Two years later, Rosie returns to the house and living there is Martha, whom Seb Gennaro married less than a year after the death of Rosie’s mother. Martha is struggling to fulfil Seb’s dream, while Rosie is coming to terms with new responsibilities. And so begins a stand-off between two women who refuse to move out of the home they both lay claim to.As the battle lines are drawn, Jimmy Hailler re-enters Rosie’s life. Having always watched other families from the perimeters, he’s now grappling, heartbreakingly, with forming one of his own . . .An unforgettable story about losing love and finding love; about the interconnectedness of lives and the true nature of belonging, from one of our most acclaimed writers.

    Sarah, Hannah’s grandmother, is returning to the country of her birth, a place she hasn’t seen since boarding the USS Mariposa in 1945. She, along with countless other war brides, sailed across the Pacific to join the American Servicemen they’d married during World War II.Hannah is the age Sarah was when she made her first journey, and in hearing Sarah tell the story of her life, realises the immensity of what her grandmother gave up.The Passengers is a luminous novel about the journeys we undertake, the sacrifices we make and the heartache we suffer for love. It is about how we most long for what we have left behind. And it is about the past - how close it can feel - even after long passages of time.Praise for The Passengers: ‘A compelling novel about the bruises inflicted by fate and by ourselves, and the blessings to be found in resilience, determination, and love.’ - Debra Adelaide, author of The Household Guide to Dying‘Two women, two generations, two countries, two journeys. Eleanor Limprecht gracefully navigates the crosscurrents of history and creates vibrant characters from the extraordinary true experiences of Australian war brides. Sarah and Hannah’s urgent search for love and wholeness moved me in both senses: they touched my hearts and I still feel I am churning across the Pacific with them. A deeply satisfying novel.’ - Susan Wyndham, former literary editor, The Sydney Morning Herald'I loved this book and I loved its characters, beautifully observed and movingly examined by Limprecht’s exquisite prose. A stunning exploration of hope and desire, fear and control, this story is full of heart and heartbreak.’ - Ashley Hay, author of The Railwayman’s Wife

    In the Valley, where the rates of crime were the highest in the state, more than thirty people were known to police as firebugs. But the detectives soon found themselves on the trail of a man they didn’t know.The Arsonist takes readers on the hunt for this man, and inside the strange puzzle of his mind. It is also the story of fire in this country, and of a community that owed its existence to that very element. The command of fire has defined and sustained us as a species – understanding its abuse will define our future. A powerful real-life thriller written with Hooper’s trademark lyric detail and nuance, The Arsonist is a reminder that in an age of fire, all of us are gatekeepers.

    The four Latimer sisters, famous throughout New South Wales for their beauty, wit and ambition, have always been close; always happy. But then they left home to train as nurses, swapping the feather beds of their father's townhouse for the spartan bunks of hospital accommodation. And now, as the Depression casts its shadow across Australia, they are bound by their own secret desires as the world changes around them. Will they find the independence they crave? Or is life - like love - always bittersweet? 'As clever, compelling and as down-to-earth as its four heroines' Australian Women's Weekly

    And telling the truth won't bring him back...When a baby goes missing on a lonely roadside in Australia, it sets off a police investigation that will become a media sensation and dinner-table talk across the world.Lies, rumours and guilt snowball, causing the parents, Joanna and Alistair, to slowly turn against each other.Finally Joanna starts thinking the unthinkable: could the truth be even more terrible than she suspected? And what will it take to make things right?The Cry is a dark psychological thriller with a gripping moral dilemma at its heart and characters who will keep you guessing on every page.

    In ‘Water’, a futuristic world is imagined and the fate of a people threatened. In ‘Light’, familial ties are challenged and characters are caught between a desire for freedom and a sense of belonging.Heat and Light presents an intriguing collection while heralding the arrival of an exciting new talent in Australian writing.

    In a dusty back room of the old house, she discovers the crumbling photo of a handsome World War II medic - Samuel Riordan, the homestead's former occupant - and soon finds herself becoming obsessed with him. But as Audrey digs deeper into Samuel's story, she discovers he was accused of bashing to death a young woman on his return from the war in 1946. When she learns about other unexplained deaths in recent years - one of them a young woman with injuries echoing those of the first victim - she begins to suspect that the killer is still very much alive. And now Audrey, thanks to her need to uncover the past, has provided him with good reason to want to kill again.

