When he learns of some young women who vanished after joining a religious cult, he cannot resist the story. He and his team head to the west Texas back country where they meet The Prophet Drake and his followers. On the surface everything at the compound looks like heaven on earth as they are given VIP treatment. Bronson and his crew soon learn, behind the smiles and hospitality lies something more evil than they could have possibly imagined. The team uncovers a trail of human sacrifice, ritual abuse and a whole new definition of human suffering.

    Angela Carter takes real people and literary legends - most often women - who have been mythologized or marginalized and recasts them in a new light. In a style that is sensual, cerebral, almost hypnotic, "The Fall River Axe-Murders" portrays the last hours before Lizzie Borden's infamous act: the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house "full of locked doors that open only into other rooms with other locked doors." In "Our Lady of the Massacre" the no-nonsense voice of an eighteenth-century prostitute/runaway slave questions who is civilized - the Indians or the white men? "Black Venus" gives voice to Charles Baudelaire's Creole mistress, Jeanne Duval: "you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover's poetry but, that it was a perpetual affront to her. He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language." "The Kiss" takes the traditional story of Tamburlaine's wife and gives it a new and refreshing ending. Sometimes disquieting, sometimes funny, always thought-provoking, Angela Carter's stories offer a feminist revision of images that lie deep in the public psyche.

    Readers only familiar with such masterpieces as The Dragonbone Chair and Talchaser’s Song will be delighted to discover that in his short fiction, Williams has been able to explore myriad new possibilities and adventures.Previously collected in multiauthor anthologies and limited hardcover editions, these superlative talks of dragons, super-soldiers, wizards, cyberpunks, heroes, and fools are now available together for the first time in an affordable trade paperback edition. These stories showcase the exhilarating breadth of Williams’ imagination, in stories hearkening to the tales of such classic fantasists as J. R. R. Tolkien, Robert Jordan, Ray Bradbury, and Peter S. Beagle. Included is an original tale written specifically for this volume.The Very Best of Tad Williams is a true delight to those who have imagined themselves in fantastic worlds beyond the everyday and mundane.TABLE OF CONTENTSThe Old Scale GameThe Storm DoorThe Stranger’s HandsChild of an AncientCityThe Boy Detective of Oz: An Otherland StoryThree Duets for Virgin and NosehornDiary of a DragonNot with a Whimper, EitherSome Thoughts Re: Dark DestroyerZ is for...Monsieur Vergalant’s CanardThe Stuff that Dreams are Made OfFish Between FriendsEvery Fuzzy Beast of the Earth, Every Pink Fowl of the AirA Stark and Wormy KnightBlack SunshineAnd Ministers of Grace

    R. James.Casting the Runes, adapted by Stephen GallagherWhen academic Jo Harrington (Anna Maxwell Martin) is sent a paper—The Truth of Alchemy, by Anton Karswell—for peer review, she pulls no punches. Jo writes that the paper has no place in a serious academic publication and that Karswell is a half-bright fool. When the editor writes a rejection note to Karswell, he inadvertently includes Jo’s entire email. Occultist Karswell (Reece Shearsmith) doesn’t take kindly to criticism.On the tube home with her partner Edward Dunning (Tom Burke), Jo spots a poster with her name on it. It reads: "In memory of Joanne Harrington, MLitt, PhD, died September eighteenth, three days were allowed." Is there anything that Edward can do to save Jo from this curse?Lost Hearts, adapted by A. K. BenedictTeenager Stephanie Elliot (Rosa Coduri) is taken to Aswarby House to be fostered by Mrs. Bunch (Susan Jameson). Stephanie strikes up a friendship with Ben (Bill Milner), the adopted son of charismatic community leader Mr. Abney (Jeff Rawle). He tells her that Mr. Abney is a good man—he even took in a child refugee last year, but she stole from him and ran away. Stephanie is troubled by voices and visions of a dead girl clutching at her chest, and when Ben disappears she begins to suspect that all is not right in Aswarby House.The Treasure of Abbot-Thomas, adapted by Jonathan BarnesWhen former Somerton school pupil Greg Parsbury (Robert Bathurst) meets history teacher Mika Chantry (Pearl Mackie) at a memorial service for schoolmaster Sam Abbot-Thomas, he begs for her help. Greg has been sent a postcard by the estate of the mysterious and charismatic Abbot-Thomas. On it is a strange inscription in Latin, which he believes to be an inaugural clue in a treasure hunt much like the elaborate treasure hunts Abbot-Thomas used to set back in the 1970s. There were rumors that Abbot-Thomas possessed a hidden fortune, and Parsbury and Chantry set out to find it.A View from a Hill, adapted by Mark MorrisComedian and podcaster Paul Fanshawe (Andy Nyman) and his wife, Sarah (Alice Lowe), visit the Cotswolds on holiday, trying to rebuild their lives after the death of their young son, Archie. While out walking, they spot a beautiful abbey across the valley on Gallows Hill, but when they reach it, they find the building is little more than rubble. While Sarah explores, Paul records commentary for his podcast. Sarah thinks she hears children’s laughter, but there’s no one there. Later that night, she listens to the recording and hears a child’s voice whisper, "Mummy." Sarah is convinced that Archie is trying to reach them and wants to return to the ruins. But something far worse is waiting for them on Gallows Hill.

