Her so-called friends bully her, whatever semblance of a mother she had has been drowned at the bottom of a gin bottle ever since her dad left them for another woman, and now a teenage ghost is speaking to her through a broken phone booth. Kirra and the ghost make a pact. She'll prove who murdered him almost twenty years ago if he does three things for her. He makes her popular, he gets her parents back together, and he doesn't haunt her. Things aren't so simple however, and Kirra realises that people can be haunted in more ways than one.

    Now she lives with Bill in his old shed by the lake. But it’s time to move out—Tom is pregnant with Bill’s baby.Jonah lets her move in with him. Mrs Peck gives her the Fishmaster Super Series tackle box. Nana is full of gentle good advice and useful sayings.And in her longing for what is lost, Tom talks to fish: Oscar the carp in the pet shop, little Sarah catfish who might be her sister, an unhelpful turtle in a tank at the maternity ward. And the minnow.The Minnow is a moving and powerful coming of age story with a whimsical element that belies the heartbreaking truth of grief and loss. Tom is a character you will never forget.

    Her family has been torn apart and it's all her fault.The only thing that makes sense to her is Fox - a gentle new friend who is wise, soulful and clever, yet oddly naive about the ways of the world. He understands what she's going through and he offers her a chance to feel peace. Fox belongs to a group called the Institute of the Sublime - and Ruby can't stay away from him. So she is also drawn in to what she too late discovers is a terrifying secretive community that is far from the ideal world she expected.Can Ruby find the courage to escape? Is there any way she can save Fox too? And is there ever really an escape from the far-reaching influence of the Institute of the Sublime?

    Take Esther’s father, for instance: He’s an agoraphobe who hasn’t left the basement in six years. Then there’s her twin brother, Eugene, whose fear of the dark goes far beyond the things that go bump in the night. And her mother, Rosemary, is absolutely terrified of bad luck.As for Esther, she’s managed to escape the curse…so far. She doesn’t yet have a great fear because she avoids pretty much everything. Elevators, small spaces, crowds—anything that might trigger a phobia is off-limits and is meticulously recorded in her semi-definitive list of worst nightmares. Esther thinks she has it all figured out, until she’s reunited with an old elementary school classmate—and first crush—Jonah Smallwood. The encounter leaves her stranded at a bus stop and swindled out of her phone, all her cash, a Fruit Roll-Up she’d been saving, and her list—not to mention her dignity. But the theft is also the beginning of an unexpected friendship between the two, one that sends the pair on a journey of self-discovery as they try to break the curse that’s consumed Esther’s family. Together they face their greatest fears, one debilitating phobia at a time, only to discover the one fear they hadn’t counted on: love.

    It’s about ten-year-old Super Agent Gully and his case of a lifetime. And about beautiful, reckless, sharp-as-knives Nancy. It’s about tragi-hot Luke, and just-plain-tragic Mia Casey. It’s about the dark underbelly of a curious neighborhood. It’s about summer, and weirdness, and mystery, and music. And it's about life and death and grief and romance. All the good stuff.

    She finds refuge and stability in her relationship with her boyfriend, Peter—until he abandons her at a Planned Parenthood clinic during their appointment to terminate an unwanted pregnancy. The betrayal causes Gen to question everything.As Gen pushes herself forward to find her new identity without Peter, she must also confront her most painful memories. Through the lens of an ongoing four act play within the novel, the fantasy of their undying love unravels line by line, scene by scene. Digging deeper into her past while exploring the underground theater world of New York City, she rediscovers a long-forgotten dream. But it’s when Gen lets go of her history, the one she thinks she knows, that she’s finally able to embrace the complicated, chaotic true story of her life, and take center stage.This powerfully immersive and format-crushing debut follows Gen from dorm rooms to diners to house parties to auditions—and ultimately, right into readers’ hearts.

    But one day, Millie’s mum leaves her alone beneath the Ginormous Women’s underwear rack in a department store, and doesn’t come back.Agatha Pantha is an eighty-two-year-old woman who hasn’t left her home since her husband died. Instead, she fills the silence by yelling at passers-by, watching loud static on TV, and maintaining a strict daily schedule. Until the day Agatha spies a little girl across the street.Karl the Touch Typist is eighty-seven years old and once typed love letters with his fingers on to his wife’s skin. He sits in a nursing home, knowing that somehow he must find a way for life to begin again. In a moment of clarity and joy, he escapes.Together, Millie, Agatha and Karl set out to find Millie’s mum. Along the way, they will discover that the young can be wise, that old age is not the same as death, and that breaking the rules once in a while might just be the key to a happy life.

