But no matter how spectacular it is, Sham can't shake the sense that there is more to life than traveling the endless rails of the railsea–even if his captain can think only of the hunt for the ivory-coloured mole she’s been chasing since it took her arm all those years ago. When they come across a wrecked train, at first it's a welcome distraction. But what Sham finds in the derelict—a series of pictures hinting at something, somewhere, that should be impossible—leads to considerably more than he'd bargained for. Soon he's hunted on all sides, by pirates, trainsfolk, monsters and salvage-scrabblers. And it might not be just Sham's life that's about to change. It could be the whole of the railsea. From China Miéville comes a novel for readers of all ages, a gripping and brilliantly imagined take on Herman Melville's Moby-Dick that confirms his status as "the most original and talented voice to appear in several years." (Science Fiction Chronicle)

    But that was a thousand years ago, and the world is now a very different place.Conflict between city states is constant, superstition is rife, and machine relics, mutant creatures and resurrected prehistoric beasts trouble the land. Watching over all are the silent Dreaming Cities. Homes of the angels, bastion outposts of heaven on Earth. Or so the church claims. Very few go in, and nobody ever comes out.Until now…

    Every week five friends get together to play a game-- a game they call the Apocalypse Game. It's a fun time with chips and beer and plotting the end of the world. Except this time, one of them is missing and the stakes are higher than ever before.Word count: ~3,900

    Then came a final blow no one could have expected: all the world’s corpses rising up to make more.Born into this bleak and bloody landscape, twelve-year-old Julie struggles to hold on to hope as she and her parents drive across the wastelands of America, a nightmarish road trip in search of a new home.Hungry, lost, and scared, sixteen-year-old Nora finds herself her brother’s sole guardian after her parents abandon them in the not-quite-empty ruins of Seattle.And in the darkness of a forest, a dead man opens his eyes. Who is he? What is he? With no clues beyond a red tie and the letter “R,” he must unravel the grim mystery of his existence—right after he learns how to think, how to walk, and how to satisfy the monster howling in his belly. The New Hunger is a glimpse of the past and a path to an astonishing future…

    His twenty-three international bestsellers have ranged from the beloved Shannara series to stories that tread a much darker path. Armageddon’s Children is a new creation–the perfect opportunity for readers unfamiliar with Brooks’s previous work to experience an author at the height of his considerable storytelling powers. It is a gripping chronicle of a once-familiar world now spun shockingly out of control, in which an extraordinary few struggle to salvage hope in the face of terrifying chaos. Logan Tom is doomed to remember the past and determined to rescue the future. Far behind him lies a boyhood cut violently short by his family’s slaughter, when the forces of madness and hate swept our world after decadent excesses led to civilization’s downfall. Somewhere ahead of him rests the only chance to beat back the minions of evil that are systematically killing and enslaving the last remnants of humanity. Navigating the scarred and poisoned landscape that once was America and guided by a powerful talisman, Logan has sworn an oath to seek out a remarkable being born of magic, possessed of untold abilities, and destined to lead the final fight against darkness.Across the country, Angel Perez, herself a survivor of the malevolent, death-dealing forces combing the land, has also been chosen for an uncanny mission in the name of her ruined world’s salvation. From the devastated streets of Los Angeles, she will journey to find a place–and a people–shrouded in mystery, celebrated in legend, and vital to the cause of humankind . . . even as a relentless foe follows close behind, bent on her extermination. While in the nearly forsaken city of Seattle, a makeshift family of refugees has carved out a tenuous existence among the street gangs, mutants, and marauders fighting to stay alive against mounting odds–and something unspeakable that has come from the shadows in search of prey. In time, all their paths will cross. Their common purpose will draw them together. Their courage and convictions will be tested and their fates will be decided, as their singular crusade begins: to take back, or lose forever, the only world they have.In Armageddon’s Children, Brooks brings his gifts as a mythmaker to the timeless theme of the unending, essential conflict between darkness and light–and carries his unique imaginative vision to a stunning new level. Prepare for a breathtaking tour de force. To those who are new to Terry Brooks, welcome. And to those who have read him for many years: prepare for a dramatic surprise.From the Hardcover edition.

    Welcome to Bridge City, in what was once Arkansas: part medieval fortress, part Western outpost, and the precarious last stand for civilization. A ten-year-old prodigy when the world ended, Gus is now a battle-hardened young man. He designed Bridge City to protect the living few from the shamblers eternally at the gates. Now he’s being groomed by his physician mother, Lucy, and the gentle giant Knock-Out to become the next leader of men. But an army of slavers is on its way, and the war they’ll wage for the city’s resources could mean the end of mankind as we know it. Can Gus become humanity’s savior? And if so, will it mean becoming a dictator, a martyr . . . or maybe something far worse than even the zombies that plague the land?

    Mord once prowled the corridors of the biotech organization known as the Company, which lies at the outskirts of the city, until he was experimented on, grew large, learned to fly and broke free. Driven insane by his torture at the Company, Mord terrorizes the city even as he provides sustenance for scavengers like Rachel.At first, Borne looks like nothing at all—just a green lump that might be a Company discard. The Company, although severely damaged, is rumoured to still make creatures and send them to distant places that have not yet suffered Collapse.Borne somehow reminds Rachel of the island nation of her birth, now long lost to rising seas. She feels an attachment she resents; attachments are traps, and in this world any weakness can kill you. Yet when she takes Borne to her subterranean sanctuary, the Balcony Cliffs, Rachel convinces her lover, Wick, not to render Borne down to raw genetic material for the drugs he sells—she cannot break that bond.Wick is a special kind of supplier, because the drug dealers in the city don’t sell the usual things. They sell tiny creatures that can be swallowed or stuck in the ear, and that release powerful memories of other people’s happier times or pull out forgotten memories from the user’s own mind—or just produce beautiful visions that provide escape from the barren, craterous landscapes of the city.Against his better judgment, out of affection for Rachel or perhaps some other impulse, Wick respects her decision. Rachel, meanwhile, despite her loyalty to Wick, knows he has kept secrets from her. Searching his apartment, she finds a burnt, unreadable journal titled “Mord,” a cryptic reference to the Magician (a rival drug dealer) and evidence that Wick has planned the layout of the Balcony Cliffs to match the blueprint of the Company building. What is he hiding? Why won’t he tell her about what happened when he worked for the Company?

