But the factions on the mother ship hovering above the planet may create an unintended chaos for both the life on the planet and the humans exploring it. As the anger increases on the ship, the ground crew becomes more and more affected by the conflict and begins to rely on their instincts to keep the project moving forward. Unexpected danger plagues the mission as Lixia is determined to expand her knowledge.

    The Atoners claim to have wronged humanity ten thousand years before, and request 21 volunteers to visit seven planets and Witness for us. At first, everyone thought it was a joke. Three of those volunteers tell what they found on Kular A and Kular B.

    "Confused today," read the notes clipped to the end of her bed. She forgets things she should know—what year it is, major events in the lives of her children. But she remembers things that don’t seem possible. She remembers marrying Mark and having four children. And she remembers not marrying Mark and raising three children with Bee instead. She remembers the bomb that killed President Kennedy in 1963, and she remembers Kennedy in 1964, declining to run again after the nuclear exchange that took out Miami and Kiev.Her childhood, her years at Oxford during the Second World War—those were solid things. But after that, did she marry Mark or not? Did her friends all call her Trish, or Pat? Had she been a housewife who escaped a terrible marriage after her children were grown, or a successful travel writer with homes in Britain and Italy? And the moon outside her window: does it host a benign research station, or a command post bristling with nuclear missiles?Two lives, two worlds, two versions of modern history. Each with their loves and losses, their sorrows and triumphs. My Real Children is the tale of both of Patricia Cowan's lives...and of how every life means the entire world.

    Dick creates a novel that manages to be simultaneously unpredictable and perversely logical. Poor Pete Garden has just lost Berkeley. He's also lost his wife, but he'll get a new one as soon as he rolls a three. It's all part of the rules of Bluff, the game that's become a blinding obsession for the last inhabitants of the planet Earth. But the rules are about to change--drastically and terminally--because Pete Garden will be playing his next game against an opponent who isn't even human, for stakes that are a lot higher than Berkeley.

    Intelligent beings are finally found from the Mote, an isolated star in a thick dust cloud. The bottled-up ancient civilization, at least one million years old, are welcoming, kind, yet evasive, with a dark problem they have not solved in over a million years.

    Bob Johansson has just sold his software company and is looking forward to a life of leisure. There are places to go, books to read, and movies to watch. So it's a little unfair when he gets himself killed crossing the street. Bob wakes up a century later to find that corpsicles have been declared to be without rights, and he is now the property of the state. He has been uploaded into computer hardware and is slated to be the controlling AI in an interstellar probe looking for habitable planets. The stakes are high: no less than the first claim to entire worlds. If he declines the honor, he'll be switched off, and they'll try again with someone else. If he accepts, he becomes a prime target. There are at least three other countries trying to get their own probes launched first, and they play dirty. The safest place for Bob is in space, heading away from Earth at top speed. Or so he thinks. Because the universe is full of nasties, and trespassers make them mad - very mad.

     Humanity is not alone in the cosmos. The aliens have given a precious relic to the people of Earth: star-stone. But the harmony of the galaxy is endangered when they discover that the star-stone has disappeared. Likeable Fred Cassidy is an eternal undergraduate. All he thinks he knows about the star-stone is that it came to Earth in an interplanetary trade for the Mona Lisa and the British Crown jewels. When Fred is accused of stealing the cosmic artefact, he is pursued from Australia to Greenwich Village and beyond, by telepathic psychologists, extra-terrestrial hoodlums and galactic police in disguise. Follow him on his adventures as he enters multiple realities, flipping in and out of alien perspectives, through doorways in the sand.

    The Last Days -- some say; the First, say others. The climate has altered irrevocably, the cities have imploded into vicious shards and the stars haven't been seen for months. The sky is a glimmering wash of reds and greens and golds, the result of global warming...it is thought. A breathtaking novel that weaves into one faultless tapestry the shimmering strands of science fiction and fantasy, Glimmering explores the violent margins and the soft decadent center of a world giving birth to a new millennium. Hand has captured in one powerful narrative both the unspoken dreams and the unspeakable nightmares of a generation. Glimmering will open more than eyes. It will open hearts to the wonder and terror of the world to come.Ms. Hand is a superior stylist. -- The New York Times Book Review If Stephen King set out to rewrite 'The Waste Land' as a novel, the result might resemble Glimmering.' The Washington Post Wild, psychedelic thoughtful thriller ... Another dynamite read!' Des Moines Register SUPERIOR.' The New York Times The tropic lushness of Hand's descriptions are only one reward awaiting her reader.'The Cleveland Plain DealerSuperior! An author worth watching, not to mention recommending.' Booklist Glimmering is her best work yet ... there is beauty in the writing and how, amidst all the madness of the possible end of mankind, individuals can still come to care for each other.' The Courier Gazette (Rockland, ME)Glimmering is a haunting, cross-genre meditation on loss, change, and transcendence'thanks tothe grace and vitality of Hand's writing.' San Francisco Chronicle

    Cities are forbidden by law, as is scientific research. Rumors abound of a secret place known as "Bartorstown", where science is untrammelled by interference or hatred. A youth named Len Colter, developing an unhealthy thirst for knowledge exacerbated by the discovery of a forbidden radio, sets out on a long road. During this journey, he will change his mind many times before determining the correct direction for himself, and the benighted America in which he lives.

