In other stories, a young woman battles with the cancers draining her body and her family; menacing undercurrents among a group of teenagers explode in violence on a winter night; a little girl tears through a house like a tornado, driving her babysitter to the brink; and couples feel out the jagged edges of connection, comfort, and cruelty.One of the breakout literary stars of 2020, Brandon Taylor has been hailed by Roxane Gay as "a writer who wields his craft in absolutely unforgettable ways." With Filthy Animals he renews and expands on the promise made in Real Life, training his precise and unsentimental gaze on the tensions among friends and family, lovers and others. Psychologically taut and quietly devastating, Filthy Animals is a tender portrait of the fierce longing for intimacy, the lingering presence of pain, and the desire for love in a world that seems, more often than not, to withhold it.

    When he stops shooting, twelve people are dead.In this richly textured debut, John Englehardt explores how the origin and aftermath of the shooting impacts the lives of three characters: a disillusioned student, a grieving professor, and a young man whose valuation of fear and disconnection funnels him into the role of the aggressor. As the community wrestles with the fallout, Bloomland interrogates social and cultural dysfunction in a nation where mass violence has become all too familiar.

    A must read!" ~ Kate Moretti, NYT Bestselling Author of "Thought I Knew You" ""An emotionally rewarding story of hope, commitment, and the modern family." ~ Claire Ashby, NYT Bestselling Author of "When You Make It Home" "An exquisite tale of love and acceptance, rich with unforgettable characters." ~ Kelly Stone Gamble, Author of They Call Me Crazy Married for just three months, Alex Barrett is stunned when her husband, David, dies in a tragic accident. And the absolute last thing the pregnant young widow wants is to take on responsibility for his teenage daughter, Maddie. Reeling from loss, Alex struggles to deal with her grief and her troubled stepdaughter, but one question haunts her: why was David with his ex-wife when he died? All Maddie Barrett wanted was for her parents to get back together, but an icy road took that dream away. Afterward, Maddie is riddled with guilt that she can’t share with anyone. Feeling angry and alone, she lays all the blame on Alex. Alex and Maddie must find a way to move past their pain—shared, yet separate. Thrown together in an untenable arrangement, they fight through a frozen landscape of sorrow and redemption while redefining love, forgiveness, and family.

    Told in turn back and forth over time, from the early twentieth century through the 1950s, each sibling relays their own version of the memories that surround both their mother's mysterious death and the circumstances leading up to and beyond one sister's scandalous teenage pregnancy. As they move into adulthood, the siblings assume various new roles: caretaker to their aging father, addict, enabler, academic, decorated veteran, widow, and mothers and fathers to the next generation. Entangled in a family knot, each sibling encounters divorce, drama, and death, while haunted by a mother who was never truly there. Through this lens, they all seek not only to understand how her death shaped their family, but also to illuminate the insoluble nature of the many familial experiences we all encounter—the concept of home, the tenacity that is a family’s love, and the unexpected ways through which healing can occur. Chorus is a hopeful story of family, of loss and recovery, of complicated relationships forged between brothers and sisters as they move through life together, and of the unlikely forces that first drive them away and then ultimately back home.

    Alone at a local bar, Samiyah attempts to put her situation in perspective when she is drawn inexorably to the presence of a nearby patron. Celebrity ex-boxer and heavyweight champion turned business mogul, Jonas Alexander Rose never takes women too seriously. They only attach themselves to him because of his star-studded status. However, when he meets the beautiful Samiyah Manhattan mulling over a mimosa at his favorite bar and grill, Jonas is overwhelmed by the heart throbbing heated attraction, and now he is on a mission to explore this thing called love. But can Jonas break the barrier that Samiyah's put up and is he even ready? Find out if Jonas and Samiyah are a match made in heaven or if they will miss out on their happily ever after in Safe With Me. Book one in the Falling For A Rose Series. The Falling for a Rose series follows each member of the Rose family as they explore this thing called love. However, each book is just as enjoyable if read as a standalone as it is if read in the series order.

    Overseen by the King’s favorite mistress, Madame de Pompadour, they will be trained as potential courtesans for the King. When the time is right, each girl is smuggled into the palace of Versailles, with its legendary Hall of Mirrors. There they meet a mysterious but splendidly dressed man who they’re told is merely a Polish count, a cousin of the Queen. Living an indulgent life of silk gowns, delicious meals, and soft beds, the students at this “school of mirrors” rarely ask questions, and when Louis tires of them, they are married off to minor aristocrats or allowed to retire to one of the more luxurious nunneries. Beautiful and canny Veronique arrives at the school of mirrors and quickly becomes a favorite of the King. But when she discovers her lover’s true identity, she is whisked away, sent to give birth to a daughter in secret, and then to marry a wealthy Breton merchant. There is no return to the School of Mirrors.This is also the story of the King’s daughter by Veronique—Marie-Louise. Well-provided for in a comfortable home, Marie-Louise has never known her mother, let alone her father. Capable and intelligent, she discovers a passion for healing and science, and becomes an accredited midwife, one of the few reputable careers for women like her. But eventually Veronique comes back into her daughter’s life, bringing with her the secret of Marie-Louise’s birth. But the new King—Louis XVI—is teetering on his throne and it’s a volatile time in France…and those with royal relatives must mind their step very carefully.

