Who do you kill? Set in a near-future America, an America that has borne two terms of a Trump Presidency and is now in the first term of Donald’s daughter as president, Frank Brill, a retired small-town newspaper editor, lives in a world where the populist policies Trump is currently so keen to pursue have been a reality for some years and are getting even more extreme – an erosion of abortion rights, less and less gun control, xenophobic immigration policies. Frank, a good man, has just been given a terminal diagnosis. Rather than compile a bucket list of all the things he’s ever wanted to do in his life, he instead has at the ready his ‘fuck-it list’. Because Frank has had to endure more than his fair share of personal misfortune. And he has the names of those who are to blame for all of the tragedies that have befallen him. But eventually, as he becomes more accustomed to dishing out cold revenge and the stakes get higher and higher, and with a rogue county sheriff on his tail, there only remains one name left at the bottom of his fuck-it list. Part political satire, part compulsive thriller, The F*ck-it List is John Niven at his coruscating best.

    (Think: Barton Fink crossed with Patricia Highsmith)In this atmospheric, suspenseful novel, an American couple travels to a strange, snowy European city to adopt a baby, who they hope will resurrect their failing marriage. Their difficult journey leaves the wife, who is struggling with cancer, desperately weak, and her husband worries that her apparent illness will prevent the orphanage from releasing their child.The couple check into the cavernous and eerily deserted Borgarfjaroasysla Grand Imperial Hotel where the bar is always open, the restaurant serves thirteen-course dinners from centuries past, and the doors of the guest rooms have been salvaged from demolished opera houses. Their attempt to claim their baby is both helped and hampered by the people they encounter: an ancient, flamboyant chanteuse, a debauched businessman, an enigmatic faith healer, and a stoic bartender who dispenses an addictive, lichen-flavored schnapps. Nothing is as it seems in this mysterious, frozen world, and the longer the couple endure the punishing cold the less they seem to know about their marriage, themselves, and life itself. What Happens at Night is a "masterpiece" (Edmund White) poised on the cusp of reality, told by "an elegantly acute and mysteriously beguiling writer" (Richard Eder, The Boston Globe).

    Now he offers us the story of their creation. A stunning, intensely private portrait of one man's life and his city, The King of Kings County presents a dazzling fifty-year arc through the heart of the American dream.

    Stopped by the police for a minor traffic violation, the situation escalates and he is pulled from his vehicle, handcuffed, and told he is under arrest. Several other police cars arrive and the questioning turns scary, but after it subsides, and Henry is about to move on, the officer is suddenly killed in his car and there is only one suspect: the very person he was about to arrest not ten minutes before. Henry! When a second friend turns up dead, Henry realizes he's being elaborately framed. But in a chilling twist, the stakes grow even darker, and he is unable to go to the police to clear his name.15 Seconds is a story of how even the best of lives can be destroyed in just an instant—and of an innocent man, framed for murder, who has to save the person he loves the most, and who cannot go the police to clear his name.

    Their lives are shaped by hunger, theft, betrayal, and prostitution, and they celebrate their triumphs with brutal abandon and die bleak deaths. This harsh world is portrayed with an understanding that humanity and even humor can exist amidst a hard and amoral society. A novel that caused a scandal upon its first publication more than 50 years ago, this new translation eloquently captures the gritty Roman slang of the Italian original and tells a story that still resonates powerfully to this day.

    “The quirkiness and grace of the writing, the originality of the imagination at work,...and a certain lovable nuttiness make this collection well worth reading” (Margaret Atwood). Translated by William Weaver, Peggy Wright, and Archibald Colquhoun. A Helen and Kurt Wolff Book

    In Ocean Sea, Alessandro Baricco presents a hypnotizing postmodern fable of human malady--psychological, existential, erotic--and the sea as a means of deliverance. At the Almayer Inn, a remote shoreline hotel, an artist dips his brush in a cup of ocean water to paint a portrait of the sea. A scientist pens love letters to a woman he has yet to meet. An adulteress searches for relief from her proclivity to fall in love. And a sixteen-year-old girl seeks a cure from a mysterious condition which science has failed to remedy. When these people meet, their fates begin to interact as if by design. Enter a mighty tempest and a ghostly mariner with a thirst for vengeance, and the Inn becomes a place where destiny and desire battle for the upper hand. Playful, provocative, and ultimately profound, Ocean Sea is a novel of striking originality and wisdom.