    The Servants of Wrath have deified Carlton Lufteufel and re-christened him the Deus Irae. In the small community of Charlottesville, Utah, Tibor McMasters, born without arms or legs, has, through an array of prostheses, established a far-reaching reputation as an inspired painter. When the new church commissions a grand mural depicting the Deus Irae, it falls upon Tibor to make a treacherous journey to find the man, to find the god, and capture his terrible visage for posterity.

    ...Winterlong is a dense, graceful, bullying book of great length and much skill; it is a live tale, told in a live voice, by an author of muscle and drive and ambition; it shows the depth of talent available in science fiction. -- John Clute, "The Washington Post" Elizabeth Hand's darkly sensual debut novel took the science fiction and general reading public by storm and now, seven years later, it is available again in a handsome trade paperback edition. Heralded as a considerable stylistic and imaginative accomplishment, as noteworthy in its way as Margaret Atwood's The Handmaid's Tale, by "People" magazine, Winterlong explores the disturbing remains of humanity irrevocably altered by genetic engineering run amok.Amid the ruins of a once great city, a girl and her beautiful long-lost twin brother are drawn to the seductive voice of a green-eyed boy whose name is Death. Together they must journey through a poisoned garden filled with children who kill and beasts that speak--all the while resisting the evil that compels them to join in a nightmare ritual of blood that will unleash the power of the ancients and signal the end of humanity.

    A world where overgrown forests are filled with choker trees and deadly vines and seeds that will kill you where you stand. And if they don't get you, one of the dangerous shunned men will.Koli has lived in Mythen Rood his entire life. He knows the first rule of survival is that you don't venture beyond the walls.What he doesn't know is - what happens when you aren't given a choice?The first in a gripping new trilogy, The Book of Koli charts the journey of one unforgettable young boy struggling to find his place in a chilling post-apocalyptic world.

    These stories describe the fall of civilization, the destruction of the entire Earth, or the end of the Universe itself.Contents:When we went to see the end of the world - Robert SilverbergThe End of the World - Sushma JoshiThe Clockwork Atom Bomb - Dominic GreenBloodletting - Kate WilhelmWhen Sysadmins ruled the World - Cory DoctorowThe Rain at the End of the World - Dale BaileyThe Flood - Linda NagataThe End of the World Show - David BarnettFermi and Frost - Frederik PohlSleepover - Alastair ReynoldsThe Last Sunset - Geoffrey LandisMoments of Inertia - William BartonThe Books - Kage BakerPallbearer - Robert ReedAnd the Deep Blue Sea - Elizabeth BearThe Meek - Damien BroderickThe Man who Walked Home - James Tiptree JRA Pail of Air - Fritz LeiberGuardians of the Phoenix - Eric BrownLife in the Anthropocene - Paul di FilippoTerraforming Terra - Jack WilliamsonWorld Without End - F Gwynplaine MacIntyreThe Children of Time - Stephen BaxterThe Star called Wormwood - Elizabeth Counihan

    From The Wizard of Oz to The Dark Tower, from Philip Pullman's The Golden Compass to C. S. Lewis's The Chronicles of Narnia, there is a rich tradition of this kind of fiction, but never before have the best parallel world stories and portal fantasies been collected in a single volume—until now.

    It is coming.It is 1874 and Gideon Long is dying. Wandering the savage desert of the New Mexico Territory, he craves a last drink before he bleeds out. On the brink of madness, he discovers a place best left forgotten and makes an insidious bargain: escape his fate and incur a debt too great for one man. His country will pay the price over the twisting course of more than a century and Gideon will learn there are worse things to bargain with than the devil.(Source: back cover)Liminal States is the debut novel from SomethingAwful editor Zack Parsons, and it's extraordinary. It begins as a grim, relentless western novel that describes a doomed love triangle between a simple lawman, the twisted scion of an land-baron, and a woman who has married one but thinks she might belong with the other. After a botched train robbery and an epic battle, Gideon (the rich man's son) finds himself gutshot in the desert, led by a mysterious spirit animal to a mystical pool that dissolves him and then reincarnates him, young and whole and vital and immortal. Gideon goes back for the woman he loves, only to discover that she has died in childbirth, and, enraged, he kidnaps the lawman who was her husband and throws him into the pool, too. And now they are both immortal. Every time they die, they are reborn in the pool, over and over, locked in orbit around each other like twin suns being drawn into a destructive nova. This first third of the novel is dark and bloody and remorseless, a story of revenge and tragedy that doesn't let up, until...

    She is cleaning cages and floors at Pope Pharmaceuticals when the President of the United States announces that human beings are no longer a viable species. When Zoe realizes that everyone she loves is disappearing, she starts running. Scared and alone in a shockingly changed world, she embarks on a remarkable journey of survival and redemption. Along the way, Zoe comes to see that humans are not defined by their genetic code, but rather by their actions and choices.

    Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories.Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.THE END IS NIGH features all-new, never-before-published works by Hugh Howey, Paolo Bacigalupi, Jamie Ford, Seanan McGuire, Tananarive Due, Jonathan Maberry, Robin Wasserman, Nancy Kress, Charlie Jane Anders, Ken Liu, and many others.