When poisoning and black magic became widespread, arrests followed. Suspects included those among the highest ranks of society. Many were tortured and numerous executions resulted.The 1676 torture and execution of the Marquise de Brinvilliers marked the start of the scandal which rocked the foundations of French society and sent shock waves through all of Europe. Convicted of conspiring with her adulterous lover to poison her father and brothers in order to secure the family fortune, the marquise was the first member of the noble class to fall.In the French court of the period, where sexual affairs were numerous, ladies were not shy of seeking help from the murkier elements of the Parisian underworld, and fortune-tellers supplemented their dubious trade by selling poison.It was not long before the authorities were led to believe that Louis XIV himself was at risk. With the police chief of Paris police alerted, every hint of danger was investigated. Rumors abounded and it was not long before the King ordered the setting up of a special commission to investigate the poisonings and bring offenders to justice. No one, the King decreed, no matter how grand, would be spared having to account for their conduct.The royal court was soon thrown into disarray. The Mistress of the Robes and a distinguished general were among the early suspects. But they paled into insignificance when the King's mistress was incriminated. If, as was said, she had engaged in vile Satanic rituals and had sought to poison a rival for the King's affections, what was Louis XIV to do?Anne Somerset has gone back to original sources, letters and earlier accounts of the affair. By the end of her account, she reaches firm conclusions on various crucial matters. The Affair of the Poisons is an enthralling account of a sometimes bizarre period in French history.

    In this easy-to-navigate A to Z guide, the authors’ playful explanations draw on key artworks, artists, and events from around the globe, including how the lights going on and off won the Turner Prize, what makes the likes of Marina Abramovic and Ai Weiwei such great artists, and why Kanye West would trade his Grammys to be one.Packed with behind-the-scenes information and completely free of jargon, Who’s Afraid of Contemporary Art? is the perfect gallery companion and the go to guide for when the next big thing leaves you stumped.

    The real-life protagonist of The Black Count, General Alex Dumas, is a man almost unknown today yet with a story that is strikingly familiar, because his son, the novelist Alexandre Dumas, used it to create some of the best loved heroes of literature.Yet, hidden behind these swashbuckling adventures was an even more incredible secret: the real hero was the son of a black slave -- who rose higher in the white world than any man of his race would before our own time. Born in Saint-Domingue (now Haiti), Alex Dumas was briefly sold into bondage but made his way to Paris where he was schooled as a sword-fighting member of the French aristocracy. Enlisting as a private, he rose to command armies at the height of the Revolution in an audacious campaign across Europe and the Middle East – until he met an implacable enemy he could not defeat.The Black Count is simultaneously a riveting adventure story, a lushly textured evocation of 18th-century France, and a window into the modern world’s first multi-racial society. But it is also a heartbreaking story of the enduring bonds of love between a father and son.

    In Queen of Fashion, Caroline Weber shows how Marie Antoinette developed her reputation for fashionable excess, and explains through lively, illuminating new research the political controversies that her clothing provoked. Weber surveys Marie Antoinette's "Revolution in Dress," covering each phase of the queen's tumultuous life, beginning with the young girl, struggling to survive Versailles's rigid traditions of royal glamour (twelve-foot-wide hoopskirts, whalebone corsets that crushed her organs). As queen, Marie Antoinette used stunning, often extreme costumes to project an image of power and wage war against her enemies. Gradually, however, she began to lose her hold on the French when she started to adopt "unqueenly" outfits (the provocative chemise) that, surprisingly, would be adopted by the revolutionaries who executed her. Weber's queen is sublime, human, and surprising: a sometimes courageous monarch unwilling to allow others to determine her destiny. The paradox of her tragic story, according to Weber, is that fashion--the vehicle she used to secure her triumphs--was also the means of her undoing. Weber's book is not only a stylish and original addition to Marie Antoinette scholarship, but also a moving, revelatory reinterpretation of one of history's most controversial figures.

