But before you can screen your short film, you need to shoot it. And before you can shoot it, you need to write it. The Short Screenplay provides both beginning and experienced screenwriters with all the guidance they need to write compelling, filmable short screenplays. Explore how to develop characters that an audience can identify with. How to create a narrative structure that fits a short time frame but still engages the audience. How to write dialogue that's concise and memorable. How to develop story ideas from concept through final draft. All this and much more is covered in a unique conversational style that reads more like a novel than a "how-to" book. The book wraps up with a discussion of the role of the screenplay in the production process and with some helpful (and entertaining) sample scripts. This is the only guide you'll ever need to make your short film a reality!

    Between the staff of quirky co-workers, glamorous and unusual guests, and her growing friendship with the charming but mysterious Sidney Daniels, Maisie is living out adventures instead of just penning them in the pages of her would-be Gothic novel's growing number of chapters. And then there's the slight problem of keeping the balance between friendship and 'something more' with Sidney, who's helping introduce her to the village's version of a Cornish Halloween, and has recently taken an interest in Maisie's secret that may change things between them. But even Maisie’s imagination can't conjure the unusual event this Halloween brings to the Penmarrow. An eccentric earl has chosen this site to host his lavish birthday celebration that includes a pretty (and perceptive) young psychic whose predictions seem to have everyone on edge — and, to Maisie's delight, the elusive novelist Alistair Davies is rumored to be part of the guest list! But with the earl's bickering relatives and illustrious friends on hand— and more than one ghost of the past waiting to be revealed — it’s anyone’s guess what the festivities will bring before the party is over. Will the psychic foretell doom for the earl's gathering—and is her ‘gift’ as genuine as it seems? Will Maisie finally meet her favorite author face to face? And, more importantly, what about the romantic sparks that fly between Maisie and Sidney?

    Providing extended critical discussion on six of his most important films (Shadows, Faces, Minnie and Moskowitz, A Woman Under the Influence, The Killing of a Chinese Bookie, and Love Streams), Ray Carney argues that Cassavetes' work is a distinctly life-affirming form of modernist expression that is at odds with the world-denying modernism of many of the most important art works produced in this century. Cassavetes is revealed to be a profoundly thoughtful and self-aware filmmaker and a deeply philosophical thinker, whose work takes its place in the American tradition along with the writings of Ralph Waldo Emerson and William James. The six films treated here emerge as expressive interpretations of the bewildering challenges in contemporary American cultural experience.

    Until now, there has been little scrutiny of that life. The reason: Woody viewed biographers as the Ebola plague, dangerous, uncontrollable contagions that might squish his public persona into mousse. Allen's prolific achievements are all but unparalleled in cinematic history. To fans, his films have always represented an ongoing autobiography, through which he has bared his self-deprecating overanalytical soul to the world. It was not until 1992, when his stormy private life turned into sensational headlines, that the cracks in the familiar persona appeared. The lines separating art and fact, myth and reality, public and private life, became increasingly blurred.Marion Meade has tracked down scores of people in Allen's life who have never before spoken to an Allen biographer: boyhood pals; Brooklyn neighbors and teachers; colleagues Buddy Hackett and Mel Brooks from his early career as a television writer and stand-up comic; actors Maureen Stapleton, Max von Sydow, and Bob Hope; director Sydney Pollack; and the film reviewers who have followed his career for decades -- Vincent Canby, Roger Ebert, Stanley Kauffmann, Andrew Sarris, and John Simon. She also details the numerous examples of art imitating life in Allen's films, particularly the extraordinary saga behind his marriage to the adopted daughter of his long-time lover, Mia Farrow.In reconstructing Allen's life, Meade explores the cult of celebrity in America -- how it is our own infatuation with the rich and famous that has made it possiblefor this supremely talented man to shrewdly manipulate both the media and the moviegoing public.

    My Own Private Idaho charts the pilgrimage of a narcoleptic hustler who is searching for his long-lost mother in a world absent of love.

    A prolific actor, he was also a complex and troubled man, constantly wrestling with two lives, one of which he was determined to keep secret. Michael Troughton presents here an entertaining and personal account of his father’s professional and private life. Meticulously researched, he explores Patrick’s childhood, his experiences at sea during World War II and the successful acting career which led to his historic casting as Doctor Who in 1966. Patrick’s Doctor Who years are recalled in vivid detail, from his initial uncertainty about taking on the part through the legendary ‘monster years’, to his troubled final season and three subsequent returns to the role.In this fascinating biography, Patrick’s extraordinary career and his multi-layered personal life are enhanced by the memories of family members, actors, friends and colleagues. Michael peppers the book with revealing extracts from Patrick’s own diaries, and many rare and personal photographs. This book is an honest, affectionate and complete account of Patrick Troughton the actor, and Patrick Troughton the man.

