Sansom must read this Saltire Society Literary Awards Scottish First Book of the Year – a great non-fiction adventure about Scotland’s most notorious clan chief.Simon Fraser, Lord Lovat, was the last of the great Scottish chiefs – and the last nobleman executed for treason. Determined to seek his fortune with the exiled Jacobite king in France, Fraser acted as a spy for both the Stuarts and the Hanoverians; claimed to be both Protestant and Roman Catholic.In July 1745, Bonnie Prince Charlie launched his last attempt to seize back the throne, supported by Fraser and his clans. They were defeated at Culloden. Fraser was found hiding in a tree.This swashbuckling spy story recreates an extraordinary period of history in its retelling of Fraser’s life. He is surely one of Scotland’s most notorious and romantic figures, a cunning and ambitious soldier who died a martyr for his country and an independent Scotland.

    She rode out at the head of an army in both victory and defeat; saw her second husband assassinated, and married his murderer. At twenty-five she entered captivity at the hands of her rival queen, from which only death would release her.The life of Mary Stuart is one of unparalleled drama and conflict. From the labyrinthine plots laid by the Scottish lords to wrest power for themselves, to the efforts made by Elizabeth's ministers to invalidate Mary's legitimate claim to the English throne, John Guy returns to the archives to explode the myths and correct the inaccuracies that surround this most fascinating monarch. He also explains a central mystery: why Mary would have consented to marry – only three months after the death of her second husband, Lord Darnley – the man who was said to be his killer, the Earl of Bothwell. And, more astonishingly, he solves, through careful re-examination of the Casket Letters, the secret behind Darnley's spectacular assassination at Kirk o'Field. With great pathos, Guy illuminates how the imprisoned Mary's despair led to a reckless plot against Elizabeth – and thus to her own execution.The portrait that emerges is not of a political pawn or a manipulative siren, but of a shrewd and charismatic young ruler who relished power and, for a time, managed to hold together a fatally unstable country.

    After years of struggle, Scotland had been reduced to a vassal state by Edward I of England and its people lived in poverty. On the day he seized the crown Bruce renewed the fight for Scotland's freedom, and let forth a battle cry that would echo through the centuries.Using contemporary accounts, Ronald McNair Scott tells the story of Scotland's legendary leader, and one of Europe's most remarkable medieval kings. It is a story with episodes as romantic as those of King Arthur, but also one which belongs in the annals of Scottish History, and has shaped a nation.

    Documents relating to the alleged marriage, bearing the Prince's signature, were impounded and examined in 1866 by the Attorney General. Learned opinion at the time leaned to the view that these documents were genuine. They were then placed in the Royal Archives at Windsor; in 1910, permission was refused a would-be author who asked to see them. If George III did make such a marriage when he was Prince of Wales, before the passing of the Royal Marriages Act in 1772, then his subsequent marriage to Queen Charlotte was bigamous, and every monarch of Britain since has been a usurper, the rightful heirs of George III being his children by Hannah Lightfoot, if they ever existed.' From Britain's Royal Families Britain's Royal Families is a unique reference book. It provides, for the first time in one volume, complete genealogical details of all members of the royal houses of England, Scotland and Great Britain - from 800AD to the present. Here is the vital biographical information relating not only to each monarch, but also to every member of their immediate family, from parents to grandchildren. Drawing on countless authorities, both ancient and modern, Alison Weir explores the royal family tree in unprecedented depth and provides a comprehensive guide to the heritage of today's royal family.

    He’s had a pretty bad press: supposed usurper of Richard II’s crown and the focus of hatred in the Peasants’ Revolt (they torched his home, the Savoy Palace). Helen Carr will paint a complex portrait of a man who held the levers of power on the English and European stage, passionately upheld chivalric values, pressed for the Bible to be translated into English, patronised the arts … and, if you follow Shakespeare, gave the most beautiful oration on England (‘this sceptred isle… this blessed plot’). An engrossing drama of political machinations, violence, romance and tragedy played out at the cusp of a new era.

