Leslie Jamison deftly excavates the stories we tell about addiction--both her own and others'--and examines what we want these stories to do, and what happens when they fail us.All the while, she offers a fascinating look at the larger history of the recovery movement, and at the literary and artistic geniuses whose lives and works were shaped by alcoholism and substance dependence, including John Berryman, Jean Rhys, Raymond Carver, Billie Holiday, David Foster Wallace, and Denis Johnson, as well as brilliant figures lost to obscurity but newly illuminated here.For the power of her striking language and the sharpness of her piercing observations, Jamison has been compared to such iconic writers as Joan Didion and Susan Sontag. Yet her utterly singular voice also offers something new. With enormous empathy and wisdom, Jamison has given us nothing less than the story of addiction and recovery in America writ large, a definitive and revelatory account that will resonate for years to come.

    This lively, visual biography highlights Kerouac's impact on the 1950s and 1960s and tracks his relentless devotion to his work, revealing the spirituality that was at its core. 150 color and b&w photos.

    Edgar Pool is "The Horn," the hero, and the man who helps change the face of American music. He becomes the legend whose triumphant and tragic career is reconstructed through the memories of his friends and lovers.

    Udo Grashoff has discovered forty-five suicide letters that offer us unique insight into this phenomenon. The authors of each letter differ in age, sex, and class, but all cite strikingly universal reasons for their decision -- unrequited love, mounting debts, the loss of a spouse, a frustrating domestic situation. These are problems that we may all encounter. So why is it that only some of us see suicide as the solution? A truly remarkable and thought-provoking anthology, Let Me Finish marks the beginning of a more widespread frankness about suicide and take us closer to answering the seemingly unanswerable question: "Why?"

    Drugs, crime and ennui pervaded every part of his day-to-day alienation. He dragged his way out of the pit without resorting to God or alcohol or any of the other crutches people commonly use. Here is his story. Pray your children don't make the same mistakes.~ ~ ~This is the 2019 expanded edition of the 2012 bestselling memoir Hammered, telling the true story of the author's twenty years plus of drug dependency and the resultant lifestyle as experienced in Australia.This new edition contains more than 20,000 extra words and gives a better insight into the emotional impact of the journey and more detail on the recovery.~ ~ ~"Fascinating, and very easy reading."~Joe Lansdale, author of the Hap & Leonard series~ ~ ~"This is a hard journey well shared and a book that risks real sadness to tell its human truth."~Kris Saknussemm, cult novelist and multimedia artist~ ~ ~"This book is to Australia what Trainspotting is to Scotland."~R.B. Clague, author

    This includes loved ones, family, and friends beginning the journey of recovery. This resource can help you understand how to help them thrive.A compassionate, user-friendly handbook for family and friends navigating the many challenges that come with a loved one's new-found sobriety. A relative or friend has finally taken those tentative first steps toward sobriety. With the relief of this life-changing course of action comes a new and difficult set of challenges for recovering addicts and those who love them. Family members and friends often find themselves unsure of how to weather such a dramatic turn, as the rules and routines of their relationships no longer pertain. Everything Changes assuages fears and uncertainty by teaching loved ones of newly recovering addicts how to navigate the often-tumultuous early months of recovery. Beverly Conyers, author of the acclaimed Addict in the Family, again shares the hope and knowledge that she gained as a parent of a recovering addict by focusing on the aftermath of addiction. She outlines the physical and psychological changes that recovering addicts go through, and offers practical tools to help family members and friends: build a fresh, rewarding relationship with the addict be supportive without setting themselves up for disappointment avoid enabling destructive behavior set and maintain boundaries cope with relapse deal with the practicalities of sober living, such as helping the addict find a job and deal with the stigma of addiction.

    Like generation-defining albums before it, PLAY was ubiquitous, and catapulted Moby to superstardom. Suddenly he was hanging out with David Bowie and Lou Reed, Christina Ricci and Madonna, taking esctasy for breakfast (most days), drinking litres of vodka (every day), and sleeping with super models (infrequently). It was a diet that couldn't last. And then it fell apart.The second volume of Moby's memoir is a classic about the banality of fame. It is shocking, riotously entertaining, extreme, and unforgiving. It is unedifying, but you can never tear your eyes away from the page.

    Halpern enables the adult child to understand his or her parent and foster a positive, healthy adult relationship.

