But his father is terminally ill, and he must return to his childhood home - a place he vowed he would never go back to.Bienville, Mississippi, is no longer the city Marshall remembers. His family's 150-year-old newspaper is failing, and Jet Talal, the love of his youth, has married into the family of Max Matheson, one of a dozen powerful patriarchs who rule the town through the exclusive Bienville Poker Club. The city's only hope of economic salvation is a new, billion-dollar Chinese paper mill. But on the verge of the deal's consummation, two deaths rock Bienville to its core.Joining forces with his former lover, Marshall begins digging for the truth. But he and Jet soon discover that the soil of Mississippi is a minefield where explosive secrets can be far more destructive than injustice.

    But her quiet life is shattered when her husband, Kamal, is found brutally murdered with a hatchet in the courtyard of their home. Nearly catatonic with shock, Zeba is unable to account for her whereabouts at the time of his death. Her children swear their mother could not have committed such a heinous act. Kamal’s family is sure she did, and demands justice. Barely escaping a vengeful mob, Zeba is arrested and jailed.Awaiting trial, she meets a group of women whose own misfortunes have led them to these bleak cells: eighteen-year-old Nafisa, imprisoned to protect her from an “honor killing”; twenty-five-year-old Latifa, a teen runaway who stays because it is safe shelter; twenty-year-old Mezghan, pregnant and unmarried, waiting for a court order to force her lover’s hand. Is Zeba a cold-blooded killer, these young women wonder, or has she been imprisoned, like them, for breaking some social rule? For these women, the prison is both a haven and a punishment; removed from the harsh and unforgiving world outside, they form a lively and indelible sisterhood.Into this closed world comes Yusuf, Zeba’s Afghan-born, American-raised lawyer whose commitment to human rights and desire to help his homeland have brought him back. With the fate this seemingly ordinary housewife in his hands, Yusuf discovers that, like the Afghanistan itself, his client may not be at all what he imagines.A moving look at the lives of modern Afghan women, The House with No Windows is astonishing, frightening, and triumphant.

    Her new novel, We Are All Welcome Here, features three women, each struggling against overwhelming odds for her own kind of freedom.It is the summer of 1964. In Tupelo, Mississippi, the town of Elvis's birth, tensions are mounting over civil-rights demonstrations occurring ever more frequently-and violently-across the state. But in Paige Dunn's small, ramshackle house, there are more immediate concerns. Challenged by the effects of the polio she contracted during her last month of pregnancy, Paige is nonetheless determined to live as normal a life as possible and to raise her daughter, Diana, in the way she sees fit-with the support of her tough-talking black caregiver, Peacie.Diana is trying in her own fashion to live a normal life. As a fourteen-year-old, she wants to make money for clothes and magazines, to slough off the authority of her mother and Peacie, to figure out the puzzle that is boys, and to escape the oppressiveness she sees everywhere in her small town. What she can never escape, however, is the way her life is markedly different from others'. Nor can she escape her ongoing responsibility to assist in caring for her mother. Paige Dunn is attractive, charming, intelligent, and lively, but her needs are great-and relentless. As the summer unfolds, hate and adversity will visit this modest home. Despite the difficulties thrust upon them, each of the women will find her own path to independence, understanding, and peace. And Diana's mother, so mightily compromised, willend up giving her daughter an extraordinary gift few parents could match.

    As adults, they remain as close as sisters, though their lives have taken different directions. Jen married young, and after years of trying, is finally pregnant. Riley pursued her childhood dream of becoming a television journalist and is poised to become one of the first Black female anchors of the top news channel in their hometown of Philadelphia. But the deep bond they share is severely tested when Jen’s husband, a city police officer, is involved in the shooting of an unarmed Black teenager. Six months pregnant, Jen is in freefall as her future, her husband’s freedom, and her friendship with Riley are thrown into uncertainty. Covering this career-making story, Riley wrestles with the implications of this tragic incident for her Black community, her ambitions, and her relationship with her lifelong friend. Like Tayari Jones’s An American Marriage and Jodi Picoult’s Small Great Things, We Are Not Like Them explores complex questions of race and how they pervade and shape our most intimate spaces in a deeply divided world. But at its heart, it’s a story of enduring friendship—a love that defies the odds even as it faces its most difficult challenges.

