Not intended for young adult readers.*** He told me to say when, but I can’t. Not with Andrés. It’s so hard to say anything when he’s trailing feather soft kisses down my neck, or when his touch sends hot currents of lust rippling across my skin. Then there’s the way he smiles and offers soft words of encouragement when I’m creating art, almost like he believes I have talent. He’s not like any guy I’ve ever met. Not like my ex-fiancé. Not like my father. He’s got me thinking that maybe we can have something more. More than just lust, degradation, and abuse. And now I’m scared, because that means I’ll have to trust him with more than just my body, but with my heart, too. Christina Duval This is the first book in the Something More Series. Also available are books two, Say Yes, and the third installment, Say Forever. Say Please, book 3.5, is out now.

    Trapped by poverty and without many allies, Jaymee nearly gives up hope of getting her daughter back after her best friend is murdered. Now, four years later, a wealthy woman with legal connections hires her as a housekeeper, and Jaymee gathers the courage to seek her help. But Jaymee’s last chance ends up in a puddle of blood in one of the historic antebellum mansions in Roselea, Mississippi.I just murdered your wife...again.An unsigned letter consisting of six horrifying words turns Nick Samuels stagnant life upside down. Stuck in emotional purgatory since his wife’s unsolved murder four years ago, Nick is about to self-destruct. The arrival of the letter claiming credit for his wife’s murder and boasting of a new kill sends Nick to Roselea, where he and Jaymee’s worlds collide.Jaymee and Nick realize exposing the truth about her daughter’s adoption is the only way to solve the murders. Up against years of deception, they rush to identify the killer before the evidence–and Jaymee’s daughter–are lost.But the truth doesn’t always set the guilt-ridden free. Sometimes, it destroys them.

    Amber Alton knows that the hours pass differently at Black Rabbit Hall, her London family's country estate, where no two clocks read the same. Summers there are perfect, timeless. Not much ever happens. Until, of course, it does. More than three decades later, Lorna is determined to be married within the grand, ivy-covered walls of Pencraw Hall, known as Black Rabbit Hall among the locals. But as she's drawn deeper into the overgrown grounds, half-buried memories of her mother begin to surface and Lorna soon finds herself ensnared within the manor's labyrinthine history, overcome with an insatiable need for answers about her own past and that of the once-happy family whose memory still haunts the estate. Stunning and atmospheric, this debut novel is a thrilling spiral into the hearts of two women separated by decades but inescapably linked by the dark and tangled secrets of Black Rabbit Hall.

    . . On a quiet summer morning seventeen-year-old American exchange student Quinn Perkins stumbles out of the woods near the small French town of St. Roch, barefoot, bloodied, and unable to say what has happened to her.Quinn's appearance creates a stir, especially since her host family, the Blavettes, has mysteriously disappeared. Now the media, and everyone in the idyllic village, are wondering if the American girl has anything to do with the missing family.A Boston reporter named Molly Swift travels to St. Roch, prepared to do anything to learn the truth and score the ultimate scoop. After Quinn is arrested and a trial by media ensues, she finds an unlikely ally in the young journalist. Molly unravels the disturbing secrets of the town's past in an effort to clear Quinn's name, but even she is forced to admit that the American girl makes a compelling suspect.Is Quinn truly an innocent abroad, or is she a cunning, diabolical killer intent on getting away with murder?

    For a start she discovers something unsettling in the basement that interests the police officer next door.

    Part detective, part paranormal exterminator, Ellie operates out of Savannah, Georgia, the most haunted city in the United States.When a family contacts her to deal with a disturbing presence in the old mansion they’ve recently purchased, Ellie first believes it to be a typical, by-the-book specter, a residual haunting by a restless spirit. Instead, she finds herself confronting an evil older and more powerful than she’d ever expected, rooted in the house’s long and sordid history of luxury, sin, and murder. The dangerous entity seems particularly interested in her clients’ ten-year-old daughter.Soon her own life is in danger, and Ellie must find a way to exorcise the darkness of the house before it can kill her, her clients, or their frightened young child.

    After all, she has been battling Maeve most of her life. Disagreeing about the extent of their Irish mother’s creeping dementia and the fate of the family’s thriving restaurant business, named for their beloved, long dead father, Paddy, is surely a recipe for a world-class brawl. What Flynn doesn’t expect is the fragile truce the sisters forge to save O’Shea’s from the clutches of Maeve’s scheming husband, Jeffrey. Flynn and Maeve are reluctantly aided by their forty-four-year-old brother, Osheen, a handsome Peter Pan still cruising the Jersey shore, getting high and dodging responsibility. And while Didi tries to convince her mother that “everything is as it should be,” just when Flynn is sure she’s gained the upper hand on Jeffrey, her own mother’s shocking confession sends her into a wine-soaked tailspin and forces her to deal once and for all with the ghosts of her past. Devastated, Flynn must choose to save O’Shea’s or risk losing forever all she has left of her father.In Here Among Us, the O’Sheas find themselves dealing with the very timely issue of Alzheimer’s, a disease that strips the victim's identity and wreaks havoc on the family left to pick up the pieces. But Flynn, Osheen and Maeve’s troubles began long before their mother started to “slip.” For the O’Sheas, much of their shared angst is rooted in the single most devastating event of their lives—the death of their father when they were young children. The novel explores not only how deep wounds can seem impossible to heal, but how refusing to let go of the stories the O'Sheas desperately cling to about who they are, threatens to hasten their demise.

    One night in Waterloo, Iowa, with young policeman Virgil Holt watching from the audience, she swaps her trademark saw for a fire ax. Is it a new version of the illusion, or an all-too-real murder? When Arden’s husband is found lifeless beneath the stage later that night, the answer seems clear.But when Virgil happens upon the fleeing magician and takes her into custody, she has a very different story to tell. Even handcuffed and alone, Arden is far from powerless—and what she reveals is as unbelievable as it is spellbinding. Over the course of one eerie night, Virgil must decide whether to turn Arden in or set her free… and it will take all he has to see through the smoke and mirrors.