    Friends, though sympathetic, have moved on, her daughter seems so far away and life just seems to be passing her by. An impulsive moment sees her buying a dilapidated house in Brighton, a place that holds happy memories for her, and soon she is ensconced in a new life in her house by the sea.But these things are never that simple.Caroline's decision is met with outrage and incredulity from those who care about her and at times there seem to be insurmountable obstacles ahead.Can she overcome these difficulties, find happiness in her new life and even leave a little room for love?

    This brings her face to face with the grim realities of war, but she has a secret to comfort her: a soldier she's met and fallen in love with, who's promised to return to marry her. Then bombs fall on York, and for Nell, this coincides with a dreadful tragedy she can share with nobody. She must carry on, overcoming her hidden sorrow, but she never gives up hope that one day things will be right again.

    This unique collection of rare photographs celebrates the joy of reading in classic film style. The Hollywood Book Club captures screen luminaries on set, in films, in playful promotional photos, or in their own homes and libraries with books from literary classics to thrillers, from biographies to children's books, reading with their kids, and more. Featuring nearly 60 enchanting images, lively captions about the stars and what they're reading by Hollywood photo archivist Steven Rea, and a glamorous stamped case design, here's a real page-turner for booklovers and cinephiles.

    (assistant director) knowingly mumbles "Gone With the Wind in the morning, Dukes of Hazzard after lunch"? An oral tradition gathered and passed down for more than a hundred years, the language of moviemaking, like other secret lexicons, is the only accepted way of communicating on a set—and is all but unknown to the outside world. Technical, odd, colorful, mysterious, the working language of movies sheds light not only on the hugely complex process of making a film, but on the invisible hierarchies of a set, the unspoken etiquette between cast and crew, and the evolution of a process that's endlessly fascinating.Movie Speak is a book about language, but through language also a book about what it’s really like to be a director or a producer or an actor or a crew member. An Oscarwinning producer (The Sting), actor (who worked with Spielberg, Coppola, and Sydney Pollock), and director (Five Corners, Flyboys, My Bodyguard, and more), Tony Bill has been on sets for more than 30 years and brings a writer's love of language to this collection of hundreds of film terms. A futz. A cowboy. A Brodkin and a double Brodkin (a.k.a. screamer). Streaks ’n tips, a Lewinsky, Green Acres, rhubarb, a peanut, a Gary Coleman, snot tape, twin buttes, manmaker (and why you can yell for one if needed for a grip, but must whisper if it's for Tom Cruise)—these are the tricks of the trade.

    It traces the development of film from its scientific origins through to cinema today, covering the key elements and players that have contributed to its artistic and technical development.

    Packed with photos from the new film, this book will tell you all you need to know about these amazing creatures – their appearance, appetites, homes, friends, deadly foes and much more.From Bilbo Baggins and Bag End to the Shire and the world beyond Hobbiton, The World of the Hobbits takes young readers behind the scenes, to reveal the characters and locations of the film.  With fascinating details on set-building, the challenges of using scale doubles for the tiny Hobbits, and the visual effects behind the world they inhabit.

    Located deep in Red Cap Woods, it has long been the site of weird events, from pagan rites to human sacrifice by secret devil cults. When local rowdy Allan Cutter staggers into the snug bar of the Three Crowns pub and dies, old fears that have lain dormant for ages come to the fore. His death is quickly followed by the murder of a developer who planned to destroy Red Cap Woods. Villagers believe dark powers are awakening, that the murderous elves reputed to dwell in the woods will again dip their caps in human blood. Into this maelstrom of fear and emotion come DCI Arthur Ravyn and DS Leo Stark. As the bodies continue to mount, they discover it will take all their combined skills, intellect and courage to solve the mysterious deaths, keep the villagers from panicking, and not get sacked by powers even more inimical than those lurking in the eldritch depths of Red Cap Woods.

    Biskind began as a radical journalist and film critic, excavating the likes of Rocky and Thunderbolt and Lightfoot for their hidden political subtexts in small lefty rags. Now he can legitimately describe himself - as he does in his autobiographical introduction to this book - as a "recovering celebrity journalist."" The ghosts of McCarthyism and the blacklist haunt Gods and Monsters as do the casualties of the counterculture and the New Hollywood. At the heart of the book are the likes of Martin Scorsese, Robert Redford, Terrence Malick, Sue Mengers, and uber-producer Don Simpson, all of whom Biskind portrays in great Dickensian detail, charting how they have had a simultaneously strangulating and liberating effect on the industry.

    From childhood reminisces and 'what might have been' to keeping abreast of the ever-changing times. From senior moments, memory and getting to grips with technology to the joys and frustrations travel, work and play. Along with all of this he tells of the intense happiness of family life and enduring friendships, as well as the deep sadness of losing those he has loved.Featuring his own line illustrations, this book is a portrait of Sir Roger at his most open and forthright. The true stories and situations he shares in this warm and intimate book reveal a 'Bond Unbound', the human being inside the legendary character that made him so famous the world over. Life afirming and beautifully captured this is a definitive homage to a remarkable man.