    When Henry dies soon after, she uncovers the long-hidden music manuscript. She becomes determined to discover what it is and to return it to its rightful owner, a journey that will challenge her preconceptions about herself and her family’s history—and also offer her an opportunity to finally make peace with the past.In Berlin, Germany, in 1783, amid the city’s glittering salons where aristocrats and commoners, Christians and Jews, mingle freely despite simmering anti-Semitism, Sara Itzig Levy, a renowned musician, conceals the manuscript of an anti-Jewish cantata by Johann Sebastian Bach, an unsettling gift to her from Bach’s son, her teacher. This work and its disturbing message will haunt Sara and her family for generations to come.Interweaving the stories of Susanna and Sara, and their families, And After the Fire traverses over two hundred years of history, from the eighteenth century through the Holocaust and into today, seamlessly melding past and present, real and imagined. Lauren Belfer’s deeply researched, evocative, and compelling narrative resonates with emotion and immediacy.

    This autobiographical account chronicles the remarkable odyssey of Harriet Jacobs (1813–1897) whose dauntless spirit and faith carried her from a life of servitude and degradation in North Carolina to liberty and reunion with her children in the North.Written and published in 1861 after Jacobs' harrowing escape from a vile and predatory master, the memoir delivers a powerful and unflinching portrayal of the abuses and hypocrisy of the master-slave relationship. Jacobs writes frankly of the horrors she suffered as a slave, her eventual escape after several unsuccessful attempts, and her seven years in self-imposed exile, hiding in a coffin-like "garret" attached to her grandmother's porch.A rare firsthand account of a courageous woman's determination and endurance, this inspirational story also represents a valuable historical record of the continuing battle for freedom and the preservation of family.

    Reviewers have called his fiction “ingenious” (USA Today) and “compulsively readable” (Memphis Commercial Appeal). His narrative power and flair for characterization have been compared to the likes of Harper Lee, Flannery O'Connor, Elmore Leonard, and Cormac McCarthy. Now the Edgar Award-winning author returns with his most accomplished and resonant novel so far—an atmospheric drama set in rural Mississippi. In the late 1970s, Larry Ott and Silas "32" Jones were boyhood pals. Their worlds were as different as night and day: Larry, the child of lower-middle-class white parents, and Silas, the son of a poor, single black mother. Yet for a few months the boys stepped outside of their circumstances and shared a special bond. But then tragedy struck: Larry took a girl on a date to a drive-in movie, and she was never heard from again. She was never found and Larry never confessed, but all eyes rested on him as the culprit. The incident shook the county and perhaps Silas most of all. His friendship with Larry was broken, and then Silas left town.More than twenty years have passed. Larry, a mechanic, lives a solitary existence, never able to rise above the whispers of suspicion. Silas has returned as a constable. He and Larry have no reason to cross paths until another girl disappears and Larry is blamed again. And now the two men who once called each other friend are forced to confront the past they've buried and ignored for decades.

    As a ghost, he observes the devastation that’s been unleashed on his family and community in the wake of what they see as an unjust and brutal killing.Soon Jerome meets another ghost: Emmett Till, a boy from a very different time but similar circumstances. Emmett helps Jerome process what has happened, on a journey towards recognizing how historical racism may have led to the events that ended his life. Jerome also meets Sarah, the daughter of the police officer, who grapples with her father’s actions.Once again Jewell Parker Rhodes deftly weaves historical and socio-political layers into a gripping and poignant story about how children and families face the complexities of today’s world, and how one boy grows to understand American blackness in the aftermath of his own death.

    It hints at the existence of an extraordinary artifact that—if he can find it—would redefine history. Traveling in one of Europe’s earliest automobiles, he sets out in search of this strange treasure.Thirty-five years later, a Portuguese pathologist devoted to the murder mysteries of Agatha Christie finds himself at the center of a mystery of his own and drawn into the consequences of Tomás’s quest.Fifty years on, a Canadian senator takes refuge in his ancestral village in northern Portugal, grieving the loss of his beloved wife. But he arrives with an unusual companion: a chimpanzee. And there the century-old quest will come to an unexpected conclusion.The High Mountains of Portugal—part quest, part ghost story, part contemporary fable—offers a haunting exploration of great love and great loss. Filled with tenderness, humor, and endless surprise, it takes the reader on a road trip through Portugal in the last century—and through the human soul.

    But in 1976, on his first day of eighth grade, he meets Nathan Tilly, who changes everything. Nathan is confident, fearless, impetuous--and fascinated by kites and flying. Robert and Nathan's budding friendship is forged in the crucible of two family tragedies, and as the boys struggle to come to terms with loss, they take summer jobs at the local rundown amusement park. It's there that Nathan's boundless capacity for optimism threatens to overwhelm them both, and where they learn some harsh truths about family, desire, and revenge. Unforgettable and heart-breaking, Setting Free the Kites is a poignant and moving exploration of the pain, joy, and glories of young friendship.

