian classic.Annie Baker's plays include The Flick (The Susan Smith Blackburn Prize, Obie Award), The Aliens (Obie Award), Circle Mirror Transformation (Obie Award) and Body Awareness. Her work has been produced at more than a hundred theaters in the U.S. and in more than a dozen countries internationally. Recent honors include a Guggenheim Fellowship, Steinberg Playwright Award and New York Drama Critics Circle Award. She is a resident playwright at the Signature Theatre.

    It premiered in April 2000 at the Gielgud Theatre, Shaftesbury Avenue, London, starring Kathleen Turner as Mrs RobinsonCalifornia in the 60s. Benjamin's got excellent grades, very proud parents and, since he helped Mrs Robinson with her zipper, a fine future behind him… A cult novel, a classic film, a quintessential hit of the 60s, now Benjamin's disastrous sexual odyssey is brought vividly to life in this world stage premiere production."Terry Johnson is that rare creature: a moralist with wit. He writes with responsible gaiety" (Guardian)

    Fueled by jealousy and resentment, the girls embark on a night of debauchery that goes from playfully wasted to devastatingly destructive. Their old fears, unfulfilled desires and deep bonds with each other transform a prenuptial bender into a night they'll never forget. A wicked black comedy about female friendship and growing up in an age of excess.

    Set in September of 1916, the play combines historical fact and legend, exploring the deep-seated Ameri

    Zarina has a bone to pick with the place of women in her Muslim faith, and she's been writing a book about the Prophet Muhammad that aims to set the record straight. When her traditional father and sister discover the manuscript, it threatens to tear her family apart. With humor and ferocity, Akhtar's incisive new drama about love, art, and religion examines the chasm between our traditions and our contemporary lives.

    Blood Wedding tells the story of a couple drawn irresistibly together in the face of an arranged marriage; Doña Rosita the Spinster follows the appalling fate of a young woman beguiled into the expectation of marriage and left stranded for a lifetime whilst Yerma is possibly Lorca's harshest play following a woman's Herculean struggle against the curse of infertility. Set in and around his home territory, Granada, the plays return again and again to the lives of passionate individuals, particularly women, trapped by the social conventions of narrow peasant communities. The plays appear here in new playable translations.

    The family in focus is that of two brothers, Jiten and Nitin, who run an advertising agency and are married to sisters: Dolly and Alka. Their mother, Baa, moves between the two households, attached more to her memories of the past than to any present reality. Marital friction, sibling rivalry, the traditional tension between mother-in-law and daughters-in-law, the darker moments of business and personal dealings, the play takes us through the entire gamut of emotional experience as it winds to a climactic finish. With its relentless pace, crisp idiom and unflinching insight into the urban milieu, this is a play that confirms Mahesh Dattani's reputation as India's most influential playwright.