    P. Lovecraft, published his first story, the monstrosities that crawled out of his brain have become legend: the massive, tentacled Cthulhu, who lurks beneath the sea waiting for his moment to rise; the demon Sultan Azathoth, who lies babbling at the center of the universe, mad beyond imagining; the Deep Ones, who come to shore to breed with mortal men; and the unspeakably-evil Hastur, whose very name brings death. These creatures have been the nightmarish fuel for generations of horror writers, and the inspiration for some of their greatest works.This impressive anthology celebrates Lovecraft's most famous beasts in all their grotesque glory, with each story a gripping new take on a classic mythos creature and affectionately accompanied by an illuminating illustration. Within these accursed pages something unnatural slouches from the sea into an all-night diner to meet the foolish young woman waiting for him, while the Hounds of Tindalos struggle to survive trapped in human bodies, haunting pool halls for men they can lure into the dark. Strange, haunting, and undeniably monstrous, this is Lovecraft as you have never seen him before.Contents"Only the End of the World Again" by Neil Gaiman"The Bleeding Shadow" by Joe R. Lansdale"Love is Forbidden, We Croak & Howl" by Caitlín R. Kiernan"Bulldozer" by Laird Barron"A Quarter to Three" by Kim Newman"Inelastic Collisions" by Elizabeth Bear"That of Which We Speak When We Speak of the Unspeakable" by Nick Mamatas"Red Goat Black Goat" by Nadia Bulkin"Jar of Salts" and "Haruspicy" by Gemma Files"Black is the Pit From Pole to Pole" by Howard Waldrop and Steven Utley"I've Come to Speak with You Again" by Karl Edward Wagner"The Sect of the Idiot" by Thomas Ligotti"The Dappled Things" by William Browning Spencer"The Same Deep Waters as You" by Brian Hodge"Remnants" by Fred Chappell"Waiting at the Cross Roads" by Steve Rasnic Tem"Children of the Fang" by John Langan

    Parker, Tessa Gratton, Heidi Heilig, Julie Murphy, Mark Oshiro, Rebecca Roanhorse, Laura Ruby, Victoria “V. E.” Schwab, and Kayla Whaley.

    Throughout the collection, women become insects, men turn to stone, a city becomes insomniac and bodies are picked apart to make up better ones. The mundane worlds of schools and sea side towns are invaded and transformed by the physical, creating a landscape which is constantly shifting to hold on to the bodies of its inhabitants. Blending the mythic and the fantastic, the collection considers characters in motion – turning away, turning back or simply turning into something new.From the winner of The White Review Short Story Prize 2018, salt slow is an extraordinary collection of short stories that are sure to dazzle and shock.