    Now he is an insurance agent on the fast track to forty. He gains a new lease on life, though, when he falls for the young and gorgeous Angiolina - except that his angel just happens to be an unapologetic cheat. But what begins as a comedy of infatuated misunderstanding turns darker, as Emilio's jealous persistence in his folly - against his friends' and devoted sister's advice, and even his own best knowledge - may lead to severe consequences in his other relationships. Marked by deep humanity and earthy humor, by psychological insight and an elegant simplicity of style, As a Man Grows Older (Senilità, in Italian; the English title was the suggestion of Svevo's great friend and admirer, James Joyce) is a brilliant study of hopeless love and hapless indecision. It is a masterwork of Italian literature, here beautifully rendered into English in Beryl de Zoete's classic translation.

    Nobody's friend. The kind of guy Eddie Bunker met in San Quentin. Stark thinks he can beat the suckers and outsmart the cops. When a big score comes his way, he's lucky to escape with his life. Four others are not so lucky.

    Jenny, the mother, is in charge of lopping any small limbs off the logs with a hatchet. Wade, the father, does the stacking. The two daughters, June and May, aged nine and six, drink lemonade, swat away horseflies, bicker, and sing snatches of songs as they while away the time.But then something unimaginably shocking happens, an act so extreme it will scatter the family in every different direction.In a story told from multiple perspectives and in razor-sharp prose, we gradually learn more about this act, and the way its violence, love and memory reverberate through the life of every character in Idaho.

    It is a deceptively simple story – five characters, the events of a few days, the intrigues of families and lovers.The place is Rome. The central figure is Michele, a young man in confused but furious rebellion against the emptiness of bourgeois life. His father is dead; his mother, Mariagrazia, desperately clings to her bored lover, Leo; his sister has no hope of marriage or career and bleakly prepares to give herself to Leo as well. A frequent visitor is Leo's former lover, Lisa, ostensibly Mariagrazia's friend, a woman who feels she is in the final late bloom before age destroys beauty. She longs to make Michele her lover, but he is bored and disgusted by her pretenses, her vanity, her desperation.All five are cast loose on the sea of modern life – obsessed with what they want, what they feel they are owed, the wrongs that have been done them, their loneliness. What Moravia destroys forever in this pitiless novel is the illusion that a world of ever-growing material comfort can ever feed the human soul.

    One seeking only peace. The other, violence." Tate Collier, once one of the country's finest trial lawyers, is trying to forget his past. Now a divorced gentleman farmer, land developer, and community advocate in rural Virginia, he's regrouping from some disastrous mistakes in the realms of love and the law. But controversy -- and danger -- seem to have an unerring hold on Tate. Even as he struggles to rebuild his life, his alter ego is plotting his demise.Aaron Matthews, a brilliant psychologist, has turned his talents away from curing patients to far deadlier goals. He's targeted Tate, Tate's ex-wife, Bett, and their estranged daughter, Megan, for unspeakable revenge. Matthews, ruthless and hell-bent, will destroy anything that inhibits his plans. When their daughter disappears, Tate and Bett reunite in a desperate, heart-pounding attempt to find her and to stop Matthews, a psychopath whose gift of a glib tongue and talent for coercion are as dangerous as knives and guns. Featuring an urgent race against the clock, gripping details of psychological manipulation, and the brilliant twists and turns that are trademark Deaver, "Speaking in Tongues" delivers the suspense punch that has made this author a bestseller. It will leave you speechless.

    She is distant and neurotic, and Walter finds himself harboring gruesome fantasies about her demise. When Clara's dead body turns up at the bottom of a cliff in a manner uncannily resembling the recent death of a woman named Helen Kimmel who was murdered by her husband, Walter finds himself under scrutiny. He commits several blunders that claim his career and his reputation, cost him his friends, and eventually threaten his life. The Blunderer examines the dark obsessions that lie beneath the surface of seemingly ordinary people. With unerring psychological insight, Patricia Highsmith portrays characters who cross the precarious line separating fantasy from reality.NB: The title in England was changed to Lament for a Lover.

    Our hero, When Thinfinger, is a ne’er-do-well with a slightly tarnished heart of gold, and relies on Post-it notes to help him make sense of the chaos and momentum of his life: a girlfriend who dreams he murders her, a long lost Biodad who writes letters filled with lies, a televised war that is over before it has even begun, and a robbery he can’t remember committing.

    A less-than-spotless former cop with a drinking problem--a private eye-cum-repo man with a taste for great music--he has been known to wallow in the grime beneath the Hollywood glitter. But Fritz Brown's life is about to change, thanks to the appearance of a racist psycho who flashes too much cash for a golf caddie and who walked away clean from a multiple murder rap. Reopening this cas could be Fritz's redemption; his welcome back to a moral world and his path to a pure and perfect love. But to get there, he must make it through a grim, lightless place where evil has no national borders; where lies beget lies and death begets death; where there's little tolerance for Bach or Beethoven and deadly arson is a lesser mortal sin; and where a p.i.'s unhealthy interest in the past can turn beautiful music into funeral dirge.