But the house is a wreck that requires a fortune to restore, and she decides to sell it. An easy choice, were it not for the discovery of an old family scandal and a budding love affair with both the beautiful landscape and a handsome Kerryman. Catapulted into country life and faced with the less romantic side of farming, she also has to deal with a conspiracy to make her leave.

    My heart is broken and my failure is total.A bomb is born, lives and dies in a rural secondary school; Ireland becomes a dumping ground for corpses; one family’s genealogy begins in tragedy in 1574 and ends in something far worse in 2111; a strange tribal matriarchy on the banks of the River Boyne is threatened with extermination.Over the course of these stories, the world breaks down in an endless cycle of hunger, desperation, violence and domination, and we find a humanity left tender, collapsed, and full of a beautiful, primeval innocence.Fagan’s raw blend of verve, humour, imagination and warmth surges through these pages, revealing a world rendered both hopeful and disturbing, human and other, that is at once familiar and extraordinary.

    Meanwhile, Fonsey "Teddy" O'Neill is returning, like the prodigal son, from overseas, with Brylcreem in his hair and a Cuban-heeled swagger to his step, having experienced his coming-of-age in Skegness, England. Father Augustus Hand is working on a bold new theatrical production for Easter, which he, for one, knows will put Cullymore on the map. And, as the Manchester United football team prepares to take off from Munich airport, James A. Reilly sits in his hovel by the lake outside town, with his pet fox and his father's gun, feeling the weight of an insidious and inscrutable presence pressing down upon him.As these imperiled characters wrestle with their identities, mysteriously powerful narrator plucks, gently, at the strings of their fates, and watches the twitching response. This novel is a devil's-eye view of a lost era, a sojourn to the dark side of our past, one we may not have come back from. With echoes of Peyton Place and Fellini's Amarcord, and with a sinister narrator at its heart, this is at once a story of a small town—with its secrets, fears, friendships, and betrayals—and a sweeping, theatrical extravagance from one of the finest writers of his generation.

    'My only concern', John McGahern once said, 'is that I get the sentence right and describe my world clearly and deeply.''The Country Funeral' witnesses three brothers, John, Philly and Fonsie Ryan, as they travel west from Dublin to Gloria Bog - the heart of the territory where so many of McGahern's stories take place - to attend the funeral of their uncle. Depicting the customs and rituals of the day, McGahern exquisitely traces how the brothers react to the area in unexpected and tender ways, and face their own feelings about the transience of life.Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

    Unsettled explores racism, ableism, abuse and resistance as well as the bonds of community, family and friendship. As an Irish Traveller writing from a feminist perspective, McDonagh’s essays are rich and complex, raw and honest, and, above all else, uncompromising.Praise for UnsettledDon’t read this memoir in sorrow and outrage, read it because Rosaleen McDonagh is so proud, smart and ingenious, she will make you feel more properly alive. Beautifully written, this book beats back the darkness. It brings us all further on. — Anne EnrightMoving and eloquent, this collection is both the story of one woman’s life and a work of profound literary activism. — Emilie PineRosaleen’s story is her story. It’s a very important story and she has a right to tell it. Rosaleen demonstrates, contrary to some settled people’s opinion, that our community is matriarchal, our mothers are so resourceful, and we are not victims. The book is a testimony to the importance of identity and belonging. — Anne BurkeLike James Baldwin before her, this work is a ferociously honest exploration of the intricacies of racism, identity, sexuality, disability, grief, sensuality and marginalisation. It is also a beautiful piece of prose; honest and difficult and deeply moving. This book sees Rosaleen McDonagh masterfully taking all the parts of her life and fitting them together brilliantly for us. A must read. — Mark O’HalloranEmotive, honest and raw. Rosaleen McDonagh takes us on a journey of self acceptance, a journey that sees her face challenging obstacles and setbacks; as well as meeting friends and allies who help her to carve out a place in which she belongs. Unsettled is not only the recount of personal experiences but an authentic glimpse of Traveller life and culture as well as Rosaleen’s very sense of identity. — Michael Power

    

    Easy reading and enjoyable.." - John P Sam's trousers were round his ankles. The microwaved chicken - long past its sell-by date - had made a hasty exit. He was down a ditch in the middle of nowhere, and there weren't any tissues. Suzy had dumped him. Things weren't going well. He was only one wipe away from his life changing forever when he found a blue IKEA bag packed with banknotes. Gary wants to kill him. So does Vlad. Ashton wants to paint him naked and then there's the Contessa. Suzy isn't certain they've broken up. One thing’s for sure: Sam's life has been turned upside down.