    A lot of mistakes were made that awful day twenty years ago, when she died in a plane crash with Kache's father and brother — and Kache still feels responsible. He fled Alaska for good, but now his aunt Snag insists on his return. She admits she couldn't bring herself to check on his family's house in the woods — not even once since he's been gone.Kache is sure the cabin has decayed into a pile of logs, but he finds smoke rising from the chimney and a mysterious Russian woman hiding from her own troubled past. Nadia has kept the house exactly the same — a haunting museum of life before the crash. And she's stayed there, afraid and utterly isolated, for ten years.Set in the majestic, dangerous beauty of Alaska, All the Winters After is the story of two bound souls trying to free themselves, searching for family and forgiveness.

    . . But now that she’s been transplanted to rural Louisiana, she has decided that this fake identity will be her last. Witness Protection has taken nearly everything from her. But for now, they’ve given her a new name, Megan Rose Jones, and a horrible hair color. For the past eight months, Meg has begged her father to answer one question: What on earth did he do – or see – that landed them in this god-awful mess? Meg has just about had it with all the Suits’ rules — and her dad’s silence. If he won’t help, it’s time she got some answers for herself. But Meg isn’t counting on Ethan Landry, an adorable Louisiana farm boy who’s too smart for his own good. He knows Meg is hiding something big. And it just might get both of them killed. As they embark on a perilous journey to free her family once and for all, Meg discovers that there’s only one rule that really matters — survival.

     Arlo Wilde, a gruff has-been rock star who’s got nothing to show for his fame but track marks, is always two steps behind the other dads. His wife, beautiful ex-pageant queen Gertie, feels socially ostracized and adrift. Spunky preteen Julie curses like a sailor and her kid brother Larry is called “Robot Boy” by the kids on the block. Their next-door neighbor and Maple Street’s Queen Bee, Rhea Schroeder—a lonely community college professor repressing her own dark past—welcomes Gertie and family into the fold. Then, during one spritzer-fueled summer evening, the new best friends share too much, too soon. As tensions mount, a sinkhole opens in a nearby park, and Rhea’s daughter Shelly falls inside. The search for Shelly brings a shocking accusation against the Wildes that spins out of control. Suddenly, it is one mom’s word against the other’s in a court of public opinion that can end only in blood. A riveting and ruthless portrayal of American suburbia, Good Neighbors excavates the perils and betrayals of motherhood and friendships and the dangerous clash between social hierarchy, childhood trauma, and fear.

    Others don't see it, but I do.The enchanted place is an ancient stone prison, viewed through the eyes of a death row inmate who finds escape in his books and in re-imagining life around him, weaving a fantastical story of the people he observes and the world he inhabits. Fearful and reclusive, he senses what others cannot. Though bars confine him every minute of every day, he marries magical visions of golden horses running beneath the prison, heat flowing like molten metal from their backs, with the devastating violence of prison life.Two outsiders venture here: a fallen priest, and the Lady, an investigator who searches for buried information from prisoners' pasts that can save those soon-to-be-executed. Digging into the background of a killer named York, she uncovers wrenching truths that challenge familiar notions of victim and criminal, innocence and guilt, honour and corruption-ultimately revealing shocking secrets of her own.

    Today is my birthday. Today I am fifteen. Today I buried my parents in the backyard. Neither of them were beloved.Marnie and her little sister Nelly are on their own now. Only they know what happened to their parents, Izzy and Gene, and they aren’t telling. While life in Glasgow’s Hazlehurst housing estate isn’t grand, they do have each other. Besides, it’s only one year until Marnie will be considered an adult and can legally take care of them both.As the new year comes and goes, Lennie, the old man next door, realizes that his young neighbors are alone and need his help. Or does he need theirs? But he’s not the only one who suspects something isn’t right. Soon, the sisters’ friends, their other neighbors, the authorities, and even Gene’s nosy drug dealer begin to ask questions. As one lie leads to another, dark secrets about the girls’ family surface, creating complications that threaten to tear them apart.Written with fierce sympathy and beautiful precision, told in alternating voices, The Death of Bees is an enchanting, grimly comic tale of three lost souls who, unable to answer for themselves, can answer only for each other.

    Cindy finds her newly beloved taken away from her, drowned in a freak accident in the ocean. The local police are quick to declare it an accident, to insist that he was caught in a sudden riptide. But Cindy, left all alone, is not convinced.Cindy must return to her and Clint’s now-empty home in New York and face her in-laws, who never wanted Clint to marry her, and who did everything to make her engagement and wedding hell. She must deal with all of these women’s backbiting, gossiping and unspoken accusations, while she tries to get a handle on her own grief and to get clear on what really happened to Clint.Cindy is mailed an anonymous photo of a woman she had never met, addressed to Clint. As she tries to unravel the mysterious package, as she begins to dig deeper into Clint’s emails and files, she realizes how many secrets Clint had been hiding from his past. She realizes that she didn’t really know the man she loved. And she also realizes that Clint was murdered.She digs deeper, into the depths of Clint’s massive corporation, DGB oil, and as she starts to unearth information she shouldn’t, she goes too far. Soon her own life is in peril. On the run, she realizes that the only way to get answers, and to save her own life, is to return to where it all began: Barbados. As she heads into the dark underside of the island, into the heart of the local villages, she is shocked to discover what really happened to her husband on their honeymoon.But by then, it may already be too late.Books #2--#7 in the Caribbean Murder series (DEATH BY DIVORCE) are now also available!

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?