    In search of affordable housing, young couple Anja and Louis move into a community on an artificial mountain, The Berg—yet another "eco-friendly" initiative run by a corporation called Finster. They're offered a home rent-free in exchange for keeping quiet about the seriously malfunctioning infrastructure of the experimental house. But when Louis returns home from his mother's funeral in America, Anja is convinced he has changed. He seems to be in denial of his grief and newly idealistic, consumed by a secret project at the NGO where he works as an artist-consultant. Anja is horrified when she discovers what Louis has invented: a pill called Oval that temporarily rewires the user's brain to be more generous. Louis is convinced that if he can introduce the drug into the Berlin club scene, he can finally remedy the income disparity that has made Berlin so unlivable. Oval is a fascinating portrait of the unbalanced relationships that shape our world, as well as a prescient warning of what the future may hold.

    One question. What is a woman for?In this ferociously imaginative novel, abortion is once again illegal in America, in-vitro fertilization is banned, and the Personhood Amendment grants rights of life, liberty, and property to every embryo. In a small Oregon fishing town, five very different women navigate these new barriers alongside age-old questions surrounding motherhood, identity, and freedom.Ro, a single high-school teacher, is trying to have a baby on her own, while also writing a biography of Eivør, a little-known 19th-century female polar explorer. Susan is a frustrated mother of two, trapped in a crumbling marriage. Mattie is the adopted daughter of doting parents and one of Ro's best students, who finds herself pregnant with nowhere to turn. And Gin is the gifted, forest-dwelling homeopath, or "mender," who brings all their fates together when she's arrested and put on trial in a frenzied modern-day witch hunt.

    Peter becomes immersed in the mysteries of an astonishing new environment, overseen by an enigmatic corporation known only as USIC. His work introduces him to a seemingly friendly native population struggling with a dangerous illness and hungry for Peter's teachings—his Bible is their "book of strange new things." But Peter is rattled when Bea's letters from home become increasingly desperate: typhoons and earthquakes are devastating whole countries, and governments are crumbling. Bea's faith, once the guiding light of their lives, begins to falter. Suddenly, a separation measured by an otherworldly distance, and defined both by one newly discovered world and another in a state of collapse, is threatened by an ever-widening gulf that is much less quantifiable. While Peter is reconciling the needs of his congregation with the desires of his strange employer, Bea is struggling for survival. Their trials lay bare a profound meditation on faith, love tested beyond endurance, and our responsibility to those closest to us. Marked by the same bravura storytelling and precise language that made The Crimson Petal and the White such an international success, The Book of Strange New Things is extraordinary, mesmerizing, and replete with emotional complexity and genuine pathos.

    Presented as a compilation of documents, reports, letters, speeches and journal entries, this purports to be a general study of the planet Shikasta, clearly the planet Earth, to be used by history students of the higher planet Canopus and to be stored in the Canopian archives. For eons, galactic empires have struggled against one another, and Shikasta is one of the main battlegrounds. Johar, an emissary from Canopus and the primary contributor to the archives, visits Shikasta over the millennia from the time of the giants and the biblical great flood up to the present. With every visit he tries to distract Shikastans from the evil influences of the planet Shammat but notes with dismay the ever-growing chaos and destruction of Shikasta as its people hurl themselves towards World War III and annihilation.

    Morgan arrived on the scene. He unleashed Takeshi Kovacs–private eye, soldier of fortune, and all-purpose antihero–into the body-swapping, hard-boiled, urban jungle of tomorrow in Altered Carbon, Broken Angels, and Woken Furies, winning the Philip K. Dick Award in the process. In Market Forces, he launched corporate gladiator Chris Faulkner into the brave new business of war-for-profit. Now, in Thirteen, Morgan radically reshapes and recharges science fiction yet again, with a new and unforgettable hero in Carl Marsalis: hybrid, hired gun, and a man without a country . . . or a planet.Marsalis is one of a new breed. Literally. Genetically engineered by the U.S. government to embody the naked aggression and primal survival skills that centuries of civilization have erased from humankind, Thirteens were intended to be the ultimate military fighting force. The project was scuttled, however, when a fearful public branded the supersoldiers dangerous mutants, dooming the Thirteens to forced exile on Earth’s distant, desolate Mars colony. But Marsalis found a way to slip back–and into a lucrative living as a bounty hunter and hit man before a police sting landed him in prison–a fate worse than Mars, and much more dangerous.Luckily, his “enhanced” life also seems to be a charmed one. A new chance at freedom beckons, courtesy of the government. All Marsalis has to do is use his superior skills to bring in another fugitive. But this one is no common criminal. He’s another Thirteen–one who’s already shanghaied a space shuttle, butchered its crew, and left a trail of bodies in his wake on a bloody cross-country spree. And like his pursuer, he was bred to fight to the death. Still, there’s no question Marsalis will take the job. Though it will draw him deep into violence, treachery, corruption, and painful confrontation with himself, anything is better than remaining a prisoner. The real question is: can he remain sane–and alive–long enough to succeed?2007 1st Ed Del Rey 9 8 7 6 5 4 3 2 1

    McHugh established herself as one of the decade's best science fiction writers. In its pages, we enter a post-revolution America, moving from the hyper-urbanized eastern seaboard to the Arctic bleakness of Baffin Island; from the new Imperial City to an agricultural commune on Mars. The overlapping lives of cyber-kite fliers, lonely colonists, illicit neural-pressball players, and organic engineers blend into a powerful, taut story of a young man's journey of discovery. This is a macroscopic world of microscopic intensity, one of the most brilliant visions of modern SF.