    A year later, troubled journalist Martin Scarsden arrives in Riversend to write a feature on the anniversary of the tragedy. But the stories he hears from the locals about the priest and incidents leading up to the shooting don't fit with the accepted version of events his own newspaper reported in an award-winning investigation. Martin can't ignore his doubts, nor the urgings of some locals to unearth the real reason behind the priest's deadly rampage.Just as Martin believes he is making headway, a shocking new development rocks the town, which becomes the biggest story in Australia. The media descends on Riversend and Martin is now the one in the spotlight. His reasons for investigating the shooting have suddenly become very personal. Wrestling with his own demons, Martin finds himself risking everything to discover a truth that becomes darker and more complex with every twist. But there are powerful forces determined to stop him, and he has no idea how far they will go to make sure the town's secrets stay buried.A compulsive thriller that will haunt you long after you have turned the final page.

    Almost teenagers, they already know some things are better left unsaid.Then a newcomer arrived in the Wimmera. Fab reckoned he was a secret agent and he and Ben staked him out. Up close, the man's shoulders were wide and the veins in his arms stuck out, blue and green. His hands were enormous, red and knotty. He looked strong. Maybe even stronger than Fab's dad. Neither realised the shadow this man would cast over both their lives.Twenty years later, Fab is still stuck in town, going nowhere but hoping for somewhere better. Then a body is found in the river, and Fab can't ignore the past any more.

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    As the book opens, she is barely 40 but has only a short time to live. The novel charts her preoccupation with two things: how to make provision for her husband and daughters - and how to make her peace with her past.

    How do you move on when the world won’t let you?12:46: Claire Bingley stands alone at a bus stop12:47: Ted Conkaffey parks his car beside her12:52: The girl is missing . . .Six minutes in the wrong place at the wrong time—that’s all it took to ruin Sydney detective Ted Conkaffey’s life. Accused but not convicted of a brutal abduction,Ted is now a free man—and public enemy number one. Maintaining his innocence, he flees north to keep a low profile amidst the steamy, croc-infested wetlands of Crimson Lake.There, Ted’s lawyer introduces him to eccentric private investigator Amanda Pharrell, herself a convicted murderer. Not entirely convinced Amanda is a cold-blooded killer, Ted agrees to help with her investigation, a case full of deception and obsession, while secretly digging into her troubled past. The residents of Crimson Lake are watching the pair's every move... and the town offers no place to hide.

    Their lives are shadowed by the infamous actions of her Granddad Les in his yellow weatherboard house, just over the fence.Although Les died twelve years ago, his notoriety has grown in Cub’s lifetime and the local community have ostracised the whole family. When Cub’s estranged aunt Helena and cousin Tilly move next door into the yellow house, the secrets the family want to keep buried begin to bubble to the surface. And having been kept in the dark about her grandfather’s crimes, Cub is now forced to come to terms with her family’s murky history.The Yellow House is a powerful novel about loyalty and betrayal; about the legacies of violence and the possibilities of redemption."Such energy and precision in the writing, not to mention originality." - Tegan Bennett Daylight

    That voyage also brought me friendship with another intrepid Jane: Lady Franklin. Her husband, Sir John, the Arctic Lion, was Lieutenant Governor of Van Diemen's Land during the six turbulent years when Jane Eyre and Edward Rochester had good reason to be closely interested in the island.'Harriet Adair has come to Van Diemen's Land with Mrs Anna Rochester, who is recovering from years of imprisonment in the attic of 'Thornfield Hall'. Sent to the colony by Jane and Rochester, they are searching for the truth about Anna's past, trying to unearth long-buried secrets.Captain Charles O'Hara Booth, Commandant of Port Arthur Penal Settlement, fears some secrets of his own will be discovered when Sir John Franklin replaces Colonel Arthur as Governor. Franklin and his wife Jane arrive in Hobart Town to find the colony is run by a clique of Arthur's former army officers who have no intention of relinquishing their power.This dazzling modern recreation of a nineteenth century novel ingeniously entwines Jane Eyre's iconic love story with Sir John Franklin's great tale of exploration and empire. A brilliant and historically accurate depiction of Van Demonian society in the 1800s, as well as a vivid portrayal of the human cost of colonisation, Wild Island shows us that fiction and history are not so different after all. Each story, whether it be truth or fiction, is shaped by its teller.

    After her daughter disappeared and left her with her granddaughter Sissy to raise on her own, Odette has managed to stay under the radar of the welfare authorities who are removing fair-skinned Aboriginal children from their families. When a new policeman arrives in town, determined to enforce the law, Odette must risk everything to save Sissy and protect everything she loves.In The White Girl, Miles-Franklin-shortlisted author Tony Birch shines a spotlight on the 1960s and the devastating government policy of taking Indigenous children from their families.