A young Dutchman, walking aimlessly in central Oslo covered in blood, is taken into custody but refuses to talk. When he is informed that the woman who discovered the body, Karen Borg, is a lawyer, he demands her as his defender, although her specialty is civil, not criminal, law. A couple of days later, Hansa Larsen, a lawyer of the shadiest kind, is found shot to death. Soon police officers Håkon Sand and Hanne Wilhelmsen establish a link between the two killings. They also find a coded message hidden in the murdered lawyer’s apartment. Their maverick colleague in the drugs squad, Billy T., reports that a recent rumor in the drug underworld involves drug-dealing lawyers. Now the reason why the young Dutchman insisted on having Karen Borg as a defender slowly dawns on them: since she was the one to find and report the body, she is the only Oslo lawyer that cannot be implicated in the crime. As the officers investigate, they uncover a massive network of corruption leading to the highest levels of government. As their lives are threatened, Hanne and her colleagues must find the killer and, in the process, bring the lies and deception out into the open.

    Neverland is his real home. So when Peter returns to it after ten years in the real world, he’s surprised to find a Neverland that no longer seems to need him.The only person who truly missed Peter is Captain James Hook, who is delighted to have his old rival back. But when a new war ignites between the Lost Boys and Hook’s pirates, the ensuing bloodshed becomes all too real – and Peter’s rivalry with Hook starts to blur into something far more complicated, sensual, and deadly.

    When the director asks Zara to promise that she will have no outside commitments, no distractions, it’s easy to say yes. But it’s hard not to be distracted when there’s a death at the theater—and then another—especially when Zara doesn’t know if they’re accidents, or murder, or a curse that always comes in threes. It’s hard not to be distracted when assistant lighting director Eli Vasquez, a girl made of tattoos and abrupt laughs and every form of light, looks at Zara. It’s hard not to fall in love. In heart-achingly beautiful prose, Amy Rose Capetta has spun a mystery and a love story into an impossible, inevitable whole—and cast lantern light on two girls, finding each other on a stage set for tragedy.

    Uniting fact and fiction into an original romantic vision, The Danish Girl eloquently portrays the unique intimacy that defines every marriage and the remarkable story of Lili Elbe, a pioneer in transgender history, and the woman torn between loyalty to her marriage and her own ambitions and desires.The Danish Girl is an evocative and deeply moving novel about one of the most passionate and unusual love stories of the 20th century.

    Mesmerized by the context in which the victim lived and the images of the lifestyle seared into his soul, Gavin must find a way to navigate these unknown waters. With his personal life in upheaval due to marital trouble, and his professional life uncertain with the assignment of a new partner, Gavin needs all the help he can get understanding the case.Enter Ben Haverson, a psychologist and a well known Dom. With Ben’s help as a consultant and attention to Gavin's own murky truths, Gavin delves deeper than he ever thought he would into the world of restraints and paddles. Forced to scrutinize his true nature and his innermost desires, Gavin has a choice: keep the fear of submitting at bay, or dive in and solve the case with the knowledge he gains. When another victim is discovered, Gavin’s choice is made for him, and he’s pulled headlong into the deepest, most emotional journey of his life.Unfortunately for him and Ben, a killer has noticed, has taken stock, and has set his sights on the D/s pair. Can Gavin outwit him, or will his first exchange of power be his last?

    Published in the USA simultaneously in hardcover and paperback.Lovers of historical mystery will relish this chilling Victorian tale based on real events and cloaked in authenticity. Best of all, it casts British literature's most fascinating and controversial figure as the lead sleuth. A young artist's model has been murdered, and legendary wit Oscar Wilde enlists his friends Arthur Conan Doyle and Robert Sherard to help him investigate. But when they arrive at the scene of the crime they find no sign of the gruesome killing -- save one small spatter of blood, high on the wall. Set in London, Paris, Oxford, and Edinburgh at the height of Queen Victoria's reign, here is a gripping eyewitness account of Wilde's secret involvement in the curious case of Billy Wood, a young man whose brutal murder served as the inspiration for The Picture of Dorian Gray. Told by Wilde's contemporary -- poet Robert Sherard -- this novel provides a fascinating and evocative portrait of the great playwright and his own "consulting detective," Sherlock Holmes creator, Arthur Conan Doyle. (Oscar Wilde and a Death of No Importance was first published in the UK as Oscar Wilde and the Candlelight Murders.)

    It's 1954. Several English nationals have defected to the USSR, while a witch-hunt for homosexuals rages across Britain. In these circumstances, no one is surprised when a mathematician by the name of Alan Turing, is found dead in his home: it is widely assumed that he committed suicide, unable to cope with the humiliation of a criminal conviction for homosexuality. But young Detective Sergeant Leonard Corell, who had always dreamt of a career in higher mathematics, suspects greater forces are involved. In the face of opposition from his superiors, he begins to assemble the pieces of a puzzle that lead him to one of the most closely guarded secrets of the war: the Bletchley Park operation to crack the Nazis' Enigma Code. But he is also about to be rocked by two startling developments in his own life, one of which will find him being pursued as a threat to national security.."