    Siegel has carved out a special niche in this area, having devoted his research, teaching and clinical and forensic career as a neuropsychiatrist to studying the phenomenon and trying to fathom the relationship of it to what is happening in the brain. No passive observer, he is himself an experienced ``psychonaut.'' Siegel presents 17 case studies, grouped under the headings of ``visionary drugs,'' ``dreams,'' ``imaginary companions,'' and ``life-threatening danger.''

    Julie Kavanagh traces Marie's reinvention in Paris at sixteen: as shop girl, kept woman, and finally, as grand courtesan with the clothes, apartment, coach and horses that an aristocratic woman of the time would have had. Tall, willowy, with dramatic dark hair, Marie acquired an aristocratic mien, but coupled with a singular modesty and grace, she was an irresistible figure to men and women alike. Kanavagh brings her to life on the page against a brilliantly evoked background of 1840s Paris: the theater and opera, the best tables at the cafés frequented by society figures, theater directors, writers, artists--and Marie, only nineteen, at the center of it all. Four years later, at twenty-three, she would be dead of tuberculosis.

    During his life he created numerous works of art and kept voluminous notebooks that detailed his artistic and intellectual pursuits.The collection of writings and art in this magnificent book are drawn from his notebooks. The book organizes his wide range of interests into subjects such as human figures, light and shade, perspective and visual perception, anatomy, botany and landscape, geography, the physical sciences and astronomy, architecture, sculpture, and inventions. Nearly every piece of writing throughout the book is keyed to the piece of artwork it describes.The writing and art is selected by art historian H. Anna Suh, who provides fascinating commentary and insight into the material, making Leonardo's Notebooks an exquisite single-volume compendium celebrating his enduring genius.

    They have become cultural icons, standing not only for different kinds of art but also for different ways of living. Matisse, known for his restraint and intense sense of privacy, for his decorum and discretion, created an art that transcended daily life and conveyed a sensuality that inhabited an abstract and ethereal realm of being. In contrast, Picasso became the exemplar of intense emotionality, of theatricality, of art as a kind of autobiographical confession that was often charged with violence and explosive eroticism. In Matisse and Picasso , Jack Flam explores the compelling, competitive, parallel lives of these two artists and their very different attitudes toward the idea of artistic greatness, toward the women they loved, and ultimately toward their confrontations with death.

    Escher was born in 1898 in Leeuwarden (Netherlands). He received his first drawing lessons during secondary school from F.W. van der Haagen, who also taught him the block printing, thus fostering Escher's innate graphic talents. From 1912 to 1922 he studied at the School of Architecture and Ornamental Design in Haarlem, where he was instructed in graphic techniques by S. Jessurun de Mesquita, who greatly influenced Escher's further artistic development. Between 1922 and 1934 the artist lived and worked in Italy. Afterwards Escher spent two years in Switzerland and five in Brussels before finally moving back to Barn in Holland, where he died in 1972. M.C. Escher is not a surrealist drawing us into his dream world, but an architect of perfectly impossible worlds who presents the structurally unthinkable as though it were a law of nature. The resulting dimensional and perspectival illusions bring us into confrontation with the limitations of our sensory perception. About the Series: Each book in TASCHEN's Basic Art series features:a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

    Jane. But women, it turns out, have always gone to war. In this fascinating, lively, and wide-ranging book, historian Pamela Toler draws from a lifetime of scouring books for mentions of women warriors to tell their stories and to consider why women go to war.Tomyris, ruler of the hard-riding Massagetae, and her warriors killed Cyrus the Great of Persia when he sought to invade her lands. She herself hacked off his head in revenge for the death of her son. The West African ruler Amina of Hausa, a contemporary of Elizabeth I, led her fierce warriors in a campaign of territorial expansion for more than thirty years. Like Elizabeth, she refused to marry; unlike Elizabeth, she never claimed to be a Virgin Queen. Contemporary accounts of medieval sieges in Europe describe women using firearms, participating in night raids, joining in the defense of breaches in the walls, and fighting hand-to-hand at the improvised barricades that often provided a last line of defense. Among the examples of female samurai in Japan are the Joshigun, a group of thirty seriously combat-trained women who fought against the forces of the Meiji emperor in the late 19th century.These are the stories of those who commanded from the rear and those who fought in the front lines, those who fought because they wanted to, because they had to, or because they could. Considering the ways in which their presence has been erased from history, Toler concludes that women have always fought: not in spite of being women but because they are women.