    EIGHT New York Times and USA Today bestselling authors bring you eight stories of memorable weddings, spilling over with nervous tingles and overwhelming moments. Experience the euphoria of wedding day bliss, cry a river of happiness and celebrate the joy over and over again with these happy ever after tales. Patricia Rosemoor – A Rancher’s Vow – Reed Quarrels asks Alcina Dale to marry him so he can save the Curly! Ranch, not knowing Alcina has been in love with him forever. Taylor Lee – Undercover Wedding – They called her the Ice Princess. That was before the sexy police commander turned up the heat and proved that fire does melt ice. It couldn’t have been a more perfect wedding until a group of would-be assassins crash the party. Natalie Ann – True Love – Shattered dreams vs. a new beginning. Can a young widow with a two-year-old heal this wounded warrior? Tamara Ferguson – Two Hearts in Accord- When active duty wounded warriors lieutenants Anna Drummond and Neil Harrison insist that the last thing they want is a long term relationship, will TWO HEARTS IN ACCORD finally admit that it’s love? Stephanie Queen – Margo and George Forever? – Will Margo make it to the alter in spite of George’s family and the circus of a wedding they planned? Suzanne Jenkins – A Greektown Wedding - Relationships are blooming as Spring approaches, but will the Detroit Police Department be enough to keep the out of control lovers in check? Alicia Street – Maybe Lovers – Can a hot doc with his own troubles convince a cynical bartender that it's okay to dream of love? Mimi Barbour – My Cheeky Angel - Can a tomboy change to attract a man?

    Suspenseful and mysterious, this romantic suspense series will have you on the edge of your seat. This bundle contains four full-length novels and one novella: Wife Number Seven His Only Wife Mother Before Wife Just Keep Sweet Prophet Takes All Praise for The Compound Series: "The Compound series is a fresh, unique voice in the romance world and I soaked up every single minute of it. I can’t recommend this series enough!"- C, Prisoners of Print "Melissa Brown's talent shines bright in this unforgettable series. Prepare to be sucked in until the very last page." --USA Today Bestselling Author, Tiffany King "Extremely underestimated and brilliantly written, the Compound Series will take you on a journey. Now that this series is out as a whole, you owe it to yourself to read up on Melissa’s Compound world. Jumping in with an open mind and abandoning all thoughts of traditional romance will set you up for a reading adventure."- Pamela, The Book Avenue Synopsis of Wife Number Seven (Book 1 in the series) Lipstick. Bright, red lipstick. Nothing but lipstick. Even though it’s against our faith to wear a color that screams of sexual promiscuity and deviant behavior, I’m not allowed to protest. But, I want to. So badly. You see, there’s more to me than the braid that spills down my back. More to me than the layers of heavy fabric that maintain my modesty. And so much more than the oppressive wedding band that adorns my finger--the same band that each of my sister wives wear. So much more. To protest would be sinful. I must keep sweet, that is my duty. So I’ll wear the lipstick. I’ll do as I’m told. And I’ll do my best to silence the resistance within me, to push him from my mind. If only my heart would do the same.

    The girl detective must go to the underworld to solve the case of the tap-dancing bank robbers. A librarian falls in love with a girl whose father collects artificial noses. A dead man posts letters home to his estranged wife. Two women named Louise begin a series of consecutive love affairs with a string of cellists. A newly married couple become participants in an apocalyptic beauty pageant. Sexy blond aliens invade New York City. A young girl learns how to make herself disappear.These eleven extraordinary stories are quirky, spooky, and smart. They all have happy endings. Every story contains a secret prize. Each story was written especially for you.Stories from Stranger Things Happen have won the Nebula, Tiptree, and World Fantasy Award. Stranger Things Happen was a Salon Book of the Year, one of the Village Voice's 25 Favorite Books of 2001, and was nominated for the Firecracker Alternative Book Award.Contents:- Carnation, Lily, Lily, Rose (1998)- Water Off a Black Dog's Back (1995)- The Specialist's Hat (1998)- Flying Lessons (1995)- Travels with the Snow Queen (1996/1997)- Vanishing Act (1996)- Survivor's Ball, or, The Donner Party (1998)- Shoe and Marriage (2000)- Most of My Friends Are Two-Thirds Water (2001)- Louise's Ghost (2001)- The Girl Detective (1999)Cover painting by Shelley Jackson

