The last she--and anyone--saw of them was Vivian closing the cabin door behind her, hushing Emma with a finger pressed to her lips.Now a rising star in the NYC art scene, Emma turns her past into paintings.. They catch the attention of Francesca Harris-White, the socialite and wealthy owner of the very same Camp Nightingale--and when Francesca implores Emma to return to the camp as a painting counselor, Emma sees an opportunity to find closure and move on.Yet, it is immediately clear that all is not right at Camp Nightingale. Already haunted by surfacing memories, Emma is suddenly plagued by a security camera pointed directly at her cabin, mounting mistrust from Francesca, and, most disturbing of all, cryptic clues Vivian apparently left behind about the camp's twisted origins. And as history begins to repeat itself and three girls go missing again, Emma must face threats from both man and nature in order to uncover all the buried secrets--including what really happened all those years ago.

    Then one afternoon, Evie disappears, and as a rabid, giddy panic spreads through the balmy suburban community, everyone turns to Lizzie for answers. Was Evie unhappy, troubled, or upset? Had she mentioned being followed? Would she have gotten into the car of a stranger?Compelled by curiosity, Lizzie takes up her own furtive pursuit of the truth. Haunted by dreams of her lost friend and titillated by her own new power as the center of the disappearance, Lizzie uncovers secret after secret and begins to wonder if she knew anything at all about her best friend.

    However, Nicole, Jay's ex and fellow employee, seems intent on making her life a misery. After a big deadline, where Nicole continually picks on her, Freya snaps and tells Jay about the bullying and together they concoct a revenge prank. The next morning, Nicole is found dead in her apartment . . . Is this just a prank gone wrong? Or does Freya know someone who is capable of murder - and could she be next?

    The kind we've all told - to a former acquaintance we can't quite place but still, for some reason, feel the need to impress. The story of our life, embellished for the benefit of the happily married lawyer with the kids and the lovely home.And the next thing you know, you're having dinner at their house, and accepting an invitation to join them on holiday - swept up in their perfect life, the kind you always dreamed of...Which turns out to be less than perfect. But by the time you're trapped and sweating in the relentless Greek sun, burning to escape the tension all around you - by the time you start to realise that, however painful the truth might be, it's the lies that cause the real damage...... well, by then, it could just be too late. Longlisted for the Theakstons Old Peculier Crime Novel of the Year Shortlisted for the British Book Awards Crime Novel of the Year

    Perfect wife. Jane Goodwin has spent years building her picture-perfect life in the quiet village of Ashdon. So when sixteen-year-old Clare Edwards is found murdered in Sorrow's Meadow, Jane knows she must first protect her family.Every marriage has a few white lies and hers is no exception. Jane's worked hard to cover up her dark secret from all those years ago - and she'll do anything to keep it hidden...

    One who enabled her and her husband to carry on, when more bad things began to happen...But that woman’s husband died last week. And Jean doesn’t have to be her anymore.There’s a lot Jean hasn’t said over the years about the crime her husband was suspected of committing. She was too busy being the perfect wife, standing by her man while living with the accusing glares and the anonymous harassment. Now there’s no reason to stay quiet. There are people who want to hear her story. They want to know what it was like living with that man. She can tell them that there were secrets. There always are in a marriage. The truth—that’s all anyone wants. But the one lesson Jean has learned in the last few years is that she can make people believe anything…

    Meanwhile, she’s struggling to start a family, but her husband is distracted by the disappearance of his best friend, Nick. As stresses weigh her down in her professional and personal lives, Liza escapes into writing the chilling exploits of her latest heroine, Beth.Beth, a new mother, suspects her husband is cheating on her while she’s home caring for their newborn. Angry and betrayed, she aims to catch him in the act and make him pay for shattering the illusion of their perfect life. But before she realizes what she’s doing, she’s tossing the body of her husband’s mistress into the East River.Then, the lines between Liza’s fiction and her reality eerily blur. Nick’s body is dragged from the East River, and Liza’s husband is arrested for his murder. Before her deadline is up, Liza will have to face up to the truths about the people around her, including her own. If she doesn’t, the end of her heroine’s story could be the end of her own.

    When Detective Sergeant Duncan Hatcher is summoned to the home of Judge Cato Laird in the middle of the night to investigate a fatal shooting, he knows discretion and kid-glove treatment will be key to staying in the judge’s good graces and keeping his job.It’s an open-and-shut case: Elise, the judge’s beautiful trophy wife, interrupted a burglary and killed the intruder in self-defense. Yet Duncan is suspicious of the beautiful woman’s story of innocence and his gut tells him her account of the shooting is only partially true.Determined to learn the dead man’s connection to the Lairds, Duncan investigates further but soon finds his career, and integrity, in jeopardy. Despite his suspicions, Duncan is increasingly drawn to Elise―even if she is a married woman, a proven liar, and a murder suspect.When Elise seeks Duncan out privately, he initially dismisses her incredible allegation as the manipulative lie of a guilty woman. But if she’s telling the truth, then that single fatal gunshot at her home takes on even more sinister significance, possibly involving Duncan’s nemesis, the brutal crime lord Robert Savich. And then Elise goes missing...

    Laurel and Primrose. One convicted of murder, the other given a new identity.Now, nineteen years later, another child has gone missing.And The Flower Girls are about to hit the headlines all over again...

