Will Talullah’s controlling streak or Nkosazana’s unfettered material aspirations jeopardise the future of the Black Widow Society? Or perhaps one of the new recruits, unsettled by the reality of the elimination of her former husband, will lose her nerve and expose the workings of the group after all this time?As the tension mounts, Black Widow Society builds to a chilling and bloody climax that will keep you guessing and riveted until the very last page.

    I am a volunteer fighter, committed to the struggle for justice. I place myself in the service of the people, The Movement and its allies. 13 August 1986, Angola Kimathi Tito has it all. As a child of the revolution, born in exile in Tanzania, he has steadily accumulated wealth and influence since arriving in South Africa in 1991. But even though everything appears just peachy from outside the walls of his mansion in Bassonia, things are far from perfect for Comrade Kimathi. After a messy divorce, accelerated by his gambling habit and infidelities, he is in danger of losing everything. And now, to top it all, he’s seeing ghosts. Sometimes what happens in exile doesn’t stay in exile. A caustic critique of South Africa’s political elite from the author of Dog Eat Dog and After Tears (both recently reissued).

    Ape. Living dead. Young and albino, Chipo has been called many things, but to her mother – Zimbabwe’s most loyal Manchester United supporter – she had always been a gift. On the eve of the World Cup, Chipo and her brother flee to Cape Town, hoping for a better life and to share in the excitement of the greatest sporting event ever to take place in Africa. But the Mother City’s infamous Long Street is a dangerous place for an illegal immigrant and an albino. Soon Chipo is caught up in a get-rich-quick scheme organised by her brother and the terrifying Dr Ongani. Exploiting gamblers’ superstitions about albinism, they plan to make money and get out of the city before rumours of looming xenophobic attacks become a reality. But their scheming has devastating consequences. Set in the underbelly of a pulsating Cape Town, Meg Vandermerwe’s Zebra Crossing is an arresting debut and a bold, lyrical imagining of what it’s like to live in another person’s skin.

    Johannesburg.Gin has returned home from New York to throw a party for her mother's eightieth birthday; a few blocks away, at the Residence, Nelson Mandela's family prepares to announce Tata Mandela's death...So begins Johannesburg, Fiona Melrose's searing second novel. Responsive to Virginia Woolf's Mrs Dalloway, the story follows a polyphonic course across a single day, culminating in a party and traces the fractures and connections of the city.An irascible mother, a daughter trying to negotiate her birthplace and the people from her past, a homeless hunchback who takes his fight for justice to the doors of a mining company, a mining magnate, a man still haunted by his first love, the domestic workers who serve this cast and populate the neighbourhood, a troubled novelist called Virginia - these are the characters who give voice to the city on a day hot with nerves and tension and history.Johannesburg is a profound hymn to an extraordinary city, and a devastating personal and political manifesto on love.

    He's putting aside childish things, starting his first business serving food to the workers in Cape Town. His Pa is proud.At the same time, Mattie is pulled toward an altogether different version of masculinity, in which oiled and toned bodies cavort for him at the click of a mouse. His porn addiction threatens his relationship with his boyfriend, Jack, and imperils his inheritance.Pa’s days as a swaggering businessman are done, but even as cancer shrivels him, his ancient authority intensifies. While the family wrestles with his patrimony, around them a new South Africa moves forward, demanding they confront the challenges of the future as well as the past.

    She intends to renovate the ruinous house into a hotel, but the shocking discovery of human remains brings her ambitious restoration plans to an abrupt halt before they even begin. Few physical clues are left to identify the body, but one thing is certain: this person did not die a natural death.Hungry for answers, Hetty discovers that Muirlan was once the refuge of her distant relative Theo Blake, the acclaimed painter and naturalist who brought his new bride, Beatrice, there in 1910. Yet ancient gossip and a handful of leads reveal that their marriage was far from perfect; Beatrice eventually vanished from the island, never to return, and Theo withdrew from society, his paintings becoming increasingly dark and disturbing.What happened between them has remained a mystery, but as Hetty listens to the locals and studies the masterful paintings produced by Theo during his short-lived marriage, she uncovers secrets that still reverberate through the small island community—and will lead her to the identity of the long-hidden body.

    Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution. Horrified at the prospect of housing a convicted murderer, the family at first avoids Agnes. Only Tóti, a priest Agnes has mysteriously chosen to be her spiritual guardian, seeks to understand her. But as Agnes's death looms, the farmer's wife and their daughters learn there is another side to the sensational story they've heard. Riveting and rich with lyricism, Burial Rites evokes a dramatic existence in a distant time and place, and asks the question, how can one woman hope to endure when her life depends upon the stories told by others?

    Moments that make us who we are. But what if they don't unfold the way they're supposed to...?What if you get on the wrong bus, or don't speak to the right person at a party, or stay in a job that isn't for you? Will you miss your one chance at happiness? Or will happiness find you eventually, when the moment is right?Meet Matthew and Myrtle. They have never really felt like they fitted - in life or with anyone else. But they are meant to be together - if only they can find each other.A powerful and emotional story about missed chances, interwoven lives and the moments that define us.