    Her art flourished in small settings, as can be seen in her bestselling novel The Summer Book and in her internationally celebrated cartoon strips and books about the Moomins. It is only natural, then, that throughout her life she turned again and again to the short story. The Woman Who Borrowed Memories is the first extensive selection of Jansson’s stories to appear in English. Many of the stories collected here are pure Jansson, touching on island solitude and the dangerous pull of the artistic impulse: in “The Squirrel” the equanimity of the only inhabitant of a remote island is thrown by a visitor, in “The Summer Child” an unlovable boy is marooned along with his lively host family, in “The Cartoonist” an artist takes over a comic strip that has run for decades, and in “The Doll’s House” a man’s hobby threatens to overwhelm his life. Others explore unexpected territory: “Shopping” has a post-apocalyptic setting, “The Locomotive” centers on a railway-obsessed loner with murderous fantasies, and “The Woman Who Borrowed Memories” presents a case of disturbing transference. Unsentimental, yet always humane, Jansson’s stories complement and enlarge our understanding of a singular figure in world literature.

    Among its pages are a couple who becomes obsessed with their friend hearing them have sex, then seeing them have sex…until they can’t have sex without him; a ten-year-old whose birthday party takes a sinister turn when she wishes for “something mean”; a woman who finds a book of spells half hidden at the library and summons her heart’s desire: a nameless, naked man; and a self-proclaimed “biter” who dreams of sneaking up behind and sinking her teeth into a green-eyed, long-haired, pink-cheeked coworker.Spanning a range of genres and topics—from the mundane to the murderous and supernatural—these are stories about sex and punishment, guilt and anger, the pleasure and terror of inflicting and experiencing pain. These stories fascinate and repel, revolt and arouse, scare and delight in equal measure. And, as a collection, they point a finger at you, daring you to feel uncomfortable—or worse, understood—as if to say, “You want this, right? You know you want this.”Bad boy --Look at your game, girl --Sardines --The night runner --The mirror, the bucket, and the old thigh bone --Cat person --The good guy --The boy in the pool --Scarred --The matchbox sign --Death wish --Biter --Acknowledgments

    The Lonesome Place by August Derleth c. 1947 by All-Fiction Field, Inc. and c. 1962 by August Derleth. Reprinted by permission of Arkham House.2. In The Vault by H. P. Lovecraft c. 1932 by Popular Fiction Publishing Company, c. 1939, 1945 by August Derleth and Donald Wondrei; c. 1963 by August Derleth. Reprinted by permission of Arkham House.3. The Man Who Collected Poe by Robert Bloch, c. 1951 by Popular Publications, Inc. Reprinted by permission of the author's agent, Harry Altshuler.4. Where Angels Fear by Manly Wade Wellman, from "Unknown". Copyright 1939 by Street & Smith Publications, Inc.; c. renewed 1967 by The Conde Nast Publications, Inc. Reprinted by permission of The Conde Nast Publications, Inc.5. Lot No. 249 by Sir Arthur Conan Doyle from "The Conan Doyle Stories". Reprinted by permission of the Trustees of the Estate of Sir Arthur Conan Doyle and John Murray, Ltd.6. The Haunted Doll's House by M. R. James from "The Collected Ghost Stories of M. R. James" by Montagne Rhodes James. Reprinted by permission of Edward Arnold (Publishers) Ltd.7. The Open Door by Mrs. Oliphant8. Thus I Refute Beelzy by John Collier from "Fancies and Goodnights". Copyright 1940 by John Collier. Reprinted by permission of the Harold Matson Company.9. Levitation from "Nine Horrors and a Dream" by Joseph Payne Brennen. Copyright 1958 by Joseph Payne Brennen. Reprinted by permission of Arkham House.10. The Ghostly Rental by Henry James11. The Face by E. F. Benson from "Spook Stories". Reprinted by permission of Reverend K. S. P. McDowall.12. The Whistling Room by William Hope Hodgson. Copyright 1947 by August Derleth. Reprinted by permission of Arkham House.13. The Grey Ones by J. B. Priestley. Reprinted by permission of A. D. Peters & Co.14. The Stolen Body by H. G. Wells. Reprinted by permission of Collins-Knowlton-Wing, Inc.15. The Red Lodge from "They Return at Evening" by H. Russell Wakefield. Copyright 1928 by D. Appleton and Company. Reprinted by permission of Appleton-Century, affiliate of Meredith Press.16. The Visiting Star from "Powers of Darkness" by Robert Aickman. Copyright 1966 by Robert Aickman. Reprinted by permission of William Collins & Sons, Ltd.17. Midnight Express by Alfred Noyes. Reprinted by permission of Hugh Noyes.