    For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds herself identifying with the young victims—a bit too strongly. Dogged by her own demons, she must unravel the psychological puzzle of her own past if she wants to get the story—and survive this homecoming.Librarian's Note: this is an alternate cover edition - ISBN 10: 0307341550 (ISBN 13: 9780307341556)

    Parrish follows that success with an addictive novel filled with shocking twists about the aftermath of a brutal high-society murder.Dr. Kate English has it all. Not only is she the heiress to a large fortune; she has a gorgeous husband and daughter, a high-flying career, and a beautiful home anyone would envy.But all that changes the night Kate’s mother, Lily, is found dead, brutally murdered in her own home. Heartbroken and distraught, Kate reaches out to her estranged best friend, Blaire Barrington, who rushes to her side for the funeral, where the years of distance between them are forgotten in a moment.That evening, Kate’s grief turns to horror when she receives an anonymous text: You think you’re sad now, just wait. By the time I’m finished with you, you’ll wish you had been buried today. More than ever, Kate needs her old friend’s help.Once Blaire decides to take the investigation into her own hands, it becomes clear that all is not as it seems in Baltimore high society. As infidelity, lies, and betrayals come to light, and tensions rise to a boiling point, she begins to alienate Kate’s friends and relatives with her relentless, accusatory questions, as she tries to find Lily’s killer. The murderer could be anyone—friend, neighbor, loved one. But whoever it is, it’s clear that Kate is next on their list. . .In The Last Time I Saw You, Liv Constantine takes the lightning pace of The Last Mrs. Parrish and raises the stakes, creating an exquisitely tension-filled and absorbing tale of psychological suspense in which innocent lives—and one woman’s sanity—hang in the balance.

    Someone comes into your orbit and swivels you on your axis, like the wind working on a rooftop weather vane. And when they leave, as the wind always does, you are different; you have a new direction. And it’s not always north.Any woman who’s ever been involved with a bad, bad man and been dumped will understand what it feels like to be broken, broken-hearted and bent on revenge. Taylor Bishop is hurt, angry and wants to destroy Angus Hollingsworth in the way he destroyed her: Insidiously. Irreparably. Like a puzzle, he’d slowly dissembled … stolen a couple of pieces from, and then discarded, knowing that nobody would ever be able to put it back together ever again. So Taylor consulted The Art of War and made a plan. Then she took the next step – one that would change her life forever. Then things get really out of control – and The Sunday Girl becomes impossible to put down.

    Fans of Paula Hawkins’ The Girl on the Train will love this modern reimagining of Patricia Highsmith’s classic Strangers on a Train from the author of the acclaimed The Girl with a Clock for a Heart—which the Washington Post said “should be a contender for crime fiction’s best first novel of 2014.”On a night flight from London to Boston, Ted Severson meets the stunning and mysterious Lily Kintner. Sharing one too many martinis, the strangers begin to play a game of truth, revealing very intimate details about themselves. Ted talks about his marriage that’s going stale and his wife Miranda, who he’s sure is cheating on him. Ted and his wife were a mismatch from the start—he the rich businessman, she the artistic free spirit—a contrast that once inflamed their passion, but has now become a cliché.But their game turns a little darker when Ted jokes that he could kill Miranda for what she’s done. Lily, without missing a beat, says calmly, “I’d like to help.” After all, some people are the kind worth killing, like a lying, stinking, cheating spouse. . . .Back in Boston, Ted and Lily’s twisted bond grows stronger as they begin to plot Miranda's demise. But there are a few things about Lily’s past that she hasn’t shared with Ted, namely her experience in the art and craft of murder, a journey that began in her very precocious youth.Suddenly these co-conspirators are embroiled in a chilling game of cat-and-mouse, one they both cannot survive . . . with a shrewd and very determined detective on their tail.

    Watson and Ruth Ware.I have no memory of what happened but I was told I killed my son. And you believe what your loved ones, your doctor and the police tell you, don't you? My name is Emma Cartwright. Three years ago I was Susan Webster, and I murdered my twelve-week-old son Dylan. I was sent to Oakdale Psychiatric Institute for my crime, and four weeks ago I was released early on parole with a new identity, address, and a chance to rebuild my tattered life. This morning, I received an envelope addressed to Susan Webster. Inside it was a photograph of a toddler called Dylan. Now I am questioning everything I believe because if I have no memory of the event, how can I truly believe he's dead? If there was the smallest chance your son was alive, what would you do to get him back?

    A snooper, a marriage doctor, a destroyer of dreams, a killer of happy-ever-afters. She runs her own private detective agency specialising in catching out in those who cheat. And she is bloody good at it.Helene is a husband catcher. A beautiful wife, a doting step-mother, a perfect home maker and a dazzling presence at parties. She has landed herself with one of the most eligible bachelors in town - handsome property developer Gabe Moreau.Alice is just a teenager. A perfect daughter to Gabe, a kind stepchild to Helene, a tragic girl to a dead mother. She lives a sheltered but happy life, until she finds that handwritten note 'You owe me. I'm not going away.'All three women suspect Gabe Moreau of keeping secrets and telling lies. But not one of them suspects that these lies could end in cold-blooded murder . . .