     Camp Levi nestled in the Mississippi countryside is designed to "cure" young teenage boys of their budding homosexuality. Will Dillard, a Midwestern graduate student, spent a summer at the camp as a teenager, and has since tried to erase that experience from his mind. But when a fellow student alerts him that a slasher movie based on the camp is being released, he is forced to confront his troubled history and possible culpability in the death of a fellow camper. As past and present are woven together, Will recounts his "rehabilitation," eventually returning to the abandoned campgrounds to solve the mysteries of that pivotal summer, and to reclaim his story from those who have stolen it. With a masterful confluence of sensibility and place, How to Survive a Summer introduces an exciting new literary voice."

    But the bustle at the iconic property reaches new heights one weekend in mid-June when someone falls tragically to her death, the event rippling through the lives of four very different people. Bride-to-be Riley is at the hotel to plan her wedding. She would have preferred a smaller, more intimate celebration, but her bossy mother-in-law has taken charge and her fiancé hasn’t seemed to notice. Jean-Paul, the hotel’s manager, is struggling to keep his marriage and new family afloat, but now he must devote all his energy to this latest scandal at work. Claire, recently widowed, comes to town to connect with a long-lost love, but has too much changed in the last thirty years?  And then there’s Jason, whose romantic getaway with his girlfriend has not exactly gone the way he'd hoped and instead has him facing questions he can't bring himself to answer.Over three sun-drenched days, as the truth about the woman who died—and the secret she was hiding—is uncovered, these four strangers become linked in the most unexpected of ways. Together, they just might find the strength they need to turn their own lives around."Compelling, surprising, and a wonderful summertime read."--Nancy Thayer, New York Times bestselling author of Family Reunion"Riveting...A smart read with plenty of meat for book clubs."--Barbara O'Neal, Washington Post bestselling author of When We Believed in Mermaids“In prose as glittering as the hotel in which the novel is set, Francis shines as a master storyteller.  A must-read for anyone who could use an escape.”—Kristy Woodson Harvey, USA TODAY bestselling author of Feels Like Falling“The best kind of page-turner… This seductive novel will draw you into the fascinating backstories of characters sipping cocktails poolside, and you won't stop reading until you know what really happened."—Brooke Lea Foster, author of Summer Darlings"At a glamorous hotel by the ocean, four people face up to truths that can no longer be hidden. Summertime Guests is compelling, surprising, and a wonderful summertime read."—Nancy Thayer, New York Times bestselling author of Family Reunion"Wendy Francis delivers a smart, probing drama that skillfully unravels the complex emotional lives of an ensemble cast in Summertime Guests...a reflective, deeply engaging and suspenseful story with many threads sure to ensnare the attention of rapt readers." —Shelf Awareness "Idyllic coastal settings, drama, dynamic characters...this story has it all!" —Woman's World

    In the fall of 1991, as her children are growing older and more independent, Jane is overcome by a spiritual and intellectual restlessness that leads her to become involved with a local pro-life group. Following the tenets of her beliefs, she also adopts a little girl from Eastern Europe. But Mirela is a difficult child. Deprived of a loving caregiver in infancy, she remains unattached to her new parents, no matter how much love Jane shows her. As Jane becomes consumed with chasing therapies that might help Mirela, her relationships with her family, especially her older daughter, Lauren, begin to fray. Feeling estranged from her mother and unsettled in her new high school, Lauren begins to discover the power of her own burgeoning creativity and sexuality—a journey that both echoes and departs from her mother’s own adolescent experiences. But when Lauren is confronted with the limits of her youth and independence, Jane is thrown into an emotional crisis, forced to reconcile her principles and faith with her determination to keep her daughters safe. The Fourth Child is a piercing love story and a haunting portrayal of how love can shatter—or strengthen—our beliefs.

    Emilia Brown is a woman of a certain age. She has spent a frugal, useful, and wholly restrained life in Ashville, a small town in Rhode Island. Overlooked especially by the industries of fashion and media, Mrs. Brown is one of today’s silent generations of women whose quiet no-frills existences would make them seem invisible. She is a genteel woman who has known her share of personal sorrows and quietly carried on, who makes a modest living cleaning and running errands at the local beauty parlor, who delights in evening chats with her much younger neighbor, twenty-three-year-old Alice Danvers. When the grand dame of Ashville passes away, Mrs. Brown is called upon to inventory her estate and comes across a dress that changes everything. The dress isn’t a Cinderella confection; it’s a simple yet exquisitely tailored Oscar de la Renta sheath and jacket—a suit that Mrs. Brown realizes, with startling clarity, will say everything she has ever wished to convey. She must have it. And so, like the inspired heroine of Paul Gallico’s 1958 classic Mrs. ‘Arris Goes to Paris, Mrs. Brown begins her odyssey to purchase the dress. For not only is the owning of the Oscar de la Renta a must, the intimidating trip to purchase it on Madison Avenue is essential as well. If the dress is to give Mrs. Brown a voice, then she must prepare by making the daunting journey—both to the emerald city and within herself. Timeless, poignant, and appealing, My Mrs. Brown is a novel for every mother in the world, every woman who ever wanted the perfect dress, and every child who wanted to give it to her.

