She can’t count the number of times she’s been the only non-white person at the sleepover, been teased for her “weird” outfits, and been told she’s not “really” black. Also, she’s spent most of her summer crying in bed. So there’s that, too.Lately, it feels like the whole world is listening to the same terrible track on repeat—and it’s telling them how to feel, who to vote for, what to believe. Morgan wonders, when can she turn this song off and begin living for herself?Life may be a never-ending hamster wheel of agony, but Morgan finds her crew of fellow outcasts, blasts music like there’s no tomorrow, discovers what being black means to her, and finally puts her mental health first. She decides that, no matter what, she will always be intense, ridiculous, passionate, and sometimes hilarious. After all, darkness doesn’t have to be a bad thing. Darkness is just real.

    Daunis dreams of studying medicine, but when her family is struck by tragedy, she puts her future on hold to care for her fragile mother. The only bright spot is meeting Jamie, the charming new recruit on her brother Levi’s hockey team. Yet even as Daunis falls for Jamie, certain details don’t add up and she senses the dashing hockey star is hiding something. Everything comes to light when Daunis witnesses a shocking murder, thrusting her into the heart of a criminal investigation. Reluctantly, Daunis agrees to go undercover, but secretly pursues her own investigation, tracking down the criminals with her knowledge of chemistry and traditional medicine. But the deceptions—and deaths—keep piling up and soon the threat strikes too close to home. Now, Daunis must learn what it means to be a strong Anishinaabe kwe (Ojibwe woman) and how far she'll go to protect her community, even if it tears apart the only world she’s ever known.Alternate cover edition of ISBN 9781250766564.

    She is an outsider wherever she goes, caught between being black and white, American and not. She tries to connect these dislocated pieces of her life, and as her mother succumbs to cancer, Thandi searches for an anchor—someone, or something, to love. In arresting and unsettling prose, we watch Thandi’s life unfold, from losing her mother and learning to live without the person who has most profoundly shaped her existence, to her own encounters with romance and unexpected motherhood. Through exquisite and emotional vignettes, Clemmons creates a stunning portrayal of what it means to choose to live, after loss. An elegiac distillation, at once intellectual and visceral, of a young woman’s understanding of absence and identity that spans continents and decades, What We Lose heralds the arrival of a virtuosic new voice in fiction.

    And best of all, the poetry that helps forge her identity.July 24My mother named me Gabriella, after my grandmother who, coincidentally, didn't want to meet me when I was born because my mother was unmarried, and therefore living in sin. My mom has told me the story many, many, MANY, times of how, when she confessed to my grandmother that she was pregnant with me, her mother beat her. BEAT HER! She was twenty-five. That story is the basis of my sexual education and has reiterated why it's important to wait until you're married to give it up. So now, every time I go out with a guy, my mom says, "Ojos abiertos, piernas cerradas." Eyes open, legs closed. That's as far as the birds and the bees talk has gone. And I don't mind it. I don't necessarily agree with that whole wait until you're married crap, though. I mean, this is America and the 21st century; not Mexico one hundred years ago. But, of course, I can't tell my mom that because she will think I'm bad. Or worse: trying to be White. Gabi is Isabel Quintero's debut novel.Named to Kirkus Reviews Best Books of 2014Named to School Library Journal Best Books of 2014

    . . A rich examination of America’s treatment of race, and the ways we attempt to discuss and confront it today.” —The Huffington Post The Freeman family--Charles, Laurel, and their daughters, teenage Charlotte and nine-year-old Callie--have been invited to the Toneybee Institute to participate in a research experiment. They will live in an apartment on campus with Charlie, a young chimp abandoned by his mother. The Freemans were selected because they know sign language; they are supposed to teach it to Charlie and welcome him as a member of their family. But when Charlotte discovers the truth about the institute’s history of questionable studies, the secrets of the past invade the present in devious ways.   The power of this shattering novel resides in Greenidge’s undeniable storytelling talents. What appears to be a story of mothers and daughters, of sisterhood put to the test, of adolescent love and grown-up misconduct, and of history’s long reach, becomes a provocative and compelling exploration of America’s failure to find a language to talk about race. “A magnificently textured, vital, visceral feat of storytelling . . . [by] a sharp, poignant, extraordinary new voice of American literature.” —Téa Obreht, author of The Tiger’s Wife

    And if she's learned one thing, it is to Pack. Light.Carry only what fits in a suitcase.Toothbrush? Yes.Socks? Yes.Emotional attachment to friends? foster families? a boyfriend? Nope!There's no room for any additional baggage.Muir has just one year left before she ages out of the system. One year before she's free. One year to avoid anything--or anyone--that could get in her way.Then she meets Francine. And Kira. And Sean.And everything changes.

    Not because they’re not asked. Not because they’re not interested. Not even because no one can pronounce their long, Thai last name—hence the shortened, awkward moniker. But simply because they’re not allowed.Until now.In a move that other Asian American girls know all too well, six months after the older Tech twins got to college, their parents asked, “Why aren’t you engaged yet?” The sisters retaliated by vowing that they won’t marry for ten (maybe even twenty!) years, not until they’ve had lots of the dating practice that they didn’t get in high school.In a shocking war on the status quo, her parents now insist that their youngest daughter, Orrawin (aka “Winnie”), must practice fake dating in high school. Under their watchful eyes, of course—and organized based on their favorite rom-coms. ’Cause that won’t end in disaster.The first candidate? The son of their longtime friends, Mat Songsomboon—arrogant, infuriating, and way too good-looking. Winnie’s known him since they were toddlers throwing sticky rice balls at each other. And her parents love him.If only he weren’t her sworn enemy.

