But in the dead of night Sir Neville is murdered. Who did it? As suspicion falls on each of the house guests in turn, Knox finds himself faced with deception and betrayal on all sides, and only the enigmatic Angela Marchmont seems to offer a solution to the mystery. This 1920s whodunit will delight all fans of traditional country house murder stories.

    The science of forensics is in its infancy but a few detectives – Trevor Welles among them – recognize that they are dealing with a different sort of killer, a “modern criminal” who chooses his victims at random. If Jack is to be caught, he won’t be caught with Scotland Yard’s normal methods of deduction for there is no logic to this madness. The question is no longer “Why was the victim killed?” but rather “How was the victim killed?” For the first time in the history of detection, science is trumping deductive reasoning.When a twist of fate puts Trevor in charge of the case, he hastily assembles Scotland Yard’s first forensics team: Davy Mabrey, the first bobby on the scene of the grisliest of the murders, whose working class common sense proves an invaluable asset, Rayley Abrams, a cautious intellectual whose future at the Yard is marginalized due to his Jewish heritage, Tom Bainbridge, a medical student with aristocratic connections and a secret drinking problem, and Emma Kelly, sister of the Ripper’s last victim who has a troubled past and a gift for linguistics. The team finds an unlikely ally in the form of Queen Victoria herself, who takes an unusual level of interest in the Ripper case and secretly funds the unit. But will they stop Jack in time to spare Leanna Bainbridge, the young heiress with whom Trevor has fallen madly and improbably in love?While City of Darkness takes place in London, its sequel, City of Light, will travel to Paris on the eve of the Exposition Universalle, the ultimate World’s Fair which debuted Edison’s phonograph, Buffalo Bill’s Wild West Show, and the Eiffel Tower The third book, City of Silence, will take place in St. Petersburg where Victoria’s beloved granddaughter Alexandria is on the verge of marrying the young czar Nicolas, much to her grandmother’s dismay. Throughout the series the Scotland Yard forensics team, which serves as a sort of Victorian-era CSI, will circle the world to investigate high-profile cases, most often at the urging of the Queen.

    But is it suicide or murder? The case falls to Scotland Yard inspector Joe Sandilands, who survived the horror of the Western Front and has endured six sultry months in English-ruled Calcutta. Sandilands is ordered to investigate, and soon discovers that there have been other mysterious deaths, hearkening sinister ties to the present case.Now, as the sovereignty of Britain is in decline and an insurgent India is on the rise, Sandilands must navigate the treacherous corridors of political decorum to bring a cunning killer to justice - knowing the next victim is already marked to die.

    . . . An eastern émigré with scars and secrets of her own. . . . A young woman claiming to be a Russian grand duchess. . . . A brazen killer, as vicious as he is clever. . . . A detective driven by decency and the desire for justice.. . . A nightmare political movement steadily gaining power. . . .This is 1922 Berlin.One of the troubled city's growing number of refugees, Esther Solomonova survives by working as secretary to the charming, unscrupulous cabaret owner "Prince" Nick, and she's being drawn against her will into his scheme to pass a young asylum patient off as Anastasia, the last surviving heir to the murdered czar of all Russia. But their found "princess," Anna Anderson, fears that she's being hunted—and this may turn out to be more than paranoia when innocent people all around her begin to die.

    Although General Bottando of the Italian National Art Theft Squad has little confidence in Jonathan's theories, Bottando's lovely assistant, Flavia di Stefano, is intrigued by the idea of a lost classic, and by Jonathan himself. But in the midst of the painting's discovery and the resultant worldwide publicity, a new chain of events is set into action. First vandalism, then murder, surround the painting. And as new facts about its true nature emerge, Bottando sends Flavia and Jonathan to investigate--little knowing that the pair will be on the run for the truth... and for their very lives.

    Fogbound streets become a battleground between a literary star and a brilliant murderer, whose lives are linked by secrets long buried but never forgotten.

    But she couldn’t. She’d stay there stuck fast in paint forever. A chimney sweep in Victorian London’s poverty-stricken East End, Tom Wasp is highly flattered to be asked to model for Valentine Drake, a painter in fashionable Chelsea, especially since his co-model is the beautiful and warm-hearted Bessie Barton, a red-headed stunner who becomes his friend. Grief-stricken when her body is found by mudlarks on the muddy banks of the river Thames, Tom vows to find her murderer. Tracking her pitiful past through London’s seamiest quarters, he discovers the monstrous shadow that hangs over her life, Moonman, from whose clutches Bessie had fled, only to fall into his murderous hands at last. But who is Moonman? Is he one of the Angels, the high-minded group of artists to which Valentine belongs? Or is the truth more terrifying still? Step by step Tom hunts down his quarry through the darkness, guided by his faith that there is goodness in this world as well as evil, and assisted by his chummy, the eleven-year-old Ned. Narrated by Tom himself, this unusual historical thriller whirls the reader from the squalor of London’s Victorian slums to the heady pleasures of its high-life, revealing both the evil and the goodness in both. Tom and Ned make a formidable team as they clean the filthy chimneys of life in this first book of the Tom Wasp series. Praise for Amy Myers ‘Victorian England hides a dark underbelly of misery and degradation along with a vicious murderer.’— Kirkus Reviews ‘Tom Wasp is one of the most engaging characters I’ve encountered in yeats’ – Ellen Keith, Historical Novels Review AMY MYERS has been a full-time writer since 1988, and has written a wide range of novels from historical sagas and contemporary romance to crime. She is married to an American and lives in Kent. Many of her novels have been published under the name of Harriet Hudson.