    From its beginning as a few lines of Latin text written in a sixth-century monk’s hand, Arthurian legend has blossomed over the years into a unique universe built on the real foundations of Britain’s Dark Ages and the principles of ancient chivalry. Liberally expanded over the years to include romantic entanglements, an imaginary ancient empire, and the threat of the supernatural, the legend of King Arthur remains as engaging today as it was in medieval times. King Arthur’s life, whether it happened or not, cuts to the core of the Matter of Britain and reveals the heart of Britain’s fanciful idea of its origin.

    Life among the warring factions in Scotland was dangerous for the infant Queen, however, and at age five Mary was sent to France to be raised alongside her betrothed, the Dauphin Francois. Surrounded by all the sensual comforts of the French court, Mary's youth was peaceful, charmed, and when she became Queen of France at the age of sixteen, she seemed to have all she could wish for. But by her eighteenth birthday, Mary was a widow who had lost one throne and had been named by the Pope for another. And her extraordinary adventure had only begun. Defying her powerful cousin Elizabeth I, Mary set sail in 1561 to take her place as the Catholic Queen of a newly Protestant Scotland. A virtual stranger in her volatile native land, Mary would be hailed as a saint, denounced as a whore, and ultimately accused of murdering her second husband, Lord Darnley, in order to marry her lover, the Earl of Bothwell. She was but twenty-five years old when she fled Scotland for the imagined sanctuary of Elizabeth's England, where she would be embroiled in intrigue until she was beheaded "like a criminal" in 1587. In her stunning first novel, The Autobiography of Henry VIII, Margaret George established herself as one of the finest historical novelists of our time. Now she brings us a new, mesmerizing blend of history and storytelling as she turns the astonishing facts of the life of Mary Queen of Scots into magnificent fiction that sweeps us from the glittering French court where Mary spent her youth, to the bloodstained Scotland where she reigned as Queen, to the cold English castles where she ended her days. Never before have we been offered such arich and moving portrayal of the Scots Queen, whose beauty inspired poetry, whose spirit brought forth both devotion and hatred, and whose birthright generated glorious dreams, hideous treachery, and murdered men at her feet.

    Defined by its relationship to England, Scotland's popular history is full of near-mythical figures and tragic events, her past littered with defeat, failure and thwarted ambition. The martyrdom of William Wallace, the tragedy of Mary Queen of Scots and the forlorn cause of Bonnie Prince Charlie all give the impression of 'poor' Scotland; a victim of misfortune, leading to the country's inevitable submission to the Auld Enemy. After the Union in 1707, Scotland's increasing reliance on England culminated in a crisis of confidence and identity that tortures the country to this day. But how accurate is this version of events? Using the very latest in historical research and by placing Scotland's story in the wider context of British, European and global history, some of the myths that pervade the past will be exploded to reveal a Scotland which forged its own destiny, often with success.

    Even the date and place of his birth have been mis-stated - until now. James Mackay uses all his skills as a historical detective to produce this definitive biography, telling the incredible story of a man who, without wealth or noble birth, rose to become Guardian of Scotland. William Wallace, with superb generalship and tactical genius, led a country with no previous warlike tradition to triumph gloriously over the much larger, better-armed and better-trained English forces. Seven hundred years later, the heroism and betrayal, the valiant deeds and the dark atrocities, and the struggle of a small nation against a brutal and powerful empire, still create a compelling tale.

    Pictures from authentic contemporary sources illuminate his story--its romantic figures and bloody battles, its politics and religion--and provide a rich visual record of Scotland's art, craftsmanship, and intellectual life. For this revised edition, the distinguished journalist Magnus Linklater (former editor of The Scotsman), explores the renewed strengths of Scottish identity as the country enters the new millennium with a new parliament. 250 b/w illustrations.