    And they do not move out of their parents’ house after high school graduation. Perfect Mexican daughters never abandon their family. But Julia is not your perfect Mexican daughter. That was Olga’s role. Then a tragic accident on the busiest street in Chicago leaves Olga dead and Julia left behind to reassemble the shattered pieces of her family. And no one seems to acknowledge that Julia is broken, too. Instead, her mother seems to channel her grief into pointing out every possible way Julia has failed. But it’s not long before Julia discovers that Olga might not have been as perfect as everyone thought. With the help of her best friend Lorena, and her first kiss, first love, first everything boyfriend Connor, Julia is determined to find out. Was Olga really what she seemed? Or was there more to her sister’s story? And either way, how can Julia even attempt to live up to a seemingly impossible ideal?

    But all that changes when his mother brings home Zan — an eight-day-old chimpanzee. Ben’s father, a renowned behavioral scientist, has uprooted the family to pursue his latest research project: a high-profile experiment to determine whether chimpanzees can acquire advanced language skills. Ben’s parents tell him to treat Zan like a little brother. Ben reluctantly agrees. At least now he’s not the only one his father’s going to scrutinize.It isn’t long before Ben is Zan’s favorite, and Ben starts to see Zan as more than just an experiment. His father disagrees. Soon Ben is forced to make a critical choice between what he is told to believe and what he knows to be true — between obeying his father or protecting his brother from an unimaginable fate.Half Brother isn’t just a story about a boy and a chimp. It’s about the way families are made, the way humanity is judged, the way easy choices become hard ones, and how you can’t always do right by the people and animals you love. In the hands of master storyteller Kenneth Oppel, it’s a novel you won’t soon forget.

    Along with losing a parent, the media's vilification of his father and lack of accountability has left Moss with near crippling panic attacks.Now, in his sophomore year of high school, Moss and his fellow classmates find themselves increasingly treated like criminals by their own school. New rules. Random locker searches. Constant intimidation and Oakland Police Department stationed in their halls. Despite their youth, the students decide to organize and push back against the administration.When tensions hit a fever pitch and tragedy strikes, Moss must face a difficult choice: give in to fear and hate or realize that anger can actually be a gift.

    Her thoughts on having the ultimate bikini body? Put a bikini on your body. With her all-American beauty best friend, Ellen, by her side, things have always worked…until Will takes a job at Harpy’s, the local fast-food joint. There she meets Private School Bo, a hot former jock. Will isn’t surprised to find herself attracted to Bo. But she is surprised when he seems to like her back.Instead of finding new heights of self-assurance in her relationship with Bo, Will starts to doubt herself. So she sets out to take back her confidence by doing the most horrifying thing she can imagine: entering the Miss Clover City beauty pageant—along with several other unlikely candidates—to show the world that she deserves to be up there as much as any twiggy girl does. Along the way, she’ll shock the hell out of Clover City—and maybe herself most of all.With starry Texas nights, red candy suckers, Dolly Parton songs, and a wildly unforgettable heroine—Dumplin’ is guaranteed to steal your heart.

    She’s never known an adult she can truly rely on. But the one constant in her life has been Dixie. Gem grew up taking care of her sister when no one else could: not their mother, whose issues make it hard for her to keep food on the table, and definitely not their father, whose intermittent presence is the only thing worse than his frequent absence. Even as Gem and Dixie have grown apart, they’ve always had each other.When their dad returns home for the first time in years and tries to insert himself back into their lives, Gem finds herself with an unexpected opportunity: three days with Dixie—on their own in Seattle and beyond. But this short trip soon becomes something more, as Gem discovers that that to save herself, she may have to sever the one bond she’s tried so hard to keep.

    Made famous by a viral sermon on purity co-written with his eldest daughter, Abigail, Luke is the prototype of a modern preacher: tall, handsome, a spellbinding speaker. But his youngest daughter Caroline has started to notice the cracks in their comfortable life. She is certain that her perfect, pristine sister is about to marry the wrong man—and Caroline has slid into sin with a boy she’s known her entire life, wondering why God would care so much about her virginity anyway.When it comes to light, six weeks before Abigail’s wedding, that Luke has been having an affair with another woman, the entire Nolan family falls into a tailspin. Caroline seizes the opportunity to be alone with her sister. The two girls flee to the ranch they inherited from their maternal grandmother, far removed from the embarrassing drama of their parents and the prying eyes of the community. But with the date of Abigail’s wedding fast approaching, the sisters will have to make a hard decision about which familial bonds are worth protecting.An intimate coming-of-age story and a modern woman’s read, God Spare the Girls lays bare the rabid love of sisterhood and asks what we owe our communities, our families, and ourselves.

    But by night, Jo moonlights as the pseudonymous author of a newspaper advice column for the genteel Southern lady, "Dear Miss Sweetie." When her column becomes wildly popular, she uses the power of the pen to address some of society's ills, but she's not prepared for the backlash that follows when her column challenges fixed ideas about race and gender. While her opponents clamor to uncover the secret identity of Miss Sweetie, a mysterious letter sets Jo off on a search for her own past and the parents who abandoned her as a baby. But when her efforts put her in the crosshairs of Atlanta's most notorious criminal, Jo must decide whether she, a girl used to living in the shadows, is ready to step into the light. With prose that is witty, insightful, and at times heartbreaking, Stacey Lee masterfully crafts an extraordinary social drama set in the New South.

    Eleven years after a shooting rocked the small town of East Ridge, New Jersey and left eighteen first graders in their classroom dead, survivors and recent high school graduates Matt Simpson and Cole Hewitt are still navigating their guilt and trying to move beyond the shadow of their town's grief. Will Cole and Matt ever be able to truly leave the ghosts of East Ridge behind? Do they even want to? As they grapple with changing relationships, falling in love, and growing apart, these two friends must face the question of how to move on—and truly begin living.