    Nor can she bring herself to tell the other women in her life: her friends, her doctor, her mentor, her mother. The freedom not to be a mother is one of the victories of feminism. So why does she feel like a failure?Piercingly intelligent and darkly funny, The Life of the Mind is a novel about endings: of youth, of professional aspiration, of possibility, of the illusion that our minds can ever free us from the tyranny of our bodies. And yet Dorothy's mind is all she has to make sense of a world largely out of her control, one where disaster looms and is already here, where things happen but there is no plot. There is meaning, however, if Dorothy figures out where to look, and as the weeks pass and the bleeding subsides, she finds it in the most unlikely places, from a Las Vegas poolside to a living room karaoke session. In literature--as Dorothy well knows--stories end. But life, as they say, goes on.

    Each story is charged with her powerful, original language and the dramatic engagement of the intelligent mind with the craving body — or the intelligent body with the craving mind — that is characteristic of Gaitskill's fiction. Her settings are a surprising mix of real and surreal: in the urban fairy tale "Mirror Ball" a young man steals a girl's soul during a one-night stand, while in the stunning "The Arms and Legs of the Lake" the fallout of the Iraq War becomes painfully immediate for a group of characters who collide by chance on a train going up the Hudson River.As spirited and intense as the now-classic Bad Behavior, Don't Cry shows us how our social conscience has evolved while basic truths — "the crude cinder blocks of male and female down in the basement, holding up the house," as one character puts it — remain unchanged.

    This, despite the fact that it was he and Elsa who broke the family in the first place. The Greys have been avoiding each other for a dozen years. Elsa and Nolan travel to their father's field station, a wild and isolated spot off the Gulf Coast. Here, their father's fatalistic colleagues, the Reversalists, obsessively study the undowny bufflehead, a rare sea duck whose loss of waterproof feathers proves, they say, that evolution is running in reverse and humanity's best days are behind us. On an island that is always looking backward, it's impossible for the siblings to ignore their past. Stuck together in the close quarters of their island stilt-house, and provoked by the absurd antics of the remaining Reversalists, years of family secrecy and blame between Elsa and Nolan threaten to ruin them all over again. As the Greys urgently trek the island to find the so-called Paradise Duck, their father's final obsession, they begin to fear that they were their father's first evidence that the future held no hope. In the irreverent and exuberant spirit of Kevin Wilson, Alissa Nutting, and Karen Russell, CJ Hauser speaks to a generation's uncertainties: Is it possible to live in our broken world with both scientific pragmatism and hope? What does one generation owe another? How do we know which parts of the past, and ourselves, to jettison and which to keep? Delightfully funny, fiercely original, high-spirited and warm, Family of Origin grapples with questions of nature and nurture, evolution and mating, intimacy and betrayal, progress and forgiveness.

    Their world is contained within the little house they share. The four of them are devoted to Mother Roberta and to their quiet, purposeful life.But when the parish goes broke, the sisters are forced to move. They land in Woonsocket, a former mill town now dotted with wind turbines. They head up a halfway house, where they live alongside castoffs like the jawless Tim Gary and the headstrong Lawnmower Jill. Agatha is forced to venture out into the world alone, to teach math at a local all-girls high school, where for the first time in years she will have to reckon with what she sees and feels all on her own. Who will she be if she isn't with her sisters? These women, the church, have been her home--or has she just been hiding?Disarming, delightfully deadpan, and full of searching, Claire Luchette's Agatha of Little Neon offers a view into the lives of women and the choices they make. It is a novel about female friendship and devotion, the roles made available to us, and how we become ourselves.

    The groundskeeper is part of the household’s all-black staff, along with “Miss Mamie,” the talented cook, pretty new maid Jennie Williams, and three young kitchen apprentices—the latest orphan boys Mr. Barclay has taken in to "civilize" boys like August.But the Barclays fortunes have fallen, and their money is almost gone. When a prospective business associate proposes selling Miss Mamie’s delicious rib sauce to local markets under the brand name “The Rib King”—using a caricature of a wildly grinning August wearing a jewel-encrusted crown on the label—Mr. Barclay, desperate for cash, agrees. Yet neither Miss Mamie nor August will see a dime. Humiliated, August grows increasingly distraught, his anger building to a rage that explodes in shocking tragedy. Elegantly written and exhaustively researched, The Rib King is an unsparing examination of America’s fascination with black iconography and exploitation that redefines African American stereotypes in literature. In this powerful, disturbing, and timely novel, Ladee Hubbard reveals who people actually are, and most importantly, who and what they are not.