    As historian and author Arthur Herman reveals, in the eighteenth and nineteenth centuries Scotland made crucial contributions to science, philosophy, literature, education, medicine, commerce, and politics—contributions that have formed and nurtured the modern West ever since. This book is not just about Scotland: it is an exciting account of the origins of the modern world. No one who takes this incredible historical trek will ever view the Scots—or the modern West—in the same way again.

    These include not only historic moments from Bannockburn to the opening of the new parliament in 1999 but also testimonies like that of the eight year- old factory worker who was dangled by his ear out of a third-floor window for making a mistake; the survivors of the 1746 Battle of Culloden, who wished perhaps that they had died on the field; the breakthrough moment for John Logie Baird, inventor of television; and, the genesis of great works of literature recorded by Conan Doyle, Stevenson, and the editor of Encyclopaedia Britannica. From the battlefield to the sports field, this is living, accessible history told by crofters, criminals, servants, housewives, poets, journalists, nurses, politicians, prisoners, comedians, sportsmen, and many more.

    But if you were a woman, it was also a time when death during childbirth was rife; when marriage was usually a legal contract, not a matter for love, and the education you could hope to receive was minimal at best.Yet the Tudor century was also dominated by powerful and dynamic women in a way that no era had been before. Historian Elizabeth Norton explores the life cycle of the Tudor woman, from childhood to old age, through the diverging examples of women such as Elizabeth Tudor, Henry VIII’s sister; Cecily Burbage, Elizabeth's wet nurse; Mary Howard, widowed but influential at court; Elizabeth Boleyn, mother of a controversial queen; and Elizabeth Barton, a peasant girl who would be lauded as a prophetess. Their stories are interwoven with studies of topics ranging from Tudor toys to contraception to witchcraft, painting a portrait of the lives of queens and serving maids, nuns and harlots, widows and chaperones. Norton brings this vibrant period to colorful life in an evocative and insightful social history.

    He charts the long struggle toward nationhood, explores the roots of the original Scots, and examines the extent to which Scotland was shaped by the Romans, the Picts, the Vikings, and the English. Encompassing everything from the first Mesolithic settlers in 7000 B.C. to the present movements for independence, Scotland: The Story of a Nation is history on an epic level, essential reading for anyone interested in the rich past of this captivating land.

    Two of these princesses would themselves produce children of immense consequence. All five would curiously come to share many of the social restrictions and familial machinations borne by nineteenth-century women of less-exulted class.Victoria and Albert's precocious firstborn child, Vicky, wed a Prussian prince in a political match her high-minded father hoped would bring about a more liberal Anglo-German order. That vision met with disaster when Vicky's son Wilhelm-- to be known as Kaiser Wilhelm-- turned against both England and his mother, keeping her out of the public eye for the rest of her life. Gentle, quiet Alice had a happier marriage, one that produced Alexandra, later to become Tsarina of Russia, and yet another Victoria, whose union with a Battenberg prince was to found the present Mountbatten clan. However, she suffered from melancholia and died at age thirty-five of what appears to have been a deliberate, grief-fueled exposure to the diphtheria germs that had carried away her youngest daughter. Middle child Helena struggled against obesity and drug addition but was to have lasting effect as Albert's literary executor. By contrast, her glittering and at times scandalous sister Louise, the most beautiful of the five siblings, escaped the claustrophobic stodginess of the European royal courts by marrying a handsome Scottish commoner, who became governor general of Canada, and eventually settled into artistic salon life as a respected sculptor. And as the baby of the royal brood of nine, rebelling only briefly to forge a short-lived marriage, Beatrice lived under the thumb of her mother as a kind of personal secretary until the queen's death.Principally researched at the houses and palaces of its five subjects in London, Scotland, Berlin, Darmstadt, and Ottawa-- and entertainingly written by an experienced biographer whose last book concerned Victoria's final days-- Victoria's Daughters closely examines a generation of royal women who were dominated by their mother, married off as much for political advantage as for love, and finally passed over entirely with the accession of their n0 brother Bertie to the throne. Packard provides valuable insights into their complex, oft-tragic lives as daughters of their time.