    It is 1997, and in a basement flat in Hackney, Isla Green is awakened by a call in the middle of the night: her father phoning from Sydney.  30 years ago, in the suffocating heat of summer 1967, the Greens’ next-door neighbour Mandy disappeared. At the time, it was thought she had fled a broken marriage and gone to start a new life; but now Mandy’s family is trying to reconnect, and there is no trace of her. Isla’s father Joe was allegedly the last person to see her alive, and now he’s under suspicion of murder. Isla unwillingly plans to go back to Australia for the first time in a decade to support her father. The return to Sydney will plunge Isla deep into the past, to a quiet street by the sea where two couples live side by side. Isla’s parents, Louisa and Joe, have recently emigrated from England—a move that has left Louisa miserably homesick while Joe embraces this new life. Next door, Steve and Mandy are equally troubled. Mandy doesn’t want a baby, even though Steve—a cop trying to hold it together under the pressures of the job—is desperate to become a father.   The more Isla asks about the past, the more she learns: about both young couples and the secrets each marriage bore. Could her father be capable of doing something terrible? How much does her mother know? What will happen to their family if Isla’s worst fears are realized? And is there another secret in this community, one which goes deeper into Australia’s colonial past, which has held them in a conspiracy of silence?Deftly exploring the deterioration of relationships and the devastating truths we keep from those we love, The Silence is a stunning debut from a promising literary star.

    Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they’ve just moved from London to the country, hoping for a quiet life.But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There’s a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation…As Lady Hardcastle and Flo delve deeper into rural rivalries and resentment, they uncover a web of intrigue that extends far beyond the village. With almost no one free from suspicion, they can be certain of only one fact: there is no such thing as a quiet life in the country.

    She immediately became enamored with tales of Holmes and his esteemed biographer Dr. John Watson, and later, began spinning these quintessential characters into her own works of fiction—from her acclaimed debut novel, Dust and Shadow, which pitted the famous detective against Jack the Ripper, to a series of short stories for the Strand Magazine, whose predecessor published the very first Sherlock Holmes short story in 1891.Faye’s best Holmes tales, including two new works, are brought together in The Whole Art of Detection, a stunning collection that spans Holmes’s career, from self-taught young upstart to publicly lauded detective, both before and after his faked death over a Swiss waterfall in 1894. In The Lowther Park Mystery, the unsociable Holmes is forced to attend a garden party at the request of his politician brother and improvises a bit of theater to foil a conspiracy against the government. The Adventure of the Thames Tunnel brings Holmes’s attention to the baffling murder of a jewel thief in the middle of an underground railway passage. With Holmes and Watson encountering all manner of ungrateful relatives, phony psychologists, wronged wives, plaid-garbed villains, and even a peculiar species of deadly red leech, The Whole Art of Detection is a must-read for Sherlockians and any fan of historical crime fiction with a modern sensibility.

    Saddled with a clerk who names Faucon his ‘penance', the shire’s first Crowner must thread the tangled relationships between the sheriff, the village of Priors Holston and the priory that once ruled it. As a simple task takes a turn to the political, what seems obvious isn’t and what appears safe turns out to be more dangerous than he could imagine.

    American genealogist Jefferson Tayte is hired to find out what happened, but it soon becomes apparent that a calculated killer is out to stop him.In the Blood combines a centuries-old mystery with a present-day thriller that brings two people from opposite sides of the Atlantic together to uncover a series of carefully hidden crimes. Tayte's research centres around the tragic life of a young Cornish girl, a writing box, and the discovery of a dark secret that he believes will lead him to the family he is looking for. Trouble is, someone else is looking for the same answers and will stop at nothing to find them.In the Blood is the first in the Jefferson Tayte mystery series.

    The balcony of one of his beautiful music halls collapsed during a packed performance, killing dozens. Layton knows the flaw was not in his design; someone else must have caused the dreadful catastrophe. But with no proof and a hoard of furious Londoners screaming for blood, someone has to take the fall-and Layton finds himself facing a five-year prison sentence.When he is finally freed, Layton is determined to start over. With a new name and identity, he takes a job as a set painter. But as Layton begins to discover dead bodies hidden within theatre halls across London, it soon becomes clear that something darker is chasing him. When he unearths a clue that ties the bodies to the disaster that ruined him, he knows that redemption is within his reach…unless the culprit gets to him first.

    She intends to renovate the ruinous house into a hotel, but the shocking discovery of human remains brings her ambitious restoration plans to an abrupt halt before they even begin. Few physical clues are left to identify the body, but one thing is certain: this person did not die a natural death.Hungry for answers, Hetty discovers that Muirlan was once the refuge of her distant relative Theo Blake, the acclaimed painter and naturalist who brought his new bride, Beatrice, there in 1910. Yet ancient gossip and a handful of leads reveal that their marriage was far from perfect; Beatrice eventually vanished from the island, never to return, and Theo withdrew from society, his paintings becoming increasingly dark and disturbing.What happened between them has remained a mystery, but as Hetty listens to the locals and studies the masterful paintings produced by Theo during his short-lived marriage, she uncovers secrets that still reverberate through the small island community—and will lead her to the identity of the long-hidden body.

    It's a family tradition, but an honor he's not sure he quite deserves. So, when a gentleman's wager ends with one man dead in the vault under the club, Eric is only too ready to tackle the mystery head on.Eric’s quest to resolve the murder quickly becomes an investigation of a mysterious wartime disappearance. It draws him far from the marbled halls of the Brittania, to the shadowy remains of a dilapidated war hospital to the heroin dens of Limehouse. Eric faces a Matryoshka doll of murder, vice, and secrets pointing not only to the officers of his own club but the very investigator assigned by Scotland Yard.Threatened with expulsion and dogged by the racist shadows of the Great War, Eric presses on nonetheless. But can he snare the killer before his own membership becomes a thing of yesterday?