    Lemmer is a freelance Invisible. The tiny and beautiful Emma le Roux, a brand consultant from Cape Town, wants to hire him. He needs the money, so he listens to her story. Lemmer’s First General Law is: Don’t get involved. But he has never failed as a body guard and he’s also grown a little too fond of Emma. He uncovers simmering racial and political tensions, greed, corruption, and a network of eco-terrorists. He follows the leads until he finds what he’s after: The people who attacked Emma. Getting to them will be extremely dangerous, and exposing them could have international political implications. If he fails, both he and Emma will end up dead. But Lemmer is sick and tired of being invisible. He goes after them, against all odds.

    The year is 1794, it is the age of enlightenment, and on Vogelzang the master is conducting strange experiments in human breeding and classification. It is also here that Trijn falls in love.Two hundred years later and a thousand miles away, Sister Vergilius, a nun at a mission hospital, wants to free herself from an austere order. It is 1961 and her life intertwines with that of a gentleman farmer – an Englishman and suspected Communist – who collects and studies insects and lives a solitary life. While a group of Americans arrive in a cavalcade of caravans and a new republic is about to be born, desire is unfurling slowly.In Claire Robertson’s majestic debut novel, two stories echo across centuries to expose that which binds us and sets us free.About the author:Claire Robertson lives in Simon’s Town. She has spent the past 30 years as a journalist, reporting from South Africa, the US and USSR. She has worked in newspapers, magazines, radio and television, and now works as a senior copy editor on the Sunday Times. She has won awards for her reporting and her work is carried in several anthologies.

    The first of the great South African novels chronicles the adventures of three childhood friends who defy societal repression. The novel's unorthodox views on religion and marriage aroused widespread controversy upon its 1883 publication, and the work retains in power more than a century later. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

    As she struggles to communicate with her maidservant turned caretaker, Agaat, the complicated history of their relationship is revealed.Life for white farmers in 1950s South Africa was full of promise. Young and newly married, Milla carved her own farm out of a swathe of Cape mountainside. She earned the respect of the male farmers in her community and raised a son. But forty years later all she has left are memories and the proud, contrary Agaat. With punishing precision, yet infinite tenderness, Agaat performs her duties, balancing anger with loyalty. As Milla’s white world and its certainties recede and Agaat faces the prospect of freedom, the shift of power between them mirrors the historic changes happening around them. Marlene van Niekerk’s epic masterpiece portrays how two women—and, perhaps, a nation—can forge a path toward understanding and reconciliation.

    It is in the heart of the southern midlands of KwaZulu-Natal, Alan Paton country, and it is true that “… from there, if there is no mist, you look down on one of the fairest scenes of Africa.” Later I will tell you more about that landscape, and of how it changed during the course of my investigations; a spectacular backdrop of giant shapes and colours when I first saw it, a myriad dramas of human anger and violence when I left …’In the spring of 1999, in the beautiful hills of the Kwa-Zulu-Natal midlands, a young white farmer is shot dead on the dirt road running from his father’s farmhouse to his irrigation fields. The murder is the work of assassins rather than robbers; a single shot behind the ear, nothing but his gun stolen, no forensic evidence like spent cartridges or fingerprints left at the scene.Journalist Jonny Steinberg travels to the midlands to investigate. Local black workers say the young white man had it coming. The dead man’s father says that the machinery of a political conspiracy has been set into motion, that he and his neighbours are being pushed off their land.Initially thinking that he is to write about an event in the recent past, Steinberg finds that much of the story lies in the immediate future. He has stumbled upon a festering frontier battle, the combatants groping hungrily for the whispers and lies that drift in from the other side. Right from the beginning, it is clear that the young white man is not the only one who will die on that frontier, and that the story of his and other deaths will illuminate a great deal about the early days of post-apartheid South Africa.Sifting through the betrayals and the poisoned memories of a century-long relationship between black and white, Steinberg takes us to a part of post-apartheid South Africa we fear to contemplate.Midlands is about the midlands of the heart and mind, the midlands between possession and dispossession, the midlands between the past and present, myth and reality. Midlands is a tour de force of investigative journalism.

    Because of the way Lottie’s mother handles the consequent fall-out, the two become distant. Lottie’s rejected by her mother and deemed troublesome, rude and wilful. Ever since then, Lottie has struggled with fitting in and actively tries to be different from others. As an adult Lottie decides to quit her teaching job and follow her dreams to become an artist. But will she succeed and can she put her troubled past behind her? As Lottie embarks on a journey of self-discovery she will come to examine the importance of life, love and friendship.

    Adam Banting, a somewhat aimless young scholar at Cambridge University, is called to his professor's office one afternoon and assigned a special summer project: to write a scholarly monograph about a famous garden built in the 1500s. Dedicated to the memory of Signor Docci's dead wife, the garden is a mysterious world of statues, grottoes, meandering rills, and classical inscriptions. But during his three-week sojourn at the villa, Adam comes to suspect that clues to a murder are buried in the strange iconography of the garden: the long-dead Signor Docci most likely killed his wife and filled her memorial garden with pointers as to both the method and the motive of his crime. As the mystery of the garden unfolds, Adam finds himself drawn into a parallel intrigue. Through his evolving relationship with the lady of the house - the ailing, seventy-something Signora Docci - he finds clues to yet another possible murder, this one much more recent. The signora's eldest son was shot by Nazi officers on the third floor of the villa, and her husband, now dead, insisted that the area be sealed and preserved forever. Like the garden, the third-floor rooms are frozen in time. Delving into his subject, Adam begins to suspect that his summer project might be a setup. Is he really just the naive student, stumbling upon clues, or is Signora Docci using him to discover for herself the true meaning of the villa's murderous past?