    Acclaimed editors Simon Strantzas and Michael Kelly bring their keen editorial sensibilities to the third volume of the Year's Best Weird Fiction. The best weird stories of 2015 features work from Robert Aickman, Matthew M. Bartlett, Sadie Bruce, Nadia Bulkin, Ramsey Campbell, Brian Conn, Brian Evenson, L.S. Johnson, Rebecca Kuder, Tim Lebbon, Reggie Oliver, Lynda E. Rucker, Robert Shearman, Christopher Slatsky, D.P. Watt, Michael Wehunt, Marian Womack, Genevieve Valentine No longer the purview of esoteric readers, weird fiction is enjoying wide popularity. Chiefly derived from early 20th-century pulp fiction, its remit includes ghost stories, the strange and macabre, the supernatural, fantasy, myth, philosophical ontology, ambiguity, and a healthy helping of the outre. At its best, weird fiction is an intersecting of themes and ideas that explore and subvert the Laws of Nature. It is not confined to one genre, but is the most diverse and welcoming of all genres.

    From classic stories of the undead by writers like Edith Nesbit, Mary E. Wilkins-Freeman, and Mary Elizabeth Braddon to the work of such acclaimed contemporary authors as Poppy Z. Brite, Nancy Kilpatrick, Tanith Lee, Caitlin R. Kiernan, and Pat Cadigan, this terrifying and tantalizing volume turns the conventions of vampire fiction on their head and inside out as it refashions, and revamps, Bram Stoker's urbane Count Dracula in smart, modern, sexy terms. Original and inventive, the tales in this anthology offer a wide and varied range of undead heroines and doomed heroes, from the tormented good to the unspeakably evil. At large among them in the gardens of literature's longest night are Chelsea Quinn Yarbro's Byronic vampire Saint-Germain, Nancy A. Collins's "Vampire King of the Goth Chicks," Tanya Huff's vampiric detective Vicki Nelson, and Freda Warrington's age-old lovers Karl and Charlotte. In all, the quest continues—for blood to drink, for souls to steal, for life among the undead.CONTENTSIntroduction: My Life Among The Undead by Ingrid PittThe Master Of Rampling Gate by Anne RiceHomewrecker by Poppy Z. BriteWhen Gretchen Was Human by Mary A. TurzilloThe Vengeaful Spirit of Lake Nepeakea by Tanya HuffLa Diente by Nancy KilpatrickMiss Massingberd and the Vampire by Tina RathThe Raven Bound by Freda WarringtonVampire King of the Goth Chicks by Nancy A. CollinsJust His Type by Storm ConstantinePrince Of Flowers by Elizabeth HandService Rendered by Louise CooperAftermath by Janet BerlinerOne Among Millions by Yvonne NavarroLuella Miller by Mary E. Wilkins-FreemanSangre by Lisa TuttleA Question of Patronage by Chelsea Quinn YarbroHisako San by Ingrid PittButternut and Blood by Kathryn PtacekSleeping Cities by Wendy WebbThe Haunted House by E. NesbitTurkish Delight by Roberta LannesVenus Rising on Water by Tanith LeeYear Zero by Gemma FilesGood Lady Ducayne by Mary Elizabeth BraddonLunch At Charon's by Melanie TemForever, Amen by Elizabeth MassieNight Laughter by Ellen KushnerBootleg by Christa FaustOutfangthief by Gala BlauMy Brother's Keeper by Pat CadiganSo Runs The World Away by Caitlin R. KiernanA North Light by Gwyneth JonesJack by Connie WillisVampyr by Jane Yolen