This is a presentation of the essential teaching of this direct path to freedom that focuses on the recognition and realization of the True Self. This book identifies the root cause of suffering as the identification with the mind and the belief that the psychological construct that is considered the "person" is actual. It is shown that this idea we have of who we are is an illusion that has been taken to be real and thus creates all forms of psychological suffering and confusion. The freedom from this illusion is shown to be available to anyone who is willing to recognize and realize the truth of who they are. This is a non-dual approach to psychological treatment that is becoming a new approach that has the potential to bring an end to all psychological disorders.

    White's The Salt Ecstasies—originally published in 1982, shortly after White's untimely death—has earned a reputation for its artful and explicit expression of love and desire. In this new edition, with an introduction by Mark Doty and previously unpublished works by White, his invaluable poetry is again available—clear, passionate, and hard-earned.The Salt Ecstasies is a new book in the Graywolf Poetry Re/View Series, edited by Doty, dedicated to bringing essential books of contemporary American poetry back into print.

    Throughout Two and Two, doubles abound: Noah's animals; Duhamel's parents as Jack and Jill in a near-fatal accident; an incestuous double sestina; a male/female pantoum; a dream and its interpretation; and translations of advertisements from English to Spanish. In two Möbius strip poems (shaped like the Twin Towers), Duhamel invites her readers to get out their scissors and tape and transform her poems into 3-D objects.At the book's center is "Love Which Took Its Symmetry for Granted," a gathering of journal entries, personal e-mails, and news reports into a collage of witness about September 11. A section of "Mille et un sentiments," modeled on the lists of Hervé Le Tellier, Georges Perec, and George Brainard, breaks down emotions to their most basic levels, their 1,001 tiny recognitions. The book ends with "Carbó Frescos," written in the form of an art guidebook from the 24th century.Innovative and unpretentious, Duhamel uses twice the language usually available for poetry. She culls from the literary and nonliterary, from the Bible and product warning labels, from Woody Allen films and Hong Kong action movies--to say difficult things with astonishing accuracy. Two and Two is second to none.

    These poems are allusive and tough. While they celebrate the pleasures of the natural world--mutability, desire, and the flowering of things--they are compounded by a critical awareness of contemporary culture. As we traverse their associative leaps, we discover a linguistic landscape that is part garden, part wilderness, where a poem can perform its own natural history. Divided into four cantos interrupted by lyrics and errata, Meteoric Flowers mirrors the form of Erasmus Darwin's 18th-century scientific pastorals. In attending to poetry's investigative potential, Willis shifts our attention from product to process, from commodity to exchange, from inherited convention to improvisational use.

    Stark juxtaposition of images evokes the New York School, verbal collages suggest the associative method of the postmodernists, and his playful attention to sound recalls elements of Language School poetry. While these elements surface in Lemon’s work, his poetry remains profoundly original, his voice remarkably distinct. Lemon is also, like Frank O’Hara, an autobiographical poet, using the materials of life for inspiration. At 29, he is already a survivor of brain surgery. Still coping with the surgery’s effects, including a gradual loss of vision, he invokes, proclaims, decries, and serenades the world that results after the violation of identity. When the membranes that divide mind and body rupture, the result is not a void, but a strange sensory landscape where all stimuli exist on the same level. Avoiding the easy temptations of both despair and consolation, Hallelujah Blackout embraces the full range of the human experience.

    His first collection follows the narrative of his 5-star Edinburgh Fringe shows, 'Harry Baker's Super-Amazing Mega-Awesome Gap Year Adventures: Birth of a Champion' and 'Proper Pop-Up Purple Paper People'. It details the journey from performing Jay-Z maths parodies in school competitions to representing his country in Paris and becoming the youngest ever World Poetry Slam Champion. 'The Sunshine Kid' contains the raw honesty, tongue-in-cheek humour and blistering wordplay that have characterised his live performances and won the hearts and minds of audiences across the globe.

    Falling into three categories, the first 40 sayings each have a full, unbroken chain of transmission that goes back to God through the medium of the Prophet Muhammad. The second category are sayings mostly taken from well-known written collections. The final section is drawn from similar books, with Ibn 'Arabi adding one extra hadith, orally transmitted. Comprised of a full introduction explaining the meaning of Hadith, the text stresses the importance of this tradition in Ibn 'Arabi's writing.

    from "The House on the Hill" . . . from out of the fog, a large, welcoming house would emerge made out of invention and surprise. No things without ideas! you'd shout, and the doors would open, and the echoes would cascade down to the valleys and the faraway towns.

    Ramanan is dramatic pastoral elegy and it is beautifully illustrated by Artist Madanan.

    Among his expansive and impressive body of work, Gitanjali is regarded as one of his greatest achievements, and has been a perennial bestseller since it was first published in 1910.

    A collection of poetic meditations by the National Book Critics Circle Award-finalist author of Leaving Saturn evaluates the solemn richness of everyday lives, from a grandfather who gardens in a tenement backyard to a teacher to renames her black students after French painters.

    It’s all right here in these words. Everything you ever need to know. That’s because I use all twenty-six letters, and you can make anything out of those twenty-six letters. So, you see, this book encompasses everything." — PleaseHelpMeRumored to be penned by the brother of the best-selling author of “I Wrote This For You,” this new tour de force in poetry is sure to stab at your heart, or, at least, make you want to.If you loved the international best-selling collection of poetry, “I Wrote This For You,” you’ll probably hate this. But even those admirers of the free-verse artistry of that work will get a laugh from this classic parody. Author and screenwriter Edward Savio put together a spot-on send up of the poetry best-seller with “I Wrote This Crap For You.”It’s a quick, fun read that we hope you enjoy.“It touched my heart and moved me to tears.”“It’s as if he knew my inner thoughts and fears, and—come to think of it my diary is missing.”

    This voyage is made of mysterious circles and zen-like aphorisms that feel like the voice of an old friend. A mesmerizing experience, YOU ARE A CIRCLE is the perfect companion for the creative mind. It’s a timeless book that will inspire you for the years to come.

    It is a response of the life force to the longing for Truth, Liberation, Self-realization or God. Kundalini may awaken following spiritual or energy practices, trauma or near-death experience, a transmission by an awakened person, deep devotion, or even within a dream. It can arise spontaneously like a sudden explosive blessing, or gradually over many months. This guidebook, based on 30 years of research and dialogues with over 2000 people, describes the energetic, emotional and transpersonal phenomena that are triggered when kundalini arises, and provides direction that will help you understand this process, and live this life-altering journey more comfortably and joyously. The author is a non-dual teacher and a transpersonal psychologist, who previously published "Energies of Transformation: A Guide to the Kundalini Process", and has specialized for many years in consultations with people going through a spiritual awakening. She was a founder of the Kundalini Research Network and has taught therapists internationally to effectively help people in the kundalini process. This is the first of two companion volumes dedicated to the shifts in energy and consciousness that facilitate awakening and the embodiment of self-realization.

    Michael Palmer has been hailed by John Ashbery as "exemplarily radical" and by The Village Voice as "the most influential avant-gardist working, and perhaps the greatest poet of his generation." His new book, Company of Mothsa collection in four parts, "Stone," "Scale," "Company of Moths," and "Dream"is beautiful, and fierce: "bright archive, sad merriment," "question pursuing question." Palmer, in this new volume for our darkest times, asks, "How will you now read in the dark?"