    It's been a year since their dad lost his battle with cancer and Justine became the sole caregiver for her autistic brother, Perry. Now Perry has been accepted into an assisted-living residence in their hometown, Brisbane, Australia, but before he takes up residence, they're seeking to create the perfect memory. For Perry, the trip is a glorious celebration of some of his favorite things: Ogopogo, Jackie Chan movies, and earthquakes. For Justine, it's an opportunity to learn how to let go of Perry and of her boyfriend, Marc. Justine also wants to offer their mother the chance to atone for past wrongs. But the instability that has shaped their lives will not subside, and the seismic event that Perry forewarned threatens to reduce their worlds to rubble...

    She’s a prankster and a risk-taker, and she’s not afraid of anything—except losing. As part of the long-running feud between two local schools in Swanston, Grace accepts a challenge to walk the pipe. That night she experiences something she can’t explain. The funny girl isn’t laughing anymore. She’s haunted by voices and visions—but nobody believes a girl who cries wolf.As she’s drawn deeper into a twenty-year-old mystery surrounding missing girl Hannah Holt, the thin veil between this world and the next begins to slip. She can no longer tell what’s real or imagined—all she knows is the ghosts of Swanston, including that of her own mother, are restless. It seems one of them has granted her an extraordinary gift at a terrible price.Everything about her is changing—her body, her thoughts, even her actions seem to belong to a stranger. Grace is losing herself, and her friends don’t understand. Is she moving closer to the truth? Or is she heading for madness?

    Our fears pick us.Tash Carmody has been traumatised since childhood, when she witnessed her gruesome imaginary friend Sparrow lure young Mallory Fisher away from a carnival. At the time nobody believed Tash, and she has since come to accept that Sparrow wasn’t real. Now fifteen and mute, Mallory’s never spoken about the week she went missing. As disturbing memories resurface, Tash starts to see Sparrow again. And she realises Mallory is the key to unlocking the truth about a dark secret connecting them. Does Sparrow exist after all? Or is Tash more dangerous to others than she thinks?

    Let me tell you my story.Not just the facts I know you want to hear.If I’m going to tell you my story,I’m telling it my way.Strap yourself in...Eliza Boans has everything.A big house.A great education.A bright future.So why is she sitting in a police station confessing to murder?

    And out of town, a girl from a secretive off-the-grid community called Garden of Eden has the potential to change the way Bo sees the world. But are there too many secrets in Eden? As Bo is drawn away from his friends and towards Rory, he gradually comes to believe that Eden may not be utopia after all, and that their group leader's goal to go off the grid may be more permanent - and more dangerous - than anyone could have predicted.A wonderfully compelling novel from the acclaimed author of the Every series.'Gutsy characters, a cracking plot, and the perfect amount of swoon - everything Ellie Marney does best.' Vikki Wakefield

    He hates his violent mother. He hates his home. Most of all, he hates the piano that his mother forces him to play hour after hour, day after day. He will never play as she did before illness ended her career and left her bitter and broken. But Beck is too scared to stand up to his mother, and tell her his true passion, which is composing his own music - because the least suggestion of rebellion on his part ends in violence.When Beck meets August, a girl full of life, energy and laughter, love begins to awaken within him and he glimpses a way to escape his painful existence. But dare he reach for it?

    Isn’t it enough having your very own terminal disease, without your mother dying? Or your father dating your Art teacher?No wonder Sacha Thomas ends up in the lake that Saturday evening…But the real question is: how does he end up in love with Jewel Valentine?With the help of quirky teenage prodigies Little Al and True Grisham, Sacha and Jewel have a crazy adventure, with a little lobster emancipation along the way.But Sacha’s running out of time, and Jewel has secrets of her own.Girl Saves Boy is a hugely talented debut novel, funny and sad, silly and wise. It’s a story of life, death, love… and garden gnomes.

    Fourteen-year-old nerd-boy Dan Cereill is not quite coping with a reversal of family fortune, moving house, new school hell, a mother with a failing wedding cake business, a just-out gay dad, and an impossible crush on the girl next door.His life is a mess, but for now he's narrowed it down to just six impossible things..."I loved this book so much I wanted to be in it." Kaz Cooke