    An updated and considerably revised version of the ancient Greek legend of Pygmalion and Galatea, the 20th-century story pokes fun at the antiquated British class system. In Shaw's clever adaptation, Professor Henry Higgins, a linguistic expert, takes on a bet that he can transform an awkward cockney flower seller into a refined young lady simply by polishing her manners and changing the way she speaks. In the process of convincing society that his creation is a mysterious royal figure, the Professor also falls in love with his elegant handiwork.The irresistible theme of the emerging butterfly, together with Shaw's brilliant dialogue and splendid skills as a playwright, have made Pygmalion one of the most popular comedies in the English language. A staple of college drama courses, it is still widely performed.

    The electrifying behind-the-scenes account of a year that brought Ireland to the brink and back - the inside story of Ireland’s struggle to contain Covid-19.Based on a wealth of original research and over a hundred interviews with cabinet members, public health officials, frontline workers, and ordinary people on whom the crisis exacted a personal toll, A State of Emergency is the incendiary untold story of Ireland’s response to the biggest public health emergency of the past century.Ranging from the halls of Government Buildings, where conflict between the new Cabinet and its public health advisors threatened to derail the official response, to the frontlines of the containment effort itself, where doctors, nurses, and the communities they served found themselves pushed to breaking point, A State of Emergency is a landmark work of journalism and a riveting insider account of the struggle to bring Ireland back from the brink.

    

    . .Janie and her husband James have a strong, loving marriage. A move from an inner-city slum to a peaceful new estate outside of Bolton should have been a fresh start for them and their three children. But when war is declared and James announces he has signed up, Janie fears it's the beginning of the end.Waving goodbye to their menfolk is a sacrifice that families are making all over the country and Janie does her best to make do, forging friendships in her new community.But when James comes home on leave a traumatised and desperate man, then goes AWOL, Janie's heart goes out to him. Determined to keep him safe, she plans to hide him in their new house. But how long can they keep the secret, and what threats lie ahead if they're found out?A page-turning new wartime saga about love, friendship and secrets, for fans of Katie Flynn and Rosie Goodwin.

    Now, ten years later she is forced to flee her home and journey to Liverpool seeking a better future for herself. There she is taken in by distant relatives and eventually reunited with her paternal grandmother.As Milly tries to build a new life she is haunted by her father’s mysterious disappearance. Her new friends strive to help her find answers, but meanwhile Milly’s mother seeks to remarry on the assumption that her husband is dead. Milly is caught up in the fallout when her grandmother learns of this plan, and the need to find her father is greater than ever. If she doesn’t, her hard-won security risks being ruined once more…

    Want to read an example? Have a look at How an Elephant was Weighed.A hippo believes he is the most handsome of all animals. But do the other animals in the forest agree? Find out in Hippo Humbled.Shonar the deer is in trouble! What’s Kalia the Crow going to do now?A washerman is convinced his donkey can turn into a man! Find out why in The Dhobi and his Donkey.

    Now, I can add Margaret Lashley to that very short list." “Her characters are lovable and believable and you cheer, and cry, along with them.” “I found myself deeply immersed in Val’s journey and laughing out loud.” “If you enjoy Janet Evanovich, you’ll love Margaret Lashley!” “From the first page to the last, I was captivated.” “The characters are great – so many laugh out loud moments…” “Hilarious! I can completely relate to Val.” “Made me laugh, made me cry…. Couldn’t stop reading it.” "Margaret writes with a "smirk" of a Cheshire cat. Fantastic read.” If you like deeply flawed characters and laugh-out-loud situations, you’ll love Margaret Lashley’s hilarious Val Fremden Mystery Series. Why did you decide to write women’s fiction? I grew up in an era of strong women role models, such as Marlo Thomas in That Girl, as well as Mary Tyler Moore and Carol Burnett in shows that bore their names. These women were pursuing their own dreams, their own ways. I didn’t see much of that in fiction today. I wanted to create a character that was strong, yet vulnerable. One that celebrated the everyday, self-made woman who was struggling to finally put her own needs first. My main character, Val, is a survivor who bears the scars of her hard journey proudly, and with her own quirky coping mechanisms and sense of humor. Where did you get the idea for the Val & Pals Series? Real life was my inspiration. Today’s society makes it hard for a woman to be less than beautiful and perfect and subservient. I wanted to explore the idea of a woman who decided to lay down her tiara and mirror and scorecard and begin to play by her own rules. This type of freedom costs her dearly in many ways, but would it be worth it? That’s what this series explores with tears and triumphs and a barrel full of laughs. What type of reader would enjoy your brand of women’s fiction? Readers who like to be taken by surprise – who like to laugh and cry and dissolve into another world when they read. My characters have their great triumphs and cringe-worthy failures. They are flawed and vulnerable and funny as hell. My stories draw laughs using a wide net – from Pat Conroy’s twisted, dark family humor to Bridget Jones’s slap-stick situational gaffs. Things don’t always turn out like they planned. But that’s life – when it’s truly lived.

     So waste no more time, scroll up this page and order the the ebook right now.