    Drunken Angel, his new autobiographical work, drops like a sledgehammer. It is the most gripping, chilling and inspiring account ever written of a life-long battle with alcoholism and the struggle to write. Graphic in its grit, an education in pain, Drunken Angel is being hailed as "the Naked Lunch of memoirs."The book chronicles Kaufman’s headlong plunge into the piratical life of a literary drunk, and takes us shamelessly through noirish alleyways of S&M sensuality, forbidden pleasures and pitfalls of adultery, the thrilling horrors of war, plus raging poetry nights, mental illness, homelessness, literary struggle and his strange, magnificent rise into a sobriety of personal triumph as crazily improbable as the famous and notorious figures he meets along the way. Drunken Angel contains revealing portraits of such literary figures as Allen Ginsberg, Kathy Acker, Barney Rosset, Anthony Burgess, Elie Wiesel, Ron Kolm, Isaac Bashevis Singer, Jim Feast, Bernard Malamud, Hubert Selby Jr., Bob Holman, Sapphire, not to speak of the gutter dreamers, Nuyorican Poets, Unbearables, Babarians, Slammers, Black foot Indians, commandos, criminals, junkies, renegade cocktail waitresses, hoboes, painters, and a host of others who each in some way, big or small, play their part in peopling the wildly exilerating drama of Kaufman’s passionate and exotic life.Whether the addiction be booze, women, violence, writing or fame, Kaufman honors us with an explicit honesty that only a writer of enormous power and artistic greatness can attain, and his life, as Drunken Angel poignantly shows, is a profoundly meaningful quest for truth and spiritual values.

    Altho they have no bodies to move around with, they're free to mentally visit any of the other residents, & engage in all the emotional, intellectual & pseudo-sexual congress that they desire. This is the story of a projection of life in the 25th century. People have been reduced to Cerebromorphs--disembodied brains stored in tanks in huge Depositories & wired up to computers, memory files & mammoth study programmes. In the tanks they're supposed to pass thru various levels of understanding before they are liberated, implanted in hatchery-nurtured perfect bodies & sent back into a pastoral paradise flourishing outside. The novel follows a small group of these brains: that of a 12-year-old boy killed in an air crash; an ex-movie queen, fastidious, rich & lethal; a former Nigerian sculptor & the last of the great humanists.

    I feel very deeply that this book must be written. And no one else, I repeat, can write it.”—William S. BurroughsEdie Parker was eighteen years old when she met Jack Kerouac at Columbia University in 1940. A young socialite from Grosse Pointe, Michigan, she had come to New York to study art, and quickly found herself swept up in the excitement and new freedoms that the big city offered a sheltered young woman of that time.Jack Kerouac was also eighteen, attending Columbia on a football scholarship, impressing his friends with his intelligence and knowledge of literature. Introduced by a mutual friend, Jack and Edie fell in love and quickly moved in together, sharing an apartment with Joan Adams (who would later marry William S. Burroughs). This is the story of their life together in New York, where they began lifetime friendships with Allen Ginsberg, William S. Burroughs, and others. Edie’s memoir provides the only female voice from that nascent period, when the leading members of the Beat Generation were first meeting and becoming friends.In the end, Jack and Edie went their separate ways, keeping in touch only on rare occasions through letters and late-night phone calls. In his last letter to Edie, written a month before his death, Kerouac ended it with the encouraging phrase: “You’ll be okay.” It was from that note that the title of this book was taken.

    It has been twenty-five years since John Lennon walked out of the Parlophone studios, taking George and Ringo with him. Paul, American-speaking and -acting, has become the world-famous Las Vegas entertainer Paul Montana, and he's visiting Liverpool for the first time since 1962, hoping to reunite with his boyhood chums, the once "hottest little quartet—in Liverpool." Father George, now a Jesuit priest, is recovering from a nervous breakdown; John is embittered, alcoholic, unemployed, and on the dole. His wife has left him, and young Julian has joined the fascist National Front. Ringo lives on the earnings of his entrepreneurial hairdressing wife while he and John sit in weekends with old rivals, Gerry and the Pacemakers. It is Lennon's curse that he can imagine what might have been. Liverpool Fantasy is a blackly comic meditation on the enduring hazards of friendship, the alchemy of collaboration, and what a world without the Beatles—that is, without idealism—looks like.

    . . literally. As the death toll mounts, Tobe embarks on a desperate journey to understand the film’s thirty-year-old origins—and put an end to the strange epidemic his creation has set in motion.  Featuring the terror, humor, and sly documentary style Hooper devotees remember from such classics as The Texas Chainsaw Massacre, Midnight Movie is vintage Tobe Hooper, again demonstrating the director’s place as one of the godfathers of modern horror.

    ever written. Not God contains anecdotes and excerpts from the diaries, correspondence, and occasional memoirs of A.A.'s early figures. A fascinating, fast-moving, and authoritative account of the discovery and development of the program and fellowship that we know today as Alcoholics Anonymous.

     As a child during the Depression and World War II, Pete Hamill learned early that drinking was an essential part of being a man, inseparable from the rituals of celebration, mourning, friendship, romance, and religion. Only later did he discover its ability to destroy any writer's most valuable tools: clarity, consciousness, memory. In A Drinking Life, Hamill explains how alcohol slowly became a part of his life, and how he ultimately left it behind. Along the way, he summons the mood of an America that is gone forever, with the bittersweet fondness of a lifelong New Yorker. "Magnificent. A Drinking Life is about growing up and growing old, working and trying to work, within the culture of drink." --Boston Globe