Sick and tired of living in fear, Ruby arranges a date without her mother’s knowledge. On first impressions, charming and sensitive Cody Strong seems perfect. When they visit his home overlooking the Welsh coast, she meets his delightful father Steve and brother Kyle. But it isn’t long before she discovers all is not as it seems. After a shocking turn of events, Ruby’s world is blown apart. Terrified and desperate, she prepares to face her darkest hour yet. Will she ever escape this nightmare?

    This story takes you behind the closed and guarded gates of a military station, giving you a fat-piece of the grand and mysterious life of the Indian Army Wifes.“An Army wife is probably the only woman in the world whoknows and readily accepts that she is the mistress, because, let’sface it, the Army is the wife and the wife gets all the damnattention!” Pia is a regular, civilian girl with no connection to Army whatsoever. Then she marries Arjun, an Indian Army Officer. For Pia, regular life is a thing of the past. She is now an Army wife. From ‘just Pia’ to an Aunty, a memsaab and – her favorite words in the whole wide world – Mrs Pia Arjun Mehra. At twenty six, Pia finds herself having to suddenly be more ‘lady-like’; focus on themed ladies’ meets, high teas and welfare functions; and deal with long (unexpected) separations from her husband, extraordinary challenges, a little heartache, and, well, growing up. In the mysterious and grand world of Army wives, Pia learns that walking in high heels is okay as long as you don’t trip on combat boots. She learns that ‘civil’ is also a noun, that JCO and GOC are (very!) different, that snacks are ‘shown’ and WTF is better explained as Whiskey Tango Foxtrot. Yes, it really is a new world! Let this quirky, hilarious story of the first year of Pia’s Army-wife life show you that the spice to a soldier’s life is most definitely his better, very strong, bloody extremely elegant, never-cussing, witty, warm and passionate half, his Army wife.

    Paralyzed by grief and unable to put his thoughts into words, Nick, a fire captain, seeks out the help of a writer to compose eulogies for the colleagues and friends he lost in the catastrophic events of September 11, 2001. As Joan, an editor by trade, draws Nick out about “the guys,” powerful profiles emerge, revealing vivid personalities and the substance and meaning that lie beneath the surface of seemingly unremarkable people. As the individual talents and enthusiasms of the people within the small firehouse community are realized, we come to understand the uniqueness and value of what each person has to contribute. And Nick and Joan, two people who under normal circumstances never would have met, jump the well-defined tracks of their own lives, and so learn about themselves, about life, and about the healing power of human connection, through talking about the guys.

    George Orwell's prophetic, nightmarish vision of "Negative Utopia" is timelier than ever-and its warnings more powerful in this three-act adaptation.

    Evan is shy, lonely, and bullied for it―teeming with the irrepressible emotions all too familiar with anyone who's ever been a teenager. After a tragedy strikes, Evan's life suddenly gets turned around, but is it ultimately for the better?

    Both are struggling to escape from lingering parental domination and to establish their own lives and identities. In Janie's case this leads to an inconclusive involvement with a young Jewish doctor who calls her "Monkey"; while Harriet assails the world of big business and has an affair with her hard-driving (and married) boss. Told in a fast-moving series of inventive, alternately hilarious and touchingly revealing scenes, the play explores their parallel stories with uncommon wit and wisdom-resulting, ultimately, in a heightened awareness which, while not providing all the answers, goes a long way toward achieving the maturity and self-assuredness that both protagonists so desperately desire.

    Three plays from Pulitzer-Prize winning playwright August Wilson: Ma Rainey's Black Bottom, Fences, and Joe Turner's Come and Gone.

    When a Tibetan lama and a monk come to their home unexpectedly, asking to take their child away for a life of spiritual training in India, the parents must make a life-altering choice that will test their strength, their marriage, and their hearts.The Oldest Boy is a richly emotional journey filled with music, dance, puppetry, ritual, and laughter—Sarah Ruhl at her imaginative best. A meditation on attachment and unconditional love, the play asks us to believe in a world in which sometimes the youngest children are also the oldest and wisest teachers.

    As a blizzard rages outside, a lonely figure, Henry Harry, lies sleeping under a heap of blankets. Suddenly, he is awakened by the insistent knocking of an unexpected visitor who turns out to be Rosannah DeLuce, a distraught young woman who has fled all the way from Arizona to escape her impending marriage, and who bursts into the cabin dressed in full bridal regalia. Exhausted, she throws herself on Henry's mercy, but after sleeping for two days straight, her vigor and combativeness return. Both characters, it develops, have been wounded and embittered by life, and both are refugees from so-called civilization. Thrown together in the confines of the snowbound cabin, they alternately repel and attract each other as, in theatrically vivid exchanges, they explore the pain of the past and, in time, consider the possibilities of the present. In the end their very isolation proves to be the catalyst that allows them to break through the web of old griefs and bitter feelings that beset them both and to reach out for the solace and sanctuary that only hard-won understanding, self-awareness and compassion for the plight of others can bestow.

    Tired of writing cheap comedy gags for "Chipper the Chipmunk," a children's television star, Murray finds himself unemployed with plenty of free time with which to pursue his...pursuits. Lectured by his conventional brother Arnold and hounded by "the system," Murray is paid a visit by bickering, uptight social workers, Sandra and Albert, and finds himself solving their problems as well as most of his own."Would be a standout comedy in any season. Filled with laughter and warmth and sweetness and inspired daffiness. One of the quintessential New York comedies."-New York Daily News "An extraordinarily funny play with some brilliantly offbeat lines."-The New York Post

    Booklet bought for a college class. No internal marking. Looks "like new". Please ask if questions.

    So when Cole Russell, a successful and sexy, but short-term-only kind-of-guy, decides that he'd like to get to know her, she turns him down flat. Still, he somehow manages to convince her to join him for coffee, and a surprising friendship is born.While everyone around them, including a matchmaking girlfriend and a grumpy but charming old man, grows exasperated with them, Kate and Cole insist that they are happily content being "just friends". Until Cole kisses Kate. Can Cole convince her that he's in this for the long haul, and that they are clearly meant to be more than friends?

    Of his latest play, The New York Times has written, "Uproarious ... wall-to-wall laughs ... Mr. Busch has swum straight into the mainstream and stays comfortably afloat there." Busch is the author of such plays as Vampire Lesbians of Sodom -- one of the longest-running plays in Off-Broadway history -- and Psycho Beach Party, a cross between Gidget and Spellbound. After a successful Off-Broadway run at New York City's Manhattan Theater Club, Busch moves to Broadway with The Tale of the Allergist's Wife, a hilarious comedy about a self-absorbed Upper West Side doctor's wife whose life is devoted to mornings at the Whitney, afternoons at the Museum of Modern Art, and evenings at the Brooklyn Academy of Music. Her world is shaken and transformed when a childhood friend makes an unexpected visit.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    It follows one couple's forty year journey from initial burst of romance to full bloom of love and through stages of smoking, drinking, affection and paranoia. The play follows their idealistic teenage years in the 1960s to their marriage and family and ultimate divorce, which dissolves their marriage but leaves them free from acrimony. Their children, however, bitterly rail against their parents' irresponsibility and their relaxed, laissez-faire attitude.This play by Olivier award-winning writer Mike Bartlett questions whether the baby boomer generation is to blame for the debt-ridden and adrift generation of their children, now adults but far from stable and settled.