Macabre, unsettling and deliciously enjoyable, these stories make the perfect bedtime read – but be warned, once you've started reading you won't be able to stop . .

    The manner is what Goethe called 'a cultured comic language'-a genre which he regarded as not possible in Geman and which he felt Byron managed superbly.

    It includes Lord Arthur Savile's Crime, The Canterville Ghost, The Sphinx Without a Secret and The Model Millionaire.Written between 1887 and 1891, at the height of his creative powers, these stories confirm Oscar Wilde’s reputation as a master storyteller in their sense of fun, quick intelligence and witty dissection of Victorian society. They also reveal his compassion for the poor and downtrodden who were so readily ignored by that age.

    Bluff Farmer Giles lives in a land-of-fable England, full of giants and dragons. A reluctant hero like the Brave Little Tailor or Bilbo in The Hobbit, Giles wins a great reputation by firing his blunderbuss at a wandering giant--who retreats not in fear but to avoid this tiresome stinging "insect". One thing leads to another, and despite all his excuses the now famous Giles is called to save his country from the marauding dragon Chrysophylax. He has a legendary anti-dragon sword and a lot of luck, but dragons can be as devious as politicians... Tolkien crammed much sly wit into his little story, plus jokey philological explanations that Giles's amazing adventures are commemorated in Thames Valley placenames like Worminghall and Thame. It's illustrated with nearly 50 line drawings by Paula Baynes: Tolkien loved these, but some look sadly faded here, like fourth-generation photocopies. As a bonus, the anniversary edition includes an introduction telling the story's history, a transcription of the original, unfinished draft, and 23 pages of notes on allusions and names (Chrysophylax means "keeper of gold", which is indeed what dragons do). A pleasant gift book. --David Langford

    Eliot for his godchildren and friends in the thirties. They have delighted generations of children since, and inspired Andrew Lloyd Webber's brilliant musical Cats.

    The owls, hen, larks, and their nests in his beard, are among the fey fauna and peculiar persons inhabiting the uniquely inspired nonsense rhymes and drawings of Lear (20th child of a London stockbroker), whose Book of Nonsense, first published in 1846, stands alone as the ultimate and most loved expression in English of freewheeling, benign, and unconstricted merriment.

    An alternate cover edition of this ISBN can be found here.Features 104 of Blake's poems: "A Song of Liberty," "The Argument," "Proverbs of Hell," "The Mental Traveller," "The Land of Dreams," "To the Evening Star" and many more.

    and his friends George and Harris decide that a jaunt up the Thames would suit them to a 'T'. But when they set off, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather-forecasts and tins of pineapple chunks - not to mention the devastation left in the wake of J.'s small fox-terrier Montmorency. Three Men in a Boat was an instant success when it appeared in 1889, and proved so popular that Jerome reunited his now older - but not necessarily wiser - heroes in Three Men on the Bummel, for a picaresque bicycle tour of Germany. With their benign escapism, authorial discursions and wonderful evocation of the late-Victorian 'clerking classes', both novels hilariously capture the spirit of their age.

    The period of his creative friendship with William Wordsworth inspired some of Coleridge’s best-known poems, from the nightmarish vision of the "Rime of the Ancient Mariner" and the opium-inspired "Kubla Khan" to the sombre passion of "Dejection: An Ode" and the medieval ballad "Christabel." His meditative ‘conversation’ poems, such as "Frost at Midnight" and "This Lime-Tree Bower Mr Prison," reflect on remembrance and solitude, while late works, such as "Youth and Age" and "Constancy to an Ideal Object," are haunting meditations on mortality and lost love. This volume contains the final texts of all the poems published during Coleridge’s lifetime and a substantial selection from those still in manuscript at his death, arranged in chronological order of composition to show his development as a poet. Also included are an introduction, table of dates, further reading, extensive notes, and indexes of titles and first lines.

    Now he gives birth to a cast of gruesomely sympathetic children – misunderstood outcasts who struggle to find love and belonging in their cruel, cruel worlds. His lovingly lurid illustrations evoke both the sweetness and the tragedy of these dark yet simple beings – hopeful, hapless heroes who appeal to the ugly outsider in all of us, and let us laugh at a world we have long left behind (mostly anyway).

    Faced with the threat of bankruptcy, he concludes that the only way to escape his frustrating existence is by burning his shop to the ground, and killing himself. Unexpected events, however, conspire at the last moment to lead the bewildered Mr Polly to a bright new future - after he saves a life, fakes his death, and escapes to a life of heroism, hope and ultimate happiness.

    In his work he brought to life the personalities of a diverse range of characters, and introduced a new immediacy, colloquial energy and psychological complexity to the poetry of his day. This selection brings together verse ranging from early dramatic monologues such as the chilling 'My Last Duchess' and the ribald 'Fra Lippo Lippi', which show his gift for inhabiting the mind of another, to the popular children's poem 'The Pied Piper of Hamelin' and many lesser known works. All display his innovative techniques of diction, rhythm and symbol, which transformed Victorian poetry and influenced major poets of the twentieth century such as Ezra Pound, T. S. Eliot and Robert Frost.

    The longest poem covers less than two pages. Yet in theme and tone her writing reaches for the sublime as it charts the landscape of the human soul. A true innovator, Dickinson experimented freely with conventional rhythm and meter, and often used dashes, off rhymes, and unusual metaphors—techniques that strongly influenced modern poetry. Dickinson’s idiosyncratic style, along with her deep resonance of thought and her observations about life and death, love and nature, and solitude and society, have firmly established her as one of America’s true poetic geniuses.

    This text uses place names to describe some of these meanings.