    Marvellous Ways is a ninety-year-old woman who's lived alone in a remote creek for nearly all her life. Recently she's taken to spending her days sitting on the steps of her caravan with a pair of binoculars. She's waiting for something - she's not sure what, but she'll know it when she sees it. Freddy Drake is a young soldier left reeling by the war. He's agreed to fulfil a dying friend's last wish and hand-deliver a letter to the boy's father in Cornwall. But Freddy's journey doesn't go to plan, and sees him literally wash up in Marvellous' creek, broken in body and spirit. When Marvellous comes to his aid, an unlikely friendship grows between the two. Can Freddy give Marvellous what she needs to say goodbye to the world, and can she give him what he needs to go on?

    She is mesmerized by the sea beyond the house and by some charged mystery between the two men.‎Years later, her father has disappeared and the country is at war. Anna works at the Brooklyn Naval Yard, where women are allowed to hold jobs that once belonged to men, now soldiers abroad. She becomes the first female diver, the most dangerous and exclusive of occupations, repairing the ships that will help America win the war. One evening at a nightclub, she meets Dexter Styles again, and begins to understand the complexity of her father’s life, the reasons he might have vanished.With the atmosphere of a noir thriller, Egan’s first historical novel follows Anna and Styles into a world populated by gangsters, sailors, divers, bankers, and union men. Manhattan Beach is a deft, dazzling, propulsive exploration of a transformative moment in the lives and identities of women and men, of America and the world.

    D. James, long among the most admired mystery writers of our time, draws the characters of Jane Austen’s beloved novel Pride and Prejudice into a tale of murder and emotional mayhem. It is 1803, six years since Elizabeth and Darcy embarked on their life together at Pemberley, Darcy’s magnificent estate. Their peaceful, orderly world seems almost unassailable. Elizabeth has found her footing as the chatelaine of the great house. They have two fine sons, Fitzwilliam and Charles. Elizabeth’s sister Jane and her husband, Bingley, live nearby; her father visits often; there is optimistic talk about the prospects of marriage for Darcy’s sister Georgiana. And preparations are under way for their much-anticipated annual autumn ball. Then, on the eve of the ball, the patrician idyll is shattered. A coach careens up the drive carrying Lydia, Elizabeth’s disgraced sister, who with her husband, the very dubious Wickham, has been banned from Pemberley. She stumbles out of the carriage, hysterical, shrieking that Wickham has been murdered. With shocking suddenness, Pemberley is plunged into a frightening mystery. Inspired by a lifelong passion for Austen, P. D. James masterfully re-creates the world of Pride and Prejudice, electrifying it with the excitement and suspense of a brilliantly crafted crime story, as only she can write it.

    Three generations of women. A lifetime of love. In Paris, 1958, Grace Kelly’s royal wedding dress is still all the rage in fashion circles. Rose, a seamstress at a famous atelier, has just been entrusted with sewing another gown in its image. An orphan, she needs her job to survive. But when Rose finds herself in love with the bride’s handsome brother, she must decide what matters most: love or security.Sixty years later, Rocky is thrilled to be marrying the love of her life. He truly is her perfect fit. But there’s just one problem: her family’s heirloom wedding dress isn’t. Rocky knows this admission will break her mother’s heart. What she doesn’t know is why her mother is so set on the dress—or about the shocking secret that changed her mother’s life decades before, as she prepared to wear the dress herself. As the wedding day approaches, the mother-daughter pair will finally confront long-buried heartaches, and it might just be the dress that brings them closer than ever.Life-affirming, heartwarming and timeless, Brenda Janowitz’s The Grace Kelly Dress is about the importance of tradition, new and old, and the power of a dress to fulfill even the most impossible of dreams.

    But whoever this nameless woman was, and whatever befell her, is knowledge lost to another time. . . . Boston, 1830: In order to pay for his education, Norris Marshall, a talented but penniless student at Boston Medical College, has joined the ranks of local “resurrectionists”–those who plunder graveyards and harvest the dead for sale on the black market. Yet even this ghoulish commerce pales beside the shocking murder of a nurse found mutilated on the university hospital grounds. And when a distinguished doctor meets the same grisly fate, Norris finds that trafficking in the illicit cadaver trade has made him a prime suspect. To prove his innocence, Norris must track down the only witness to have glimpsed the killer: Rose Connolly, a beautiful seamstress from the Boston slums who fears she may be the next victim. Joined by a sardonic, keenly intelligent young man named Oliver Wendell Holmes, Norris and Rose comb the city–from its grim cemeteries and autopsy suites to its glittering mansions and centers of Brahmin power–on the trail of a maniacal fiend who lurks where least expected . . . and who waits for his next lethal opportunity.