"Absolutely splendid." -- Kirkuse Reviews. "An extraordinary and powerful book." -- Publisher's Weekly.

     Ella Cinders loves helping her father in his dress shop and laughing with her friend Buttons, the store's delivery boy. Then comes the terrible day when her father remarries and everything changes. Her stepmother makes her sew in the dreary basement. Her stepsisters mock her shabby dress. And to top it off, the new Mrs. Cinders forbids Ella to attend the duke's grand ball. Heartbroken, Ella is sure that her life will never be what she dreamed. But with the help of a fairy godmother and some sparkling courage of her own, this Cinderella discovers that dreams can come true in the most unexpected of ways. Join Ella amidst the dazzle and fashion of the roaring twenties as she takes happily ever after into her own hands!

     Damura is a beautiful girl, as kind and lovely as the little green parrot that perches on the nutmeg tree. But Damura's stepmother and stepsister mistreat her. They force her to rise before dawn, carry out all the chores, and sleep on the floor. One day, while down by the river, Damura calls out to the creatures of the wild for help. Rising from the waters, an ancient crocodile answers the call. This unusual fairy godmother, aptly named Grandmother Crocodile, outfits Damura in a sarong of gold, with slippers to match, and sends her to the palace to dance for the prince. Once he sees her, the prince knows that she will be his bride. But the fairy tale isn't quite over. Damura's wicked stepmother and stepsister are so jealous that they push Damura into the river, where she is swallowed by a crocodile. Too bad they didn't know about Grandmother Crocodile.... The Gift of the Crocodile, a tale from the Spice Islands in Indonesia, offers a colorful and dramatic twist on the universally adored Cinderella story.

    Readers will find these dressed up chickens comical as they pour over the extravagant setting, including a "WOW"-inducing double gatefold of chicken couples whirling around the ballroom. A feast for the eyes sure to become a perennial favorite.

    One day, the rabbi asks his children a powerful question: "How much do you love me?" His older daughters profess their love in gold and diamonds, but his youngest daughter, Mireleh, declares she loves her father the way meat loves salt. For this remark, she is banished from her father's home. In this flavorful Jewish Cinderella tale, Mireleh's courageous journey is peppered with a perfect blend of magic and romance, leading to a reconciliation with her beloved father. Lavishly illustrated in Louise August's bold linocuts, The Way Meat Loves Salt will make a wonderful gift for the Jewish holidays.

    Brown's illustrated translation of Perrault's tale in which Cinderella leaves behind a glass slipper in her haste to flee the palace before the fairy godmother's magic loses effect won the 1955 Caldecott medal.A free translation from the French of Charles Perrault, with pictures by Marcia Brown.

    She had to spin straw into gold. And who should show up to help her but an odd little man named Rumpelstiltskin.According to tradition, the gold-bedazzled king and the miller's daughter are wed. But wait just a minute! This king is definitely not husband material, and there's someone else who is -- a hardworking guy who's supportive and nice looking, and who really comes through in a pinch.Why not marry Rumpelstiltskin?In Diane Stanley's merry rethinking of the traditional tale, Rumpelstiltskin and the miller's daughter are wed...and then sixteen years later their only daughter is stuck in the same dilemma: She's been locked in a room full of straw to spin for a greedy king! She could call for help from her father, but this fairy-tale heroine has some canny plans of her own.How Rumpelstiltskin's daughter sets things to rights in the troubled kingdom, while achieving a unique place for herself, makes for a wise and witty tale of kindness and cleverness rewarded. Diane Stanley's wickedly funny text and zesty illustrations put a delightful new spin on a classic fairy tale.Rumpelstiltskin's daughter may not be able to spin straw into gold, but she is more than a match for a monarch whose greed has blighted an entire kingdom.2000-2001 Georgia's Picture Storybook Award & Georgia's Children's Book Award Masterlist01-02 Land of Enchantment Book Award Masterlist (Gr. 3-6) 99-00 Children's Book Award

    Meet a hen that lays golden eggs and a harp that sings by itself. And don't forget the ogre...A classic fairy tale with rich and dynamic illustrations that will leave you chanting "Fee-fi-fo-fum!"

    Her stepmother was so hateful that she counted every drop of water the orphan drank! But with the help of Nature's blessings, the orphan was showered with gifts: brilliance from the Sun, beauty from the Moon, gracefulness from the Dawn—and even a tiny pair of blue shoes from the Sea. When the prince comes to visit their village, he only has eyes for the mysterious beauty. Children will love this fanciful folk retelling of the Cinderella story, accompanied by luminous watercolor illustrations by Giselle Potter.

    "Exceptional." - School Library Journal, starred review

    In this Native American variant of a familiar story, some turkeys make a gown of feathers for the poor girl who tends them so that she can participate in a sacred dance, but they desert her when she fails to return as promised.

    Though her patron is hideous, his disarming generosity slowly leads to a surprising connection. Accessibly and with great compassion, Max Eilenberg sheds fresh light on one of our most beloved fairy tales. Angela Barrett's enchanting illustrations illuminate both the sumptuous palace and the horrifying beast himself. The resulting tour de force reminds us that ultimately love conquers all.

    Even though she was the daughter of the emperor, Izta had no desire to marry a man of wealth and power. Instead, she fell in love with Popoca, a brave warrior who fought in her father’s army—and a man who did not offer her riches but a promise to stay by her side forever.   The emperor did not want his daughter to marry a mere warrior, but he recognized Popoca’s bravery. He offered Popoca a deal: If the warrior could defeat their enemy, Jaguar Claw, then the emperor would permit Popoca and Izta to wed. But Jaguar Claw had a plan to thwart the warrior. Would all be lost?   Today two majestic volcanoes—Popocatépetl and Iztaccíhuatl—stand overlooking Mexico City. They have been admired and revered for countless generations, and have formed the basis of many origin and creation myths. In The Princess and the Warrior, award-winning author and illustrator Duncan Tonatiuh retells one of Mexico’s cherished legends.

    The Zemachs have interpreted the folk tale which the play dramatized, recognizable as a version of the widespread Rumpelstiltskin story. Its main themes are familiar, but the character and details of this picture book are entirely Cornish, as robust and distinctive as the higgledy-piggledy, cliff-hanging villages that dot England's southwestern coast from Penzance to Land's End.The language spoken by the Christmas players was a rich mixture of local English dialect and Old Cornish (similar to Welsh and Gaelic), and something of this flavor is preserved in Harve Zemach's retelling. Margot Zemach's pen-and-wash illustrations combine a refined sense of comedy with telling observation of character, felicitous drawing with decorative richness, to a degree that surpasses her own past accomplishments.Duffy and the Devil is a 1973 New York Times Book Review Notable Children's Book of the Year and Outstanding Book of the Year, a 1974 National Book Award Finalist for Children's Books, and the winner of the 1974 Caldecott Medal.

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.