    Now one of these characters, Major Lord John Grey, opens the door to his own part of this world — eighteenth-century London, a seething anthill of nobility and rabble peopled by soldiers and spies, whores and dukes. Great Britain is battling France for supremacy on three continents — and life is good for a soldier.The year is 1757. On a clear morning in mid-June, Lord John Grey emerges from London’s Beefsteak Club, his mind in turmoil. A nobleman and a high-ranking officer in His Majesty’s Army, Grey has just witnessed something shocking. But his efforts to avoid a scandal that might destroy his family are interrupted by something still more urgent: the Crown appoints him to investigate the brutal murder of a comrade in arms, who may have been a traitor.Obliged to pursue two inquiries at once, Major Grey finds himself ensnared in a web of treachery and betrayal that touches every stratum of English society — and threatens all he holds dear. From the bawdy houses of London’s night-world to the stately drawing rooms of the nobility, and from the blood of a murdered corpse to the thundering seas ruled by the majestic fleet of the East India Company, Lord John pursues the elusive trails of a vanishing footman and a woman in green velvet, who may hold the key to everything — or nothing.The early days of the Seven Years War come brilliantly to life in this historical mystery by an author whose unique and compelling storytelling has engrossed millions of readers worldwide.

    The overachiever. The cheer captain. The dead girl.Like every high school in America, Jefferson-Lorne High contains all of the above.After the shocking murder of senior Emma Baines, three of her classmates are at the top of the suspect list: Claude, the notorious partier; Avery, the head cheerleader; and Gwen, the would-be valedictorian.Everyone has a label, whether they like it or not--and Emma was always known as a good girl. But appearances are never what they seem. And the truth behind what really happened to Emma may just be lying in plain sight. As long-buried secrets come to light, the clock is ticking to find Emma's killer--before another good girl goes down.

    A lie so profound that when the shadows are lifted, Ben realises he's in love with a very dangerous stranger. Ben has to choose between Nikolas and safety, but sometimes danger comes in a very seductive package.

    His shop may be struggling, his only employee is a menace, and his plumbing is one creaky pipe away from disaster, but he can handle it. Maybe. He cannot, however, handle the film company that’s thrown his Soho street into chaos. And he definitely can’t handle the charismatic American actor Blake Sinclair. Which is why he’s extremely reluctant to lease out his shop as a set for Blake's film, but it’s his one opportunity to save his business. Now he can’t get away from the distractingly hot actor. Then Aubrey finds himself alone with Blake in a trailer, and what happens next turns London’s heat wave into an inferno that leaves him breathless.Aubrey is not cut out for the high-profile life of dating a celebrity, especially an American actor who’s not even out yet. Good thing their tryst is absolutely not going anywhere. Of course, when you expect nothing, that’s exactly when it starts to mean everything.

    . . . At first, the murder scene appears sad, but not unusual: a young woman undone by drugs and prostitution, her six-year-old daughter dead alongside her. But then detectives find a strange piece of evidence in the squalid house: the platinum credit card of a very wealthy--and long dead--steel tycoon. What is a heroin-addicted hooker doing with the credit card of a well-known and powerful man who died months ago? This is the question that the most junior member of the investigative team, Detective Constable Fiona Griffiths, is assigned to answer.But D.C. Griffiths is no ordinary cop. She's earned a reputation at police headquarters in Cardiff, Wales, for being odd, for not picking up on social cues, for being a little overintense. And there's that gap in her past, the two-year hiatus that everyone assumes was a breakdown. But Fiona is a crack investigator, quick and intuitive. She is immediately drawn to the crime scene, and to the tragic face of the six-year-old girl, who she is certain has something to tell her . . . something that will break the case wide open.Ignoring orders and protocol, Fiona begins to explore far beyond the rich man's credit card and into the secrets of her seaside city. And when she uncovers another dead prostitute, Fiona knows that she's only begun to scratch the surface of a dark world of crime and murder. But the deeper she digs, the more danger she risks--not just from criminals and killers but from her own past . . . and the abyss that threatens to pull her back at any time.

    But can you trust her?The people who call End of the Line need hope. They need reassurance that life is worth living. But some are unlucky enough to get through to Laura. Laura doesn’t want them to hope. She wants them to die.Laura hasn’t had it easy: she’s survived sickness and a difficult marriage only to find herself heading for forty, unsettled and angry. She doesn’t love talking to people worse off than she is. She craves it.But now someone’s on to her—Ryan, whose world falls apart when his pregnant wife ends her life, hand in hand with a stranger. Who was this man, and why did they choose to die together?The sinister truth is within Ryan’s grasp, but he has no idea of the desperate lengths Laura will go to…Because the best thing about being a Good Samaritan is that you can get away with murder.

    But when star quarterback Dylan Whitley goes missing, an unremitting fear grips this remote corner of Texas.Joel Whitley was shamed out of conservative Bentley ten years ago, and while he’s finally made a life for himself as a gay man in New York, his younger brother’s disappearance soon brings him back to a place he thought he’d escaped for good. Meanwhile, Sheriff’s Deputy Starsha Clark stayed in Bentley; Joel’s return brings back painful memories—not to mention questions—about her own missing brother. And in the high school hallways, Dylan’s friends begin to suspect that their classmates know far more than they’re telling the police. Together, these unlikely allies will stir up secrets their town has long tried to ignore, drawing the attention of dangerous men who will stop at nothing to see that their crimes stay buried.But no one is quite prepared to face the darkness that’s begun to haunt their nightmares, whispering about a place long thought to be nothing but an urban legend: an empty night, a flicker of light on the horizon—The Bright Lands.

    But when Jonathon finds him dead in his study, apparently as the result of a fall, everything changes. For one thing, Jonathon is the next in line to inherit the manor house. For another, he’s not so sure it was an accident, and with the help of Mike Tattersall, the owner of the village pub, Jonathon sets out to prove his theory—if he can concentrate long enough without getting distracted by the handsome Mike. They discover an increasingly long list of people who had reason to want Dominic dead. And when events take an unexpected turn, the amateur sleuths are left bewildered. It doesn’t help that the police inspector brought in to solve the case is the last person Mike wants to see, especially when they are told to keep their noses out of police business. In Jonathon’s case, that’s like a red rag to a bull….