    Through that observation, astronomers could calculate the size of the solar system—but only if they could compile data from many different points of the globe, all recorded during the short period of the transit. Overcoming incredible odds and political strife, astronomers from Britain, France, Russia, Germany, Sweden, and the American colonies set up observatories in remote corners of the world, only to have their efforts thwarted by unpredictable weather and warring armies. Fortunately, transits of Venus occur in pairs: eight years later, the scientists would have another opportunity to succeed.   Chasing Venus brings to life the personalities of the eighteenth-century astronomers who embarked upon this complex and essential scientific venture, painting a vivid portrait of the collaborations, the rivalries, and the volatile international politics that hindered them at every turn. In the end, what they accomplished would change our conception of the universe and would forever alter the nature of scientific research.

    We own radiation-emitting phones, regularly get diagnostic x-rays, such as mammograms, and submit to full-body security scans at airports. We worry and debate about the proliferation of nuclear weapons and the safety of nuclear power plants. But how much do we really know about radiation? And what are its actual dangers? An accessible blend of narrative history and science, Strange Glow describes mankind's extraordinary, thorny relationship with radiation, including the hard-won lessons of how radiation helps and harms our health. Timothy Jorgensen explores how our knowledge of and experiences with radiation in the last century can lead us to smarter personal decisions about radiation exposures today.Jorgensen introduces key figures in the story of radiation--from Wilhelm Roentgen, the discoverer of x-rays, and pioneering radioactivity researchers Marie and Pierre Curie, to Thomas Edison and the victims of the recent Fukushima Daiichi nuclear power plant accident. Tracing the most important events in the evolution of radiation, Jorgensen explains exactly what radiation is, how it produces certain health consequences, and how we can protect ourselves from harm. He also considers a range of practical scenarios such as the risks of radon in our basements, radiation levels in the fish we eat, questions about cell-phone use, and radiation's link to cancer. Jorgensen empowers us to make informed choices while offering a clearer understanding of broader societal issues.Investigating radiation's benefits and risks, Strange Glow takes a remarkable look at how, for better or worse, radiation has transformed our society.

    Those who kill sheltered animals on the other. Can't we all just get along? Irreconcilable Differences says we can't because shelters act in ways which are the antithesis of the values most Americans hold dear. We are a nation of animal lovers. But the shelters we expect to save animals are instead needlessly killing about four million of them every year. Thankfully, animal lovers all over the U.S. are increasingly rejecting the excuses and blame shifting of shelter administrators used to justify that killing. And it is that rejection of the status quo, propelled by the American public's great love of companion animals, which is explored in this book's essays.

    But the so-called Dark Ages also gave us the first universities, eyeglasses, and mechanical clocks, proving that the Middle Ages were home to a vibrant scientific culture.In The Light Ages, Cambridge science historian Seb Falk takes us on an immersive tour of medieval science through the story of one fourteenth-century monk, John of Westwyk. From multiplying Roman numerals to navigating by the stars, curing disease, and telling time with an ancient astrolabe, we learn emerging science alongside Westwyk, while following the gripping story of the struggles and successes of an ordinary man in a precarious world. An enlightening history that argues that these times weren’t so dark after all, The Light Ages shows how medieval ideas continue to color how we see the world today.

    Eventually, he led tours and gave lectures on the demolition and reconstruction that changed the city forever. Walks through Lost Paris chronicles Paris's great periods of urban reconstruction through four walking tours. With a special focus on the work of Georges-Eugene Haussmann, this book provides a history of each site along with the motives behind the urban redesign and the reactions of Parisians who witnessed it. Detailed maps take you through a city whose changes were captured by photographers and artists in each stage. Hundreds of color photos, diagrams, and engravings splendidly survey the massive transformation that resulted in the Paris of today.